Merge main into fix/it-missing-message-rows

docs/control-protocol.md

@@ -123,7 +123,7 @@ the two can still win that race.
 | Background Save / Export | `app.save`, `app.export {path}`, `file.save`, `file.saveAs`, `file.saveCopy`, `file.exportForScreens {folder, …}` | with the `backgroundSave` / `backgroundExport` preferences on (the default) the desktop app writes the file from a snapshot on a worker thread: the call returns `{path, background: true, status}` at once (`file.exportForScreens`: `{background: true, status}`, and the files are written into the folder from a snapshot taken at the call; an `app.export` given an option the format doesn't read: also `warnings`, naming the option), `ui.inspect` lists the jobs still running in `background` (labels such as `"Saving a.vectorcraft"`), and the document counts as saved (as of the snapshot) once its file is written. Quit and Close wait for them. A job that fails reports the error in the status bar only (`ui.inspect` → `ui.status`), a path outside `--automation-write-root` included. With the preferences off (`prefs.set`), saves return once written. `app.save {path?, wait: true}` and `app.export {path, wait: true}` wait for the jobs already running, write the file before they reply whatever the preferences are set to, and return its result or the error. When the save asks first (the question before replacing a file that opened with losses, or on macOS and Linux the file dialog for an untitled document without `path`), the reply is `{pending}` or `"cancelled"` as before, and the save that runs after the answer uses the preferences. A `wait` that is not `true`, `false` or `null` is refused with "`wait` must be true or false", and nothing is written |
 | `engine.execute` `file.exportForScreens` | `{}` / `{…document.exportForScreens params}` | without params opens `exportForScreens` on the settings the document last exported with (`document.exportSettings`). While the Artboard tool is in use, the artboards it has selected (its `selected` option, the rows the Artboards panel highlights) are checked instead, and `select` is `range`, or `all` when every artboard is selected. Fields: `tab` (`artboards` \| `assets` \| `layers` \| `selection`; OK reads Export Layer or Export Selection on those), `layers` ([layer id…] checked), `selectionMode` (`one` \| `each`), `name` (the file name pattern of `document.exportForScreens`), `counterStart`, `folders` (`none` \| `rows` \| `format` \| `item` \| `itemFormat`), `exportPreset` (the preset applied last), `__savePreset` (the name typed to save one), `select` (`all` \| `range` \| `full`), `range` ("1-3, 5"), `boards` (a bool per artboard; checking them sets `select` and `range`), `includeBleed`, `folder` (desktop; default the Desktop, else home), `openLocation`, `subfolders`, `prefix`, `preset` (`""` \| `mobile` \| `density`), `formats` (rows `{format, scale: "2x" \| "100w" \| "100h" \| "72ppi", suffix, quality?, folder?}`), `settings` (`{png \| png8 \| jpg \| webp \| gif \| svg \| pdf: {…options}}`, the gear's Format Settings; `__settings` names the format shown). `ui.dialog.confirm` exports (a bad range or no folder keeps it open); on the web OK reads "Download" and the files download (several as one `.zip`). With params it runs `document.exportForScreens`: no `folder` returns the files (or with `zip: true` one zip) as `dataBase64`; with `openLocation` the first file is shown in the file manager. When `warnings` is not empty, an export into a folder or a download shows the first in the status bar as Save As shows a save's notes |
 | Export for Screens' Assets tab, Asset Export panel | `ui.dialog.set` `tab: "assets"`, `assets: [asset id…]`; `window.panel {panel: "assetExport"}` | on the Assets tab of `exportForScreens` the `assets` field lists the checked asset ids (all of them when it opens); `ui.dialog.confirm` runs `document.exportForScreens {assets}` (nothing checked keeps it open) and OK reads "Export Asset". The Asset Export panel acts through `assets.*` and shares the format rows with the dialog (`assets.settings.set`). The dialog has the format presets menu (☰). In the dialog, `exportPreset` names the preset applied last (`ui.dialog.set` of it applies the preset it names, as picking it does; a name that is not a preset's is an error and leaves the dialog as it was), `__exportPresets` lists the presets, and `__savePreset` holds the name being typed after Save Preset…. The panel menu applies presets through `assets.settings.set {exportPreset}` and holds Save As Preset…, Save Changes, Delete Preset, Import Preset… and Export Preset…. Import and Export use picked files. |
-| `engine.execute` `file.exportSelection` | `{multiple?}` | File › Export Selection…: collects the selected objects as one asset (`assets.add`; one per object with `multiple: true`) and opens `exportForScreens` on its Assets tab with just them checked → `{assets}`. `document.exportSelection` still exports the selection in one go, without the dialog |
+| `engine.execute` `file.exportSelection` | `{multiple?}` | File › Export Selection…: collects the selected objects as one asset (`assets.add`; one per object with `multiple: true`) and opens `exportForScreens` on its Assets tab with just them checked → `{assets}`. `document.exportSelection` with params still exports the selection in one go, without the dialog; with no params or `{}` the save panel picks the file and its format's options dialog follows, as after Export As, and the call returns `null` while the dialog is open (OK returns what `file.exportAs` returns, without `format` or `bounds`). `file.exportAs {path, exportSelection: true, …options}` writes the selection without a dialog |
 | CSS Properties panel | `window.panel {panel: "cssProperties"}`; `engine.execute` `css.copy` / `css.exportFile` | the panel shows `css.selection` of the selection (after Generate CSS, while nothing is selected, `css.generate`); its menu holds the options the commands take (`units`, `position`, `dimensions`, `unnamed`, `rasterize`). `css.copy {scope?, …options}` copies the CSS to the clipboard → `{css, rules}`; `css.exportFile {path?, scope?, …options}` writes `css.export` to `path` (else a picked file; the web downloads it) with the pictures of rasterized art next to it → `{path, rules, images, warnings}`, and the status bar shows `warnings` as Export As shows an export's notes |
 
 | `ui.dialog.*` on `importPdf` | `{field: "page" \| "allPages" \| "range" \| "cropTo" \| "password", value}` | opening (`app.open`, `file.open`) a PDF, `.ai` or `.ait` with a password, or one with several pages unless it is a `.ai` or `.ait` with its editing data or carries its VectorCraft document (those open whole), or placing (`file.place` without `page`) any of them with several pages or a password, opens the Import PDF dialog (`mode`: `open` or `place`; `pageCount`). While `__locked` is true, set `password` and `ui.dialog.confirm` to unlock it (a one-page file then opens or is placed). Then set `allPages: false` and `range` ("2-3, 5") to open some pages, or `page` to place one, and `cropTo` (`bounding`, `art`, `crop`, `trim`, `bleed`, `media`); `ui.dialog.confirm` opens or places them (placing keeps the other `file.place` params, such as `link`, `template` and `at`, in `__place`). `document.open {pages, cropTo, password}` and `file.place {page, crop, password}` do the same without the dialog |

docs/development.md

@@ -126,7 +126,7 @@ On GNOME/Wayland, enable **Preferences › User Interface › System Title Bar**
 The window runs natively on Wayland (eframe's `wayland` feature) and on X11. On machines with two GPUs it renders on the one the desktop runs on unless Preferences say otherwise; see [Desktop graphics processor](#desktop-graphics-processor) (#502). The system clipboard (`apps/vectorcraft/src/clipboard.rs`) is arboard with its `wayland-data-control` feature:
 
 - **Clipboard:** under Wayland arboard talks to the compositor through the data-control protocol (wlroots compositors such as Sway and Hyprland, KDE Plasma), so bitmaps (`image/png`), SVG markup and text copied in any app paste (#398). Where the compositor lacks the protocol (GNOME's Mutter, [arboard#223](https://github.com/1Password/arboard/issues/223)), arboard falls back to the X11 clipboard through XWayland, which only holds what X11 apps copied. Where there is no X11 either (the Flatpak on a Wayland session: `--socket=fallback-x11` gives it none), Copy and Paste use the compositor's core data-device protocol (`wl_data_device`) on the window's own connection, and only while the window has focus. One Copy offers the PNG as `image/png`, the SVG as `image/svg+xml` (with Include SVG Code on) and the text as `text/plain;charset=utf-8`, `UTF8_STRING` and `text/plain`; a format with no data is not offered. Paste reads `image/svg+xml`, then text, then `image/png`, and blank text or text that only names a picture gives way to the PNG; the Paste menu item is enabled by the types offered, without reading any data. Whether the clipboard still holds VectorCraft's Copy is told by its data source, which the compositor cancels when another app copies. A read takes 64 MiB at most and fails beyond that. Reads run on a worker thread: text waits 2 s at most on the UI thread, SVG and PNG 10 s on the paste's background thread. An owner that never sends its data costs one read its wait, and later reads return at once until it answers. When a text read gets no answer in its 2 s, the paste waits on its background thread for that read's answer, up to 10 s after the read was sent, then reads the clipboard again unless it holds VectorCraft's Copy. Another app's paste of a Copy is sent on a thread of its own, 8 at once at most; a paste beyond them gets nothing. A clipboard neither backend opens is tried again after 1 s, doubling to a minute (a Copy or Paste of the user's at most once a second), and logged once when it goes and once when it comes back: before, the background Paste check reconnected and logged a warning every 250 ms. egui's own text paste into fields goes through smithay-clipboard and works either way.
-- **Clipboard owners that never answer (#510):** reading the clipboard waits on the app that owns it: arboard gives up on an X11 owner after 4 s for each format it tries, and a Wayland read waits for the owner to send its data. So on Linux the check that enables the Paste menu items runs on a background thread with a second clipboard handle (`crates/ui-egui/src/clipboard_probe.rs`, installed as `Services::clipboard_probe`), only while nothing is copied in the app and a document is open, and the window keeps drawing. Every arboard read on Linux and the BSDs, including the UI thread's (a paste, and a Copy or Cut checking what the clipboard held), runs on a worker thread with a handle of its own and waits 2 s at most: an owner that never sends its data costs one read that wait, and later reads fail at once until it answers. A paste's bitmap read waits up to 10 s on the paste's background thread, so the UI thread does not wait for it. When one of a paste's reads gets no answer in its 2 s, or a paste follows a read that has not been answered yet, such as the paste's own check whether the clipboard still holds what VectorCraft copied, the paste waits on that thread for that read's answer, up to 10 s after the read was sent, and pastes what it holds. When the answer is what VectorCraft copied, holds nothing to paste, or does not come, the paste takes the internal clipboard. On X11, quitting within 25 s of a read that got no answer waits for that read to end, so the app's own handle is the last one and hands what it copied to the clipboard manager when one runs. That includes a read of the Paste menu check's handle: quitting waits up to 27 s for the background thread to drop it before the app drops its own, and quits after that wait even when the handle has not been dropped. The app hides its main window before these waits (`hide_before_teardown` in `apps/vectorcraft/src/app.rs`), so an X11 window, an XWayland one included, closes at once; winit cannot hide a native Wayland window, which stays on screen until the waits end. Windows and macOS keep the check on the UI thread: Windows only asks which formats the clipboard holds, macOS asks the pasteboard server.
+- **Clipboard owners that never answer (#510):** reading the clipboard waits on the app that owns it: arboard gives up on an X11 owner after 4 s for each format it tries, and a Wayland read waits for the owner to send its data. So on Linux the check that enables the Paste menu items runs on a background thread with a second clipboard handle (`crates/ui-egui/src/clipboard_probe.rs`, installed as `Services::clipboard_probe`), only while nothing is copied in the app and a document is open, and the window keeps drawing. Every arboard read on Linux and the BSDs, including the UI thread's (a paste, and a Copy or Cut checking what the clipboard held), runs on a worker thread with a handle of its own and waits 2 s at most: an owner that never sends its data costs one read that wait, and later reads fail at once until it answers. A paste's bitmap read waits up to 10 s on the paste's background thread, so the UI thread does not wait for it. When one of a paste's reads gets no answer in its 2 s, or a paste follows a read that has not been answered yet, such as the paste's own check whether the clipboard still holds what VectorCraft copied, the paste waits on that thread for that read's answer, up to 10 s after the read was sent, and pastes what it holds. When the answer is what VectorCraft copied, holds nothing to paste, or does not come, the paste takes the internal clipboard. On X11, quitting within 25 s of a read that got no answer waits for that read to end, so the app's own handle is the last one and hands what it copied to the clipboard manager when one runs. That includes a read of the Paste menu check's handle: quitting waits up to 27 s for the background thread to drop it before the app drops its own, and quits after that wait even when the handle has not been dropped. The app takes its windows off screen before these waits (`apps/vectorcraft/src/quit_windows.rs`). An X11 main window, an XWayland one included, is hidden. winit cannot hide a native Wayland window, so on Linux the app attaches no buffer to the main window's surface, which unmaps it while the window and its connection stay open for the Wayland clipboard. On Linux the X11 windows of floating panels and documents are unmapped through a second X11 connection. On native Wayland, floating panels and documents are normally drawn inside the main window; on the BSDs a native Wayland main window stays on screen until the waits end. Windows and macOS keep the check on the UI thread: Windows only asks which formats the clipboard holds, macOS asks the pasteboard server.
 - **Copied files:** files copied in a file manager (`text/uri-list`; `CF_HDROP` on Windows, file URLs on macOS) paste as the first one that is art (SVG, PDF, EPS, EMF/WMF or a bitmap; a `.ai` or `.ait` file from the editing data it holds, else as the PDF or PostScript it holds), before the clipboard's other formats (which include the files' paths as text).
 - **Dropping files on the window does not work under Wayland:** winit 0.30, which eframe 0.37 runs on, has no Wayland drag and drop ([winit#1881](https://github.com/rust-windowing/winit/issues/1881), added in winit 0.31; [egui#1563](https://github.com/emilk/egui/issues/1563)), so no `dropped_files` arrive. Until eframe moves to winit 0.31: copy the files in the file manager and paste them, use File › Place or Open, or open the window through XWayland, where drops work: set **Preferences › Performance › Linux Display Server** to **X11 (XWayland)** and restart (#1151), or start the app with `WAYLAND_DISPLAY= vectorcraft`. The preference (`linuxDisplayServer`, read at startup in `apps/vectorcraft/src/main.rs`, shown on Linux only) has winit open the window on X11 (`EventLoopBuilderExtX11::with_x11`) when the session is Wayland, `DISPLAY` is set and the X11 libraries winit loads are installed (`apps/vectorcraft/src/xwayland.rs` reads `ldconfig -p` and the usual library directories); otherwise the window opens on Wayland and the log says why. Unlike clearing `WAYLAND_DISPLAY`, it leaves the clipboard on the compositor's own.
 - **Pens and pen displays under Wayland (#491, #2028):** winit 0.30 doesn't bind the Wayland tablet protocol (`zwp_tablet_v2`; tablet input arrives in winit 0.31, [winit#4318](https://github.com/rust-windowing/winit/pull/4318), [egui#7731](https://github.com/emilk/egui/pull/7731)). Since Plasma 6.3, KWin no longer turns tablet input into pointer input for such apps ([kwin!6336](https://invent.kde.org/plasma/kwin/-/merge_requests/6336), commit [25c65abd](https://invent.kde.org/plasma/kwin/-/commit/25c65abddd95eb87fb892a8594faccbf509ff62f)), and GNOME's Mutter does not turn it into pointer input either (that commit's message): on KWin the pen moves the compositor's cursor over the window, but the app gets no motion or presses and shows none of its own cursors. Until eframe moves to winit 0.31, the app runs under XWayland, which supports the tablet protocol and hands the pen to X11 apps as a pointer: Preferences › Performance › Linux Display Server's Automatic (the default) and X11 (XWayland) When a Pen Is Attached (`x11WithPen`) open the window through XWayland when `/proc/bus/input/devices` lists a pen as the app starts, a device with the `BTN_TOOL_PEN` key and the `ABS_X` and `ABS_Y` axes, and log `pen found: opening the window through XWayland`, as PhotoCraft does (#4967; `VECTORCRAFT_NATIVE_WAYLAND=1` keeps the window on Wayland). For a pen attached after the app started, either run the app under XWayland (Preferences › Performance › Linux Display Server › X11 (XWayland); `WAYLAND_DISPLAY= vectorcraft`, or `env -u WAYLAND_DISPLAY vectorcraft`; for a desktop launcher, put `env WAYLAND_DISPLAY=` before the command in its `Exec=` line), or turn KWin's deprecated emulation back on for the whole session by setting `KWIN_WAYLAND_EMULATE_TABLET=1` in KWin's environment (for example in a file under `~/.config/environment.d/` or in `/etc/environment`) and logging in again. The pen then works as a mouse. Under XWayland the app also reads the pen's pressure (next item); with KWin's emulation on native Wayland the pen has no pressure. Other compositors that don't emulate a pointer for tablets behave the same way.
@@ -294,7 +294,10 @@ other `sv-*` locale resolve to it), Georgian (`ka`, complete; `ka-GE` and `ka_GE
   control channel, MCP and tests read them) and are translated only where the status bar draws them
   (`i18n::msg`). `@msg` catalog rows hold a whole message or a template such as
   `Couldn't open {name}: {e}`; `{_1}`, `{_2}` … stand for the format string's `{}`, and the values in the
-  placeholders are translated in turn (the reason after `: {e}` is often a message too). Czech, German, Greek, Spanish, French, Georgian, Hungarian, Italian, Japanese, Korean, Polish, Brazilian Portuguese, Russian, Simplified Chinese, Traditional Chinese, Swedish, Ukrainian, Vietnamese, Finnish, Turkish, Catalan and Dutch
+  placeholders are translated in turn (the reason after `: {e}` is often a message too). A literal brace in a
+  row is written `{{` or `}}`, in the English and in the translation: a message made with `format!` keeps the
+  doubled braces of its format string, and a plain string literal has each of its braces doubled, so the row for
+  `"expected {\"objects\": [...]}"` is `expected {{"objects": [...]}}`. Czech, German, Greek, Spanish, French, Georgian, Hungarian, Italian, Japanese, Korean, Polish, Brazilian Portuguese, Russian, Simplified Chinese, Traditional Chinese, Swedish, Ukrainian, Vietnamese, Finnish, Turkish, Catalan and Dutch
   translate status and error messages (`COMPLETE_MESSAGES` in `i18n::tests`); the untranslated report lists the
   message literals the scan finds, and the phrases a parameter schema's error builds at run time
   (`SCHEMA_PHRASES`), that one of them has no row for. The scan covers the crates in `MESSAGE_CRATES`, the

docs/effects-parity.md

@@ -178,7 +178,7 @@ VectorCraft choices; an original approximation, never compared with another appl
 
 | Item | Ours |
 |---|---|
-| Revolve | initial: live, editable profile, rotation and light gizmos, default-on Cap with continuous curved rims, smooth vector shading and round seam joins, SVG/PDF output, Expand Appearance ([revolve.md](revolve.md), #846) |
+| Revolve | initial: live, editable profile, rotation and light gizmos, default-on Cap with continuous curved rims, smooth vector shading and round seam joins, overlapping faces drawn in the order of their depths where they overlap, SVG/PDF output, Expand Appearance ([revolve.md](revolve.md), #846) |
 | Extrude & Bevel, Inflate, Rotate | initial: live, round seam joins, depth, twist, taper, solid or hollow caps, five original bevel shapes, Inflate volume, both sides, twist, taper and cap, Rotate of every fill and stroke, groups and layers turned about one shared axis (#4506), contours that cross, touch or overlap merged first ([three-d.md](three-d.md)), Position presets, rotation and light gizmos, SVG/PDF output, Expand Appearance ([three-d.md](three-d.md)) |
 | Materials panel, lighting, ray-traced render | Window › 3D and Materials panel with the object types (Plane, Extrude, Revolve, Inflate) and the Object, Rotation and Lighting settings of the applied effect, and Quick Actions › Expand as Wireframes ([three-d.md](three-d.md#3d-and-materials-panel)); one to ten directional lights with per-light Color (opaque RGB, white by default), Intensity, Rotation, Height, Softness and neutral Ambient Light, Revolve and colored Inflate use smooth vector shading; Extrude & Bevel and Rotate retain planar shading; original Standard, Diffuse, Top Left and Right lighting rigs; hard-edged shadows behind or below the object from the first light ([three-d.md](three-d.md#shadows)); the Materials tab's Graphics, document symbols mapped onto Extrude & Bevel's caps and onto a plane, moved with an artboard handle, and wrapped around Revolve's side ([three-d.md](three-d.md#graphics)); no base materials, graphics on Inflate or on Extrude & Bevel's walls and bevels, soft shadows or ray tracing |
 | 3D (Classic): Extrude & Bevel, Revolve, Rotate | Extrude & Bevel (Classic) initial: live, round seam joins, Extrude Depth, Cap, five original bevel shapes with Height and Bevel Extent In or Out, Position presets and rotation gizmo, Perspective, Wireframe, No Shading, Diffuse and Plastic surfaces with one to ten lights, Light Intensity, Ambient Light, Highlight Intensity and Size, Blend Steps, Black, Custom or no Shading Color, Draw Hidden Faces ([create 3D objects](https://helpx.adobe.com/illustrator/desktop/special-effects-styles/create-3d-graphics/create-3d-objects.html)); Revolve (Classic) initial: live, round seam joins, Angle, Cap, Offset from the left or right edge, Position presets and rotation gizmo, Perspective, the same four surfaces, lights, highlight, Blend Steps and Shading Color, groups and layers revolved about one shared axis (same page); Rotate (Classic) initial: live, round seam joins, every fill and stroke turned as one plane, Position presets and rotation gizmo, Perspective, No Shading and Diffuse surfaces with lights, Ambient Light, Blend Steps and Shading Color ([rotate objects in 3D](https://helpx.adobe.com/illustrator/desktop/special-effects-styles/create-3d-graphics/rotate-objects-in-3d.html)); Map Art: none |

docs/localization-parity.md

@@ -38,7 +38,7 @@ Chinese by `imachus`). Georgian and the original Gujarati catalog are recorded a
 | Portuguese | `pt-br` | 9,260 rows, 3,445 of them `@msg` and 48 `@msgplural` (counted 2026-11-13): the untranslated report lists 39 missing messages for it; one/other plurals | all | Latin | contributor is a Brazilian Portuguese speaker; further native review welcome | full | — (review) |
 | Indonesian | `id` | 5,279 rows, 750 of them `@msg` (counted 2026-10-21): menus and `tl!` literals complete when counted; its messages are partial; one plural form | dialogs and tooltips all; 750 message rows (French has 796) | Latin | no | full | — (review) |
 | Japanese | `ja` | 4,004 / 4,020 (99.6%) | all | CJK UI font as above; Japanese IME; vertical type partial; Japanese crop marks and composition settings | no | full | — (review) |
-| German | `de` | 3,952 / 4,020 (98%; menus, literals and messages complete when counted) | all (3,433 `@msg` and 48 `@msgplural` rows, counted 2026-11-13: the untranslated report lists 48 missing messages for it) | Latin | contributor-written, not reviewed | full | — (review) |
+| German | `de` | 3,952 / 4,020 (98%; menus, literals and messages complete when counted) | all (3,563 `@msg` and 48 `@msgplural` rows, counted 2026-11-13: the untranslated report lists 52 missing messages for it, which open #7116, #7211 and #7378 translate) | Latin | contributor-written, not reviewed | full | — (review) |
 | Korean | `ko` | 4,870 rows (counted 2026-10-21): menus, `tl!` literals and messages complete when counted; one plural form | all (3,438 `@msg` and 48 `@msgplural` rows, counted 2026-11-13: the untranslated report lists 39 missing messages for it) | Hangul from an installed system font on the desktop (Apple SD Gothic Neo, Malgun Gothic, Noto Sans CJK KR…); the web build has no Korean UI font yet (craft-fonts); IME path exists | no (AI-drafted) | full | — (review; web font) |
 | Vietnamese | `vi` | 4,886 rows (counted 2026-10-21): menus, `tl!` literals and messages complete when counted; one plural form; 4,046 plain + 18 `@plural` + 28 contextual + 794 `@msg` | all | Latin with Vietnamese diacritics (stacked marks attach in precomposed, decomposed and keyboard forms, #4491; glyph tests pass) | contributor is a Vietnamese speaker; AI-assisted draft, further native review welcome | full | — (review) |
 
@@ -54,7 +54,7 @@ plus review. Native-speaker review is human work and isn't in the hours.
 |---|---|---|---|
 | Traditional Chinese (Taiwan) | `zh-hant` | 8,820 rows, 3,438 of them `@msg` and 48 `@msgplural` (counted 2026-11-13): the untranslated report lists 40 missing messages for it; menus, `tl!` literals and messages were complete when counted on 2026-10-21 (80% overall) | partial |
 | Italian | `it` | 8,924 rows, 3,560 of them `@msg` and 48 `@msgplural` (counted 2026-11-13): the untranslated report lists 54 missing messages for it, which open #7116, #7211, #7378 and #7405 translate | full |
-| Dutch | `nl` | 7,299 rows, 1,609 of them `@msg` and 47 `@msgplural` (counted 2026-11-13 on `main` at `9a1a158a3`): in `COMPLETE_MESSAGES`, and the untranslated report lists the same missing messages for it as for German; one/other plurals | full |
+| Dutch | `nl` | 3,447 `@msg` and 48 `@msgplural` rows (counted 2026-11-13): in `COMPLETE_MESSAGES`, and the untranslated report lists 41 missing messages for it; one/other plurals | full |
 | Danish | `da` | 5,279 rows, 750 of them `@msg` (counted 2026-10-21): menus and `tl!` literals complete when counted; its messages are partial; one/other plurals | full |
 | Russian | `ru` | 4,009 / 4,020 | full |
 | Ukrainian | `uk` | 8,802 rows, 3,439 of them `@msg` and 48 `@msgplural` (counted 2026-11-13); one/few/many plurals | full |

docs/mcp.md

@@ -841,8 +841,18 @@ of the series, the legend swatch included, takes it at the same place on its own
 after the data changes or the graph moves. The graph saves this as `fillUnitBox` and `strokeUnitBox` in its series
 paints. A gradient stored from a path with no width or no height is drawn at the place in the document where it was
 stored. So is a gradient a graph stored without these flags. The graph does not store a stroke's dashes, caps, joins,
-arrowheads, width profile or brush. These commands do not store the colors they give a graph's axes and labels, which are drawn again
-with the paint they had.
+arrowheads, width profile or brush. On a graph label, given the label or something that holds it,
+these commands, `paint.swap` and `paint.default` store what they change for every label of its kind: the label's object
+rows, as the `appearance.*` commands store them, and the fill, stroke, stroke weight, caps, joins, miter limit, dashes
+and stroke alignment of its characters when all of its characters show them alike. A gradient on the characters is
+stored without its placement (its vector, aspect ratio, focal point and freeform points), and each label fits it to its
+own box when the graph is drawn again, so `paint.setGradientGeom` and the `paint.freeform.*` edits do not store the
+placement they set there. A stroke weight and dashes are stored as the label shows them, also on a label that was
+scaled. When the characters of labels of one kind change differently, the frontmost label sets what the kind keeps. On
+a pie with Legends in Wedges whose legend labels have no fill of their own, the legend labels' fill is stored only when
+every legend label the command reaches ends up with the same fill. Otherwise they are drawn again in black, or white on
+a dark wedge. These commands do not store the colors they give a graph's axis lines, ticks and radar rings, which are
+drawn again with their default paint.
 
 `text.setFormat` without `start` and `end`, on a graph or on its labels, stores the character and paragraph attributes
 it sets for each kind of label it reaches (value axis numbers, category labels, legend labels), and every label of that
@@ -1073,7 +1083,14 @@ apps (`editingData`), and always comes back with the warning `Preserve editing w
 bounds would replace the document's artboards when reopened`; with `pdfCompatible: false` it is refused, whatever
 `editingData` says. A legacy version 7 `.ai` (`aiVersion: "7"`) of the art's bounds is written as before.
 Export As PDF continues in the Save PDF dialog with Use Artboards on or off; with it off, the dialog has no
-Artboards section and the page is the bounds of the visible art.
+Artboards section and the page is the bounds of the visible art. `document.exportSelection` run in the app with no
+params or `{}` (a shortcut, or an automation call) opens the save panel, and the picked format's options dialog
+follows as after Export As: Save PDF without its Artboards section, SVG Options without its artboards, the raster
+options, EPS Options, DXF Options without Export Selected Art Only, Text Export Options with Selection Only on, or an
+exporter plug-in's parameters. Other formats are written at once. OK writes the selection alone, cropped to it, as
+`document.exportSelection` writes it, with the chosen options. While a dialog is open the call returns `null`, and
+OK returns what `file.exportAs` returns, which has no `format` or `bounds` (Text Export Options: `{path}`). To
+write without a dialog, pass `path` or any option. `file.exportAs {path, exportSelection: true, …options}` writes the selection the same way.
 
 Raster exports default to the document's raster effects resolution. An explicit `scale` sets pixels per
 point (72 times that value in ppi); `options.ppi` wins over either scale option. CLI `run --export` and
@@ -3282,7 +3299,13 @@ already walks Image Trace. Short agent entry points:
   action and preference. An empty folder and the scratch disk choices `Startup` and `None` save. `ui.actionSet.load {path? | data?}` reads
   the file at `path`, else a picked one, or the file's text `data`, adds its set after the other sets and returns
   `{set, name, actions}`. A set named like one already in the panel gets the next free number (`Print 2`), and the
-  other sets and the current set stay as they are. An action set file (`.vcactions`) is JSON:
+  other sets and the current set stay as they are. A step whose command is not a built-in command, a command of an
+  installed plug-in, a View menu step or a stop, and such a command of a `command.batch` step, loads as it is, excluded
+  or not, and `ui.actionSet.save` writes it back. The answer then also has `unknownCommands: [{action, actionIndex, step,
+  stepIndex, batchStep?, command}]`, the first 1,000 such steps (`step` and `batchStep` count from 1, `actionIndex` and
+  `stepIndex` from 0, and `batchStep` is the command's place in a `command.batch` step), and `unknownCount`, how many
+  there are; the status bar names the first and the count, with control characters replaced and long names cut at 80
+  characters. These are VectorCraft's own rules. An action set file (`.vcactions`) is JSON:
   `{"format": "vcactions", "version": 1 to 6, "name", "actions": [{"name", "steps": [{"command", "params", "excluded"?}]}]}`, each step
   a command id and its params as `command.batch` takes them, or a stop: the command `action.stop` with
   `{message, allowContinue}`. A Select Object step is the command `select.byNote` with `{note, caseSensitive,
@@ -3362,8 +3385,12 @@ already walks Image Trace. Short agent entry points:
   made active, or that document was closed), the playback ends with a status and the rest do not play; a step that
   makes another document active itself does not end it. A name that no
   action has, or that more than one action in the sets looked in has, or whose every step is excluded, is an error, and
-  then nothing plays. So is an action played while another is still playing at Step by Step or Pause For. A
-  `command.batch` step, which an action played or a panel operation run as one batch records, plays as its own steps,
+  then nothing plays. So is an action played while another is still playing at Step by Step or Pause For. So is an
+  action with an included step whose command is not a built-in command, a command of an installed plug-in, a View menu
+  step or a stop at the time it plays, at every speed: the error names the first such step, as in step 2 of “Print”
+  runs the unknown command `example.finish`, and a command of a `command.batch` step by its place in the batch, as in
+  step 2.3. An excluded step is not checked.
+  A `command.batch` step, which an action played or a panel operation run as one batch records, plays as its own steps,
   here and in Batch…. An action with an included stop plays up to the stop at any speed and then waits, with its
   message box open, until `ui.action.continue` or `ui.action.stop`. At Accelerated the steps between two stops are one
   undoable batch each. The result is then `{results, pending, atStop?}`, with `atStop: true` when the action already
@@ -3544,6 +3571,12 @@ already walks Image Trace. Short agent entry points:
   `livePaint.info {group}`, `livePaint.release`, `livePaint.expand`, and `livePaint.gapOptions {ids?, detect?, size?,
   color?, closeGaps?}` (Object › Live Paint › Gap Options). Make gives each covered face the fill of its front-most
   covering source, including compound paths with shared curved boundaries. Expand keeps those face fills.
+  `livePaint.expand` keeps each face and edge that draws, with all its fill and stroke rows: it is shown, its opacity
+  is above 0, and a fill or stroke row is shown, has paint and an opacity above 0 (a stroke also a weight above 0),
+  whichever row is on top. A painted lower row under an unpainted top row keeps the part; a part whose only painted
+  row is hidden is removed. `livePaint.merge` copies the fill and stroke rows, visibility, opacity and blending mode of
+  each face that draws by this rule, and of each edge, to the rebuilt parts, with their gradients kept at their fit on
+  the old outline and without the strokes' pen pressure, tilt, bearing and rotation.
   With `detect: true`, paint stops at the gaps that run
   from a loose end of a path to the nearest path, up to `size` wide (`small` 3 pt, `medium` 6 pt, `large` 12 pt, or a
   number of points up to 72); `closeGaps: true` adds an unpainted path across each of them. `color` (the Gap Preview
@@ -3707,7 +3740,9 @@ A graphic style holds an appearance (fills, strokes, effects) plus opacity, blen
 object's, type its characters'). `graphicStyle.apply {name, ids?}` gives the objects the style and links them;
 `add: true` adds the style on top of the existing appearance instead. Linked objects stay linked while they keep the
 style's look: editing their appearance or transparency breaks the link, and `graphicStyle.redefine {name?, id?}`
-updates only the objects still linked. `graphicStyle.list` returns each style with the ids linked to it and the
+updates only the objects still linked. The art of a column or marker design in a graph series is never linked:
+`graphicStyle.new` can make a style from it, and `graphicStyle.redefine` leaves its look as it was and unlinks it,
+whether it is the source or a linked object. `graphicStyle.list` returns each style with the ids linked to it and the
 style of the first selected object; `select.same.graphicStyle` selects an object's fellow users.
 Styles keep placed gradients relative to the bounds of the object they were made from, and each object a
 style is applied to gets them at the same place relative to its own bounds.
@@ -4331,8 +4366,8 @@ with the same extension and bytes as one there, loads as that User Defined libra
 
 ## Symbol libraries
 
-Symbol libraries are read-only sets of symbols: five generated in code (Basic Shapes, UI Frames, Map Markers,
-Inventory Icons, Skill Icons), the `.vectorcraft` files in
+Symbol libraries are read-only sets of symbols: six generated in code (Basic Shapes, UI Frames, Map Markers,
+Inventory Icons, Skill Icons, Weather Icons), the `.vectorcraft` files in
 the user library folder of the desktop app (User Defined) and the symbols of any document loaded with
 `symbol.loadLibrary`. `symbol.libraries` lists them (`id`, `name`, `category`: `builtIn`, `user` or `loaded`, `count`)
 and `symbol.library {library}` returns one's symbols (`name`, `size`, `registration`, `exportType`; `library` is an
@@ -5356,9 +5391,10 @@ keeps the segment's direction when the smoothed path there turns back by 90° or
 path, the curve keeps the direction of the part outside the drag. `object.path.smooth` and Simplify keep each end's
 direction.
 
-In the desktop app, Object › Path › Smooth and the canvas context menu's Smooth… (listed while the selection holds a
-path) open the slider (`ui.menuDialog {command: "object.path.smooth"}`, dialog `smoothSlider` with field `level`) at
-the Auto-Smooth level, and the slider previews the result until `ui.dialog.confirm`; `ui.smoothAuto` moves the open
+In the desktop app, Object › Path › Smooth, the canvas context menu's Smooth… (listed while the selection holds a
+path) and the Contextual Task Bar's Smooth (with a path selected whole with the Direct Selection tool) open the
+slider (`ui.menuDialog {command: "object.path.smooth"}`, dialog `smoothSlider` with field `level`) at the
+Auto-Smooth level, and the slider previews the result until `ui.dialog.confirm`; `ui.smoothAuto` moves the open
 slider back to the Auto-Smooth level.
 
 ## Editing a path with the Curvature tool
@@ -5607,7 +5643,9 @@ one undo step.
 `object.setLiveShape` returns a parameter error, and leaves the document and its undo history as they were, for a key
 it does not take, at the top level (`` unknown parameter `path` ``) or in one of `items`
 (`` unknown parameter `items[0].corner`; did you mean `items[0].corners`? ``), for a `sides` that is not a whole number
-from 3 to 1000, such as 2.5, 2 or 1001, and for a negative `radius`. A `radius` of 0 removes the rounding.
+from 3 to 1000, such as 2.5, 2 or 1001, and for a negative `radius`. A `radius` of 0 removes the rounding. Saved
+steps (a journal or an action) replay these values without an error: a negative `radius` counts as 0, a whole `sides`
+below 3 or above 1000 counts as 3 or 1000, and a fractional or negative `sides` is ignored.
 
 ```json
 {"name":"run_command","arguments":{"command":"object.setLiveShape","params":{"sides":8,"polygonAngle":22.5,"sideLength":40}}}
@@ -6573,7 +6611,7 @@ file's composite is drawn through clips the image (a clipping group, its path un
 clipping path kept as the same area), and `file.place` answers the image's id as
 `image`, since the Links commands take the image and not the group. `links.update` and `links.relink` clip the image
 by the file's clipping path again (a plain group holding just the image becomes its clipping group, a new clipping group holds it when no group does, and it goes inside a clipping mask made in the
-document, whose path is kept), unless Placement Options clip the image, the same way for the images in symbols, graph designs, patterns and opacity masks; when the new file has no
+document, whose path is kept), the same way for the images in symbols, graph designs, patterns and opacity masks. When Placement Options also clip the image, the file's clipping group goes inside a clipping group of the placement's clip (the clipping group holding just the file's one, or a clipping group holding just the image that is not the file's, takes that clip, else a new one does), and a later update or relink changes the same two groups; when the new file has no
 clipping path, a clipping group holding just the image whose path is the old file's clipping path loses that path and
 stays as a plain group of the image, with its id, name, visibility and transparency (one whose path was given the
 even-odd fill rule stays as it is). The link shows as modified when a plate file of its own changes
@@ -8810,6 +8848,28 @@ Insert Aki values; save it with Preserve Editing to keep them editable.
 {"name":"run_command","arguments":{"command":"text.setRangeStyle","params":{"id":12,"start":0,"end":3,"akiRight":500}}}
 ```
 
+## Tsume
+
+`text.setFormat` and `text.setRangeStyle {tsume?}` set Tsume of the characters, a percentage that narrows the space
+around them ([the help page](https://helpx.adobe.com/illustrator/using/formatting-asian-characters.html)). The range,
+the default and how the space is measured are VectorCraft's own rules: the value is from 0 to 100, 0 by default and
+saved only when not 0, and it is the share of the blank space on each side of a character's ink, inside the
+character's own width, that is taken away. 50 halves that space, and 100 sets the ink against the characters before and
+after it; the glyph keeps its shape. A character without ink, such as a space, keeps its width. A ligature or a letter
+with its marks takes the value of its first character. Tracking, kerning and Insert Aki are added after it, and
+justification keeps it. Tsume applies to horizontal type; vertical type keeps its spacing. Character styles carry it
+(`charStyle.new`, `charStyle.setAttrs` and `charStyle.edit` refuse a value outside the range). A value that is not a
+number is refused with `` `tsume` must be a number ``, and one outside the range with `` `tsume` must be from 0 to
+100 ``. One undo step, and a call that gives the value the characters already have records none. With Show East Asian
+Options on, the Character panel shows a Tsume field, blank where the selected characters differ, with 0, 25, 50, 75 and
+100 in its menu, and a value typed past 100 sets 100; Reset Panel sets it to 0. Character Style Options shows it in
+Advanced Character Formats. Live SVG text places each character Tsume moves, and type on a path with Tsume is written
+as outlines.
+
+```json
+{"name":"run_command","arguments":{"command":"text.setRangeStyle","params":{"id":12,"start":0,"end":3,"tsume":50}}}
+```
+
 ## Composite Fonts
 
 A composite font sets each class of character in a font of its own
@@ -9512,7 +9572,7 @@ attribute map in one undo step. `to` is trimmed and must be unique. The command
 while preserving local overrides; Undo/Redo restores the definition and its users. The `charStyleOptions`
 dialog exposes `name`, `font_family`, `font_style`, `size`, `leading`, `kerning`, `tracking`, `case`,
 `position`, `underline`, `strikethrough`, `charAlign`, `h_scale`, `v_scale`, `baseline_shift`, `tcyUpDown`,
-`tcyLeftRight`, `rotation`, `akiLeft`, `akiRight`, `language`, `fill`, `fill_tint`, `stroke`, `stroke_tint`, `stroke_width`, `overprint_fill`, `overprint_stroke`,
+`tcyLeftRight`, `rotation`, `akiLeft`, `akiRight`, `tsume`, `language`, `fill`, `fill_tint`, `stroke`, `stroke_tint`, `stroke_width`, `overprint_fill`, `overprint_stroke`,
 `ot_figure`, `ot_position`, `ot_liga`, `ot_calt`, `ot_dlig`, `ot_swsh`, `ot_salt`, `ot_titl`, `ot_ordn`, `ot_frac`,
 `ot_sets`, `section` (`general`, `basic`, `advanced`, `color` or `opentype`), and `preview`. An empty field leaves its
 attribute unset. `leading` and `kerning` also accept `Auto` to store an explicit automatic value.
@@ -9520,7 +9580,8 @@ Advanced Character Formats holds `h_scale` and `v_scale` (percent, 1 to 10000),
 `baseline_shift` (points, -1296 to 1296), the Tate-chu-yoko Settings `tcyUpDown` and `tcyLeftRight` (points,
 -1296 to 1296, as `text.setRangeStyle` takes them; an explicit 0 stays distinct from unset), `rotation` (degrees, stored from -180 to 180), Insert Aki Left and Right `akiLeft` and `akiRight` (thousandths of
 an em, with the Character panel's 0, 250, 500 and 1000 in their menus; a value typed below 0 or past 1000 sets 0 or
-1000) and `language` (a name or tag from Document
+1000), Tsume `tsume` (percent, with the Character panel's 0, 25, 50, 75 and 100 in its menu; a value typed below 0 or
+past 100 sets 0 or 100; an explicit 0 stays distinct from unset) and `language` (a name or tag from Document
 Setup's languages; English: USA stores the explicit default `null`, and a tag not in the list that the style
 already has is kept). Language sets the language the characters are shaped in; it does not change hyphenation
 or spelling.

docs/plugins.md

@@ -617,7 +617,7 @@ An **importer** gets the bytes of the file being opened, as they are (not JSON),
   `paint`, `width` in points, `join` (`"miter"`, `"round"` or `"bevel"`), `cap` (`"butt"`, `"round"` or `"square"`)
   and `miterLimit`. Paints use the native file format's form: `{"type": "solid", "color", "swatch"?, "tint"?}`,
   `{"type": "gradient", "gradient": {"kind": "Linear"|"Radial"|"Freeform", "stops": [{offset, color, opacity,
-  midpoint}], "dither"?, "method"?: "Perceptual"|"HueClockwise"|"HueCounterclockwise"}, "geom"?, "angle", "freeform"?}`, `{"type": "pattern", "pattern",
+  midpoint, swatch?, tint?, plates?}], "dither"?, "method"?: "Perceptual"|"HueClockwise"|"HueCounterclockwise"}, "geom"?, "angle", "freeform"?}`, `{"type": "pattern", "pattern",
   "xf"?}`. Colours are `{"model": "rgb", r, g, b}`, `{"model": "cmyk", c, m, y, k}`, `{"model": "gray", k}` (ink: 0
   white, 1 black) or `{"model": "lab", l, a, b}`; components 0–1 except Lab's.
 - `effects` (filters): the object's own effects in order, as its effect records: `id` (as `effect.list` lists it, or
@@ -742,7 +742,7 @@ most 100,000 objects and 4,000,000 anchors, 256 fills, strokes or gradient stops
 clamped into range, stroke weights to 0–1,000 pt and miter limits to 1–500; a pattern must exist in the document. A
 gradient stop's four process `plates` are clamped to 0–1 as well: a value that is not a number becomes 0, and an
 infinite one becomes 0 or 1 by its sign. A paint returned unchanged keeps its swatch link; any other paint is
-unlinked. One refused effect record refuses the whole output.
+unlinked, and each of its gradient stops then has no swatch, a tint of 1 and no `plates`. One refused effect record refuses the whole output.
 
 A filter's output may also hold `documentData`: any JSON of at most 1 MiB, which replaces what the plug-in keeps with
 the document (`null` removes it), in the same undo step as its objects. Settings that belong to the whole document

docs/revolve.md

@@ -102,7 +102,7 @@ with the standard command.
 - One Revolve per source object. Edit its options rather than applying another.
 - Object-level Revolve uses the top visible fill, falling back to a stroke. Per-item Revolve uses that item's paint.
 - Smooth diffuse shading, one to ten directional lights, no textures, cast shadows or physical materials. Smooth shading interpolates lighting in projected triangles; it does not smooth the silhouette or add specular highlights.
-- Faces use back-to-front depth sorting. Caps facing the camera cover their rim seams; caps facing away sit behind the body. Intersecting profiles can have incorrect visibility.
+- Faces are drawn back to front by the depths of their centers. When that order draws the nearer of two overlapping faces of a surface first, every pair of overlapping faces goes in the order of their depths at the middle of where they overlap; the sort compares at most 4,000,000 pairs (VectorCraft's own limit), and the pairs past that keep the depths of their centers. Caps facing the camera cover their rim seams; a cap facing away is drawn behind the body except where it is nearer than a body face it overlaps. Intersecting profiles can have incorrect visibility.
 - Curves use sixteen samples per segment, and as few as four when a surface would otherwise pass its limits. Surfaces are limited to 16,384 profile points and 163,840 faces, the members of a group together. A straight segment takes one point, a curve takes at least four, and each contour takes one. Smooth shaded side quads become two triangles and share the face limit. A continuous cap retains its original radial mesh cost within this limit. Projected ring curves have a 0.001-point fitting tolerance and a shared 32,768-curve limit.
 - Axis, bounds and ordinary selection handles continue to refer to the editable 2D source profile.
 - Extrude & Bevel, Inflate and Rotate are described in [three-d.md](three-d.md). Materials remain unimplemented.

docs/roadmap.md

@@ -165,7 +165,7 @@ Gujarati interface follow-up (2026-11-14): the catalog and zero/one plural rule
 | M7 | Type (point/area/path, editing, styles, OpenType, threading, glyphs) | Spell check engine: `text.spelling.check` and `text.spelling.suggest` on craft-proof and the custom dictionary and Ignore All commands and Auto Spell Check with its right-click suggestions, Ignore All and Add to Dictionary, and Spelling › Auto Spell Check in the context menu of type, and the Edit Custom Dictionary dialog (#4936; the Check Spelling dialog remains); Right-aligned area type sets the text after a line's last tab against the right edge, the text before it at its stops (#6147); A line a soft return ends is justified as a wrapped line is (#6137); Indian-language pattern hyphenation preserves syllables in both composers (#4947); 🟡 Hanging punctuation keeps its published amounts under Glyph Scaling, and Standard burasagari counts a hung line start as room; Fullwidth `！` / `？` keep an upright fallback in vertical type; Hyphenation… and Justification… per paragraph (#2310, #2755), Auto Leading also driving the Character panel's Leading, the Alt+↑/↓ leading nudge and Fill with Placeholder Text; Document-point character controls after object/group scaling (#1034; optional font-size preservation remains separate), Character/Paragraph Styles (explicit Auto-leading resets and local leading overrides), per-paragraph paragraph attributes, mixed paragraph alignment indication (headless regressions, full integration CI and visual review pass), Area Type Options (with Width/Height, Auto Size and Shrink Text to Fit; overflow reported to agents and vertical Align), type areas resized by their handles and reshaped with Direct Selection, threaded text, Fit Headline, Glyphs (feature-valued alternates and unencoded glyphs applied in one Undo step while keeping Arabic joining, #5514), OpenType panel (including font-defined Stylistic Sets), Find Font (Document, Recent and System replacement sources, #5217), installed system fonts in every font menu (fonts registered with Windows outside its font folders, the XDG and Flatpak host font folders on Linux, and fonts installed while the app runs, listed when it comes back to the front; searchable; the Character and Properties menus show each family's sample of the selected text, preview it live under the pointer or ↑/↓, show recently applied families first (#3515), filter by script and kind, list a family's styles, and star favourites; the Glyphs panel and Find Font's Replace With use the same menu without the live preview) and found by name on open/import (full-name aliases and Missing Fonts searches verified, #1258; Windows font-service QA pending), variable fonts' named instances as styles, CJK names in the UI, input methods (marked text in place, candidate window at the caret; Japanese IME), Text Wrap (offset, invert, both sides of an object; follows edits), Type on a Path effects and Options with draggable start/centre/end brackets (slide, flip), tab stops + Tabs panel (Above Text floats it over the selected text, its ruler at the canvas zoom so stops line up with the columns, #729), inline symbols in text (beyond parity), Hebrew/Arabic bidirectional text, Paragraph Direction, Every-line/Single-line Composer per object (ragged text too) done; paint-only Arabic harakat keep joining with GDEF-mark ownership and Insert Kashidas tatweels on the base letter's paint (`tests::harakat`); tab leaders, spell check, vertical type pending | 45–60 |
 | M8 | Transform & distort (Puppet Warp, Liquify tools, Envelopes, Blends, Perspective Grid) | ✅ done (M8.1–M8.20 on 2026-10-06, fidelity pass): Liquify Tool Options with one shared brush, pen pressure, hold-to-apply, a safe scope and incremental strokes; tool options that last; Puppet Warp rotation, multi-select, Control bar and a rest-shape session that follows Undo; Width tool on compound paths; Envelope dialogs with preview, Reset with Warp/Mesh, full Envelope Options, type/images/symbols/appearance/gradients/patterns distorted on canvas and in every export, warps that keep their frame, Edit Contents, mesh handles and Control bar; Blend Options, anchor-targeted Blend tool, editable spine, keys picked on the canvas, faithful interpolation and knockout; Anchor Point spine conversion/handle editing and selection priority (#2544), with #2425 Shift reshape preserved; Perspective Grid with Define Grid, presets, lock/snap/rulers, widgets, the 1–4 plane switch, movable planes, Perspective Selection scale/copy/perpendicular/Transform Again, and type and symbols truly projected with Edit Text. Left: Anti-Alias and Preserve Shape output, warp-envelope point editing, brush interpolation in blends, Free Transform/Scale/Reflect along a rotated box | 2–4 |
 | M9 | Live effects (+ 3D & Materials) | 🟡 2D effects done incl. Effect → Pathfinder, Color Adjustments and Document Raster Effects Settings; PDF export warns when the pixel cap lowers raster-effect resolution; Artistic › Colored Pencil, Cutout, Dry Brush, Film Grain, Fresco, Neon Glow, Paint Daubs, Palette Knife, Poster Edges, Rough Pastels, Smudge Stick, Sponge, Underpainting and Watercolor and Sketch › Halftone Pattern, Bas Relief, Charcoal, Conté Crayon, Photocopy, Stamp, Torn Edges and Water Paper done (57/57 Photoshop filters); Revolve with automatic smooth vector shading, default-on circular caps and continuous rims, Extrude & Bevel, Inflate and Rotate with one to ten colored directional lights and four original lighting presets; SVG Filters, remaining raster effects and 3D materials and shadows pending | 81–130 |
-| M10 | Brushes, symbols, patterns, Repeat | 🟡 pattern swatches (5 tile types, Pattern Options, editing mode, SVG `<pattern>`/PDF export) and live Repeat (radial/grid/mirror) done; interactive selected mirror axis implemented (focused and native checks passed; full CI blocked by an unrelated text test); symbol libraries done (Window › Symbol Libraries, five generated libraries (Basic Shapes, UI Frames, Map Markers, Inventory Icons, Skill Icons), User Defined, Other Library…, Save Symbols); brush libraries done (Window › Brush Libraries, nine generated libraries including Ink and Wash, Bristle Brushes and Dry Media, User Defined, Other Library…, Save Brushes); symbol editing shows draggable 9-slice guides (#5280), with guides outside the artwork still unsupported; brushes/symbols in progress | 23–37 |
+| M10 | Brushes, symbols, patterns, Repeat | 🟡 pattern swatches (5 tile types, Pattern Options, editing mode, SVG `<pattern>`/PDF export) and live Repeat (radial/grid/mirror) done; interactive selected mirror axis implemented (focused and native checks passed; full CI blocked by an unrelated text test); symbol libraries done (Window › Symbol Libraries, six generated libraries (Basic Shapes, UI Frames, Map Markers, Inventory Icons, Skill Icons, Weather Icons), User Defined, Other Library…, Save Symbols); brush libraries done (Window › Brush Libraries, nine generated libraries including Ink and Wash, Bristle Brushes and Dry Media, User Defined, Other Library…, Save Brushes); symbol editing shows draggable 9-slice guides (#5280), with guides outside the artwork still unsupported; brushes/symbols in progress | 23–37 |
 | M11 | Artboards & views (selected-set deletion shared by Artboards menu, trash and Properties, retaining artboard 1 when all are selected; Artboard deletion keys keep the first of an all-selected set and protect artwork; history prunes invalid indices while preserving valid multiselection (history tests and full workspace CI pass); click-to-fit objects with the Artboard tool (#1227), artboard escape routing and document setup modal handoff done; artboard panel/tool with Move Artwork for X/Y fields and Artboard Options, Trim View, middle-button pan, print tiling and the status bar's artboard navigator with synchronized Artboard tool selection done; Window › Arrange › Tile and Consolidate All Windows done; multiple windows, presentation polish) (cached canvas reprojection preserves scale during resize, rotation and DPI changes; regression-tested and contributor-confirmed 2026-10-19; estimates unchanged) (cached canvas dimensions match the renderer limit before cache-key creation, view construction and worker submission; regression-tested; estimates unchanged); status-bar pointer coordinates follow the active ruler origin and General units | 🟡; Artboard Options shares existing presets and orientation controls and can fit artwork without moving it; artwork fitting includes all drawn document art across artboards and off-board; artwork bounds are cached by active document and revision, and selection uses the shared bounds cache across artboards | 15–25 |
 | M12 | Advanced color & art (CMYK/ICC, separations, Gradient Mesh, Live Paint, Image Trace, Graphs) | 🟡 Gradient Mesh, Live Paint, Image Trace (junction-returning pieces retain their positioned boundaries; a simpler contour walk with identical output; an edge's sub-pixel shift is the same from either side; notches read only their own piece; collapsed loops keep few segments; large images trace with a warning; Auto Color keeps rare distinct colours; quick presets trace at once and the Image Trace button opens the adjustment controls; Properties reopens them; tiny fitted contours retain islands and holes; Create Strokes: exact crop EDT, Guo–Hall thinning and maximal-disc graph simplification; 15 presets, the 14 documented ones each with an enhanced version; Ignore Color, Shapes, Auto Grouping and Gradients options; measured in `image-trace-quality.md`; closed outlines retain their interior after straightening; the Flat Logo mode places edges to a fraction of a pixel, restores sharp corners, snaps lines and circles, and refuses gradients; live trace result bounds and selection highlights exclude the retained bitmap except in source-image views), Recolor Artwork, colour management (ICC, soft proofing, separations preview), Graphs (all 9 tools, Graph Data/Type, group-selected series colours persist through regenerate/save/open) done; Graph Design and Marker designs, Transpose and Switch x/y, `\|` label line breaks, the pie options, drop shadows, the legend across the top, overlapping widths, First Row/Column in Front, filled lines, kept label formatting and the Graph Data worksheet done; graph Column designs pending; Vector Halftone Preview keeps the selection box without drawing dot selection marks (#6369); Live Paint Bucket fills faces crossed in one drag (#6373) | 6–10 |
 | M13 | Automation (Actions ✅ record/playback, persisted; variables, scripting, batch) | 🟡 MCP `add_text` exposes existing vertical point, area and path type; `script.run` and File › Scripts › Other Script… run JavaScript files, and Window › Script Console shows their output; the script document model and batch work remain | 18–27 |