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Merge main into fix/ai-envelope-budget-warped-type
This commit is contained in:
dotCooCoo
+9
-5
@@ -15,13 +15,17 @@ The **Dimension Tool** is in the Modify section of the toolbar. Its strip offers
|
||||
path's length. A press on an anchor picks it when the pointer moves less than 8 pixels
|
||||
before the release; a longer drag drags out the dimension of the segment under the pointer. A
|
||||
curved segment is measured from end to end. With Smart Guides on, both points also snap into line with other objects'
|
||||
anchors and centres, and the second onto the construction guides through the first; the guides
|
||||
anchors and centres. With Snap to Perpendicular or Snap to Tangent on, the second point also
|
||||
snaps onto a segment where the line from the first meets it square or grazes a curve. When the
|
||||
first point was picked on an anchor, the second also snaps onto the construction guides through
|
||||
it; any other first point has no construction guides through it. The guides
|
||||
show while hovering, before each click. VectorCraft's own rules decide where a point lands: an
|
||||
anchor within 8 pixels takes it first; a point on a guide stays on the guide where the pointer
|
||||
is, except that it moves onto a segment within the Smart Guides snapping tolerance, or onto the
|
||||
place where a construction guide crosses another object's alignment line within twice that
|
||||
tolerance; a point that no anchor, guide, grid or pixel snapping places lands on the closest
|
||||
point of a segment within 8 pixels.
|
||||
is, except that it moves onto a segment within the Smart Guides snapping tolerance, or, on a
|
||||
construction guide or a Snap to Glyph guide that runs at an angle, onto the place where that
|
||||
guide crosses another object's alignment line within twice that tolerance; a point that no
|
||||
anchor, guide, grid or pixel snapping places lands on the closest point of a segment within 8
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||||
pixels.
|
||||
A linear dimension is aligned, horizontal or vertical, as the
|
||||
[linear dimensions help](https://helpx.adobe.com/illustrator/desktop/measure-and-align/plot-and-measure/plot-linear-dimensions-of-objects.html)
|
||||
describes: after the second click, clicking again places an aligned dimension, and moving the
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||||
@@ -98,8 +98,12 @@ main added paragraph labels, spine-index validation and two error messages: six
|
||||
Main's workspace version is still 0.21.0; this PR does not change release versioning.
|
||||
|
||||
`cargo test -p vectorcraft-ui-egui --lib i18n::tests` passes all 55 tests in Ubuntu 24.04 (WSL).
|
||||
The untranslated report has no Hindi section, meaning it found no missing Hindi rows among the
|
||||
categories it checks. This does not check dynamically assembled strings that the scanners miss.
|
||||
On 2026-11-14 the untranslated report on main (`f793044f83`) has a Hindi section with 608
|
||||
missing rows: 28 menu strings, 30 `tl!` strings, 11 undo labels and 539 messages. Its
|
||||
`every language` section lists 68 more that every checked language lacks, Hindi included: 10 menu
|
||||
strings, 2 undo labels and 56 messages. These include labels for newer features and command
|
||||
parameter, script and file import or export errors, which show in English until a catalog row
|
||||
is added. The report does not check dynamically assembled strings that the scanners miss.
|
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Additional checks compare placeholders, backtick-delimited identifiers and numeric values.
|
||||
The native Hindi UI fallback test also passes with the installed Nirmala UI font. A running
|
||||
desktop preview was checked in Hindi, including the New Document dialog and File menu.
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@@ -31,7 +31,7 @@ Chinese by `imachus`). Georgian and the original Gujarati catalog are recorded a
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||||
| English | `en` | source, 100% | all | Latin | — | full | — |
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| Simplified Chinese (Mandarin) | `zh-hans` | 5,102 rows, 791 of them `@msg` (counted 2026-10-21): menus, `tl!` literals and messages complete when counted | all (3,554 `@msg` and 48 `@msgplural` rows, counted 2026-11-13: the untranslated report lists 55 missing messages for it, which open #7116, #7211, #7330, #7378 and #7405 translate) | CJK UI font from craft-fonts (BIZ UDPGothic) when embedded, else a system font; IME with marked text at the caret; vertical type partial ([type-parity.md](type-parity.md)) | no | full | — (review) |
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||||
| Spanish | `es` | 4,009 / 4,020 (99.7%) | all (604 messages) | Latin | no | full | — (review) |
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||||
| Hindi | `hi` | 8,782 rows (2026-11-13): 3,014 `@msg`, 47 `@msgplural`, 41 `@plural`; no gaps in the untranslated report | menus, dialogs, tooltips and scanned messages; contributor-approved loanword terminology; agent wording pass | UI and document text shape with HarfRust; installed desktop Devanagari fallback, or a `Deva` craft-fonts face; web font still needed | contributor terminology review; 2026-11-13 wording pass on messages and longer labels, with a glossary-term test; wider proofread welcome | complete catalog, machine-assisted draft | native review, layout and web font |
|
||||
| Hindi | `hi` | 8,782 rows (2026-11-13): 3,014 `@msg`, 47 `@msgplural`, 41 `@plural`; the untranslated report on main `f793044f83` (2026-11-14) lists 676 missing rows for it: 608 in its own section and 68 that every checked language lacks | menus, dialogs, tooltips and scanned messages; contributor-approved loanword terminology; agent wording pass | UI and document text shape with HarfRust; installed desktop Devanagari fallback, or a `Deva` craft-fonts face; web font still needed | contributor terminology review; 2026-11-13 wording pass on messages and longer labels, with a glossary-term test; wider proofread welcome | complete catalog, machine-assisted draft | reported missing rows, native review, layout and web font |
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||||
| Gujarati | `gu` | 4,673 rows (2026-11-14): original 4,286 unchanged; all 387 additions contributor-reviewed and approved | menus and dialogs; status/error messages partial | installed Gujarati fonts on desktop; optional `Gujr` craft-fonts fallback; no Gujarati face in the pinned CI/release fonts or web startup list | original catalog reviewed by a native speaker; all 387 later additions approved by the contributor, with 11 wording corrections | contributor-reviewed catalog | remaining messages and a bundled Gujarati web font |
|
||||
| Arabic | `ar` | 0 | none | document text: bidi layout and Paragraph Direction; interface: no right-to-left layout, no Arabic shaping in egui | no | none | 25–40 |
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||||
| French | `fr` | 9,166 rows, 3,436 of them `@msg` and 48 `@msgplural` (counted 2026-11-13): the untranslated report lists 178 missing messages for it | all | Latin | no | full | — (review) |
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@@ -44,8 +44,8 @@ Chinese by `imachus`). Georgian and the original Gujarati catalog are recorded a
|
||||
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||||
**Historical 12-language score: ~82%** (equal weights: 100 + 85 + 100 + 0 + 0 + 100 + 100 + 100 + 100 + 98 + 100 + 100, over 12).
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**To `full` for all twelve: ~50–85 h** (historical estimate, not re-scored here). Hindi now has
|
||||
a complete catalog and UI shaping; its remaining work is native review, layout checking and the
|
||||
web font. Arabic still needs its catalog and right-to-left interface. Each new Latin-script catalog is ~4,000 rows; the existing ones were written in a few agent hours each
|
||||
a catalog that the tests count as complete, and UI shaping; its remaining work is the rows the
|
||||
untranslated report lists for it, native review, layout checking and the web font. Arabic still needs its catalog and right-to-left interface. Each new Latin-script catalog is ~4,000 rows; the existing ones were written in a few agent hours each
|
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plus review. Native-speaker review is human work and isn't in the hours.
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## Other shipped languages
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@@ -53,12 +53,12 @@ plus review. Native-speaker review is human work and isn't in the hours.
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||||
| Language | Code | Translated | Status |
|
||||
|---|---|---|---|
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||||
| Traditional Chinese (Taiwan) | `zh-hant` | 8,820 rows, 3,438 of them `@msg` and 48 `@msgplural` (counted 2026-11-13): the untranslated report lists 40 missing messages for it; menus, `tl!` literals and messages were complete when counted on 2026-10-21 (80% overall) | partial |
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||||
| Italian | `it` | 8,757 rows, 3,422 of them `@msg` and 48 `@msgplural` (counted 2026-11-13): the untranslated report lists 40 missing messages for it | full |
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||||
| Italian | `it` | 8,924 rows, 3,560 of them `@msg` and 48 `@msgplural` (counted 2026-11-13): the untranslated report lists 54 missing messages for it, which open #7116, #7211, #7378 and #7405 translate | full |
|
||||
| Dutch | `nl` | 3,447 `@msg` and 48 `@msgplural` rows (counted 2026-11-13): in `COMPLETE_MESSAGES`, and the untranslated report lists 41 missing messages for it; one/other plurals | full |
|
||||
| Danish | `da` | 5,279 rows, 750 of them `@msg` (counted 2026-10-21): menus and `tl!` literals complete when counted; its messages are partial; one/other plurals | full |
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||||
| Russian | `ru` | 4,009 / 4,020 | full |
|
||||
| Ukrainian | `uk` | 8,802 rows, 3,439 of them `@msg` and 48 `@msgplural` (counted 2026-11-13); one/few/many plurals | full |
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||||
| Hungarian | `hu` | 5,253 rows (counted 2026-10-21): menus, `tl!` literals and messages complete when counted; one plural form | full |
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||||
| Hungarian | `hu` | 9,166 rows, 3,444 of them `@msg` and 48 `@msgplural` (counted 2026-11-13): the untranslated report lists 40 missing messages for it, and lists 47 menu strings, 25 `tl!` strings, 11 undo labels and 45 swatch names without a row; one plural form | full |
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||||
| Polish | `pl` | 9,044 rows, 3,439 of them `@msg` and 48 `@msgplural` (counted 2026-11-13): the untranslated report lists 46 missing messages for it, and 47 menu strings, 26 `tl!` literals, 11 undo labels and 45 swatch names; one/few/many plurals | full; native review pending |
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||||
| Finnish | `fi` | 5,318 rows (counted 2026-10-21): menus, `tl!` literals and messages complete when counted; one/other plurals, 797 `@msg` rows | full; AI-assisted, native proofreading pending |
|
||||
| Czech | `cs` | 9,273 rows, 3,560 of them `@msg` and 48 `@msgplural` (counted 2026-11-13): the untranslated report lists 2 missing Czech messages, and 54 messages that no language has a row for | catalog complete; render-site gaps reduced; native review pending |
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||||
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||||
+44
-11
@@ -1,6 +1,6 @@
|
||||
# VectorCraft MCP server
|
||||
|
||||
> **Last updated:** 2026-11-13 · **Change:** Snap to Point with Smart Guides off draws no Smart Guides labels or lines, #7250; no response-shape change. Previously: Envelopes: a top object's side whose pieces are all one curve split at anchors follows that curve's parameter (#7097); existing response shapes retained.
|
||||
> **Last updated:** 2026-11-14 · **Change:** Pencil continuation, straight-line and closing cursors; scores and estimates unchanged; no response-shape change. Previously: Snap to Point with Smart Guides off draws no Smart Guides labels or lines, #7250; no response-shape change. Previously: Envelopes: a top object's side whose pieces are all one curve split at anchors follows that curve's parameter (#7097); existing response shapes retained.
|
||||
|
||||
`vectorcraft-cli mcp` runs a [Model Context Protocol](https://modelcontextprotocol.io) server on stdio
|
||||
(newline-delimited JSON-RPC 2.0; see [Protocol](#protocol) for version negotiation). Agents use it to
|
||||
@@ -3224,8 +3224,12 @@ already walks Image Trace. Short agent entry points:
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||||
is rejected with an error. The Pencil and the Paintbrush give Fidelity in screen pixels, 0.01 to 100 px, and send it
|
||||
divided by the zoom (0.0313 to 640) and kept within that range, so a stroke is fitted at the same tolerance on screen
|
||||
at every zoom. A stroke
|
||||
that continues a path (`extend`) closes it when it ends within four times the Fidelity of the path's other end, at
|
||||
least 6 pt and at most 400 pt. The Blob Brush's `path.blob` Fidelity stays in points, 0.01 to 100 pt.
|
||||
that continues a path (`extend`) closes it when `closed` is true: the Pencil and the Paintbrush send it when the
|
||||
stroke ends within Close Paths When Ends Are Within of the path's other end (the cursor shows the closing ring there),
|
||||
a straight Pencil line too, or with Alt held at the release. The stroke's end then joins the other end when it is
|
||||
within four times the Fidelity of it (at least 6 pt and at most 400 pt), and a straight segment closes the path from
|
||||
farther away. Without `closed`, the stroke closes the path when it ends within that four-times-Fidelity distance. The
|
||||
Blob Brush's `path.blob` Fidelity stays in points, 0.01 to 100 pt.
|
||||
- Variables: `variable.list`, `variable.define {name, kind: text|visibility|image|graph}`, `variable.bind {variable, ids?}`,
|
||||
`variable.makeTextDynamic`, `variable.makeVisibilityDynamic`, `variable.makeImageDynamic`, `variable.makeGraphDynamic`
|
||||
(`variable.bind` and `variable.makeTextDynamic` refuse type that already has another text variable and name it),
|
||||
@@ -3269,8 +3273,9 @@ already walks Image Trace. Short agent entry points:
|
||||
byte order that reads a line break (`\n` or `\r`). It is refused when fewer of its units hold a NUL byte (UTF-8 or
|
||||
Windows-1252 text with stray NUL bytes, or UTF-16 text made mostly of other characters, which needs a byte-order
|
||||
mark), when both byte orders read a line break (the text holds U+0A00 or U+0D00), when it has an odd length, and
|
||||
when it isn't valid UTF-16 in that order or holds a NUL character. A file with no line break has no data rows and is
|
||||
refused for that. `csv` and `data` are read as the text they hold.
|
||||
when it isn't valid UTF-16 in that order or holds a NUL character. A file with no line break is read big-endian when
|
||||
more of its two-byte units start with a NUL byte than end with one, and little-endian otherwise; it has no data rows,
|
||||
so the import is refused. `csv` and `data` are read as the text they hold.
|
||||
- Variable libraries: `variable.loadLibrary {path|xml|dataBase64}` (the Variables panel menu's Load Variable
|
||||
Library…) replaces the document's variables and data sets with a variable library's in one undo step. A load, like a
|
||||
`dataset.import`, adds no undo step when it leaves the variables and data sets as they were. The library
|
||||
@@ -3646,6 +3651,16 @@ already walks Image Trace. Short agent entry points:
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||||
a locked artboard, or in isolation mode outside the isolated art. In the app, the tool's cursor shows what a click
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||||
at the pointer selects under these rules: the arrow with a filled square for a face, with a short line for an edge,
|
||||
and with an x for nothing. It keeps the look it had at the press until the release.
|
||||
A double-click (`pointer_gesture` kind `doubleclick`, after the two clicks' `down` and `up`) on the face a click there
|
||||
picks runs `select.set {ids}` with that face and the faces of its group that a flood from it reaches across edges
|
||||
that are hidden or draw no stroke (an edge that is fully transparent, or whose strokes are each hidden, without
|
||||
paint, 0 pt wide or fully transparent); a stroked edge and a Gap Detection gap stop the flood, and hidden faces are
|
||||
left out. On the edge a click
|
||||
there picks, it runs `select.set {ids}` with that edge and the edges of its group, not hidden, joined to it end to
|
||||
end through edges that draw with the stroke paint it draws with (the paint of an edge's topmost stroke that is
|
||||
shown, with paint, above 0 pt and not fully transparent; none for an edge that draws no stroke). With Shift held it runs `select.toggle {ids}` with the same faces or edges,
|
||||
and where a click selects no face or edge it runs nothing. The same options, locks and isolation rules apply as for
|
||||
a click.
|
||||
The Live Paint Bucket's options (`tool.setOption {tool: "livePaintBucket", values}`; double-clicking the tool opens
|
||||
them, dialog `livePaintBucketOptions`) are `paintFills` (on), `paintStrokes` (off), `cursorSwatchPreview` (on),
|
||||
`highlight` (on), `color` (the
|
||||
@@ -5135,7 +5150,8 @@ The Attributes panel (`window.panel {panel: "attributes"}`, Cmd+F11) reads `attr
|
||||
objects differ) and `recentUrls`. `attributes.set {overprintFill?, overprintStroke?, showCenter?, imageMap?, url?,
|
||||
note?, ids?}` sets them in one undo step; `path.setFillRule {rule: "nonZero"|"evenOdd"}` sets the fill rule of the
|
||||
paths and compound paths, and `path.reverse {reversed?}` makes subpaths run counter-clockwise (true) or clockwise
|
||||
(false). SVG export wraps an object with a URL in `<a xlink:href>`, and SVG import reads `<a href>` links back.
|
||||
(false). When every subpath of a path turns alike, its strokes' width profiles (left and right swapped) and pen
|
||||
pressure, tilt, bearing and rotation turn with it, so the strokes draw as before. SVG export wraps an object with a URL in `<a xlink:href>`, and SVG import reads `<a href>` links back.
|
||||
|
||||
```json
|
||||
{"name":"run_command","arguments":{"command":"attributes.set","params":{"ids":[12],"url":"https://example.com","imageMap":"rectangle"}}}
|
||||
@@ -7228,9 +7244,14 @@ the document; so does `object.expand`.
|
||||
Placing a text file (`.txt`) sets it as area type: `file.place {path | name+dataBase64, text?: {characterSet?:
|
||||
"unicode" | "ansi", platform?: "windows" | "mac", removeLineReturns?, removeParagraphReturns?, replaceSpaces?: n}}`
|
||||
(Text Import Options). Unicode reads UTF-8, or UTF-16 with a byte-order mark; ANSI reads Windows-1252 (Mac Roman on
|
||||
`mac`). `removeLineReturns` joins the lines of each block into one paragraph, `removeParagraphReturns` drops blank
|
||||
lines, `replaceSpaces: 3` turns runs of 3 or more spaces into tabs. The frame fills `rect`, the replaced object's
|
||||
bounds, or the artboard less a 36 pt margin.
|
||||
`mac`). Unicode reads a file without a byte-order mark as UTF-16 by the rule `dataset.import` uses: at least half of
|
||||
its two-byte units hold a NUL byte, in the byte order that reads a line break, or for a file with one line, big-endian
|
||||
when more of its units start with a NUL byte than end with one, and little-endian otherwise. Any other file is read as
|
||||
UTF-8, else as the platform's 8-bit set: one with fewer NUL bytes, one with an odd length, one where both byte orders
|
||||
read a line break, and one that isn't valid UTF-16 in that order or holds a NUL character. `removeLineReturns` joins
|
||||
the lines of each block into one paragraph, `removeParagraphReturns` drops blank lines, `replaceSpaces: 3` turns runs
|
||||
of 3 or more spaces into tabs. The frame fills `rect`, the replaced object's bounds, or the artboard less a 36 pt
|
||||
margin.
|
||||
|
||||
```json
|
||||
{"name":"run_command","arguments":{"command":"file.place","params":{"path":"/tmp/notes.txt","text":{"removeLineReturns":true,"removeParagraphReturns":true}}}}
|
||||
@@ -9144,7 +9165,9 @@ send an Alignment or Level change for paragraphs that stay in no list. With no t
|
||||
with an unknown `tab`, `ui.bulletsAndNumbering` is an error.
|
||||
|
||||
Type › Bullets and Numbering › Convert to Text runs `type.convertListToText` on the selected type's paragraphs, or on
|
||||
those the Type tool's selection touches, and that runs `text.convertListToText {ids?, start?, end?}`. The marker of
|
||||
those the Type tool's selection touches, and that runs `text.convertListToText {ids?, start?, end?}`. With the
|
||||
Selection tool, a selected frame of threaded text names every frame of its story in `ids`, locked and hidden frames
|
||||
included, as Apply Bullets and Apply Numbers do. The marker of
|
||||
each list paragraph becomes characters at the start of the paragraph: the bullet, or the number and its period as the
|
||||
paragraph showed it, then a tab. They are set in the marker's font, size and color: the style of the paragraph's first
|
||||
character without the attributes the marker leaves out. The paragraph leaves its list. A paragraph at a list level
|
||||
@@ -10655,6 +10678,10 @@ threaded frame, which composes them again at its own widths. Such a paragraph fa
|
||||
frame has no room for its first line, or when the search for its breaks passes VectorCraft's own limits (1,000,000
|
||||
lines tried and 2,000,000 baseline steps for one paragraph, 2,000,000 lines and 4,000,000 steps for all the
|
||||
paragraphs of a frame).
|
||||
Single-line measures each line's room the same way: a line that takes in a taller character is placed again across its
|
||||
new height and broken again in the room there. When that leaves the taller character for the next line, the line is
|
||||
set at its own height where the room there is no narrower, with the words before that character that fit there, and
|
||||
otherwise stays where it was placed.
|
||||
The UI command `type.lineComposer` (Cmd+Alt+Shift+C, in remote mode `press_key {key: "C", mods: {cmd: true, alt: true,
|
||||
shift: true}}` or `invoke_menu`) sets `singleLine` when every paragraph of the selected type (or every paragraph the
|
||||
Type tool's selection touches) uses Every-line, else `everyLine`, and returns the composer it set.
|
||||
@@ -10713,7 +10740,12 @@ and the arrow keys nudge them by the keyboard increment. The active tool lists t
|
||||
(`tool.setOption {}` returns them as `meshPoints: [{id, index}…]`). On gradient meshes a solid fill colour (`paint.setFill`, from the
|
||||
Color panel, Swatches or the Eyedropper) recolours just the picked points, and when every target of
|
||||
`transparency.set` is a gradient mesh with points picked, its `opacity` fades those points instead of the objects
|
||||
(`transparency.info` then shows their opacity, `null` when it differs). Both are one undo step.
|
||||
(`transparency.info` then shows their opacity, `null` when it differs). Both are one undo step, and neither goes to the
|
||||
points while the Appearance panel's active row takes the fill or the opacity. When the first selected object is a
|
||||
gradient mesh with points picked, the Fill proxy, the Color panel, the Color Wheel and `paint.proxies` show its first
|
||||
picked point's color, and `fillMixed` compares the picked points' colors with each other and with the fills of the other
|
||||
selected objects. The Transparency panel shows the picked points' opacity (blank when it differs), and the Control
|
||||
bar shows the first picked point's opacity.
|
||||
|
||||
`object.mesh.movePoints {id, points: [index…], dx, dy}` (or `{items: [{id, points}…], dx, dy}` over several meshes)
|
||||
moves points by (dx, dy), their handles with them; `object.mesh.setPointColor` takes `points` or `items` the same
|
||||
@@ -11842,6 +11874,7 @@ the error text. The interactive fallback applies only to ordinary File > Save, n
|
||||
|
||||
| Date | Change |
|
||||
|---|---|
|
||||
| 2026-11-13 | `path.freehand`: `closed`, when given, decides whether a stroke that continues a path (`extend`) closes it; the Pencil and the Paintbrush send it by Close Paths When Ends Are Within. |
|
||||
| 2026-11-13 | Snap to Point with Smart Guides off draws no Smart Guides labels or lines (#7250). |
|
||||
| 2026-11-13 | Envelopes: a top object's side whose pieces are all one curve split at anchors follows that curve's parameter (#7097). |
|
||||
| 2026-11-11 | Document READ_ONLY_LOCATION for saves (#6146); no response-shape change. |
|
||||
|
||||
+23
-11
File diff suppressed because one or more lines are too long
@@ -121,6 +121,14 @@ How a facet carries its seam depends on the lights and the paint:
|
||||
groups clipped to the union of its facets, so no seam reaches past the surface; a gradient fill, and a solid-color
|
||||
fill or stroke whose faces share one depth order with another solid's, fills each facet's ramps through a clip of
|
||||
the facet and its seam, outlined with round joins.
|
||||
The facets of a surface drawn this way lie over an underlay
|
||||
of themselves whose seams are 2 pt wide, reaching 1 pt past each edge, and one clip to the union of the facets and
|
||||
their seams removes what the underlay paints past the surface. Where two facets' antialiased edges meet, the
|
||||
underlay fills the pixels they leave partly uncovered with the neighbors' own light, so no black channel backdrop
|
||||
or background shows there. Compared with the same art drawn at 3x and averaged down, away from the surface's outline
|
||||
and from places where the light changes sharply, a pixel drawn at 1:1 is opaque where the 3x art is opaque, and
|
||||
otherwise its alpha is within 3 levels. Inflate seen straight on with an opaque fill also has each color channel
|
||||
within 3 levels (VectorCraft's own measure).
|
||||
- Extrude & Bevel (Classic), Rotate (Classic) and Revolve (Classic): a path and a seam for every face; gradient and
|
||||
pattern faces seam only the base paint, and the shading and highlight layers cover the face alone. The Wireframe
|
||||
surface draws edges only, with no seam.
|
||||
@@ -171,6 +179,10 @@ The rest is our reading:
|
||||
once their faces pass it no later solid is built: the object draws its source art, and applying or editing the
|
||||
effect, Export 3D Object and **Expand as Wireframes** report that the 3D surface is too complex. A stroke left
|
||||
out for its own limits does not count.
|
||||
- Inflate works out how high every shape puffs before it builds the first solid, because the highest puff sets
|
||||
how far away the eye is. At a Volume of 0 % no shape puffs, so each shape's puff is worked out only when its
|
||||
solid is built, and none is worked out for the solids after the limit stops. The shadow builds no solid for a
|
||||
fill or stroke that is fully transparent.
|
||||
|
||||
## Groups
|
||||
|
||||
|
||||
+3
-2
@@ -1,6 +1,6 @@
|
||||
# UI and interaction parity
|
||||
|
||||
> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-11-13 · **Change:** minor (Graphic Styles list fills a taller panel, #2992; scores and estimates unchanged; previously: library panels' lists fill a taller panel, #2992; scores and estimates unchanged; previously: Swatches list fills a taller panel, #1638; scores and estimates unchanged; previously: icon-strip flyouts also resize from the top edge and the canvas-side top corner, keeping the moved top in workspaces (storytold/craft-libs#1094); scores and estimates unchanged; previously: macOS: the canvas cursor stays after the pointer moves, #6362; scores and estimates unchanged; previously minor: Remove Background in the Contextual Task Bar, Properties › Quick Actions and the Control bar; previously minor: Ruler origin: the corner drag snaps as a drawn point does; previously minor: Live Paint Bucket fills faces crossed in one drag (#6373); previously: #6404: transform-aware Eyedropper character copying; scores and estimates unchanged; previously: Outline view: images and gradient meshes are picked on what Outline draws, so a click inside them reaches the path behind, #6437; previously minor: a middle-click on a document tab closes it, #6506; previously minor: Blob Brush: a round tip's preview is the outline of the area it adds, round at both ends, as the stroke it commits (#4343); scores and estimates unchanged; previously:; ruler double-click adds a guide at the pointer, #5239; G5: Inventory Icons built-in symbol library (four built-ins); previously minor: files that record no units open in Preferences › Units › General, #5820; previously minor: interim macOS cursor delivery, #2292; native validation pending; scores and estimates unchanged; Control bar › Snapping includes the existing Snap to Glyph and Alignment Guides toggles (#6164); scores and estimates unchanged; floating tab groups collapse into the side icon rail and opened rail panels fold back into it, #5925 in part; numeric fields step on wheel hover without taking keyboard focus, #5949; Character Styles panel: a double-click on a style's row opens its Character Style Options; the dialog keeps a fixed width and scrolls its sections, so its buttons stay on screen; Selection QoL: marquee modes and visible feedback, #5313; #3380 deletion-only review follow-up: independent survivors keep gradient placement, owned subpaths avoid discarded copies, and contracts/status/evidence are clarified; endpoint highlighting remains open; scores and estimates unchanged; Drop Shadow and glow dialogs: spinner arrows, #5367, #5368; Stroke Weight Up and Down shortcuts, #5797; Layers: Rename (`ui.rename`) opens the name field of the selected layer, group or object, #5324; Properties in Edit Artboards: Transform section above the Artboards section, #5219; scrubby labels: the Control bar's Stroke: and Opacity: links and the Properties panel's Stroke link scrub their fields, #4088; Properties: Quick Actions has Repeat Options for one selected repeat, #5181; Direct Selection: Shift-click picks several blend spine points, which drag together, #5285; Direct Selection: Cmd/Ctrl held lends the Selection tool and shows its bounding box, #3901; Join tool trims two crossing open paths and joins them at the crossing, #5844; Control bar: Paragraph: link and Align left/center/right while type is selected, #5372; shape tools: a press on the selection's centre point moves it and one in the rotate zone outside a box corner turns it, #5477; scores and estimates unchanged) · **Target:** Adobe Illustrator 2026 (30.x; Units › East Asian Type acts, with Q and Ha units; scores unchanged)
|
||||
> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-11-13 · **Change:** minor (Pencil continuation, straight-line and closing cursors; scores and estimates unchanged; previously: Graphic Styles list fills a taller panel, #2992; scores and estimates unchanged; previously: library panels' lists fill a taller panel, #2992; scores and estimates unchanged; previously: Swatches list fills a taller panel, #1638; scores and estimates unchanged; previously: icon-strip flyouts also resize from the top edge and the canvas-side top corner, keeping the moved top in workspaces (storytold/craft-libs#1094); scores and estimates unchanged; previously: macOS: the canvas cursor stays after the pointer moves, #6362; scores and estimates unchanged; previously minor: Remove Background in the Contextual Task Bar, Properties › Quick Actions and the Control bar; previously minor: Ruler origin: the corner drag snaps as a drawn point does; previously minor: Live Paint Bucket fills faces crossed in one drag (#6373); previously: #6404: transform-aware Eyedropper character copying; scores and estimates unchanged; previously: Outline view: images and gradient meshes are picked on what Outline draws, so a click inside them reaches the path behind, #6437; previously minor: a middle-click on a document tab closes it, #6506; previously minor: Blob Brush: a round tip's preview is the outline of the area it adds, round at both ends, as the stroke it commits (#4343); scores and estimates unchanged; previously:; ruler double-click adds a guide at the pointer, #5239; G5: Inventory Icons built-in symbol library (four built-ins); previously minor: files that record no units open in Preferences › Units › General, #5820; previously minor: interim macOS cursor delivery, #2292; native validation pending; scores and estimates unchanged; Control bar › Snapping includes the existing Snap to Glyph and Alignment Guides toggles (#6164); scores and estimates unchanged; floating tab groups collapse into the side icon rail and opened rail panels fold back into it, #5925 in part; numeric fields step on wheel hover without taking keyboard focus, #5949; Character Styles panel: a double-click on a style's row opens its Character Style Options; the dialog keeps a fixed width and scrolls its sections, so its buttons stay on screen; Selection QoL: marquee modes and visible feedback, #5313; #3380 deletion-only review follow-up: independent survivors keep gradient placement, owned subpaths avoid discarded copies, and contracts/status/evidence are clarified; endpoint highlighting remains open; scores and estimates unchanged; Drop Shadow and glow dialogs: spinner arrows, #5367, #5368; Stroke Weight Up and Down shortcuts, #5797; Layers: Rename (`ui.rename`) opens the name field of the selected layer, group or object, #5324; Properties in Edit Artboards: Transform section above the Artboards section, #5219; scrubby labels: the Control bar's Stroke: and Opacity: links and the Properties panel's Stroke link scrub their fields, #4088; Properties: Quick Actions has Repeat Options for one selected repeat, #5181; Direct Selection: Shift-click picks several blend spine points, which drag together, #5285; Direct Selection: Cmd/Ctrl held lends the Selection tool and shows its bounding box, #3901; Join tool trims two crossing open paths and joins them at the crossing, #5844; Control bar: Paragraph: link and Align left/center/right while type is selected, #5372; shape tools: a press on the selection's centre point moves it and one in the rotate zone outside a box corner turns it, #5477; scores and estimates unchanged) · **Target:** Adobe Illustrator 2026 (30.x; Units › East Asian Type acts, with Q and Ha units; scores unchanged)
|
||||
>
|
||||
> Vector Halftone preview update (2026-11-10): temporary dot selection marks are hidden, and the bounding box stays available (#6369).
|
||||
>
|
||||
@@ -52,6 +52,7 @@ Artboard Options forwards the active Artboard tool's Scale Artwork with Artboard
|
||||
| Date | Change | Summary |
|
||||
|---|---|---|
|
||||
| 2026-11-14 | minor | Layers panel: right-clicking a layer/group/object row shows a context menu with Options…, Duplicate, Delete, Lock/Hide Others, Locate Object, and Collect for Export — matching standard desktop layer panel conventions. Scores unchanged. |
|
||||
| 2026-11-13 | minor | Pencil cursors: the continuation cursor (a short rising line) shows over an open end of a selected path before any press, freehand too, and while a continuing stroke nears another selected path's open end it connects to; the straight-line cursor is a short level line; a continued path, a straight line too, shows the closing cursor and closes within Close Paths When Ends Are Within of its other end, and with Alt at the release. Scores and estimates unchanged. |
|
||||
| 2026-11-13 | minor | Graphic Styles: in a panel made taller the list fills the space above the footer instead of stopping at 220 pt (#2992; `the_list_fills_a_tall_panel_above_its_footer` in `crates/ui-egui/src/panels/graphic_styles.rs`). Scores and estimates unchanged. |
|
||||
| 2026-11-13 | minor | Library panels (swatch, Color Book, brush, symbol and graphic style libraries): in a panel made taller the list fills the space above the footer instead of scrolling inside 220 or 280 pt (#2992; `the_list_fills_a_tall_panel_above_its_footer` in `crates/ui-egui/src/panels/library_panel/tests.rs`). Scores and estimates unchanged. |
|
||||
| 2026-11-13 | minor | Swatches: in a panel made taller the swatch list fills the space above the footer instead of scrolling inside 150 or 200 pt (#1638). Scores unchanged. |
|
||||
@@ -178,7 +179,7 @@ tools, never checked side by side) isn't captured row by row.
|
||||
| Blend spine Anchor Point conversion and handle editing (#2544) | implemented | symmetric handles, independent drag/retraction, visible-handle policy and selection/stacking covered by tool and engine regressions; Windows native canvas checks and screenshots reviewed in PR #2643 |
|
||||
| Several blend spine points picked and dragged together (#5285) | done | with Direct Selection, Shift-click picks more points of a selected blend's spine or takes one away, as on a path; dragging any picked point moves them all, and the key objects on them, in one undo step (`object.blend.spine.moveAnchor {with}`); a marquee doesn't pick spine points yet |
|
||||
| Add/Delete/Anchor Point tools; Anchor Point tool drags segments to reshape | done | #2267: a click on a handle end retracts that handle and leaves the anchor a corner with the other one; Shift held at the press on an anchor moves it, handles and all (Shift kept down: at 45° steps) instead of pulling out handles |
|
||||
| Pencil: Fidelity, Keep selected, Alt to Smooth, edit selected paths, close by proximity | done | Fidelity is in screen pixels, the same at any zoom, and goes down to 0.01 px in the dialog and the tool, which sends `path.freehand` the value in points at the current zoom (#5729; the Smooth tool keeps 0.05 pt); its slider runs across the Tool Options row on a logarithmic rail from 0.01 to 20 px, the field shows hundredths, and the slider's and the field's arrow keys step hundredths up to 0.1 px, tenths up to 1 px and whole pixels above (Shift ×10) (#3328); Alt key toggles to Smooth Tool (#2001); Shift held at the press draws a straight line at 45° steps from the Constrain Angle, and Alt held at the press (with Alt key toggles to Smooth Tool off) a straight line at any angle (#3799), with a straight-line cursor while Shift or Alt is held before the press, and a path-continuation cursor over an end of a selected open path, where the line continues the path; Edit Selected Paths continues a selected path from an end and, from a stroke that starts and ends on a selected path, redraws the section between (the shorter way round a closed path, #2850); with Keep selected (Pencil and Paintbrush, on by default) on, a stroke selects the path it draws or continues and replaces the earlier selection, and off a new stroke leaves nothing selected, the earlier selection included, while a continued or redrawn path is deselected and the rest of the selection stays; a filled Pencil path keeps a stroke of None (#1804, part of #1679); while a freehand stroke is drawn back to within Close Paths When Ends Are Within of its start, the Pencil and the Paintbrush show the closing cursor, and a release there closes the path; a Pencil stroke from an end of one selected open path to an end of another connects the two into one path |
|
||||
| Pencil: Fidelity, Keep selected, Alt to Smooth, edit selected paths, close by proximity | done | Fidelity is in screen pixels, the same at any zoom, and goes down to 0.01 px in the dialog and the tool, which sends `path.freehand` the value in points at the current zoom (#5729; the Smooth tool keeps 0.05 pt); its slider runs across the Tool Options row on a logarithmic rail from 0.01 to 20 px, the field shows hundredths, and the slider's and the field's arrow keys step hundredths up to 0.1 px, tenths up to 1 px and whole pixels above (Shift ×10) (#3328); Alt key toggles to Smooth Tool (#2001); Shift held at the press draws a straight line at 45° steps from the Constrain Angle, and Alt held at the press (with Alt key toggles to Smooth Tool off) a straight line at any angle (#3799), with a straight-line cursor (a short level line) while Shift or Alt is held before the press, and a path-continuation cursor (a short rising line) over an end of a selected open path, where the stroke continues the path, freehand or straight, and while a continuing stroke ends near an open end of another selected path it connects to; Edit Selected Paths continues a selected path from an end and, from a stroke that starts and ends on a selected path, redraws the section between (the shorter way round a closed path, #2850); with Keep selected (Pencil and Paintbrush, on by default) on, a stroke selects the path it draws or continues and replaces the earlier selection, and off a new stroke leaves nothing selected, the earlier selection included, while a continued or redrawn path is deselected and the rest of the selection stays; a filled Pencil path keeps a stroke of None (#1804, part of #1679); while a freehand stroke is drawn back to within Close Paths When Ends Are Within of its start, or a stroke continuing a selected path (a straight line too) to within it of that path's other end, the Pencil and the Paintbrush show the closing cursor, and a release there closes the path; a Pencil stroke from an end of one selected open path to an end of another connects the two into one path |
|
||||
| Drop Shadow, Outer Glow and Inner Glow: Opacity, the offsets, Blur and Darkness have spinner arrows that step by one (a unit for distances), repeat when held and stop at the fields' ends (#5367, #5368) | done | dialogs::effect test drop_shadow_and_outer_glow_fields_have_spinner_arrows; other effect dialogs' number fields still have none |
|
||||
| Effect dialogs' colour fields: a swatch beside the hex follows typed values, and a double-click opens the Color Picker over the dialog, whose OK fills it and Cancel comes back unchanged (#5365) | done | dialogs::effect tests outer_glow_colour_swatch_opens_the_color_picker and drop_shadow_colour_swatch_opens_the_color_picker (Drop Shadow's Color, #5364); the picker previews nothing itself, the effect dialog previews the returned colour |
|
||||
| Join tool scrubbing, Average, Join | done | Join merges the direct-selected anchors lying on one another along a path, as after Average, into one (#1533); the Join tool trims two crossing open paths whose overhanging ends it scrubs over and joins them at the crossing, instead of drawing a segment between their ends (#5844) |
|
||||
|
||||
Reference in New Issue
Block a user