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Merge main into feat/ai-insert-aki

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dotCooCoo
2026-11-14 02:33:44 -08:00
parent 653e1fdf22 edb228ac33
commit 6eb0769dfe
130 changed files with 14638 additions and 935 deletions
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docs/file-format-parity.md
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docs/gaps.md
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@@ -34,6 +34,7 @@ Artboard Options forwards the active Artboard tool's Scale Artwork with Artboard
| Date | Change | Summary |
|---|---|---|
| 2026-11-14 | minor | G12: Layers panel row context menu (Options…, Duplicate, Delete, Lock Others/Show All/Hide Others/Unlock All, Locate Object, Collect for Export) with selection handling and undo tracking. Scores and estimates unchanged. |
| 2026-11-13 | minor | PDF import: preserve Type 3 font text runs as named groups `<g>`, or as live text in `TextAs::Text` mode if `/ToUnicode` exists on non-colour fonts (`TextAs::Outlines` produces grouped outlines) (#6740); scores and estimates unchanged. |
| 2026-11-08 | minor | #3380, deletion only: preserve gradient placement and exact surviving geometry; consume owned subpaths with a shared original-node snapshot; consolidate status/evidence and document command/helper contracts. Compound behavior and the existing M2 status entry are retained. Endpoint highlighting remains open; scores and estimates unchanged. |
| 2026-11-07 | minor | #3380 (deletion only): independent surviving path objects; transformed appearance, stacking, selection, cubic handles and Undo/Redo covered by `delete_path_pieces`; compound semantics retained. Endpoint highlighting remains open; scores and estimates unchanged. |
@@ -212,10 +213,12 @@ macOS cursor delivery (#2292) is narrowed to a native host adapter using the exi
weight, where the object's brush settings are the brush's own and its angle is on the page (#372, from a
user's file of 6D Art Pen strokes: all 455 of its brushed styles), and a Calligraphic brush's Tilt, Bearing and
Rotation (codes 4, 5 and 6) come in as those channels instead of Random. Others keep their drawn look.
Paths with an Art brush open the same way when the brush stretches art of solid-filled paths along the path,
unflipped, at 100% in Tints, and the path has none of its own settings, variable width, effects or a swatch
stroke. Other Art brushes (None or another colorization, another width, Proportional, between guides, flipped,
art with strokes, gradients or patterns) and type with an Art brush keep the drawn look.
Paths with an Art brush open the same way when the brush bends art of solid-filled paths along the path, and
the path has none of its own settings, variable width, effects or a swatch stroke in Tints. The brush may be
in None or Tints, at a fixed width, stretched to the path or between guides, and flipped along or across.
Other Art brushes (Tints and Shades or Hue Shift, a width that follows the pen, Scale Proportionately, guides
that leave no art between them, a `Spacing`, `Adjustment` or `FoldAdjustment` other than 0, 1 and 1, art with
strokes, gradients or patterns) and type with an Art brush keep the drawn look.
- **Done (2026-11-12):** Explicitly requested editing data retains a single artboard larger than a capped 14,400 pt PDF page (#6865); the default import and other size mismatches remain unchanged. Synthetic importer regression; scores unchanged.
- **Missing:** faithful layer and group structure from the editing data in real files (#951: 109 layers instead
@@ -499,12 +502,12 @@ macOS cursor delivery (#2292) is narrowed to a native host adapter using the exi
- **Done:** Hyphenation › Default Language is the language of new type, unless Document Setup chose one, and each
run hyphenates in its own language (Character panel). English and eleven Indian languages have break
points; other languages stay whole apart from the Exceptions list (#394, #4947).
- **Done (2026-11-14):** Layers panel row context menu: right-clicking a layer, group, or object row shows a context menu (Options…, Duplicate, Delete, Lock Others / Unlock All, Hide Others / Show All, Locate Object, Collect for Export) with proper selection behavior and Undo/Redo tracking. Tests in `crates/ui-egui/src/panels/layers/tests.rs`.
- **Missing:** 2 Preferences options stored but not acted on (#394), each waiting on a subsystem of its own:
Plug-ins & Scratch Disks › Primary and Secondary (documents are kept in memory; nothing pages to
disk), and Clipboard Handling › Legacy vector clipboard with its Preserve Paths / Preserve Appearance and
Overprints choice (Illustrator's own clipboard flavour, which has no public specification). Also Properties
panel per context, context menus in the panels that have none, Layers row menu commands beyond Collect for
Export, and menus on guide and blend spine rows in the Layers panel.
panel per context, context menus in the panels that have none, and menus on guide and blend spine rows in the Layers panel.
- **Impact:** settings that silently do nothing erode trust.
- **Estimate:** 13–20 h.
docs/image-trace-quality.md
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@@ -1240,8 +1240,10 @@ One trace at a time on this machine (all cores); memory is the peak allocated ab
## Centre lines
Measured 2026-10-17 with maximal-disc pruning and junction merging, against base `3e44478f`.
Earlier preset and cost tables retain their previous measurements. Regenerate only this class:
Measured 2026-11-13 against `1e4e3534`, with Create Strokes deciding stroke or fill per feature.
Two runs gave identical rows in every column but ms, which varies between runs. Earlier preset and
cost tables retain their previous measurements.
Regenerate only this class:
```text
TRACE_QUALITY_CLASS=centre-lines TRACE_QUALITY_REPORT=centre-lines.md cargo test --release -p vectorcraft-trace --test quality quality_report -- --ignored --nocapture
@@ -1252,9 +1254,13 @@ branches shorter than `r + max(2, 0.5 × min(2r, Stroke))` are pruned, shortest
self-loops inside the junction disc are removed; overlapping junctions and geometrically split
crossings merge, and runs join through degree-two nodes. Simplification is bounded to 32 rounds;
nodes and branches are each capped at 200,000. An over-budget blob stays with the fill path.
Whole-blob selection, ink refinement, cap detection and curve fitting retain their current rules.
A blob wider than Stroke keeps its wide part as a fill, and its thin features are traced as
strokes. The mixed-width body scene measures that split on its own: one disc of radius 24 px with
three arms of 2, 3 and 5 px that start inside it, Stroke 6 px, and no other ink. Its found % covers
the arms outside the disc, its fill→fill % covers the disc, and its paths column counts both kinds.
Ink refinement, cap detection and curve fitting retain their current rules.
Code-drawn scenes only: 23 scenes, each anti-aliased (8×8 coverage samples) and hard (that coverage thresholded at 0.5). Coordinates, widths and scene Stroke values are fixed; junction/letter/crossing coordinates include the 0.27/0.41 px offset. Create Fills and Strokes are on, Stroke is the scene's limit (13 px, mix 6 px, varying 12 px), Black and White threshold 128, Noise 4, Ignore White on, other settings at their defaults. Today's tracer has no minimum-length setting (the dashed scenes specify 0 for future use).
Code-drawn scenes only: 24 scenes, each anti-aliased (8×8 coverage samples) and hard (that coverage thresholded at 0.5). Coordinates, widths and scene Stroke values are fixed; junction/letter/crossing/mixed-width body coordinates include the 0.27/0.41 px offset. Create Fills and Strokes are on, Stroke is the scene's limit (13 px, mix and mixed-width body 6 px, varying 12 px), Black and White threshold 128, Noise 4, Ignore White on, other settings at their defaults. Today's tracer has no minimum-length setting (the dashed scenes specify 0 for future use).
Distances use dense exact centre samples (≤0.25 px), emitted curves sampled at ≤0.5 px control-polygon steps, and nearest-point searches capped at 30 px. Found is the fraction of true samples within 1.5 px; width errors use output samples within 2 px of a true stroke. Samples inside exact fills are excluded. Topology is recovered from emitted subpath endpoints and intersections, merging coincident positions within 0.05 px; an endpoint contributes one arm, an interior two. Junction matching radius is local true width + 3 px; ends use half-width + 4 px. Each match is used once. Free ends exclude true junctions, corners, other strokes and fills; unmatched emitted ends are spurs. Junctions/ends within 2 px of fills are excluded. End error is distance, with signed error along the outward tangent in parentheses. Coverage is a union of painted output at pixel centres (0.02 px flattening tolerance, actual emitted caps), compared with the exact swept shape at pixel centres, for both input variants. Area error is signed relative to exact area. Anchors counts stroke anchors, including all compound subpaths; paths counts stroked + filled paths. Time covers tracing only, one scene at a time. Profile-dependent columns are unavailable (–).
@@ -1304,8 +1310,10 @@ Distances use dense exact centre samples (≤0.25 px), emitted curves sampled at
| letters w3 | hard | 7+0 | 0.33 / 0.92 | 0.34 / 0.71 | 99.0 | 0.06 / 0.20 | – | – |
| letters w5 | aa | 7+0 | 0.27 / 1.49 | 0.29 / 1.31 | 95.9 | 0.02 / 0.20 | – | – |
| letters w5 | hard | 7+0 | 0.40 / 1.48 | 0.41 / 1.29 | 96.2 | 0.05 / 0.20 | – | – |
| mix | aa | 3+1 | 0.10 / 0.21 | 12.89 / 30.00 | 57.3 | 0.03 / 0.14 | – | – |
| mix | hard | 3+1 | 0.22 / 0.43 | 12.95 / 30.00 | 57.3 | 0.08 / 0.15 | – | – |
| mix | aa | 6+3 | 0.09 / 0.19 | 0.15 / 0.28 | 99.9 | 0.02 / 0.14 | – | – |
| mix | hard | 6+3 | 0.24 / 0.52 | 0.28 / 0.56 | 99.8 | 0.07 / 0.20 | – | – |
| mixed-width body | aa | 3+1 | 0.09 / 0.27 | 0.15 / 0.31 | 100.0 | 0.05 / 0.14 | – | – |
| mixed-width body | hard | 3+1 | 0.18 / 0.42 | 0.22 / 0.42 | 100.0 | 0.05 / 0.12 | – | – |
| varying | aa | 5+0 | 0.13 / 0.28 | 0.19 / 0.31 | 99.5 | 1.89 / 4.13 | – | – |
| varying | hard | 5+0 | 0.20 / 0.51 | 0.24 / 0.52 | 99.7 | 1.90 / 4.22 | – | – |
@@ -1313,56 +1321,58 @@ Distances use dense exact centre samples (≤0.25 px), emitted curves sampled at
| scene | input | junctions ok / wrong deg / missed / extra | junction pos err | ends found | end err (signed) | spurs | IoU uniform / profile | area err uniform / profile | fill→fill % | anchors | width pts | ms |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| lines w1 | aa | 0 / 0 / 0 / 76 | – | 43/48 | 0.71 (-0.69) | 88 | 0.790 / – | -6.2% / – | – | 186 | – | 4.6 |
| lines w1 | hard | 0 / 0 / 0 / 0 | – | 42/48 | 1.50 (-1.42) | 142 | 0.644 / – | -25.8% / – | – | 184 | – | 3.6 |
| lines w2 | aa | 0 / 0 / 0 / 0 | – | 48/48 | 0.32 (-0.20) | 0 | 0.914 / – | -0.3% / – | – | 71 | – | 4.3 |
| lines w2 | hard | 0 / 0 / 0 / 0 | – | 48/48 | 0.38 (-0.10) | 0 | 0.808 / – | -2.0% / – | – | 58 | – | 4.2 |
| lines w3 | aa | 0 / 0 / 0 / 0 | – | 48/48 | 0.26 (-0.17) | 0 | 0.931 / – | -3.0% / – | – | 64 | – | 4.4 |
| lines w3 | hard | 0 / 0 / 0 / 0 | – | 48/48 | 0.46 (-0.24) | 0 | 0.881 / – | -2.5% / – | – | 50 | – | 4.3 |
| lines w4 | aa | 0 / 0 / 0 / 0 | – | 48/48 | 0.25 (-0.18) | 0 | 0.964 / – | -0.6% / – | – | 70 | – | 4.6 |
| lines w4 | hard | 0 / 0 / 0 / 0 | – | 48/48 | 0.40 (-0.15) | 0 | 0.906 / – | -0.1% / – | – | 54 | – | 4.5 |
| lines w6 | aa | 0 / 0 / 0 / 0 | – | 48/48 | 0.30 (-0.18) | 0 | 0.965 / – | -0.3% / – | – | 65 | – | 5.1 |
| lines w6 | hard | 0 / 0 / 0 / 0 | – | 48/48 | 0.45 (-0.12) | 0 | 0.923 / – | 1.4% / – | – | 55 | – | 4.9 |
| lines w8 | aa | 0 / 0 / 0 / 0 | – | 48/48 | 0.37 (-0.20) | 0 | 0.967 / – | -1.0% / – | – | 66 | – | 5.4 |
| lines w8 | hard | 0 / 0 / 0 / 0 | – | 48/48 | 0.46 (-0.18) | 0 | 0.934 / – | -0.3% / – | – | 53 | – | 5.4 |
| lines w10 | aa | 0 / 0 / 0 / 0 | – | 48/48 | 0.35 (-0.16) | 0 | 0.969 / – | -0.7% / – | – | 66 | – | 5.9 |
| lines w10 | hard | 0 / 0 / 0 / 0 | – | 48/48 | 0.50 (-0.12) | 0 | 0.942 / – | -0.1% / – | – | 52 | – | 5.9 |
| lines w12 | aa | 0 / 0 / 0 / 0 | – | 48/48 | 0.40 (-0.16) | 0 | 0.969 / – | -0.6% / – | – | 70 | – | 6.4 |
| lines w12 | hard | 0 / 0 / 0 / 0 | – | 48/48 | 0.54 (-0.11) | 0 | 0.949 / – | -0.2% / – | – | 53 | – | 6.3 |
| curves w2 | aa | 0 / 0 / 0 / 0 | – | 8/8 | 0.18 (-0.13) | 0 | 0.921 / – | -0.6% / – | – | 34 | – | 4.7 |
| curves w2 | hard | 0 / 0 / 0 / 0 | – | 8/8 | 0.22 (-0.05) | 0 | 0.821 / – | -2.4% / – | – | 29 | – | 4.7 |
| curves w4 | aa | 0 / 0 / 0 / 0 | – | 8/8 | 0.56 (-0.42) | 0 | 0.949 / – | -0.8% / – | – | 35 | – | 5.1 |
| curves w4 | hard | 0 / 0 / 0 / 0 | – | 8/8 | 0.66 (-0.38) | 0 | 0.904 / – | -0.5% / – | – | 30 | – | 5.2 |
| curves w8 | aa | 0 / 0 / 0 / 0 | – | 8/8 | 2.24 (-2.01) | 0 | 0.956 / – | -0.9% / – | – | 42 | – | 5.9 |
| curves w8 | hard | 0 / 0 / 0 / 0 | – | 8/8 | 1.97 (-1.67) | 0 | 0.936 / – | -0.5% / – | – | 31 | – | 5.9 |
| circles | aa | 0 / 0 / 0 / 0 | – | 0/0 | – (–) | 32 | 0.964 / – | -0.9% / – | – | 71 | – | 7.4 |
| circles | hard | 0 / 0 / 0 / 0 | – | 0/0 | – (–) | 28 | 0.888 / – | -0.7% / – | – | 52 | – | 8.0 |
| junctions w2 | aa | 7 / 0 / 0 / 0 | 1.17 | 23/23 | 0.32 (-0.16) | 0 | 0.889 / – | 6.1% / – | – | 84 | – | 3.7 |
| junctions w2 | hard | 7 / 0 / 0 / 0 | 1.17 | 23/23 | 0.49 (-0.15) | 0 | 0.771 / – | 4.9% / – | – | 59 | – | 3.6 |
| junctions w4 | aa | 7 / 0 / 0 / 1 | 1.62 | 23/23 | 0.33 (-0.26) | 0 | 0.919 / – | 5.0% / – | – | 100 | – | 4.1 |
| junctions w4 | hard | 7 / 0 / 0 / 1 | 1.62 | 23/23 | 0.65 (-0.32) | 0 | 0.850 / – | 7.0% / – | – | 81 | – | 4.0 |
| junctions w8 | aa | 7 / 0 / 0 / 2 | 2.76 | 23/23 | 0.43 (-0.27) | 0 | 0.937 / – | 2.7% / – | – | 93 | – | 4.7 |
| junctions w8 | hard | 7 / 0 / 0 / 1 | 2.76 | 23/23 | 0.80 (-0.35) | 0 | 0.913 / – | 2.5% / – | – | 77 | – | 4.7 |
| crossings w3 | aa | 5 / 0 / 0 / 2 | 0.25 | 20/20 | 0.27 (-0.18) | 0 | 0.935 / – | -1.1% / – | – | 74 | – | 2.8 |
| crossings w3 | hard | 5 / 0 / 0 / 5 | 0.25 | 20/20 | 0.41 (-0.17) | 0 | 0.791 / – | -7.6% / – | – | 69 | – | 2.8 |
| crossings w6 | aa | 5 / 0 / 0 / 1 | 0.25 | 20/20 | 0.35 (-0.17) | 0 | 0.925 / – | -3.6% / – | – | 112 | – | 3.3 |
| crossings w6 | hard | 5 / 0 / 0 / 4 | 0.25 | 20/20 | 0.51 (-0.20) | 0 | 0.872 / – | -2.0% / – | – | 81 | – | 3.4 |
| dashed w2 | aa | 0 / 0 / 0 / 0 | – | 62/62 | 0.28 (-0.20) | 0 | 0.927 / – | -2.6% / – | – | 64 | – | 2.0 |
| dashed w2 | hard | 0 / 0 / 0 / 0 | – | 62/62 | 0.33 (-0.11) | 0 | 0.926 / – | -3.6% / – | – | 67 | – | 1.9 |
| dashed w4 | aa | 0 / 0 / 0 / 0 | – | 58/58 | 0.30 (-0.20) | 0 | 0.952 / – | -0.1% / – | – | 61 | – | 2.1 |
| dashed w4 | hard | 0 / 0 / 0 / 0 | – | 58/58 | 0.37 (-0.08) | 0 | 0.944 / – | -1.5% / – | – | 60 | – | 2.1 |
| letters w3 | aa | 7 / 0 / 0 / 6 | 1.47 | 17/17 | 0.62 (-0.47) | 1 | 0.923 / – | -0.9% / – | – | 114 | – | 3.3 |
| letters w3 | hard | 7 / 0 / 0 / 3 | 1.47 | 17/17 | 0.38 (-0.21) | 1 | 0.859 / – | -0.6% / – | – | 81 | – | 3.3 |
| letters w5 | aa | 6 / 1 / 0 / 6 | 2.10 | 17/17 | 0.99 (-0.83) | 0 | 0.929 / – | -1.7% / – | – | 124 | – | 3.7 |
| letters w5 | hard | 6 / 1 / 0 / 8 | 2.10 | 17/17 | 1.05 (-0.79) | 0 | 0.887 / – | -2.0% / – | – | 100 | – | 3.7 |
| mix | aa | 0 / 0 / 0 / 0 | – | 6/7 | 0.24 (-0.17) | 0 | 0.986 / – | 0.1% / – | 99.7 | 11 | – | 6.5 |
| mix | hard | 0 / 0 / 0 / 0 | – | 6/7 | 0.57 (-0.46) | 0 | 0.969 / – | -0.0% / – | 99.1 | 11 | – | 6.4 |
| varying | aa | 0 / 0 / 0 / 0 | – | 10/10 | 2.03 (-1.08) | 0 | 0.735 / – | 4.8% / – | – | 22 | – | 5.2 |
| varying | hard | 0 / 0 / 0 / 0 | – | 10/10 | 1.92 (-0.94) | 0 | 0.736 / – | 5.2% / – | – | 22 | – | 5.3 |
| lines w1 | aa | 0 / 0 / 0 / 76 | – | 43/48 | 0.71 (-0.69) | 88 | 0.790 / – | -6.2% / – | – | 186 | – | 8.0 |
| lines w1 | hard | 0 / 0 / 0 / 0 | – | 42/48 | 1.50 (-1.42) | 142 | 0.644 / – | -25.8% / – | – | 184 | – | 6.8 |
| lines w2 | aa | 0 / 0 / 0 / 0 | – | 48/48 | 0.32 (-0.20) | 0 | 0.914 / – | -0.3% / – | – | 71 | – | 7.7 |
| lines w2 | hard | 0 / 0 / 0 / 0 | – | 48/48 | 0.38 (-0.10) | 0 | 0.808 / – | -2.0% / – | – | 58 | – | 7.2 |
| lines w3 | aa | 0 / 0 / 0 / 0 | – | 48/48 | 0.26 (-0.17) | 0 | 0.931 / – | -3.0% / – | – | 64 | – | 8.0 |
| lines w3 | hard | 0 / 0 / 0 / 0 | – | 48/48 | 0.46 (-0.24) | 0 | 0.881 / – | -2.5% / – | – | 50 | – | 7.7 |
| lines w4 | aa | 0 / 0 / 0 / 0 | – | 48/48 | 0.25 (-0.18) | 0 | 0.964 / – | -0.6% / – | – | 70 | – | 7.8 |
| lines w4 | hard | 0 / 0 / 0 / 0 | – | 48/48 | 0.40 (-0.15) | 0 | 0.906 / – | -0.1% / – | – | 54 | – | 7.6 |
| lines w6 | aa | 0 / 0 / 0 / 0 | – | 48/48 | 0.30 (-0.18) | 0 | 0.965 / – | -0.3% / – | – | 65 | – | 8.4 |
| lines w6 | hard | 0 / 0 / 0 / 0 | – | 48/48 | 0.45 (-0.12) | 0 | 0.923 / – | 1.4% / – | – | 55 | – | 8.2 |
| lines w8 | aa | 0 / 0 / 0 / 0 | – | 48/48 | 0.37 (-0.20) | 0 | 0.967 / – | -1.0% / – | – | 66 | – | 9.8 |
| lines w8 | hard | 0 / 0 / 0 / 0 | – | 48/48 | 0.46 (-0.18) | 0 | 0.934 / – | -0.3% / – | – | 53 | – | 9.1 |
| lines w10 | aa | 0 / 0 / 0 / 0 | – | 48/48 | 0.35 (-0.16) | 0 | 0.969 / – | -0.7% / – | – | 66 | – | 10.1 |
| lines w10 | hard | 0 / 0 / 0 / 0 | – | 48/48 | 0.50 (-0.12) | 0 | 0.942 / – | -0.1% / – | – | 52 | – | 9.8 |
| lines w12 | aa | 0 / 0 / 0 / 0 | – | 48/48 | 0.40 (-0.16) | 0 | 0.969 / – | -0.6% / – | – | 70 | – | 11.0 |
| lines w12 | hard | 0 / 0 / 0 / 0 | – | 48/48 | 0.54 (-0.11) | 0 | 0.949 / – | -0.2% / – | – | 53 | – | 10.7 |
| curves w2 | aa | 0 / 0 / 0 / 0 | – | 8/8 | 0.18 (-0.13) | 0 | 0.921 / – | -0.6% / – | – | 34 | – | 7.6 |
| curves w2 | hard | 0 / 0 / 0 / 0 | – | 8/8 | 0.22 (-0.05) | 0 | 0.821 / – | -2.4% / – | – | 29 | – | 7.5 |
| curves w4 | aa | 0 / 0 / 0 / 0 | – | 8/8 | 0.56 (-0.42) | 0 | 0.949 / – | -0.8% / – | – | 35 | – | 8.3 |
| curves w4 | hard | 0 / 0 / 0 / 0 | – | 8/8 | 0.66 (-0.38) | 0 | 0.904 / – | -0.5% / – | – | 30 | – | 8.4 |
| curves w8 | aa | 0 / 0 / 0 / 0 | – | 8/8 | 2.24 (-2.01) | 0 | 0.956 / – | -0.9% / – | – | 42 | – | 10.7 |
| curves w8 | hard | 0 / 0 / 0 / 0 | – | 8/8 | 1.97 (-1.67) | 0 | 0.936 / – | -0.5% / – | – | 31 | – | 9.8 |
| circles | aa | 0 / 0 / 0 / 0 | – | 0/0 | – (–) | 32 | 0.964 / – | -0.9% / – | – | 71 | – | 11.3 |
| circles | hard | 0 / 0 / 0 / 0 | – | 0/0 | – (–) | 28 | 0.888 / – | -0.7% / – | – | 52 | – | 11.9 |
| junctions w2 | aa | 7 / 0 / 0 / 0 | 1.17 | 23/23 | 0.32 (-0.16) | 0 | 0.889 / – | 6.1% / – | – | 84 | – | 6.3 |
| junctions w2 | hard | 7 / 0 / 0 / 0 | 1.17 | 23/23 | 0.49 (-0.15) | 0 | 0.771 / – | 4.9% / – | – | 59 | – | 6.1 |
| junctions w4 | aa | 7 / 0 / 0 / 1 | 1.62 | 23/23 | 0.33 (-0.26) | 0 | 0.919 / – | 5.0% / – | – | 100 | – | 6.9 |
| junctions w4 | hard | 7 / 0 / 0 / 1 | 1.62 | 23/23 | 0.65 (-0.32) | 0 | 0.850 / – | 7.0% / – | – | 81 | – | 6.8 |
| junctions w8 | aa | 7 / 0 / 0 / 2 | 2.76 | 23/23 | 0.43 (-0.27) | 0 | 0.937 / – | 2.7% / – | – | 93 | – | 7.9 |
| junctions w8 | hard | 7 / 0 / 0 / 1 | 2.76 | 23/23 | 0.80 (-0.35) | 0 | 0.913 / – | 2.5% / – | – | 77 | – | 7.7 |
| crossings w3 | aa | 5 / 0 / 0 / 2 | 0.25 | 20/20 | 0.27 (-0.18) | 0 | 0.935 / – | -1.1% / – | – | 74 | – | 4.6 |
| crossings w3 | hard | 5 / 0 / 0 / 5 | 0.25 | 20/20 | 0.41 (-0.17) | 0 | 0.791 / – | -7.6% / – | – | 69 | – | 4.5 |
| crossings w6 | aa | 5 / 0 / 0 / 1 | 0.25 | 20/20 | 0.35 (-0.17) | 0 | 0.925 / – | -3.6% / – | – | 112 | – | 5.6 |
| crossings w6 | hard | 5 / 0 / 0 / 4 | 0.25 | 20/20 | 0.51 (-0.20) | 0 | 0.872 / – | -2.0% / – | – | 81 | – | 5.4 |
| dashed w2 | aa | 0 / 0 / 0 / 0 | – | 62/62 | 0.28 (-0.20) | 0 | 0.927 / – | -2.6% / – | – | 64 | – | 3.7 |
| dashed w2 | hard | 0 / 0 / 0 / 0 | – | 62/62 | 0.33 (-0.11) | 0 | 0.926 / – | -3.6% / – | – | 67 | – | 3.7 |
| dashed w4 | aa | 0 / 0 / 0 / 0 | – | 58/58 | 0.30 (-0.20) | 0 | 0.952 / – | -0.1% / – | – | 61 | – | 3.9 |
| dashed w4 | hard | 0 / 0 / 0 / 0 | – | 58/58 | 0.37 (-0.08) | 0 | 0.944 / – | -1.5% / – | – | 60 | – | 3.8 |
| letters w3 | aa | 7 / 0 / 0 / 6 | 1.47 | 17/17 | 0.62 (-0.47) | 1 | 0.923 / – | -0.9% / – | – | 114 | – | 5.3 |
| letters w3 | hard | 7 / 0 / 0 / 3 | 1.47 | 17/17 | 0.38 (-0.21) | 1 | 0.859 / – | -0.6% / – | – | 81 | – | 5.2 |
| letters w5 | aa | 6 / 1 / 0 / 6 | 2.10 | 17/17 | 0.99 (-0.83) | 0 | 0.929 / – | -1.7% / – | – | 124 | – | 5.9 |
| letters w5 | hard | 6 / 1 / 0 / 8 | 2.10 | 17/17 | 1.05 (-0.79) | 0 | 0.887 / – | -2.0% / – | – | 100 | – | 5.7 |
| mix | aa | 0 / 0 / 0 / 0 | – | 7/7 | 0.25 (-0.18) | 0 | 0.988 / – | 0.2% / – | 99.9 | 22 | – | 10.2 |
| mix | hard | 0 / 0 / 0 / 0 | – | 7/7 | 0.56 (-0.46) | 0 | 0.956 / – | -0.4% / – | 98.9 | 22 | – | 10.3 |
| mixed-width body | aa | 0 / 0 / 0 / 0 | – | 3/3 | 0.23 (-0.05) | 0 | 0.985 / – | 0.3% / – | 99.3 | 9 | – | 4.4 |
| mixed-width body | hard | 0 / 0 / 0 / 0 | – | 3/3 | 0.27 (-0.03) | 0 | 0.972 / – | -0.6% / – | 98.3 | 8 | – | 3.7 |
| varying | aa | 0 / 0 / 0 / 0 | – | 10/10 | 2.03 (-1.08) | 0 | 0.735 / – | 4.8% / – | – | 22 | – | 9.4 |
| varying | hard | 0 / 0 / 0 / 0 | – | 10/10 | 1.92 (-0.94) | 0 | 0.736 / – | 5.2% / – | – | 22 | – | 8.7 |
**aa totals**: junctions 44 correct, 1 wrong degree, 0 missed, 94 extra (of 45); ends 682 of 688; spurs 121.
**aa totals**: junctions 44 correct, 1 wrong degree, 0 missed, 94 extra (of 45); ends 686 of 691; spurs 121.
**hard totals**: junctions 44 correct, 1 wrong degree, 0 missed, 22 extra (of 45); ends 681 of 688; spurs 171.
**hard totals**: junctions 44 correct, 1 wrong degree, 0 missed, 22 extra (of 45); ends 685 of 691; spurs 171.
**Scope of the improvement:** correct junction degrees rise from 30/45 to 44/45 in each variant;
missed junctions fall from two to zero. Extra junctions fall from 104 to 94 aa and 27 to 22 hard.
docs/localization-parity.md
+10 -4
View File
@@ -20,23 +20,26 @@ English) in-app help, and the docs are English.
**Native review:** every catalog was written clean-room from the English meaning, most of it by agents
(`bflatastic`), with community contributors adding or correcting (German by `dwetscher`, Japanese and Traditional
Chinese by `imachus`). Only Georgian is recorded as reviewed by a native speaker; the other catalog headers ask for one.
Chinese by `imachus`). Georgian and the original Gujarati catalog are recorded as reviewed by native speakers; the contributor approved all 387 later Gujarati additions on 2026-11-14.
> **Gujarati status (2026-11-14, #6613):** 4,673 catalog rows: the original 4,286 remain unchanged; all 387 additions are contributor-reviewed and approved, with 11 wording corrections. Status/error messages remain partial, and the pinned CI/release fonts and web startup list contain no Gujarati face; web selection stays unavailable until a Gujarati interface face is bundled. Scores and estimates unchanged.
## The twelve key languages
| Language | Code | UI strings translated | Dialogs / tooltips / messages | Script support | Native review | Status | To `full` (h) |
|---|---|---|---|---|---|---|---|
| English | `en` | source, 100% | all | Latin | — | full | — |
| Simplified Chinese (Mandarin) | `zh-hans` | 5,102 rows, 791 of them `@msg` (counted 2026-10-21): menus, `tl!` literals and messages complete when counted | all (3,439 `@msg` and 48 `@msgplural` rows, counted 2026-11-13: the untranslated report lists 40 missing messages for it) | CJK UI font from craft-fonts (BIZ UDPGothic) when embedded, else a system font; IME with marked text at the caret; vertical type partial ([type-parity.md](type-parity.md)) | no | full | — (review) |
| Simplified Chinese (Mandarin) | `zh-hans` | 5,102 rows, 791 of them `@msg` (counted 2026-10-21): menus, `tl!` literals and messages complete when counted | all (3,554 `@msg` and 48 `@msgplural` rows, counted 2026-11-13: the untranslated report lists 55 missing messages for it, which open #7116, #7211, #7330, #7378 and #7405 translate) | CJK UI font from craft-fonts (BIZ UDPGothic) when embedded, else a system font; IME with marked text at the caret; vertical type partial ([type-parity.md](type-parity.md)) | no | full | — (review) |
| Spanish | `es` | 4,009 / 4,020 (99.7%) | all (604 messages) | Latin | no | full | — (review) |
| Hindi | `hi` | 8,782 rows (2026-11-13): 3,014 `@msg`, 47 `@msgplural`, 41 `@plural`; no gaps in the untranslated report | menus, dialogs, tooltips and scanned messages; contributor-approved loanword terminology; agent wording pass | UI and document text shape with HarfRust; installed desktop Devanagari fallback, or a `Deva` craft-fonts face; web font still needed | contributor terminology review; 2026-11-13 wording pass on messages and longer labels, with a glossary-term test; wider proofread welcome | complete catalog, machine-assisted draft | native review, layout and web font |
| Gujarati | `gu` | 4,673 rows (2026-11-14): original 4,286 unchanged; all 387 additions contributor-reviewed and approved | menus and dialogs; status/error messages partial | installed Gujarati fonts on desktop; optional `Gujr` craft-fonts fallback; no Gujarati face in the pinned CI/release fonts or web startup list | original catalog reviewed by a native speaker; all 387 later additions approved by the contributor, with 11 wording corrections | contributor-reviewed catalog | remaining messages and a bundled Gujarati web font |
| Arabic | `ar` | 0 | none | document text: bidi layout and Paragraph Direction; interface: no right-to-left layout, no Arabic shaping in egui | no | none | 25–40 |
| French | `fr` | 4,020 / 4,020 (100%) | all | Latin | no | full | — (review) |
| French | `fr` | 9,166 rows, 3,436 of them `@msg` and 48 `@msgplural` (counted 2026-11-13): the untranslated report lists 178 missing messages for it | all | Latin | no | full | — (review) |
| Portuguese | `pt-br` | 9,260 rows, 3,445 of them `@msg` and 48 `@msgplural` (counted 2026-11-13): the untranslated report lists 39 missing messages for it; one/other plurals | all | Latin | contributor is a Brazilian Portuguese speaker; further native review welcome | full | — (review) |
| Indonesian | `id` | 5,279 rows, 750 of them `@msg` (counted 2026-10-21): menus and `tl!` literals complete when counted; its messages are partial; one plural form | dialogs and tooltips all; 750 message rows (French has 796) | Latin | no | full | — (review) |
| Japanese | `ja` | 4,004 / 4,020 (99.6%) | all | CJK UI font as above; Japanese IME; vertical type partial; Japanese crop marks and composition settings | no | full | — (review) |
| German | `de` | 3,952 / 4,020 (98%; menus, literals and messages complete when counted) | all (3,433 `@msg` and 48 `@msgplural` rows, counted 2026-11-13: the untranslated report lists 48 missing messages for it) | Latin | contributor-written, not reviewed | full | — (review) |
| Korean | `ko` | 4,870 rows (counted 2026-10-21): menus, `tl!` literals and messages complete when counted; one plural form | all | Hangul from an installed system font on the desktop (Apple SD Gothic Neo, Malgun Gothic, Noto Sans CJK KR…); the web build has no Korean UI font yet (craft-fonts); IME path exists | no (AI-drafted) | full | — (review; web font) |
| Korean | `ko` | 4,870 rows (counted 2026-10-21): menus, `tl!` literals and messages complete when counted; one plural form | all (3,438 `@msg` and 48 `@msgplural` rows, counted 2026-11-13: the untranslated report lists 39 missing messages for it) | Hangul from an installed system font on the desktop (Apple SD Gothic Neo, Malgun Gothic, Noto Sans CJK KR…); the web build has no Korean UI font yet (craft-fonts); IME path exists | no (AI-drafted) | full | — (review; web font) |
| Vietnamese | `vi` | 4,886 rows (counted 2026-10-21): menus, `tl!` literals and messages complete when counted; one plural form; 4,046 plain + 18 `@plural` + 28 contextual + 794 `@msg` | all | Latin with Vietnamese diacritics (stacked marks attach in precomposed, decomposed and keyboard forms, #4491; glyph tests pass) | contributor is a Vietnamese speaker; AI-assisted draft, further native review welcome | full | — (review) |
**Historical 12-language score: ~82%** (equal weights: 100 + 85 + 100 + 0 + 0 + 100 + 100 + 100 + 100 + 98 + 100 + 100, over 12).
@@ -97,6 +100,9 @@ font for the web build.
| Date | Change | Summary |
|---|---|---|
| 2026-11-14 | minor | Gujarati (#6613): contributor proofreading completed for all 387 additions, with 11 wording corrections; 4,673 reviewed catalog rows. Status/error messages remain partial; web selection requires a bundled Gujarati face. Scores and estimates unchanged. |
| 2026-11-12 | minor | Gujarati (`gu`): reviewed by a native speaker; zero/one singular plurals (CLDR); Gujarati craft-fonts faces join the UI fonts; strings added on main since branching translated (4,286 rows) |
| 2026-11-11 | minor | Gujarati (`gu`): 4,235-row machine-assisted interface catalog, one/other plurals, desktop Gujarati font fallback and a glyph-coverage filter; status and error messages not yet translated; native review pending |
| 2026-11-06 | minor | Hindi (`hi`): 7,877-row machine-assisted catalog, zero/one singular plurals, desktop font fallback and optional Devanagari craft-fonts fallback; all 55 translation tests pass; native review and a web font remain; scores and estimates unchanged |
| 2026-10-30 | minor | Bosnian (`bs`, Latin, Ijekavian): complete catalog of 5,841 rows, every `bs-*` locale, one/few/other plurals; AI-assisted, not yet native-reviewed |
| 2026-10-29 | minor | Vietnamese text: letters with two marks (Ể, Ứ, Ự) attach in precomposed, decomposed and keyboard forms, and a font lacking the marks falls back for the whole letter (#4491); scores unchanged |
docs/mcp.md
+65 -14
View File
@@ -835,9 +835,13 @@ them sets what the graph stores. While Global Edit is on, a path directly in a s
match (a graph's paths are matches only while the graph is isolated) has what changed on it stored for its series: the
paint, weight, opacity and blend mode of the topmost visible fill and stroke, and the object's opacity and blend mode.
`addon.arrange.randomizeOpacity` and `addon.arrange.sort` with `apply: "opacity"` store the object opacity, with the
blend mode, of the frontmost path of a series whose opacity they change. A gradient is stored with its placement, and
every path of the series takes that placement when the graph is drawn again. The graph does not store a stroke's
dashes, caps, joins, arrowheads, width profile or brush. These commands do not store the colors they give a graph's axes and labels, which are drawn again
blend mode, of the frontmost path of a series whose opacity they change. A gradient is stored with its placement relative
to the box of the path it was stored from (a stroke's box is the path's bounds grown by half the weight), and every path
of the series, the legend swatch included, takes it at the same place on its own box when the graph is drawn again, also
after the data changes or the graph moves. The graph saves this as `fillUnitBox` and `strokeUnitBox` in its series
paints. A gradient stored from a path with no width or no height is drawn at the place in the document where it was
stored. So is a gradient a graph stored without these flags. The graph does not store a stroke's dashes, caps, joins,
arrowheads, width profile or brush. These commands do not store the colors they give a graph's axes and labels, which are drawn again
with the paint they had.
`text.setFormat` without `start` and `end`, on a graph or on its labels, stores the character and paragraph attributes
@@ -1305,7 +1309,9 @@ Drive a tool like a mouse:
Edit a gradient with the Gradient tool's annotator (the bar runs along the vector; stop chips sit 10 px under
it, midpoint diamonds 7 px above): a click on the bar adds a stop, dragging a chip moves it (drag it off the bar to
delete it, hold Alt to copy it), dragging the end handle changes the vector. The selected stop
delete it, hold Alt to copy it), dragging the end handle changes the vector. Both ends of a vector drawn on the art,
the start of one a click applies, and the dragged start and end handles snap as drawn points do; with Shift, the end
or the handle keeps to 45° steps and snaps along them. The selected stop
(`gradient.selectStop`) takes Delete and ←/→:
```json
@@ -1798,6 +1804,13 @@ commands fail and change nothing, and `appearance.removeItem` removes nothing. A
the item last. A text `start` or `end` is past the end of the text. `object.slice.divide` refuses such a `rows` or
`columns`, `recolor.reduce` keeps each color in its own row for such a `colors`, and `layer.setProps` refuses such a
`color`. `object.setBounds` reads a `reference` past 8 as 8, as `object.transformEach` does.
An index or place given as a value that is not a whole number of 0 or more, such as `"3"`, `2.5`, `-1` or `true`, is
refused with `` `anchor` must be a whole number ``, naming the key: `anchor` of `path.setHandle`, `path.moveAnchor` and
`text.setPathHandle`, `segment` of `path.insertAnchor`, `to` of `artboard.reorder`, `library.moveGroup` and
`graphicStyle.move`, `subpath` of `path.appendAnchor`, `path.close` and `path.reverse`, and `artboard` of
`document.rulerOrigin`, `document.setRulerOrigin` and `document.resetRulerOrigin`. A required one left out or null is
reported as missing (`missing anchor`). Left out or null, `subpath` takes the command's default and `artboard` is 0.
Nothing changes and no undo step is recorded.
The blend, envelope and gradient mesh commands refuse a string or another value that is not a number with the same
message, as in `` `steps` must be a number, not "8" ``, and change nothing: `steps`, `distance` and `value` in
`object.blend.make` and `object.blend.options`; `bend`, `h`, `v`, `horizontalDistortion` and `verticalDistortion` in
@@ -2158,7 +2171,7 @@ VectorCraft's own, and `vc.api.has("dollar")` is true where they are available:
| `build`, `version` | VectorCraft's version |
| `buildDate` | `null` |
| `decimalPoint` | `","` for a locale whose language writes a decimal comma (such as `de`, `fr`, `ru`), otherwise `"."` |
| `engineName` | `"VectorCraft"` |
| `engineName` | the name `#targetengine` gave the engine the script runs in, or `"VectorCraft"` without that line |
| `error` | the last `Error` object the run threw, caught or not, or `null` before one |
| `flags` | `0`, or `512` while localization is on; only `0` and `512` can be set, and setting `512` turns `$.localize` on |
| `gc()` | does nothing; the interpreter collects its own garbage |
@@ -2166,7 +2179,7 @@ VectorCraft's own, and `vc.api.has("dollar")` is true where they are available:
| `global` | the global object |
| `hiresTimer` | the microseconds since the run last read it, or since the run started; `0` on the web |
| `level`, `memCache` | `0`; setting `memCache` throws |
| `line`, `stack` | the line of the code that reads it, counted in the file that code is in (the script, a file it included or a file `$.evalFile` ran, in this run or an earlier run of its named engine); the running code, outermost first, one a line as `name@file:line` (`[global]` for the script's own code, `[anonymous]` for a function without a name; the file as `$.fileName` gives it, or the run's name for a script given as `source`), at most 64 lines. Code that `eval` or `Function` compiled keeps the line of the source they compiled, in the file `[eval]`; code whose place a named engine no longer keeps is at line `0` of `[unknown]` |
| `line`, `stack` | `$.line` is the line of the code that reads it, counted in the file that code is in (the script, a file it included or a file `$.evalFile` ran, in this run or an earlier run of its named engine). `$.stack` lists the running code, outermost first, one frame a line as `name@file:line`: `name` is `[global]` for code outside a function (in the script, in a file it included, or in code that `$.evalFile` or `eval` ran) and `[anonymous]` for a function without a name, and `file` and `line` are the file and line that code is in, so `file` is the file `$.fileName` gives in that code. It lists the innermost 64 frames; when there are more, a first line `…` stands for the ones left out. In code from a script given as `source`, `file` is that run's name, while `$.fileName` is empty. Code that `eval` or `Function` compiled keeps the line of the source they compiled, in the file `[eval]`, while `$.fileName` there is the file being run; code whose place a named engine no longer keeps is at line `0` of `[unknown]`, and `$.fileName` there is empty |
| `locale` | the interface's language as a locale such as `de` or `pt_BR` (`en` when the interface follows the system); a script can set `ll` or `ll_RR`, and `null` or `""` sets the interface's again |
| `localize` | `false`; while `true`, `String(object)` of a localization object gives its text for `$.locale` |
| `os` | `Windows`, `macOS`, `Linux`, `FreeBSD`, `Unix` or `Web`, without a version |
@@ -2510,8 +2523,12 @@ neutral, the default). In a knockout group each child hides what it covers of th
pass the enclosing group's setting to their children, off groups never knock out. `knockoutShape: true` makes the
object's opacity and opacity mask scale how much it knocks out. `transparency.togglePageKnockoutGroup` and
`transparency.togglePageIsolatedBlending` (`{value?}`) treat the whole page as a knockout or isolated group; they are
saved with the document and undoable, and `transparency.info` reports them. PDF and SVG write knockout groups as
soft-masked groups with the same look (the PDF export reports a warning).
saved with the document and undoable, and `transparency.info` reports them. PDF writes a knockout group as a PDF
knockout group, which PDF import reads back as one. Where an element knocks out less than the area it paints
(`knockoutShape: true` with opacity or a mask, or translucent paint), PDF draws each element through one soft mask of
the overlapping elements above it, as SVG does for every knockout group of translucent art. A group whose masks would
hold more than 65,536 objects (PDF) or shapes (SVG), or that has more than 2,048 elements, is written as a PDF knockout
group or a plain SVG group instead, and the export reports a warning.
Groups are not isolated unless Isolate Blending is on: a blend mode inside a group with opacity, a blend mode, an
opacity mask, knockout or a clip reaches the art below the group, on screen and in PDF (a knockout group's elements
@@ -4798,7 +4815,10 @@ type, with the image under it. A group's or layer's own fills and strokes become
members are expanded too. A symbol instance whose topmost fill or topmost stroke is visible, has an opacity above 0
and has a geometry effect becomes a group of its art: that fill's effects reshape the filled shapes of the art and that
stroke's effects reshape its stroked shapes, which keep their colors, as the canvas draws them (VectorCraft's own
rule); the instance's other fills and strokes are dropped. The result is `{ids}`; when an image in the art can't be decoded, the images made from
rule); the instance's other fills and strokes are dropped. A raster effect on that fill or stroke draws on the filled
or stroked shapes of the art, and expanding makes it an image as for other objects; with no geometry effect, the
instance stays an instance over a shadow or glow image, and a blur, feather or inner glow replaces it with the image.
The result is `{ids}`; when an image in the art can't be decoded, the images made from
raster effects do not show it, and the result also carries the `warning` that Flatten Transparency gives.
A path's strokes stay strokes, as the
[Expand objects](https://helpx.adobe.com/illustrator/desktop/manage-objects/arrange-objects/expand-objects.html) help
@@ -6596,8 +6616,8 @@ number, naming the key, and place nothing; null is the same as leaving the key o
`edit.copy` keeps the copied objects with the document resources they use: image blobs, symbols, patterns, global
and spot swatches (with the tint swatches of the tints used; never the built-in [Registration] swatch), the gradient
swatches their gradients came from, graphic styles the objects are linked to, character and paragraph styles and
brushes. Width profiles live in the preferences, so they need no copying. Every `edit.paste*` command (also `edit.pasteWithoutFormatting`, which leaves
text styles behind) brings them into the active document in the same undo step: an identical resource is reused,
brushes, with the swatches, patterns and text styles a graph keeps for its series and labels. Width profiles live in the preferences, so they need no copying. Every `edit.paste*` command (also `edit.pasteWithoutFormatting`, which leaves
text styles behind, those of graph labels included) brings them into the active document in the same undo step: an identical resource is reused,
a missing one added, and one of the same name that differs is added renamed ("Mark 2"; a copy an earlier paste
added is reused), which the pasted objects follow. Linked colours show the document's swatch at their tint (a Lab
spot colour as its Spot Colors option says). The result reports `{ids, added, merged, renamed: [{kind, from,
@@ -10491,9 +10511,13 @@ give the same result there. A paragraph whose characters differ in line metrics
scale, or an inline graphic taller than the text) is composed with Every-line in area type of any shape, rows,
columns and text wrap included. In a frame that is not a rectangle, or with text wrap, each line it tries is measured
where the lines above it put it, across the line's own height, so a taller line that reaches where the frame is
narrower, or beside a wrap object, gets the room there. Such a paragraph falls back to Single-line when the frame has
no room for all of it, or when the search for its breaks passes VectorCraft's own limits (1,000,000 lines tried and
2,000,000 baseline steps for one paragraph, 2,000,000 lines and 4,000,000 steps for all the paragraphs of a frame).
narrower, or beside a wrap object, gets the room there. When the frame has no room for all of such a paragraph, the
lines it holds are still composed with the whole paragraph: VectorCraft measures the lines past the frame's end as
wide as the span of the last line the frame holds, less their indents. Those lines overflow, or go on in the next
threaded frame, which composes them again at its own widths. Such a paragraph falls back to Single-line when the
frame has no room for its first line, or when the search for its breaks passes VectorCraft's own limits (1,000,000
lines tried and 2,000,000 baseline steps for one paragraph, 2,000,000 lines and 4,000,000 steps for all the
paragraphs of a frame).
The UI command `type.lineComposer` (Cmd+Alt+Shift+C, in remote mode `press_key {key: "C", mods: {cmd: true, alt: true,
shift: true}}` or `invoke_menu`) sets `singleLine` when every paragraph of the selected type (or every paragraph the
Type tool's selection touches) uses Every-line, else `everyLine`, and returns the composer it set.
@@ -11054,6 +11078,33 @@ whole points and Escape cancels. A drag keeps a Contour's own corners and miter
options `corners` and `miterLimit` (`tool.setOption`). A border with a gap is two Contours of one shape (the gap first, so
it ends up in front), baked with `effect.expandAppearance`, then `object.pathfinder.minusFront`.
## 3D Box and shapes add-on
The `addon.shapes.*` commands draw rotatable 3D boxes (`addon.shapes.box3d`) and rectangles, ellipses, polygons, stars and
spirals that keep their settings (`addon.shapes.rectangle`, `ellipse`, `polygon`, `star`, `spiral`), and
`addon.shapes.configure` changes those settings on the selected shapes (or `ids`). In a drawing command, an omitted or
null value takes the default in the table. In `configure`, an omitted or null value keeps each shape's setting. A value
outside its range is an error that names the parameter and the range, and the command then draws or changes nothing.
The ranges are VectorCraft's own:
| Parameter | Commands | Range (default) |
|---|---|---|
| `width`, `height` | `rectangle`, `ellipse`, `box3d` | pt, 0 or more |
| `radius` | `polygon`, `spiral` | pt, 0 or more |
| `radius` (corners) | `rectangle`, `configure` | pt, 0 or more (0); `configure` fits a larger radius to half each rectangle's shorter side |
| `radii` | `rectangle`, `configure` | four numbers, 0 or more: `[tl, tr, br, bl]` |
| `radius1` | `star` | pt, 0 or more |
| `radius2` | `star` | 0.01 to 1 times `radius1` (half of it) |
| `sides`, `points` | `polygon`, `star`, `configure` (`sides`) | a whole number from 3 to 1000 (6 sides, 5 points) |
| `rounded`, `randomized` | `polygon`, `star`, `configure` | −10 to 10 (0) |
| `spokeRatio` | `configure` | 0.01 to 1 |
| `turns` | `spiral`, `configure` | 0.01 to 1024 (3) |
| `divergence` | `spiral`, `configure` | 0 to 1000 (1) |
| `innerRadius` | `spiral`, `configure` | 0 to 0.999 of the radius (0) |
| `arcMode` | `rectangle`, `ellipse`, `polygon`, `star`, `configure` | `whole`, `pie` (or `slice`), `chord`, `arc` (or `open`) (`whole`) |
A `configure` call that changes no shape records no undo step and returns `{updated: 0}`.
## Cutting Tools add-on
Cutting Tools is a built-in add-on that prepares art for cutting. Its commands are `addon.cutting.bridges`,
docs/roadmap.md
+7
View File
@@ -12,6 +12,8 @@
> **PDF import status (2026-11-14, #6957):** Outlined Indic glyphs retain their full stroke properties; translucent glyphs stay separate, and a soft mask attaches to each glyph separately. Scores and estimates unchanged.
> **Gujarati status (2026-11-14, #6613):** 4,673 catalog rows: the original 4,286 remain unchanged; all 387 additions are contributor-reviewed and approved, with 11 wording corrections. Status/error messages remain partial, and the pinned CI/release fonts and web startup list contain no Gujarati face; web selection stays unavailable until a Gujarati interface face is bundled. Scores and estimates unchanged.
## Feature submission evidence
M4: Explicitly requested editing data keeps a single artboard larger than its 14,400 pt capped PDF page (#6865). Scores and estimates unchanged.
@@ -128,6 +130,8 @@ Checked 2026-10-10 from the code, tests and open issues; no workflow fails, so V
Hindi interface follow-up (2026-11-06): the catalog and zero/one plural rule are implemented;
native wording review, layout checks and a web Devanagari font remain. [Notes](localization-hi.md).
Gujarati interface follow-up (2026-11-14): the catalog and zero/one plural rule are implemented. The original 4,286 rows remain unchanged; all 387 additions are contributor-reviewed and approved, with 11 wording corrections. Status/error messages remain partial, and a bundled Gujarati web font remains to be supplied.
## Current focus
1. **Interaction-fidelity pass** (G1) by tool, from [ui-parity.md](ui-parity.md): Pen and Curvature, Direct
@@ -169,6 +173,7 @@ native wording review, layout checks and a web Devanagari font remain. [Notes](l
| — | Interaction fidelity pass (every tool's modifiers, Properties panel per context, isolation, nuance; width-point creation and adjoining adjustment regression-tested; dialog layout reviewed) | ⬜ (new ruler-guide Alt orientation implemented; existing-guide Escape cancellation regression-tested; broader pass remains) | 60–90 |
| — | Hardening at scale (big-file corpus, fuzzing, cross-platform + browser QA) | 🟡 PngSuite integrity and bounded fetching verified (#1729); real-world corpus/manual QA remain | 50–80 |
| M14 follow-up | Color Picker layout (#2008) | ✅ Compact controls, centered header, stacked actions, aligned fields and screen sampling; narrow windows scroll vertically | Included above |
| M14 follow-up | Gujarati interface (#6613) | 🟡 Zero/one singular plurals and desktop font fallback; 4,673 contributor-reviewed rows, including 387 approved additions with 11 wording corrections; status/error messages remain partial and pinned fonts lack a Gujarati face | Included above |
| | **Total to full parity** (one agent; from [target-app-parity.md](target-app-parity.md)) | | **~360–590** |
Milestone estimates predate the 2026-10-10 re-measure for M1–M14; the area table in
@@ -202,6 +207,8 @@ separate. Scores and hours unchanged. [Behavior and command details](development
| Date | Change | Summary |
|---|---|---|
| 2026-11-14 | minor | Gujarati (#6613): contributor proofreading completed for all 387 additions, with 11 wording corrections; 4,673 reviewed catalog rows. Status/error messages remain partial; web selection requires a bundled Gujarati face. Scores and estimates unchanged. |
| 2026-11-12 | minor | Gujarati (`gu`): 4,286-row machine-assisted catalog reviewed by a native speaker, zero/one singular plurals, desktop font fallback and optional Gujarati craft-fonts fallback; all 72 translation tests pass; a web font and about 2,600 untranslated messages remain; scores and estimates unchanged |
| 2026-11-12 | minor | Explicit editing-data import keeps a single artboard beyond a capped 14,400 pt PDF page (#6865), with a warning; automatic mode stays unchanged. Scores and estimates unchanged. |
| 2026-11-12 | minor | M7: Glyphs panel applies feature-valued alternates and unencoded glyphs while keeping Arabic joining (#5514). Scores and estimates unchanged. |
| 2026-11-12 | minor | M14: numeric fields keep the caret when a focus click is released more than 1 pt from its press; a tap within 1 pt still selects all (#6659, follow-up to #1326); estimates unchanged. |
docs/target-app-parity.md
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docs/type-parity.md
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@@ -39,7 +39,7 @@ against Illustrator's public documentation; **estimated** unless noted.
| Full font-name matching (OpenType name ID 4) | done | #1258: loaded/cataloged faces and Missing Fonts searches; localized names and variable default faces; Windows font-service QA pending |
| Variable fonts | done | named instances as styles; Character panel › Variable Font sets each axis (`fontAxes`); the font menu's Font Technology › Variable lists only variable font families, with the script, kind and ★ filters ([Find, apply, and adjust variable fonts](https://helpx.adobe.com/illustrator/desktop/design-with-text/fonts-and-scripts/find-apply-and-adjust-variable-fonts.html)); a family with a variable file beside static ones counts as variable. Evidence: `font_menu::tests::the_variable_filter_lists_only_variable_families`, `tests_axes::a_family_with_variation_axes_is_variable`, `tests_sysfonts::a_family_with_a_variable_file_beside_static_ones_is_variable` |
| Fallback glyphs keep the text's weight and slant | done | #2491: a character from a fallback face is set in that family's face nearest the run's weight and slant; Bold Italic of a missing family is drawn Bold (Source Sans 3 has no Bold Italic) rather than Italic; a letter and its combining marks (a grapheme cluster) are drawn in one face, the first that has all of them, so marks the text's font lacks attach to their letter instead of drawing as missing glyphs (#4491). Vietnamese letters with two marks (Ể, Ứ, Ự) sit on their letter whether typed precomposed, decomposed or as a vowel plus a tone mark, built from GPOS mark-to-mark in fonts without the precomposed letters. Evidence: `tests::vietnamese` |
| Colour fonts (bitmap, COLR, OpenType SVG) | partial | bitmap glyphs (`sbix`, `CBDT`) done: the largest strike's PNG, transformed with the type, fill and stroke ignored; PDF Type 3 glyphs or images, SVG images with outlined text (live text leaves emoji to the viewer, their fonts not embedded), EPS and legacy `.ai` images, Create Outlines images; not `sbix` duplicate, flipped, JPEG or TIFF glyphs, or `CBDT` BGRA or mask data, or ruby; in envelopes they warp as images do, and a Warp effect moves them without bending them. COLR (v0 and v1) done: a glyph's layers as vector art (solid colours, linear and radial gradients, clip glyphs and boxes, blend modes, transforms, palette 0, the foreground colour from the run's fill, variable fonts at the face's instance), transformed with the type; drawn on the canvas, written as paths in SVG, EPS, legacy `.ai` and PDF with outlined text, as text in PDF (Type 3 glyphs), and Create Outlines makes groups of editable paths. Paints documents have no form for draw the glyph as an image (256 px per em): sweep gradients, Porter-Duff compositing, radial gradients from a circle that isn't the centre, repeating or reflecting gradients. Not ruby. COLR and SVG glyphs also go with type that geometry effects reshape (on the canvas and in exports), into Expand Appearance and EMF/WMF export, as their art, and bitmap glyphs as images. OpenType SVG done: a glyph's SVG document (its element `glyph<gid>`) is read by the SVG importer into vector art in font units, `currentColor` in the run's fill (and the legacy `context-fill` and `context-stroke` in its fill and stroke), a `viewBox` mapped onto the em square, and then drawn, exported and outlined as COLR glyphs are; in PDF real text such glyphs are text that draws nothing, with their art drawn where they sit. Images in glyph documents are in the art, holding their pixels until a document takes them in; text, scripts and embedded content are left out, as the table rules them out. Not CPAL palette variables. Evidence: `tests_svg_glyphs`, `svg/tests/it/svg_glyphs.rs`, `tests_colourfonts::svg_glyph_images_draw_and_outline`, `tests_colourfonts::create_outlines_turns_svg_glyphs_into_groups`, `tests_colourfonts::pdf_real_text_draws_svg_glyphs_as_art_and_keeps_their_characters`, `tests_colourfonts::expand_appearance_keeps_the_colour_glyphs_of_type_with_effects`, `render::tests_colrglyphs::colour_glyphs_go_with_type_that_a_geometry_effect_reshapes`, `tests_bitmaps`, `tests_colr`, `render::tests_bitmapglyphs`, `render::tests_colrglyphs`, `pdf::tests::colour_bitmap_glyphs_export_as_images`, `pdf::tests::colr_glyphs_export_as_vector_art`, `svg/tests/it/colour_glyphs.rs`, `eps` `colour_bitmap_glyphs_*` and `colr_glyphs_*`, `tests_pathops::create_outlines_turns_bitmap_glyphs_into_images`, `tests_pathops::create_outlines_turns_colr_glyphs_into_layer_groups` |
| Colour fonts (bitmap, COLR, OpenType SVG) | partial | bitmap glyphs (`sbix`, `CBDT`) done: the largest strike's PNG, transformed with the type, fill and stroke ignored; PDF Type 3 glyphs or images, SVG images with outlined text (live text leaves emoji to the viewer, their fonts not embedded), EPS and legacy `.ai` images, Create Outlines images; not `sbix` duplicate, flipped, JPEG or TIFF glyphs, or `CBDT` BGRA or mask data, or ruby; in envelopes they warp as images do, and a Warp effect moves them without bending them. COLR (v0 and v1) done: a glyph's layers as vector art (solid colours, linear and radial gradients that pad, repeat or reflect (the [COLR specification](https://learn.microsoft.com/en-us/typography/opentype/spec/colr)'s extend modes), clip glyphs and boxes, blend modes, transforms, palette 0, the foreground colour from the run's fill, variable fonts at the face's instance), transformed with the type; drawn on the canvas, written as paths in SVG, EPS, legacy `.ai` and PDF with outlined text, as text in PDF (Type 3 glyphs), and Create Outlines makes groups of editable paths. Paints documents have no form for draw the glyph as an image (256 px per em): sweep gradients, Porter-Duff compositing, radial gradients from a circle that isn't the centre, radial gradients that repeat or reflect and start at a circle, gradients that repeat or reflect with a stop whose color isn't in the palette. Not ruby. COLR and SVG glyphs also go with type that geometry effects reshape (on the canvas and in exports), into Expand Appearance and EMF/WMF export, as their art, and bitmap glyphs as images. OpenType SVG done: a glyph's SVG document (its element `glyph<gid>`) is read by the SVG importer into vector art in font units, `currentColor` in the run's fill (and the legacy `context-fill` and `context-stroke` in its fill and stroke), a `viewBox` mapped onto the em square, and then drawn, exported and outlined as COLR glyphs are; in PDF real text such glyphs are text that draws nothing, with their art drawn where they sit. Images in glyph documents are in the art, holding their pixels until a document takes them in; text, scripts and embedded content are left out, as the table rules them out. Not CPAL palette variables. Evidence: `tests_svg_glyphs`, `svg/tests/it/svg_glyphs.rs`, `tests_colourfonts::svg_glyph_images_draw_and_outline`, `tests_colourfonts::create_outlines_turns_svg_glyphs_into_groups`, `tests_colourfonts::pdf_real_text_draws_svg_glyphs_as_art_and_keeps_their_characters`, `tests_colourfonts::expand_appearance_keeps_the_colour_glyphs_of_type_with_effects`, `render::tests_colrglyphs::colour_glyphs_go_with_type_that_a_geometry_effect_reshapes`, `tests_bitmaps`, `tests_colr`, `render::tests_bitmapglyphs`, `render::tests_colrglyphs`, `pdf::tests::colour_bitmap_glyphs_export_as_images`, `pdf::tests::colr_glyphs_export_as_vector_art`, `svg/tests/it/colour_glyphs.rs`, `eps` `colour_bitmap_glyphs_*` and `colr_glyphs_*`, `tests_pathops::create_outlines_turns_bitmap_glyphs_into_images`, `tests_pathops::create_outlines_turns_colr_glyphs_into_layer_groups` |
| Every-line and Single-line composers | done | tuned by eye, never compared side by side |
| Optical Margin Alignment | done | Type › Optical Margin Alignment, `type.opticalMarginAlignment`: per type object, with one setting for all the frames of a thread, in point and area type of left-to-right paragraphs, and at the brackets of type on a path whose first paragraph runs left to right; right-to-left paragraphs of point and area type, and type on a path whose first paragraph runs right to left, do not hang |
| System Layout | done | Character panel menu › System Layout, `type.systemLayout`: the whole document, off by default and for documents from before it, saved only when on. On, every text object advances by whole points (at least one when a character takes space). New point, area and path type, threaded frames, placed text, graph and dimension labels and pasted plain text inherit it. Evidence: `tests::system_layout_rounds_positive_advances_to_whole_points`, `typecmd::area_tests::system_layout_sets_the_document_and_every_text_object`, `panels::character::tests::system_layout_menu_item_toggles_the_document` |
docs/ui-parity.md
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@@ -51,6 +51,7 @@ Artboard Options forwards the active Artboard tool's Scale Artwork with Artboard
| Date | Change | Summary |
|---|---|---|
| 2026-11-14 | minor | Layers panel: right-clicking a layer/group/object row shows a context menu with Options…, Duplicate, Delete, Lock/Hide Others, Locate Object, and Collect for Export — matching standard desktop layer panel conventions. Scores unchanged. |
| 2026-11-13 | minor | Graphic Styles: in a panel made taller the list fills the space above the footer instead of stopping at 220 pt (#2992; `the_list_fills_a_tall_panel_above_its_footer` in `crates/ui-egui/src/panels/graphic_styles.rs`). Scores and estimates unchanged. |
| 2026-11-13 | minor | Library panels (swatch, Color Book, brush, symbol and graphic style libraries): in a panel made taller the list fills the space above the footer instead of scrolling inside 220 or 280 pt (#2992; `the_list_fills_a_tall_panel_above_its_footer` in `crates/ui-egui/src/panels/library_panel/tests.rs`). Scores and estimates unchanged. |
| 2026-11-13 | minor | Swatches: in a panel made taller the swatch list fills the space above the footer instead of scrolling inside 150 or 200 pt (#1638). Scores unchanged. |
@@ -435,7 +436,8 @@ next unit in the order a right-click on a ruler lists them, from Feet back to Po
| Pathfinder panel › Pathfinder Options…: Precision, Remove Redundant Points, Divide and Outline Will Remove Unpainted Artwork | done | #3426; `object.pathfinder.options`, kept in the preferences; defaults (0.01 pt, both off) keep the earlier results; [spec](https://helpx.adobe.com/illustrator/desktop/manage-objects/reshape-transform-objects/pathfinder-panel-overview.html) |
| Cmd/Ctrl+4 repeats the last successful Shape Mode or Pathfinder operation on the selection | done | Panel operations, direct `object.pathfinder.*` commands and `command.batch` steps (Actions playback) set history; `action.batch`, Trap, compound-shape edits and live effects do not. Repeat uses current Pathfinder Options; [key spec](https://web.archive.org/web/20260726060015/https://helpx.adobe.com/illustrator/using/default-keyboard-shortcuts.html), [menu spec](https://helpx.adobe.com/illustrator/desktop/manage-objects/reshape-transform-objects/pathfinder-panel-overview.html) |
| Pathfinder panel: compound shapes (Make, Release and Expand Compound Shape in the panel menu, Alt-click a Shape Mode, a Shape Mode for selected members, the Expand button) | partial | #4522; `object.compoundShape.make`/`setMode`/`release`/`expand`; members stay editable, the area draws, exports and saves; the button of the members' shared mode is lit; blends, envelopes and warped objects are members as they draw; [spec](https://helpx.adobe.com/illustrator/desktop/manage-objects/reshape-transform-objects/create-compound-shapes-with-pathfinder.html); missing: question marks for mixed modes, hit-testing by the area |
| Canvas context menu | done | Right-clicking type opens the canvas menu, with Bullets and Numbering and Spelling. Layer, sublayer, group and object rows in the Layers panel offer Collect for Export (As Single Asset, As Multiple Assets) for the row, or for every highlighted row when it is one of them; artboard rows, library groups and items, the rulers and floating toolbar grips have menus too. Gaps: the Layers row menu has no other commands, guide and blend spine rows have no menu, and other panels have none |
| Canvas context menu | done | Right-clicking type opens the canvas menu, with Bullets and Numbering and Spelling. Artboard rows, library groups and items, the rulers and floating toolbar grips have menus too. Gaps: guide and blend spine rows have no menu, and other panels have none |
| Layers panel row context menu | done | Right-clicking a layer/group/object row shows a context menu with Options…, Duplicate, Delete, Lock/Hide Others, Locate Object, and Collect for Export — matching standard desktop layer panel conventions. |
| SVG Interactivity panel: JavaScript for each object's events and the document's linked JavaScript files, written to SVG and read back as text | done | `svgInteractivity.*`, `ui.javascriptFilesDialog` |
| Retype, Comments, Version History panels | missing | the last two are cloud features (out of scope) |
| Blend panel (30.7) | partial | Window › Blend provides Type (Ease In, Ease Out, Ease In Out, Ease Out In), Ramp 0–100% and independent color Shift, alongside the existing blend controls. Easing is disabled without a spine. Original polynomial distributions approximate the publicly documented behavior. On-canvas Appearance and Easing widgets set Shift and Ramp; a blend without a spine shows the Appearance widget alone. [Public source](https://helpx.adobe.com/illustrator/desktop/manage-colors/apply-transparency-and-blending/blend-panel-overview.html) |