Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
3.3 KiB
3.3 KiB
Refinement notes
Paul's approach, 2 November 2026: build in pieces, learn by using it, and note every refinement, so the next user gets a much easier time because we did the refining. Each note says what happened and what a new user should get by default. These feed "Build your own network" on the roadmap.
Channels and pools
- Rules let in misfits. Family films, shorts, blockbusters and foreign films reached After Dark until year, rating, genre and score rules tightened. A new user should get channels that fit first time, and never have to judge a long list.
- Lists of well-known titles work best. Curated lists found nearly everything in Paul's library (Orbit 2 31 of 31, Sci-Fi 48 of 48). Rules are for growing a pool, not starting one.
- Reviewing is tiring. Paul said he'd need to go through each one again, and can't judge every title. Filling automatically and taking out what's wrong suits better than ticking what's right.
- Rating alone is not a signal. Filling by highest rating in 0.74 brought UFC events, wrestling and obscure films with a 10 from a few votes. Emby's type and genre don't separate a film from a recorded event. A director needs popularity or vote counts, an event filter, and a check against title lists. Until then, lists are better.
- Titles still suggests by rating, and ticks new suggestions by default. Fix this before a new user sees it.
- A film channel needs about 100 films to go a week without a repeat. With 45 it repeats in 3 to 4 days. Tell the user if their library falls short.
- Library details have limits. Nothing tells a British film or hand-drawn animation apart, so those need title lists or other sources.
- Names vary by library. WWE Raw and IMPACT! Wrestling were found under different names from those guessed. Matching should cope with this, and show what it couldn't find.
- The same show on two channels at once looks wrong, and is now avoided. Check this across every new source of programmes, such as the Drive-In.
Playback
- Some files can't play on some boxes. The MP3 audio on Transformers failed every time, and Forensic Files had sound with no picture. Leave these out before they're scheduled, and never show an error on air.
- Transcoding is not a safe default. Paul decided against it, and a provider may not allow it.
- Foreign audio needs catching: Recess came up not in English.
Screens
- Paul prefers uncluttered screens, showing only what's needed. Test tools and technical readouts confused the flow, and took 0.73 to clear out.
- Real artwork beats drawn scenes. Drawn channel backdrops looked off brand; real Emby artwork was "clean af", and his own Drive-In pictures beat my drawn ones.
- Screenshots are blocked on the box, so text placed over artwork needs a photo to check. Fixed-height lines fixed the first attempt.
- Remote reach: check every screen by remote. The gear couldn't be reached from the first column until 0.73.1.
First run, for the next user
- One screen at a time: sign in, channels ticked from what the library holds, then the main menu.
- Smart schedules on by default. Today a fresh sign-in starts every channel off, and needs 29 presses.
- Numbers in blocks like Sky from the start, so there's never a move to make. The one move we made missed two channels until a test caught it.