diff --git a/docs/target-app-parity.md b/docs/target-app-parity.md index 592465351..56b22bf95 100644 --- a/docs/target-app-parity.md +++ b/docs/target-app-parity.md @@ -597,6 +597,7 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur - **Width-point creation (G1):** double-click a stroked segment with the Width tool to open Width Point Edit using sampled side widths. OK creates the point and optionally adjusts adjoining widths in one undo step. Cancel or Delete discards a prospective point without changing the document or redo history. Command and pointer tests cover profiles, compound paths, adjoining adjustment, existing-point editing and Undo/Redo. Message-catalog checks and full CI passed; the original capture verifies opening and Cancel, and the dialog layout was reviewed (2026-10-13: 28 focused Width tests, all seven cargo xtask ci stages, and a headless opening/Cancel capture with original PNG review). [Variable-width strokes](https://helpx.adobe.com/illustrator/using/stroke-object.html). - **Escape deselects width points:** with the Width tool, Escape deselects the selected width points, on the key the reference app's [Default keyboard shortcuts](https://web.archive.org/web/20260726060015/https://helpx.adobe.com/illustrator/using/default-keyboard-shortcuts.html) page lists for deselecting a width point. The path, its widths and the undo history do not change. With no width point selected, Escape does what it does with the other tools, such as leaving isolation mode. - **Smooth widths between width points (#5714):** a variable-width stroke changes width along a smooth curve from one width point to the next, where it used to run in a straight line and turn a corner at each point. The public description is that the path "gradually gets wider or narrower from one point to the next" in "a flowing, continuous curve", and that stacked points make a sharp break ([Peachpit, Expressive Strokes](https://www.peachpit.com/articles/article.aspx?p=2979069)); the exact curve is not documented, so each side follows a monotone cubic (Fritsch–Carlson): no kink at a point, flat where a point is wider or narrower than both neighbours, never past the points either side, points on one line kept on it. The outline samples straight runs between width points closely enough to follow the curve to the drawing tolerance (at most 64 samples per span and 4,096 per piece). Presets with a middle point (Lens, Pinch, Teardrop, Wave) look softer; two-point tapers are unchanged. Tests: `appearance::profile::tests::{widths_run_smoothly_through_width_points, widths_never_pass_the_points_either_side, a_step_ends_the_curve_on_each_side, widest_covers_every_width_along_the_profile}`, `stroke::width::tests::{a_straight_run_follows_the_curve_between_width_points, samples_between_width_points_are_capped}`. +- **Stroke gradients where a variable-width stroke meets itself (#5960):** with a gradient along or across a stroke that has a width profile, where the stroke crosses itself the later part paints over the earlier one only where the two overlap, and a narrow part running close beside a wide one leaves its edge alone. Each slice of the gradient reaches as far as the stroke is wide where it sits (for a dashed stroke, as wide as it gets within the reach of a cap or dot), where it used to reach as far as the stroke is wide anywhere and paint a square of its colour over the wider part. Strokes without a profile are unchanged. Tests: `stroke::tests_gradient::a_narrow_pass_over_a_wide_one_paints_only_where_they_overlap` and `a_narrow_pass_beside_a_wide_one_leaves_its_edge_alone`, with the existing coverage tests (joins, caps, arrowheads, profiles, dashes, aligned strokes). - **Width strokes zoomed out (#995):** a stroke with a width profile keeps its shape while the view zooms out. The canvas keeps a hairline visible (at least half a device pixel); for a profiled stroke it is the profile's widest point that gets that minimum, not the weight, so a 1 pt stroke with a 6x width point is no longer drawn twice as thick at 25% zoom than at 100%. Plain strokes are unchanged. Test: `render::tests::widthzoom`. - **Rulers (#1212):** drag the intersection to preview and set a document zero point, or double-click it to reset to the active artboard's top-left. Transform, Properties and Control X/Y fields measure from it and convert entered positions back to absolute command coordinates. The origin survives every native format version and compression; geometry, guides and patterns stay in place. Public reference: [Use rulers](https://helpx.adobe.com/ca/illustrator/desktop/measure-and-align/grids-and-guides/use-rulers.html). - **Global and artboard rulers:** View › Rulers › Change to Global / Artboard Rulers (Cmd+Alt+R, `view.globalRulers`). A new document has artboard rulers: the rulers and the Transform, Properties, Control and Info X/Y count from the active artboard's top-left corner, or the zero point dragged out for that artboard, which moves with it; with global rulers one document zero point serves every artboard. Guide readouts and Shift ruler-tick snapping follow the same zero point. The mode is saved with the document; files from before it open with global rulers, as they measured. Regression tests: `engine/tests/it/ruler_origin.rs`, `ui-egui/src/tests/ruler_origin.rs`, `tools/src/rulerguide.rs`. Public reference: [About rulers](https://helpx.adobe.com/illustrator/desktop/measure-and-align/grids-and-guides/about-rulers.html).