Merge main into fix/shadow-validation-builds-its-shadow-geometry

2026-11-15 21:57:04 +00:00 · 2026-11-15 01:42:03 -08:00
parent 82a5fb5cb8 420d693c3e
commit 765dead1da
409 changed files with 28791 additions and 2108 deletions
@@ -973,7 +973,10 @@ the path a stroke draws, continues or merges into is not selected afterwards), `
 off by default, and while it is on a stroke merges only with selected blobs), `closeWithin` and `editWithin`
 (screen pixels, 0 turns it off; Pencil, Paintbrush), `size` (pt; Blob Brush, Eraser), and `angle`
 (°, −180 to 180; 0) and `roundness` (%, 0 to 100 for the Blob Brush, where 0 is drawn as 0.1, and 1 to 100 for
-the Eraser; 100) of the tip (Blob Brush, Eraser); the tip keeps its angle on the page along a stroke. `ui.dialog.confirm` runs
+the Eraser; 100) of the tip (Blob Brush, Eraser); the tip keeps its angle on the page along a stroke. `sizeMode` and
+`sizeVariation` (pt) vary the size (Blob Brush: `fixed` or `pressure`). The Eraser also has `angleMode`,
+`angleVariation` (°, 0 to 180), `roundnessMode` and `roundnessVariation` (%, 0 to 100), and its three modes are each
+`fixed`, `random`, `pressure`, `tilt`, `bearing` or `rotation`, as `path.eraseRegion` takes them. `ui.dialog.confirm` runs
 `tool.setOption {tool, values}`.

 `ui.pointer` events also take `holdMs` (0..60000): the pointer then holds still that long, button down, before the
@@ -180,8 +180,8 @@ VectorCraft choices; an original approximation, never compared with another appl
 |---|---|
 | Revolve | initial: live, editable profile, rotation and light gizmos, default-on Cap with continuous curved rims, smooth vector shading and round seam joins, overlapping faces drawn in the order of their depths where they overlap, SVG/PDF output, Expand Appearance ([revolve.md](revolve.md), #846) |
 | Extrude & Bevel, Inflate, Rotate | initial: live, round seam joins, depth, twist, taper, solid or hollow caps, five original bevel shapes, Inflate volume, both sides, twist, taper and cap, Rotate of every fill and stroke, groups and layers turned about one shared axis (#4506), contours that cross, touch or overlap merged first ([three-d.md](three-d.md)), Position presets, rotation and light gizmos, SVG/PDF output, Expand Appearance ([three-d.md](three-d.md)) |
-| Materials panel, lighting, ray-traced render | Window › 3D and Materials panel with the object types (Plane, Extrude, Revolve, Inflate) and the Object, Rotation and Lighting settings of the applied effect, and Quick Actions › Expand as Wireframes ([three-d.md](three-d.md#3d-and-materials-panel)); one to ten directional lights with per-light Color (opaque RGB, white by default), Intensity, Rotation, Height, Softness and neutral Ambient Light, Revolve and colored Inflate use smooth vector shading; Extrude & Bevel and Rotate retain planar shading; original Standard, Diffuse, Top Left and Right lighting rigs; hard-edged shadows behind or below the object from the first light ([three-d.md](three-d.md#shadows)); the Materials tab's Graphics, document symbols mapped onto Extrude & Bevel's caps and onto a plane, moved with an artboard handle, and wrapped around Revolve's side ([three-d.md](three-d.md#graphics)); no base materials, graphics on Inflate or on Extrude & Bevel's walls and bevels, soft shadows or ray tracing |
-| 3D (Classic): Extrude & Bevel, Revolve, Rotate | Extrude & Bevel (Classic) initial: live, round seam joins, Extrude Depth, Cap, five original bevel shapes with Height and Bevel Extent In or Out, Position presets and rotation gizmo, Perspective, Wireframe, No Shading, Diffuse and Plastic surfaces with one to ten lights, Light Intensity, Ambient Light, Highlight Intensity and Size, Blend Steps, Black, Custom or no Shading Color, Draw Hidden Faces ([create 3D objects](https://helpx.adobe.com/illustrator/desktop/special-effects-styles/create-3d-graphics/create-3d-objects.html)); Revolve (Classic) initial: live, round seam joins, Angle, Cap, Offset from the left or right edge, Position presets and rotation gizmo, Perspective, the same four surfaces, lights, highlight, Blend Steps and Shading Color, groups and layers revolved about one shared axis (same page); Rotate (Classic) initial: live, round seam joins, every fill and stroke turned as one plane, Position presets and rotation gizmo, Perspective, No Shading and Diffuse surfaces with lights, Ambient Light, Blend Steps and Shading Color ([rotate objects in 3D](https://helpx.adobe.com/illustrator/desktop/special-effects-styles/create-3d-graphics/rotate-objects-in-3d.html)); Map Art: none |
+| Materials panel, lighting, ray-traced render | Window › 3D and Materials panel with the object types (Plane, Extrude, Revolve, Inflate) and the Object, Rotation and Lighting settings of the applied effect, Render Settings › Wireframe, which draws the live effect as the edges of its faces, and Quick Actions › Expand as Wireframes ([three-d.md](three-d.md#3d-and-materials-panel)); one to ten directional lights with per-light Color (opaque RGB, white by default), Intensity, Rotation, Height, Softness and neutral Ambient Light, Revolve and colored Inflate use smooth vector shading; Extrude & Bevel and Rotate retain planar shading; original Standard, Diffuse, Top Left and Right lighting rigs; hard-edged shadows behind or below the object from the first light ([three-d.md](three-d.md#shadows)); the Materials tab's Graphics, document symbols mapped onto Extrude & Bevel's caps and onto a plane, moved with an artboard handle, and wrapped around Revolve's side ([three-d.md](three-d.md#graphics)); no base materials, graphics on Inflate or on Extrude & Bevel's walls and bevels, soft shadows or ray tracing |
+| 3D (Classic): Extrude & Bevel, Revolve, Rotate | Extrude & Bevel (Classic) initial: live, round seam joins, Extrude Depth, Cap, five original bevel shapes with Height and Bevel Extent In or Out, Position presets and rotation gizmo, Perspective, Wireframe, No Shading, Diffuse and Plastic surfaces with one to ten lights, Light Intensity, Ambient Light, Highlight Intensity and Size, Blend Steps, Black, Custom or no Shading Color, Draw Hidden Faces ([create 3D objects](https://helpx.adobe.com/illustrator/desktop/special-effects-styles/create-3d-graphics/create-3d-objects.html)); Revolve (Classic) initial: live, round seam joins, Angle, Cap, Offset from the left or right edge, Position presets and rotation gizmo, Perspective, the same four surfaces, lights, highlight, Blend Steps and Shading Color, groups and layers revolved about one shared axis (same page); Rotate (Classic) initial: live, round seam joins, every fill and stroke turned as one plane, Position presets and rotation gizmo, Perspective, No Shading and Diffuse surfaces with lights, Ambient Light, Blend Steps and Shading Color ([rotate objects in 3D](https://helpx.adobe.com/illustrator/desktop/special-effects-styles/create-3d-graphics/rotate-objects-in-3d.html)); Preserve Spot Colors in all three, unavailable with a Custom Shading Color ([Preserve Spot Color](https://help.adobe.com/archive/en_US/illustrator/cs5/illustrator_cs5_help.pdf#page=260)); Map Art: none |
 | Turntable (30.0 beta) | none |
 | Export 3D objects (OBJ, USDA, glTF) | initial: Asset Export's Export 3D Object collects an object with Extrude & Bevel, Revolve, Inflate or Rotate as a 3D asset, and Export writes its solids as a USDA (the default), USDZ, glTF or OBJ mesh with a material in each solid's paint color (`assets.add3D`, `assets.set3DFormat`, `assets.export3D`); no textures, map art or shading ([3D export help](https://helpx.adobe.com/illustrator/desktop/special-effects-styles/create-3d-graphics/export-3d-vector-artwork.html)) |

@@ -56,7 +56,7 @@ plus review. Native-speaker review is human work and isn't in the hours.
 | Italian | `it` | 8,924 rows, 3,560 of them `@msg` and 48 `@msgplural` (counted 2026-11-13): the untranslated report lists 54 missing messages for it, which open #7116, #7211, #7378 and #7405 translate | full |
 | Dutch | `nl` | 3,447 `@msg` and 48 `@msgplural` rows (counted 2026-11-13): in `COMPLETE_MESSAGES`, and the untranslated report lists 41 missing messages for it; one/other plurals | full |
 | Danish | `da` | 7,422 rows, 1,636 of them `@msg` and 48 `@msgplural` (counted 2026-11-14 on `main` at `edb228ac3`): in `COMPLETE_MESSAGES`, and the untranslated report lists the same missing messages for it as for Greek, Spanish and Finnish; one/other plurals | full |
-| Russian | `ru` | 4,009 / 4,020 | full |
+| Russian | `ru` | 9,259 rows, 3,444 of them `@msg` and 48 `@msgplural` (counted 2026-11-13): in `COMPLETE_MESSAGES`; the untranslated report lists 46 menu strings, 21 `tl!` literals and 11 undo labels as missing | full |
 | Ukrainian | `uk` | 8,802 rows, 3,439 of them `@msg` and 48 `@msgplural` (counted 2026-11-13); one/few/many plurals | full |
 | Hungarian | `hu` | 9,166 rows, 3,444 of them `@msg` and 48 `@msgplural` (counted 2026-11-13): the untranslated report lists 40 missing messages for it, and lists 47 menu strings, 25 `tl!` strings, 11 undo labels and 45 swatch names without a row; one plural form | full |
 | Polish | `pl` | 9,044 rows, 3,439 of them `@msg` and 48 `@msgplural` (counted 2026-11-13): the untranslated report lists 46 missing messages for it, and 47 menu strings, 26 `tl!` literals, 11 undo labels and 45 swatch names; one/few/many plurals | full; native review pending |
@@ -1,6 +1,8 @@
 # VectorCraft MCP server

 > **Last updated:** 2026-11-14 · **Change:** Pencil ignores Smart Guides and Snap to Point and shows no Smart Guides, #7252; no response-shape change. Previously: Pencil continuation, straight-line and closing cursors; scores and estimates unchanged; no response-shape change. Previously: Snap to Point with Smart Guides off draws no Smart Guides labels or lines, #7250; no response-shape change. Previously: Envelopes: a top object's side whose pieces are all one curve split at anchors follows that curve's parameter (#7097); existing response shapes retained.
+>
+> Tech Circuit update (2026-11-14): three original procedural brushes; ten built-in brush libraries (G5).

 `vectorcraft-cli mcp` runs a [Model Context Protocol](https://modelcontextprotocol.io) server on stdio
 (newline-delimited JSON-RPC 2.0; see [Protocol](#protocol) for version negotiation). Agents use it to
@@ -244,6 +246,21 @@ the suite) keep the agent to the folders you give it:
  without a path of a document whose own format is SVG or SVGZ), `file.exportAs`, and the SVG Options dialog's
  Show Code. A file given as another URL (`https://…`) is not checked. The document keeps the link, and the
  person at the keyboard exports it as stored.
+- The same SVG and SVGZ outputs are refused with "a linked image file is outside the read roots", which names no
+  file or folder, when the file would name a linked image's file outside the read roots (a path, a `file:` URL,
+  or a relative path taken from the document's folder). An `<image>` names the file with `images: "link"`, and
+  with `embed` when the document holds no pixels for the image. An image colorized with a solid fill names
+  no file when its pixels are gray (the file gets the colorized pixels) or missing (the file leaves it out).
+  With `preserveEditing`, the document the SVG carries names every linked image and placed file, the relative
+  paths kept of them and each data set's image, in every symbol, pattern, graph design and brush, used or not,
+  colorized or not, and a stored brush entry that does not read as a brush is refused too, since its links
+  cannot be checked. Otherwise the images of the art the file writes,
+  in opacity masks and in the symbols, patterns and brushes that art uses, are checked: hidden layers and
+  objects only with `hiddenLayers` (a save keeps them unless it is `false`), and template layers and the
+  layer of opacity-mask or symbol editing mode never. `selectedOnly` and `document.exportSelection` check the
+  selected objects only, and `clipboard.exportSvg` checks the copied objects, following a relative path from
+  the document they came from while it is open; in a frame a request drives, Copy then puts no SVG on the
+  system clipboard. An image whose pixels the document holds exports embedded, and a URL is not checked.
 - `plugin.list`, `plugin.safeMode`, `file.recovery.*` and `ui_inspect`'s `scriptReport` leave out the paths
  outside the read roots, also those the person or an earlier request put there. In `plugin.list`, the plug-in
  folder last loaded is `null` in `folder.folder`, and a failed file in `folder.failed` and a plug-in's `source`
@@ -826,15 +843,34 @@ the `effect.*` commands and `appearance.addEffect`, and the paint, stroke and gr
 `item`, which is a row of the group's own stack. The Appearance panel and `appearance.setActiveItem` read the selected
 group's own rows.

-The graph draws the art of a column or marker design in a series again from the design, so the commands that add,
-change, move or remove fill and stroke rows, effects or graphic styles leave that art out: the `appearance.*` commands
-listed above, `effect.apply`, `appearance.addEffect` and the other `effect.*` commands that edit, move or remove an
-effect, `graphicStyle.apply` (and `graphicStyle.addFromLibrary` with `apply`), `transparency.set` with a fill or stroke
-`item`, and `appearance.copyFrom` as the target. The art is any object inside a series group other than a path directly
-in it, whether given by id, selected, or reached through `target: "contents"`. The commands edit the other objects they
-are given, and a command whose objects are all design art is an error. `appearance.transfer` with design art as its
-`target`, or as its `source` without `copy`, is an error. The paint commands leave the art out as well, without an
-error. To change the art, edit the design with `graph.design`.
+When a graph is drawn again (a change to its data, its type, or its column or marker designs), it draws the art of a
+column or marker design in a series again from the design, and an edit made to that art is lost. The art is any object
+inside a series group other than a path directly in it, a legend swatch's included, whether given by id, selected, or
+reached through `target: "contents"`. These commands leave that art out, edit the other objects they are given, and
+are an error when all their objects are design art: the `appearance.*` commands listed above, `effect.apply`,
+`appearance.addEffect` and the other `effect.*` commands that edit, move or remove an effect,
+`effect.expandAppearance` (which also leaves the art inside a selected graph or series group as it was, unless an
+effect of that group turns the whole group into other art, and is disabled when only design art is selected or
+given), `threeD.mapGraphic`,
+`graphicStyle.apply`, `graphicStyle.addFromLibrary` with `apply`, `graphicStyle.breakLink`, `transparency.set`, the
+`paint.freeform.*` commands that edit points and lines, and `appearance.copyFrom` as the target.
+`appearance.transfer` with design art as its `target`, or as its `source` without `copy`, is an error.
+`paint.setFill`, `paint.setStroke`, `paint.swap`, `paint.default`, `paint.invert` and `paint.complement` with an
+`item`, `stroke.set`, `stroke.weightUp`, `stroke.weightDown`, `stroke.setAdvanced`, `paint.editGradient`,
+`paint.setGradientGeom` and `object.setOverprint` leave the art out without an error. When the first selected object is design art, the commands
+do not use the Appearance panel's active row. When the first object given is design art, rows and effects given with
+`aligned: true` are rows of its stack in `appearance.setItem`, `appearance.removeItem`, `appearance.duplicateItem`,
+`transparency.set` with an `item`, `effect.apply`, `appearance.addEffect` and the other `effect.*` commands that edit,
+move or remove an effect, `paint.setFill`, `paint.setStroke`, `paint.invert`, `paint.complement`, `paint.lastColor` and
+`paint.lastGradient` with an `item`, `stroke.set`, `stroke.setAdvanced`, `paint.editGradient`, `paint.setGradientGeom` and the `paint.freeform.*` commands
+that edit points and lines: each other object edits the row or effect equal to it, and an object without one is left
+as it is. When no object has one, `appearance.setItem` and `appearance.removeItem` leave the document as it is, as they
+do for a row no object has, and the other commands are an error. The paint, stroke and gradient commands are also an
+error when the art's row is not the kind of row they edit, and `paint.editGradient`, `paint.setGradientGeom` and the
+`paint.freeform.*` commands without `stroke` edit the kind of the art's row. `appearance.moveItem`, `effect.move` and
+`appearance.duplicateItem` with `to` are an error when the art's stack differs from the other objects', and
+`appearance.duplicateItem` with `to` is also an error when two or more other objects are given, as it is without the
+art. To change the art, edit the design with `graph.design`.

 The graph also stores a paint or stroke weight that one of these commands changes on the topmost visible fill or stroke
 of a path directly in a series: a weight set with `stroke.set`, `stroke.weightUp` or `stroke.weightDown`; a gradient
@@ -1043,6 +1079,11 @@ styles and brushes.
 `color.removeProfile`, `view.proofSetup`, `view.proofColors`, `view.overprintPreview`, `view.separationsPreview` and
 `swatch.setSpot` reject a param of the wrong type, such as `"bpc": "no"`, `"on": 1`, `"to": 5` or `"colors": "#fff"`,
 and change nothing. Omitting a param or giving null keeps its default.
+The Separations panel's Assign rows (where Edit › Assign Profile… goes) act on the profile of the document's color
+mode: Don't Color Manage This Document runs `edit.assignProfile` with null for that model (no profile, so the colors
+show through the working space), Working RGB or Working CMYK with the working space's name (that profile stays
+assigned when the working space changes), and Profile with another profile of that kind. A choice the document
+already has runs nothing, and the other model's profile stays as it is.

 SVG import keeps what the canvas edits live. `<pattern>` becomes a pattern swatch. A `<symbol>` with `<use>` becomes a
 symbol (named after its `data-name`, else its id) with an instance per `<use>`; a `<use>` that shows it differently
@@ -1112,7 +1153,8 @@ gradient meshes whose every point is at 0% opacity, and paths without effects wh
 An image or a mesh with a Crop Marks effect, or with a Vector Halftone effect that makes dots, is measured.
 Such objects in the art of a symbol are left out of its instances too, and an instance whose symbol holds nothing
 else is left out. In the art of a dynamic symbol, an object that an instance's fill, stroke or opacity makes
-the plot draw is measured.
+the plot draw is measured. The art of an instance that goes through 9-slice guides is placed through them first, and
+such objects are then left out of the placed art.
 A document whose only visible art is left out is refused, and Export As refuses an HP-GL plot of it before the save
 dialog. A PDF of that page, from either command, carries no Preserve Editing data; when Preserve Editing is on (as it
 is in VectorCraft Default), the export comes back with a warning that says so. A `.ai` export with
@@ -1280,8 +1322,10 @@ opens at its size in points, the file's numbers times the `UserUnit` (one above
 such a page opens from that data at the page's size.
 `linkPages: true` (File › Open's Import PDF dialog: Import PDF pages as links) opens each page `pages` picks as a
 placed document linked to that page of the file, as `file.place` with `link` places one, instead of as editable art.
-Each page gets an artboard of its `cropTo` box (`bounding`: its art's bounds), in a row from the left 36 pt apart, and
-a layer named after the page (`Page 2`). The document opens in CMYK when most of those pages are painted mostly in
+Each page gets an artboard of its `cropTo` box (`bounding`: its art's bounds; a blank page gets its crop box), in a row from the left 36 pt apart, and
+a layer named after the page (`Page 2`). A PDF-compatible `.ai` with `cropTo: "crop"` gets its trim boxes, as it does
+when it opens as art. A page on its trim box shows its bleed box round the artboard, and the pages give the document
+their bleed; the artboards are then 36 pt apart plus the bleed on both sides. The document opens in CMYK when most of those pages are painted mostly in
 CMYK, unless `colorMode` names a mode. All the pages' objects share one copy of the file. The Links panel lists each
 page, and `links.embed` makes a page editable art.
 `document.open` refuses `linkPages` for a file that is not a PDF or a PDF-compatible `.ai`, for a file given as
@@ -1622,10 +1666,18 @@ preferences (the folder the desktop app uses, so both see the same ones; `VECTOR
  command, so `edit.colorSettings {"cmyk": "…"}` or a preset's output intent can name it in a later run. The
  copy is what counts: the original may move or be deleted. `color.removeProfile {name}` forgets a profile and its
  copy (not while it is a working space).
- **Color Settings** (`edit.colorSettings`): the RGB and CMYK working spaces, intent and black point
-  compensation go into `Color Settings.json` when they change, and are the active settings again at the next
-  start, after the profiles above are registered (#6335). Saved settings that name a profile that is no longer
-  there, or a damaged file, leave the defaults (logged), and the next change writes over the file.
+- **Color Settings** (`edit.colorSettings`): the RGB and CMYK working spaces, intent, black point
+  compensation and color management policies go into `Color Settings.json` when they change, and are the active
+  settings again at the next start, after the profiles above are registered (#6335). Saved settings that name a
+  profile that is no longer there, or a damaged file, leave the defaults (logged), and the next change writes over
+  the file; settings saved without policies take the default, `preserveEmbedded`. `rgbPolicy` (`off`,
+  `preserveEmbedded`, `convert`) and `cmykPolicy` (the same and `preserveNumbers`) decide what `document.open`,
+  `file.newFromTemplate` and `file.revert` do with an RGB or CMYK profile the file is tagged with that is not the
+  working space: keep it, take it off and keep the color numbers (`off`, `preserveNumbers`), or convert the colors
+  of that model into the working space with the intent and black point compensation and take it off (`convert`; a
+  profile that is not available stays). The reply's `warnings` name each profile, and a document a policy changed
+  opens with unsaved changes. A profile that is the working space stays whatever the policy. `document.open`'s
+  `colorMode` converts the colors after the policies, through the profiles the document keeps.
  `edit.assignProfile` tags the document only: colors show and convert through the profiles it assigns, and the
  working spaces and the file stay as they are. The profiles in use are those of the document in front, after
  `file.new`, `document.open`, `document.activate`, `file.close`, `file.revert`, `edit.undo`, `edit.redo` and a
@@ -1780,6 +1832,15 @@ and the action still plays. `Session::replay` plays a journal the same way. The
 hides the dock, no panel is checked, and the panel shows again with the dock in its earlier place; the toolbar and the
 Control bar stay as they are.

+While Tab or Shift+Tab hides the panels, resting the pointer for 0.3 s on a 6 pt band along the left or right edge of
+the area below the bars shows the panels docked on that side of the canvas, over the canvas's edge; the canvas keeps its
+size, so the art does not move. They hide again once the pointer has been away from them for 0.3 s, and stay while a
+flyout opened from them, a menu or a pressed button is open. Floating panels, the toolbar and the Control bar stay
+hidden, and Tab or Shift+Tab shows the panels for good. `window.panels.peek {side: "left" | "right"}` shows them as the
+pointer does, `{side: null}` hides them, and `ui.docking`'s `peek` names the side shown (null for none). The command
+refuses another side, a side with no docked panel, panels that are not hidden and Presentation Mode, and changes
+nothing.
+
 The export commands limit those keys. `document.export`, `document.exportSelection`, `document.serialize`, `app.export`
 and `file.export` refuse a key that no format takes. They accept a key that only another format takes and do not use
 it: `{"format": "pdf", "quality": 80}` writes the PDF, and the reply's `warnings` name the key
@@ -1958,8 +2019,9 @@ and `type.fractionalWidths`; `flip` in `type.dynamicTextPreset`; `remove` and `o
 These commands refuse a string or another value that is not a number with `` `radius` must be a number, not "2" ``,
 naming the key, and change nothing: `radius` in `shape.rectangle`; `sides` and `rotation` in `shape.polygon`;
 `radius2`, `points` and `rotation` in `shape.star`; `diameter`, `opacity`, `brightness`, `growth`, `fuzziness`,
-`rays`, `longest`, `rayFuzziness`, `rotation`, `rings`, `largest`, `x2`, `y2`, `direction`, `pathLength` and `seed`
-in `shape.flare`; `decay` and `segments` in `shape.spiral`; `rows` and `columns` in `shape.rectangularGrid`; `concentric`
+`rays`, `longest`, `rayFuzziness`, `rotation`, `rings`, `largest`, `x2`, `y2`, `direction`, `pathLength`, `seed` and
+`ringSeed` in `shape.flare` (`seed` must also be a whole number of at least 0, and `ringSeed` a whole number from
+0 to 2^53 - 1); `decay` and `segments` in `shape.spiral`; `rows` and `columns` in `shape.rectangularGrid`; `concentric`
 and `radial` in `shape.polarGrid`; `size` and the `width`, `height` and `fitMinPercent` of `area` in `text.create`;
 `size` and `fitMinPercent` in `text.createInPath`; `start`, `end`, `size`, `tracking`,
 `baselineShift`, `hScale`, `vScale`, `rotation` and `strokeWidth` in `text.setRangeStyle`; `strokeWidth` in `text.setStyle`; `start` and `end` in
@@ -2554,6 +2616,9 @@ The rest of this section is VectorCraft's own rules:
  `The Scripts folder cannot be read`.
 - A listed file is checked again when it is chosen. A file that is gone, is no longer a `.js` or `.jsx` file under
  the folder, or is or lies behind a link ends with `the script is no longer in the Scripts folder`, and nothing runs.
+  The file is read once for that check, and the text that read checked is the text that runs; its `#include` lines
+  and `$.evalFile` read in the folder that read found. `script.run {path, installed: true}` runs a listed script the
+  same way.
 - The web build has no Scripts folder, and neither has a run with `VECTORCRAFT_NO_PREFS` set.

 `script.listInstalled {}` returns the same listing: `{folder, scripts: [{path, label, folders}], truncated,
@@ -2689,6 +2754,16 @@ A click with the Selection tool on a guide selected with objects runs `select.ke
 The key guide goes when it leaves the selection or no object is left selected, and an object key replaces it (and the other way round).
 It returns `{key}`, the key object's id or null, with `guide`, the key guide's index, when a guide is the key.
 `document.inspect` (the `inspect_document` tool) reports the key object as `key`, null without one, and the key guide as `keyGuide`.
+
+`select.key {id, anchor: [subpath, anchor]}` makes an anchor point selected with Direct Selection the key anchor, while at least one other point (or a path selected whole) is selected too.
+`select.anchors` with mode `add` or `toggle` and one point makes that point the key anchor when it selects it; a Shift-click on an anchor with Direct Selection runs it, and a plain click still selects that point alone.
+Aligning to the key, `object.align` moves the other selected points to the key anchor's x or y and the key anchor stays put; a pixel-aligned path is then snapped to the pixel grid, as after any other edit.
+`object.distribute {spacing}` and `object.distributeSpacing {spacing}` keep the key anchor in place and put the other points `spacing` apart, outward from it, in their order along the axis.
+With `to: "selection"` or `"artboard"`, `object.align`, `object.distribute` and `object.distributeSpacing` do not treat the key anchor as the key: it moves with the other points, as without a key anchor.
+The key anchor goes when it is deselected or deleted, when it is the only point left selected, when `select.key {}` cancels it, and when a key object or key guide replaces it.
+An anchor that is not a selected anchor point (a selected segment's end is not one) is an error, and the key stays as it was.
+The result has `keyAnchor: {id, anchor}` with a key anchor, and `document.inspect` reports it as `keyAnchor`.
+The canvas draws the key anchor as a larger filled square in a frame, and the Align panel and the Control bar then name the Align To choice Align to Key Anchor.
 The `ui.pointer` and `pointer_gesture` replies list it as `key` beside `selection`.
 The command palette lists `select.key` as Cancel Key Object and runs it without an id.

@@ -2787,6 +2862,22 @@ template layer, on a locked artboard while nothing is isolated, or outside the i
 such as a symbol instance just placed, is not passed over for being on a locked artboard while it stays selected. When
 the selection holds no other object, they return the error "nothing selected".

+`select.similar {by?}` is the Control bar's Select Similar Objects button and the Select Similar Options menu beside it
+([help](https://help.adobe.com/archive/en_US/illustrator/cs5/illustrator_cs5_help.pdf#page=165)). It selects the
+objects like the first selected object by `by` and returns `{count, by}`. `by` is `fillColor`, `fillAndStroke`,
+`strokeColor`, `strokeWeight`, `opacity`, `blendingMode`, `appearance`, `graphicStyle`, `shapeType` or
+`symbolInstance`, which runs the `select.same.*` command of that name, or `all`, which selects the objects whose fill
+and stroke colors, stroke weight, opacity and blending mode all match (tints, compound paths and Live Paint faces as
+`select.same.fillColor`); Select › Reselect repeats `all` as `all`. The menu's items, their order and what `all`
+compares are VectorCraft's own. A `by` given is kept for the session once the selection is made, and the menu checks
+it; without `by` the command uses the kept one, `all` until one is given. Any other `by` is an error that keeps the
+selection and the kept attribute, and an error of the `select.same.*` command it runs (for example "the selection has
+no graphic style") keeps the kept attribute too. It needs a selection and records no undo step; the journal records the
+attribute used, so a recorded action repeats it, and a script run that fails puts the kept attribute back. The button
+and the menu show while something is selected and the
+Object Options group is on, at the right end of the bar after the X, Y, W and H fields. They take only the room the
+other controls leave, so the bar leaves them out, together, before any other control.
+
 `select.object.allOnSameLayers` selects the objects on the layers and sublayers of the selected objects that can be
 selected. A selected object that is hidden or locked, inside a hidden or locked group or layer, on a template layer, on
 a locked artboard while nothing is isolated, or outside the isolated group adds no layer. When the selection holds no
@@ -2916,6 +3007,38 @@ changes neither option. Behavior reference: [View artwork](https://helpx.adobe.c
 {"name":"invoke_menu","arguments":{"command":"ui.navigatorPanelOptions","params":{"color":"Light Blue","solidDashes":true}}}
 ```

+## Info panel
+
+`info.readout` takes no params and returns what Window › Info shows for the selection and the tool in use:
+`{tool, width?, height?, readout?}`. `tool` is the active tool's id. `width` and `height` are the sides of the
+selection's bounding box in points (of the box around the anchors selected with Direct Selection when there are
+some), measured as the `usePreviewBounds` preference says, and are left out with nothing selected. `readout` is left
+out unless the tool has something of its own to show:
+
+- `{kind: "drag", dx, dy, distance, angle}` while the Selection, Direct Selection or Group Selection tool moves the
+  selection, or the Gradient tool draws a gradient vector on the art.
+- `{kind: "scale", width, height}` during a Scale tool drag, in percent.
+- `{kind: "rotate", center, angle}` and `{kind: "reflect", center, angle}` during a Rotate or Reflect tool drag.
+  `angle` is the angle turned, as `object.rotate` takes it, or the angle of the reflection axis, as `object.reflect`
+  takes its `axis`. Both are in degrees counter-clockwise.
+- `{kind: "shear", center, axis, angle}` during a Shear tool drag. `axis` is 0 for a horizontal shear and 90 for a
+  vertical one, and `angle` is the shear angle in degrees, as `object.shear` takes it.
+- `{kind: "brush", brush}` while the Paintbrush is the tool. `brush` is the brush it paints with, or null.
+
+Lengths are in points. A drag's `angle` is in degrees counter-clockwise from the x axis. `center` is the center of the
+selection's bounding box as the drag has carried it, in document coordinates. A param is an error. In the app's panel, X and Y show the
+pointer's position from the rulers' zero point, or `center` during a Rotate, Reflect or Shear tool drag. W and H show
+the selection's size, `dx` and `dy` during a drag (with the distance and the angle under them), or the Scale tool's
+percentages. The Zoom tool adds the view's magnification and the Paintbrush its brush's name. Several selected objects
+show only the fill, stroke and type values they share, and Show Options adds a tint's swatch and percentage and the
+name of a gradient's swatch. The number formats, the rows shown between drags and the Direct Selection and Group
+Selection readouts are VectorCraft's own. Behavior reference: the Info panel overview in the
+[archived user guide](https://web.archive.org/web/20220911143322/https://helpx.adobe.com/pdf/cs6/illustrator_reference.pdf#page=76).
+
+```json
+{"name":"run_command","arguments":{"command":"info.readout","params":{}}}
+```
+
 ## Tools panel placement

 By default the docked Tools panel sits at the window's left edge, outside any panels docked on the left.
@@ -3256,9 +3379,12 @@ already walks Image Trace. Short agent entry points:
  `brush.duplicate {name, newName?} | {names}`, `brush.freehand {…path.freehand params, brush?}`,
  `object.expandBrush {ids?}`. `brush.freehand` draws the plain path when `brush` is left out or null. It refuses a
  `brush` that is not a string with "`brush` must be a string", a name that no brush in the document has (an empty
-  name included) with "no brush named `<name>`", and a `style` other than "pencil" or "brush"; the document does not
-  change and no undo step is recorded. The Paintbrush skips a tool brush or current brush that has been deleted and
-  paints with the other, or draws the plain path when neither is in the document. A document or brush
+  name included) with "no brush named `<name>`", a `style` other than "pencil" or "brush", a `brush` for a path
+  with no stroke (a continued or redrawn path without one, or a new filled "pencil" path while the stroke is None)
+  with "cannot apply brush `<name>`: path has no stroke", and a key that neither `path.freehand` nor `brush` names
+  with "unknown parameter"; the document does not change and no undo step is recorded. A stroke drawn with a brush
+  is one undo step: Undo removes the path and its brush together. The Paintbrush skips a tool brush or current
+  brush that has been deleted and paints with the other, or draws the plain path when neither is in the document. A document or brush
  library file whose brushes repeat a name is read with the first brush of that name as stored and each later one
  numbered with the first "`<name>` 2", "`<name>` 3"… the file does not have; strokes of the name keep the first
  brush. `brush.new`,
@@ -3314,7 +3440,12 @@ already walks Image Trace. Short agent entry points:
  `variable.makeTextDynamic`, `variable.makeVisibilityDynamic`, `variable.makeImageDynamic`, `variable.makeGraphDynamic`
  (`variable.bind` and `variable.makeTextDynamic` refuse type that already has another text variable and name it),
  `variable.unbind`, `variable.rename`, `variable.delete`, `variable.highlight` (image values are file paths, graph
-  values CSV as `graph.setData`). `variable.lock {locked?}` (Lock Variables) locks or unlocks the variables;
+  values CSV as `graph.setData`). `variable.rename {name, newName?, kind?}` is Variable Options: it renames a
+  variable, changes its kind, or both, in one undo step, and adds none when the name and kind are the ones it has.
+  A kind change unbinds each object that can't hold the new kind (a text variable keeps type with no other text
+  variable, an image variable keeps image objects, a graph variable keeps graph roots, a visibility variable keeps
+  every object; locks and hidden layers don't unbind anything) and drops the variable's values in every data set.
+  That rule is VectorCraft's own. `variable.lock {locked?}` (Lock Variables) locks or unlocks the variables;
  without `locked` it toggles, and the lock is saved with the document. While the variables are locked,
  `variable.define`, `variable.delete`, `variable.rename`, the four `variable.make…Dynamic` commands and a
  `variable.loadLibrary` that would delete or define a variable (below) fail with "variables are locked";
@@ -3323,7 +3454,14 @@ already walks Image Trace. Short agent entry points:
  without a kind VectorCraft reads is listed with `kind: "unknown"`: it takes no values, and `variable.bind`
  refuses it. When an opened `.ai`'s layers are read, the objects it binds to its text, visibility and image
  variables come in bound when they are of the variable's kind, locked and hidden objects included, and
-  `variable.list` counts them in `bindings`.
+  `variable.list` counts them in `bindings`. `variable.sort {by: name|object|type|none, descending?}` sorts the
+  Variables panel's list, as a click on its Variables, Objects or type column header does (a second click on the
+  same header sends `descending: true`): by variable name, by the name of the bound object, or by type in
+  VectorCraft's order (text, image, graph, visibility, then unknown); `none` is the order the variables were
+  defined in. Names compare without regard to case; by object, unbound variables come first and variables bound
+  to several objects last, and ties go by name. Another `by` value, or a `descending` that is not true or false,
+  is an error. The sort is panel state, not saved and not an undo step; `variable.list` lists the variables in
+  that order and reports it as `sort: {by, descending}`.
 - Data sets: `dataset.list`, `dataset.new {name, values?}`, `dataset.set {name, newName?, values?}` (`newName` also
  renames the row, in the same undo step; Edit Data Set's Name field sends it), `dataset.rename`,
  `dataset.delete`, `dataset.capture`, `dataset.update`, `dataset.select {name}`, `dataset.next` /
@@ -3691,6 +3829,16 @@ already walks Image Trace. Short agent entry points:
  black ring around a white disc around a black dot, black gets two groups. `layer.releaseToLayers` on the expanded group then
  gives each group a sublayer. A trace made with `autoGrouping` is refused. Expanding by color also refuses a trace
  with a live Pathfinder effect.
+  An Abutting trace with Fills (not Flat Logo) also holds a group named `Seam Fills` under its paths: for each color, a
+  stroke 1.5 image pixels wide (at the image's larger scale, when it is stretched more one way) with butt caps and round joins along the edges where a filled path of that color meets a
+  filled path drawn after it, in that color (a gradient path's stroke takes its gradient). Without it, a renderer that
+  anti-aliases each path on its own shows a light hairline along every shared edge. The traced paths and their shared
+  edges are the same with or without it, and edges against the image's border, a transparent area or a color left out
+  get no stroke. A trace whose paths have more than half of the trace's anchor limit (8,000,000, 2,000,000 on the web)
+  has no seam fills, so that paths and seam fills together stay within the limit. Both Expand commands keep the group, and `byColor` leaves it under every color's group. The strokes
+  are separate objects: after Expand, recoloring, moving or deleting a traced path leaves them as they are, and deleting
+  the group removes them. The reply's
+  `paths` and `anchors` count the traced paths only.
  With `keepColors` in `params`, the reply's `warnings` name each listed color that no traced color matches, and say
  when nothing was traced.
  `imageTrace.presets.save {name?, newName?, preset?, enhanced?, params?}` saves tracing settings as a preset kept with
@@ -3806,8 +3954,13 @@ already walks Image Trace. Short agent entry points:
  arrives and is its own undo step. `match` is the paint the face or edge had before the first of the double-click's
  two clicks or the triple-click's three that painted it, or before the double-click when the triple-click's double-click
  reached it, so the clicks before the last do not change what it matches;
-  a first click that made the Live Paint group counts when the face it filled is the clicked face. Hidden faces and edges are not painted. An edge takes the
-  paint and weight in its topmost stroke that is shown, or in a new stroke above the others when it has none. These rules
+  a first click that made the Live Paint group counts when the face it filled is the clicked face. Hidden faces and edges are not painted. A face that
+  the Bucket fills has all its fills replaced by one fill with the paint, shown, fully opaque and blending normally, in the
+  place of its topmost fill; its strokes, their order and the face's own visibility, opacity and blending mode stay as
+  they are. An edge that it strokes has all its strokes replaced the same way by one stroke with the paint and weight,
+  which keeps the dashes, caps, joins and arrowheads of the edge's topmost shown stroke (of its topmost stroke when every
+  stroke is hidden), and its fills stay as they are. A part with no fill or stroke gets a fill below its strokes or a stroke
+  above its fills. A fill or stroke of none leaves one row of none, so no fill or stroke of the part draws. These rules
  for what faces and edges join and what paints match are VectorCraft's own. The help page describes the gestures:
  https://helpx.adobe.com/illustrator/desktop/paint-and-fill/learn-painting-basics/paint-with-the-live-paint-bucket-tool.html.
  `livePaint.fill {scope}` and `livePaint.strokeEdge {scope}` take `scope` as `"one"` (the default), `"connected"` or
@@ -3831,8 +3984,9 @@ already walks Image Trace. Short agent entry points:
  error. With `ids`, at a point on a hidden face it fills the face there of another Live Paint group among the
  objects; otherwise it returns an error and does not merge the objects.
  A Live Paint command that changes nothing records no undo step, keeps the redo steps, leaves a saved document saved
-  and replies as usual: `livePaint.fill` (a click, or a Bucket drag) when every face it reaches already has the paint,
-  `livePaint.strokeEdge` when the topmost shown stroke of each edge it reaches already has the paint and the width,
+  and replies as usual: `livePaint.fill` (a click, or a Bucket drag) when every face it reaches already has one fill, shown,
+  fully opaque, blending normally and with the paint (or no fill, for none), `livePaint.strokeEdge` when every edge it
+  reaches already has one such stroke with the paint and the width (at any width for none, or no stroke),
  `livePaint.gapOptions` (and the Gap Options
  dialog's OK) when every group already has the options and `closeGaps` finds no gap, and `livePaint.make` or
  `livePaint.merge` given one Live Paint group alone, which they select. Such a fill or stroke also leaves the recent
@@ -4070,6 +4224,26 @@ it as a path. Extrude & Bevel (Classic), Revolve (Classic) and Rotate (Classic)
 {"name":"run_command","arguments":{"command":"effect.setParams","params":{"index":0,"item":null,"params":{"shadow":true,"shadowPosition":"below","shadowDistance":10,"shadowBounds":150}}}}
 ```

+## 3D render mode
+
+Revolve, Extrude & Bevel, Inflate and Rotate take `render`, an object whose `mode` is `"shaded"` (the default) or
+`"wireframe"` (**Window › 3D and Materials** › Render Settings › Wireframe), set with `effect.apply` or
+`effect.setParams` in one undo step. In wireframe mode the effect stays live and draws the edges of the faces it
+builds instead of its shaded surface: each edge once, in the paths [Expand as Wireframes](#expand-as-wireframes)
+gives for the 3D effect, with a 0.5 pt black stroke, round joins and no fill (VectorCraft's own choice), and no shadow or graphics.
+The edges are drawn whatever the opacity, blending mode or opacity mask of the fills, strokes and group members; the
+object's own opacity, blending mode and opacity mask apply to them as a whole.
+Geometry effects after the 3D effect reshape the drawn edges. Expand as Wireframes reshapes each face before it
+joins the edges, so with such an effect its paths can differ from the drawn ones. The mode is saved in the native file, SVG and PDF exports
+draw the edges, and `effect.expandAppearance` keeps them as paths. Past 1,000,000 edges the source path is drawn, as
+it is for a solid past its limits. A `render` that is not an object, a key other than `mode`, another mode, and
+`render` on Extrude & Bevel (Classic), Revolve (Classic) or Rotate (Classic) are refused before the document
+changes. See [three-d.md](three-d.md#3d-and-materials-panel).
+
+```json
+{"name":"run_command","arguments":{"command":"effect.setParams","params":{"index":0,"item":null,"params":{"render":{"mode":"wireframe"}}}}}
+```
+
 ## 3D object type

 `effect.setParams {index: int, threeDType: "plane" | "extrude" | "revolve" | "inflate", params?, item?, ids?, aligned?}`
@@ -4182,6 +4356,13 @@ is tall), `bevelInside` (false adds the bevel around the shape, true carves it i
 - `shadingColor`: `black` (the default), `custom` (darkens toward `shadingCustom`, a `#rrggbb` color) or `none` (the
  paint is kept and only the highlight lightens it). `drawHiddenFaces` also draws the faces turned away from the
  viewer, behind the others.
+- `preserveSpotColors` (default false) is the Lighting tab's Preserve Spot Colors checkbox. When it is on, a fill or
+  stroke linked to a spot or global swatch stays linked on every face, so a spot color prints on its own plate in
+  separations and PDF. The highlight lowers the swatch's tint, and a face that darkens gets black at the shade's
+  strength over the swatch, multiplied and overprinting. These rules for drawing the shading are VectorCraft's own. The
+  option does nothing while `shadingColor` is `custom`, since a custom shading color cannot keep a spot color
+  ([Preserve Spot Color](https://help.adobe.com/archive/en_US/illustrator/cs5/illustrator_cs5_help.pdf#page=260)).
+  Unlinked colors, gradients, patterns and the Wireframe surface draw as they do with it off.

 The defaults are VectorCraft's own. An unknown parameter, a number out of range, a flag that is not true or false, or
 an unknown surface or shading color is refused with an error and the document is not changed.
@@ -4198,8 +4379,8 @@ for a full turn, and draws every face, back to front, with the classic surfaces.
 0..360, default 360), `cap` (true closes the profile's open ends, false leaves the surface hollow), `offset` (points,
 0..1000, default 0; the axis's distance from the profile, so a value above 0 makes a ring), `edge` (`left`, the
 default, or `right`: the edge of the profile's bounds the axis is at), `rotationX/Y/Z` and `perspectiveAngle` as
-above, and `surface`, the lights, `ambient`, `highlightIntensity`, `highlightSize`, `blendSteps`, `shadingColor` and
-`shadingCustom` as Extrude & Bevel (Classic) takes them. It has no `drawHiddenFaces`. The effect also goes on a group
+above, and `surface`, the lights, `ambient`, `highlightIntensity`, `highlightSize`, `blendSteps`, `shadingColor`,
+`shadingCustom` and `preserveSpotColors` as Extrude & Bevel (Classic) takes them. It has no `drawHiddenFaces`. The effect also goes on a group
 or layer, whose members turn about one shared axis, or on a fill or stroke. The public documentation describes the
 dialog ([Create 3D objects](https://helpx.adobe.com/illustrator/desktop/special-effects-styles/create-3d-graphics/create-3d-objects.html))
 and its Angle (0 to 360), Cap, Offset (0 to 1000) and Left Edge or Right Edge settings
@@ -4218,8 +4399,8 @@ changed.
 3D (Classic) › Rotate (Classic)…. It turns every fill and stroke as one flat plane about the center of the object's
 bounds, as `threeD.rotate` does, each in its own paint, and draws the plane from either side. Parameters:
 `rotationX/Y/Z` and `perspectiveAngle` as above; `surface` (`diffuse`, the default, lights the art softly, and
-`none` keeps the paint unlit); and the lights, `ambient`, `blendSteps`, `shadingColor` and `shadingCustom` as Extrude &
-Bevel (Classic) takes them. It has no highlight, no `drawHiddenFaces` and no shadow. The effect also goes on a group
+`none` keeps the paint unlit); and the lights, `ambient`, `blendSteps`, `shadingColor`, `shadingCustom` and
+`preserveSpotColors` as Extrude & Bevel (Classic) takes them. It has no highlight, no `drawHiddenFaces` and no shadow. The effect also goes on a group
 or layer, whose members turn about one shared center, or on a fill or stroke. The public documentation describes the
 dialog's Position and Surface settings
 ([Rotate objects in 3D](https://helpx.adobe.com/illustrator/desktop/special-effects-styles/create-3d-graphics/rotate-objects-in-3d.html)),
@@ -4317,7 +4498,11 @@ stay tints), `scaleTints` (every colour becomes a tint as light, relative to the
 darker than the row's average become tints and shades) or `hueShift` (the most saturated colour takes the new colour,
 the others turn by the same hue). `limitTo` snaps new colours to a swatch library's nearest colour;
 `recolor.randomize {map, order?, saturationBrightness?, seed?}` shuffles or varies new colours; a row with
-`exclude: true` keeps its colours. With `limitTo`, a row's `tint` (a percentage, default 100) gives the art
+`exclude: true` keeps its colours. A row's `from` may be an empty list: the row recolors nothing, adds no library swatch with
+`limitTo` and gives `group` no color, and `recolor.randomize` and `recolor.weigh` keep it. A row without `from`, or with
+a current color that is not a color, is refused. With art selected, the Recolor Artwork dialog's New Row button (beside
+Merge) adds such a row above the first selected row, or at the top, with that row's new color, and selects it; Shift-click another row and Merge to move its colors into it. An
+empty row does not count toward Colors. With `limitTo`, a row's `tint` (a percentage, default 100) gives the art
 linked to the global or spot swatch its new color is that share of its tint; `tint` must be a number. `recolor.randomize`
 moves a row's `tint` with its new color and removes it from a color it changes, and moves a row's `model` with its new color. `swatch.editGroup {group, colors, rename?}` rewrites a colour group in one undo
 step (art linked to its global swatches follows), and `recolor.apply` with `group` recolours the art and rewrites the
@@ -4586,9 +4771,9 @@ error.

 ## Brush libraries

-Brush libraries are read-only sets of brushes: nine generated in code (Art Ribbons, Ink and Wash, Calligraphic Nibs, Bristle
+Brush libraries are read-only sets of brushes: ten generated in code (Art Ribbons, Ink and Wash, Calligraphic Nibs, Bristle
 Brushes with one bristle brush for each tip shape, Pattern Borders, Scatter Shapes, Game Trails, Energy Beams, and Dry Media with the Chalk Grain, Graphite Pencil, Wax Crayon and
-Charcoal Dust art brushes, id `dry-media`), the `.vectorcraft` files in the user library folder of the desktop app (User
+Charcoal Dust art brushes, id `dry-media`, and Tech Circuit with Circuit Trace (art), Bus Lines and Terminal Nodes (pattern), id `tech-circuit`), the `.vectorcraft` files in the user library folder of the desktop app (User
 Defined) and the brushes of any document loaded with `brush.loadLibrary` (a document without brushes of its own has
 the default ones). `brush.libraries` lists them (`id`, `name`, `category`: `builtIn`, `user` or `loaded`, `count`) and
 `brush.library {library}` returns one's brushes (`name`, `type`; `library` is an id or a name).
@@ -4845,6 +5030,14 @@ and `height`, so a new `hSpacing` changes the tile's width. `pattern.options` st
 `object.pattern.edit` edits the pattern that fills or strokes a selected object, and `pattern.options` changes the
 pattern being edited; each returns an error when there is no such pattern. `pattern.delete` requires `name`.

+With `pattern.options {moveTileWithArt: true}` (Move Tile with Art), a move of all of the tile art in pattern editing
+mode moves the tile by the same offset: `object.move`, `object.nudge`, `object.transform` with a translation, and drags
+with the Selection tool. A move of only some of the art, a move of direct-selected anchors, a copy, a rotation and a
+scale leave the tile where it is. The option is off for a new pattern and works the same with `sizeTileToArt` on. These
+details are VectorCraft's own rules; the help page says only that the option moves the tile along with the art
+(<https://helpx.adobe.com/illustrator/desktop/paint-and-fill/create-and-edit-patterns/edit-patterns.html>).
+`pattern.list` reports it as `moveTileWithArt`. A `pattern.options` call that changes nothing records no undo step.
+
 ```json
 {"name":"run_command","arguments":{"command":"pattern.options","params":{"showSwatchBounds":true}}}
 {"name":"run_command","arguments":{"command":"prefs.set","params":{"key":"patternTileEdgeColor","value":"#ff4f4f"}}}
@@ -5502,11 +5695,28 @@ moves that point alone as the focal point, with or without Shift (Shift keeps th
 focal points stay highlighted where it left them; Escape during a drag puts the path back and keeps them, and
 switching to another tool clears them.

+`path.eraseRegion` (the Eraser) takes a variation mode for each of its tip's values, as the variation menus of
+Eraser Tool Options set them ([Erase paths using the Eraser
+tool](https://helpx.adobe.com/illustrator/desktop/draw-shapes-and-paths/modify-paths/erase-paths-using-eraser-tool.html)):
+`angleMode` with `angleVariation` (degrees, 0 to 180), `roundnessMode` with `roundnessVariation` (percent, 0 to 100)
+and `sizeMode` with `sizeVariation` (points, 0 or more), each `"fixed"` (the default), `"random"`, `"pressure"`,
+`"tilt"`, `"bearing"` or `"rotation"`. A value that varies takes up to its variation either way. Random draws one
+value for the drag. Pressure goes from the value less the variation where the pen presses lightest to the value plus
+it where the pen presses hardest. Tilt goes from less with the pen lying flat to more with it upright. Bearing and
+Rotation go from less at −180° to more at 180° of the way the pen leans or its barrel turns. The tip at each point of
+the drag takes what the pen read there (the points' pressure, tilt and rotation, as `path.freehand` takes them); a
+drag without that reading, such as a mouse drag, erases at the value itself. One Random value per drag, which way
+Tilt, Bearing and Rotation run, and the value itself without a reading are VectorCraft's own rules.
+The command refuses another mode, and a variation below 0 or past its range, and erases nothing. In the desktop app
+the Eraser's tip outline at the pointer takes the angle, roundness and size the pen gives while it erases.
+`tool.setOption {tool: "eraser"}` takes the same keys.
+
 These commands refuse a string or another value that is not a number with `` `dy` must be a number, not "10" ``,
 naming the key; the document does not change and no undo step is recorded: `t`, `dx` and `dy` in
 `path.reshapeSegment` and `object.blend.spine.reshapeSegment`; `x`, `y` and `t` in `path.curvatureEdit`; `x` and `y`
 in `path.convertAnchor`; `t` in `path.insertAnchor`; `fidelity` and the `within` of `redraw` in `path.freehand` (and in
-`brush.freehand`, which runs it); `size`, `sizeVariation`, `angle` and `roundness` in `path.eraseRegion`;
+`brush.freehand`, which runs it); `size`, `sizeVariation`, `angle`, `angleVariation`, `roundness` and
+`roundnessVariation` in `path.eraseRegion`;
 `size`, `sizeVariation`, `angle`, `roundness` and `fidelity` in `path.blob`; `width` in `path.eraseSegments`;
 `radius` and `fidelity` in `path.smoothRegion`; `tolerance` in `path.joinScrub`; `dx` and `dy` in `path.moveAnchors`;
 and `dx`, `dy`, `tol` and `radius` in `path.reshape`. A null is read as a key left out. `path.convertAnchor` refuses
@@ -5669,7 +5879,17 @@ the colour bars are process, spot and black-tint patches. Layers whose Print opt
 The Output and Advanced sections convert colours and write real text. `output: {conversion, destination}` converts
 every colour into the destination profile's model (`destination`; CMYK of another profile too) or only the colours of
 the other model (`preserveNumbers`: colours already in it keep their numbers); grey stays grey, images are converted
-too and printer's marks are not. The destination is any profile `edit.colorSettings` lists (default: the document's
+too and printer's marks are not. With `destination` and an sRGB destination, a gray or RGB image that carries an
+ICC profile is converted from that profile to sRGB with the color settings' intent and written without
+it, at 16 bits a sample when it has them, is not resampled or recompressed and the file is PDF 1.5 or later (an image
+whose profile the color engine can't read, or whose pixels can't be decoded, keeps its profile, with a warning); without
+conversion it keeps its profile. With `destination` and a CMYK destination, or an RGB one other than sRGB that images
+are converted to, an RGB image that carries an ICC profile is converted from that profile to sRGB with the same intent
+and then to the destination, instead of having its numbers read as sRGB (a profile the color engine can't read leaves
+them read as sRGB, with a warning); a gray image keeps its profile, as gray is not converted. An RGB destination other
+than sRGB that is the document's own RGB profile leaves RGB colors and RGB images as they are, so a tagged RGB image keeps its profile
+there.
+`preserveNumbers` still reads an image's numbers as sRGB. The destination is any profile `edit.colorSettings` lists (default: the document's
 for its colour mode). `profiles` (`all`, `destination`, or `taggedSource` for a document assigned profiles with
 `edit.assignProfile`) writes colours in ICC-based spaces with their profiles embedded: CMYK with the destination's or
 the document's CMYK profile, RGB as sRGB, grey with the sRGB tone curve (PDF/A, PDF/X-3 and PDF/X-4 files are
@@ -5913,14 +6133,15 @@ With `to: "selection"` or `"key"`, or without `to`, `object.distribute` and `obj
 keep the first and last objects where they are, and `object.distribute` without `spacing` moves nothing with fewer than
 three objects. With `spacing` and a key object, `object.distribute` and `object.distributeSpacing` do not use `to`;
 with a key guide, `to` decides whether the guide is the key. With anchor points selected (Direct Selection), both commands space the points
-among themselves and do not use `to` or `artboard`.
+among themselves and do not use `artboard`; with `to: "selection"` or `"artboard"`, the key anchor is not the key, and
+all the points are spaced as without one.

 `object.distribute {spacing}` (the Distribute Objects buttons while the selection has a key object, `select.key`) keeps
 the key object where it is, with the compound path or selected group that contains it. It places the objects' lines
 (left edges, centers or right edges; top edges, centers or bottom edges) `spacing` points apart, outward from the key
 object's line, in their order on that line. With `spacing: 0`, every object ends on the key object's line. Two objects
-are enough. Without a key object or key guide, or with anchor points selected, `object.distribute` does not use
-`spacing`. A `spacing` that is not a number is an error.
+are enough. Without a key object, key guide or key anchor, `object.distribute` does not use `spacing`; with anchor
+points selected, it uses `spacing` only with a key anchor (`select.key {id, anchor}`). A `spacing` that is not a number is an error.

 `object.distribute` and `object.distributeSpacing` space the selected ruler guides across the axis (vertical guides
 for the horizontal options, horizontal guides for the vertical ones) with the selected objects, as items with no size
@@ -6339,7 +6560,10 @@ desktop app) instead and undoes nothing ([the help page](https://helpx.adobe.com
 From the Selection, Direct Selection, Group Selection, Magic Wand, Lasso or Perspective Selection tool it chooses the
 drawing tool chosen last in the window, or the Pencil tool when none has been chosen yet; from any other tool it
 chooses the Selection tool, and the tool left becomes the drawing tool unless it is the Hand, Rotate View, Zoom or Print
-Tiling tool. It returns `{tool}` and adds no undo step. Pencil as the first drawing tool and the list of selection tools
+Tiling tool. It returns `{tool}` and adds no undo step. When the tool cannot be chosen it returns the error, the tool
+and the drawing tool stay as they were, and it adds no undo step; `tool.select`, `ui.cropImage`,
+`addon.pathtools.cornerTool` and `addon.pathtools.sharedEdgeTool` also return the error when their tool cannot be
+chosen. Pencil as the first drawing tool and the list of selection tools
 are VectorCraft's own rules. A tap in Presentation Mode runs nothing. Under VectorCraft's own rule, a tap on the canvas
 while a modal dialog is open runs nothing, and fingers already down when it opens make no tap when they lift, during
 the dialog or after it closes.
@@ -6792,7 +7016,8 @@ where it is.
 `window.control.options {group, visible?}` (desktop app) turns a group of the Control bar's options on (`visible:
 true`), off (`false`) or toggles it (omitted), and returns `{group, visible}`. The groups are `snapping` (the Snapping
 menu), `anchors` (Convert and Anchors), `toolOptions` (the active tool's options), `objectOptions` (Isolate Selected
-Object or Exit Isolation Mode, the envelope controls and the symbol instance controls), `imageOptions` (a selected
+Object or Exit Isolation Mode, the envelope controls, the symbol instance controls and Select Similar Objects),
+`imageOptions` (a selected
 image's or Image Trace object's controls), `fillStroke` (the fill and stroke chips, Stroke and its weight and width
 profile), `opacity`, `graphicStyle` (Style, Recolor Artwork and Global Edit Options), `character`, `paragraph`,
 `verticalAlignment` (area type's vertical alignment), `alignDistribute`, `transform` (the Transform link and the X/Y/W/H
@@ -6920,6 +7145,23 @@ with `pointer_gesture` (a click places at 100% with the top-left corner there, a
 `file.place.info` refuse, of the keys each one takes, a `link`, `replace` or `template` that is not true or false and a `thumbnail` that is not a
 number, naming the key, and place nothing; null is the same as leaving the key out.

+In the app, `file.place` asks for a file's import options before placing it: a text file without `text` (Text Import
+Options), a DXF drawing without `dxf` (DXF Import Options), and a PDF, `.ai` or `.ait` file with several pages or a
+password and no `page` (Place PDF). `showImportOptions: false` places such a file without asking, with the options
+last confirmed in its dialog: the text options, and the DXF fit, lineweight, centering and layer choices with the
+drawing at 1:1 in its own unit. A PDF is placed on page 1 (or `page`) and its crop box, and an encrypted PDF given no
+`password` still asks for the password. A `showImportOptions` that is not true or false is refused, and nothing is placed. The
+Place dialog (File › Place, or `file.place {paths}`) has a Show Import Options checkbox after Link, Template and
+Replace ([Place multiple files in a document](https://helpx.adobe.com/illustrator/desktop/add-and-import-files/import-other-file-types/place-multiple-files-in-a-document.html)).
+It is on by default and saved with the preferences. On, each file that has import options asks for them before it is
+placed, also each file of the place cursor when it is clicked or dragged (Cancel leaves that file unplaced). A click on
+a PDF or DXF file places it as its options place it with `at` at the center of the box the click gave (a PDF's page at
+its own size, a DXF drawing at its scale, or on the artboard there when fitted or not centered), and a drag to any other
+size fits it into the dragged box (a drag to exactly the file's queued size gives the place tool the same box as a click and
+is placed as one). Off, each
+file is placed with the options last confirmed for its format. The default, and the options a file is placed with
+when the checkbox is off, are VectorCraft's own choices.
+
 ```json
 {"name":"run_command","arguments":{"command":"file.place","params":{"path":"/tmp/photo.jpg","at":[300,200]}}}
 {"name":"run_command","arguments":{"command":"file.place","params":{"name":"logo.svg","dataBase64":"PHN2Zy…","rect":[0,0,100,100]}}}
@@ -6939,6 +7181,11 @@ added is reused), which the pasted objects follow. Linked colours show the docum
 spot colour as its Spot Colors option says). The result reports `{ids, added, merged, renamed: [{kind, from,
 to}]}`.

+`edit.pasteWithoutFormatting` sets the labels of a pasted graph in a new graph's label character style and
+paragraph attributes, keeping each label's alignment and where it starts. The pasted graph no longer keeps its labels' character and
+paragraph formats, so a later `graph.setData` or `graph.setType` sets the labels the same way. The rest of the
+graph's art is pasted as it was copied.
+
 A global or spot swatch whose name the document gives another colour is a conflict: `clipboard.conflicts` lists
 them, and `swatchConflict` answers: `"merge"` (the default: the objects take the document's swatch), `"add"` (the
 pasted swatch comes in renamed) or one answer per name. Pasting back into the document the objects came from uses
@@ -8002,7 +8249,10 @@ or in `options` (`file.formatOptions {format}` lists them with their values):
 - `separateArtboards: true` also writes each artboard of `range` (`"1-3, 5"`, default `"all"`) to
  `<name>-<artboard>.<ext>` beside the file: that artboard and the art touching it. The result's `files` lists every
  file written, the master file first (without a path: `files: [{name, dataBase64}]`). 3 artboards give 4 files.
- `includeLinked: true` keeps linked images' own pixels in the file (they stay linked), not just the previews.
+- `includeLinked: true` keeps linked images' own pixels in the file (they stay linked), not just the previews. Linked
+  images in the art of the stored brushes count as those in the layers do, and an image key that the layers or a
+  brush's art shows embedded keeps its pixels either way. A `version` older than the current one saves the placed
+  documents in a brush's art as groups of the art they show.
 - `embedProfiles` (default true) carries the ICC profiles the document is tagged with that were loaded from files;
  opening the file installs them where they are missing (a warning names one that can't be used).
 - `pdfCompatible`: native files (default true) also carry a PDF of every artboard (`pdf` in the file). This makes saves
@@ -8336,7 +8586,8 @@ that can be edited or released. `file.place` answers `image`, the id of the imag
 [import options help page](https://helpx.adobe.com/illustrator/desktop/add-and-import-files/import-from-other-apps/photoshop-import-options.html)
 says that a file imported as one flattened image keeps the document's clipping path when it has one. `links.update`
 and `links.relink` read the file's pixels again and leave the clip group and its clipping path as they are. Files that name no clipping path, or name a path
-they don't have, come in as a plain image.
+they don't have, come in as a plain image. `file.place` with `replace` on such a clip group puts a new image, clipped or
+not, at the scale and rotation of the image in the group.

 `document.open` converts a PSD or PSB file's layers to objects. In
 [PSD import options](https://helpx.adobe.com/illustrator/desktop/add-and-import-files/import-from-other-apps/photoshop-import-options.html),
@@ -8818,6 +9069,11 @@ Appearance panel's Characters row, not the characters' formatting) go on paths o
 below the Characters row on one path under the glyph paths, the others on one path over them, in their order and with
 their opacity, blend mode, effects and stroke settings. Their gradients that are not placed are fixed to the type's
 layout box, as the canvas paints them, so one gradient spans every glyph. The group itself has no fills or strokes.
+It takes the type object's name, opacity, blend mode, Isolate Blending, Opacity & Mask Define Knockout Shape, opacity
+mask and effects. The effects (the object's own, which apply to the type as a whole) keep their order, settings and
+hidden state and stay live on the group; none of them is copied onto the glyph paths. Geometry effects on the group
+(Warp, Free Distort, Transform) move its placed gradients with the whole outline, as they do on the type, not with each
+glyph.
 `object.expand` outlines type with this command, so Fill and Stroke expand those paths' gradients, patterns and strokes.

 `type.createOutlines` (Type › Create Outlines) and `effect.expandAppearance` (when it outlines type, as Expand
@@ -9244,13 +9500,20 @@ as outlines.
 `fwid`, `hwid`, `twid` or `qwid` ([feature list](https://learn.microsoft.com/en-us/typography/opentype/spec/featurelist)),
 or `"default"`, the font's default glyphs. A character holds one form at a time, so setting one replaces another. The
 text keeps its characters, and a character the font has no glyph of that form for keeps its own. Runs that differ only
-in their form are shaped as one piece of text. The form is saved only when it is not `"default"`, character styles
-carry it, PDF draws the glyphs the canvas draws, and live SVG text writes it in `font-feature-settings`. Another value
-is refused with `` `glyphForm` must be one of "traditional", … ``. One undo step, and a `text.setFormat` call that
-gives the form the characters already have records none. With Show East Asian Options on, the Glyphs panel menu lists
-the ten forms and Revert To Default Forms: a form is checked when every selected character has it, choosing it again
-does nothing, and it is disabled when none of the faces that draw the selected text, fallback faces included, has a
-feature for it.
+in their form are shaped as one piece of text. A form other than `"default"` also takes away the characters' glyph
+choice (`text.setGlyphAlternate`), which would otherwise keep drawing its own glyph; `"default"` keeps it. The four
+width forms set the characters on a fixed width, so Proportional Metrics (`palt`) is not applied with them and the
+font's pair kerning (`kern`, `apkn`) is turned off, in shaping and in SVG output (`font-kerning: none`);
+`proportionalMetrics` and `kerning` keep their values. The form is saved only when it is not `"default"`, character
+styles carry it, PDF draws the glyphs the canvas draws, and live SVG text writes it in `font-feature-settings`. Another
+value is refused with `` `glyphForm` must be one of "traditional", … ``. One undo step, and a `text.setFormat` call
+that gives the form the characters already have records none. With Show East Asian Options on, the Glyphs panel menu
+lists the ten forms and Revert To Default Forms. They act on the Type tool's selected range, all the text of the object
+at a caret, or all the text of the selected type objects. A form is checked when every one of those characters has
+it, and choosing it again does nothing unless one of them has a glyph choice, which the form takes away. A form is
+disabled when none of the faces that draw the selected text, fallback faces included, has a feature for it: a `GSUB` feature, or for the width
+forms a `GSUB` or `GPOS` feature
+([fwid](https://learn.microsoft.com/en-us/typography/opentype/spec/features_fj#tag-fwid)).

 ```json
 {"name":"run_command","arguments":{"command":"text.setRangeStyle","params":{"id":12,"start":0,"end":3,"glyphForm":"jis78"}}}
@@ -9275,8 +9538,19 @@ value out of range, a scale on another class, an unknown class or key, a name th
 characters, shared by two fonts (in any case) or the name of an installed font, and a part set in a composite font are
 each refused with an error, and nothing changes. A document keeps at most 256.

+`custom` lists a font's custom character sets
+([Customize characters in a composite font](https://web.archive.org/web/20220911143322/https://helpx.adobe.com/pdf/cs6/illustrator_reference.pdf#page=348)),
+each `{name, characters?, font?, style?, size?, baseline?, hScale?, vScale?}`. A set sets the characters it lists in
+its own font, style, size, baseline and scales, ahead of their class; a value left out is the `kanji` part's. When two
+sets list a character, the later set sets it. A set's name is trimmed and unique in its font in any case. Its
+characters are each listed once, none a control character or past U+FFFF. A set may list no characters, and then sets
+none. A font keeps at most 64 sets and a set at most 8,192 characters, VectorCraft's own limits. A set name that is
+empty or shared, a character listed twice or not allowed, `scaleAtCenter` on a set, or an unknown key is refused with
+an error, and nothing changes.
+
 Type set in a composite font names it as its family (`text.setStyle {font: "My Composite"}`), and the font menus list
-composite fonts first. The layout sets each character in its class's font, a letter and its combining marks together.
+composite fonts first. The layout sets each character in its custom set's or its class's font, a letter and its
+combining marks together.
 A composite font taken out of the document leaves its type naming it, and the type shows as missing. Composite fonts
 are saved with the document. SVG and legacy `.ai` write type in one of the document's composite fonts as outlines, and
 SVG, PDF, EPS and legacy `.ai` export draw it in the font's parts also when the document was read without an open app.
@@ -9289,18 +9563,25 @@ parts its characters are drawn in, and `missingGlyphs` counts the characters tha
 characters are drawn in. `text.glyphAlternates` lists the alternates of a character from its part's font.

 `type.compositeFonts.export {path?, names?, fonts?}` writes the document's composite fonts (all, or those `names`
-lists), or the `fonts` given, to a `.vccomposite` file; without `path` it returns the file's text as `data`.
+lists), or the `fonts` given, to a `.vccomposite` file; without `path` it returns the file's text as `data`. Fonts
+whose file would be larger than 4 MB, the most Import reads, are refused with an error.
 `type.compositeFonts.import {path | data | dataBase64, apply?}` reads a file of at most 4 MB. With `apply` (the
 default) its fonts join the document's, replacing a font of the same name, as one undo step; with `apply: false` it
 only returns them. Opening a `.vccomposite` file imports it.

 Type › Composite Fonts… (shown with Show East Asian Options) opens the Composite Fonts dialog on the document's fonts:
-Font picks one, and a table sets each class's font, style, size, baseline and scales. New adds a font based on the one
-picked, Delete Font takes it out, Import… adds the fonts of a file and Export… writes the one picked. OK runs
-`type.compositeFonts.set` with every font as one undo step; a refused font keeps the dialog open.
+Font picks one, and a table sets each class's and each custom set's font, style, size, baseline and scales. New adds a
+font based on the one picked, Delete Font takes it out, Import… adds the fonts of a file and Export… writes the one
+picked. Custom shows the font's custom character sets: Character Set picks one, New adds a set based on the one picked,
+Delete Set takes it out, and Name renames it. Character › Direct Entry adds the characters typed, and Character ›
+Unicode adds the characters of hexadecimal codes (`3042`, `U+3042`, several separated by spaces or commas); Add skips
+characters the set already lists. Delete takes the character picked out of the set. OK runs `type.compositeFonts.set`
+with every font as one undo step; a refused font keeps the dialog open. `ui.dialog.set` takes `custom`, `entry` and
+`char` (the index of the character picked in the set) as soon as the dialog opens.

 ```json
 {"name":"run_command","arguments":{"command":"type.compositeFonts.set","params":{"fonts":[{"name":"My Composite","parts":{"kanji":{"font":"Source Han Sans"},"roman":{"font":"Source Sans 3","size":95,"baseline":-2},"numerals":{"font":"Source Sans 3"}}}]}}}
+{"name":"run_command","arguments":{"command":"type.compositeFonts.set","params":{"fonts":[{"name":"My Composite","parts":{"kanji":{"font":"Source Han Sans"}},"custom":[{"name":"Marks","characters":"※〒","font":"Source Sans 3","size":90}]}]}}}
 ```

 ## Optical Margin Alignment
@@ -9733,7 +10014,9 @@ neighbors, the kerning of the two characters keeps it and the characters after i
 wider or narrower character moves the characters after it by the change in its width. Touch Type gives the character
 before it a kerning value of its own (with `dx`, and with any other change where the font kerned the character with
 its neighbors), and that character can then move by the font's kerning pair with the one before
-it, as with any style change to one character (`text.setRangeStyle`). The type stays editable.
+it, as with any style change to one character (`text.setRangeStyle`). The type stays editable. The characters of type
+on an open path that are not drawn because they fall before the path's start cannot be selected with the tool, and
+`text.touchType` returns an error for them.

 ```json
 {"name":"run_command","arguments":{"command":"text.touchType","params":{"id":7,"start":1,"dx":10,"dy":4}}}
@@ -9823,9 +10106,10 @@ same in any language. Saved documents keep what they say, and imported text (PDF

 Type on a path flows between a start and an end bracket, stored as fractions of its path's length.
 `type.pathOptions {start?, end?, flip?, effect?, alignToPath?, spacing?, ids?}` sets them and the rest of Type on a
-Path Options: `end: null` puts the end bracket back at the end of the path (or once round a closed one); `flip`
-then turns the type to the other side of its path, the path running the other way and the brackets swapping ends so
-the type keeps its stretch of the path; `alignToPath` runs the `ascender`, `descender`, `center` or `baseline` (the
+Path Options: `end: null` puts the end bracket back at the end of the path (or once round a closed one); on an open
+path a `start` below 0 starts the text that far before the path's start (on a closed path it is the path's start);
+`flip` then turns the type to the other side of its path, the path running the other way and the brackets swapping
+ends so the type keeps its stretch of the path; `alignToPath` runs the `ascender`, `descender`, `center` or `baseline` (the
 default) along the path, each character by its own font, size and vertical scale: `ascender` runs the top of the
 font's em box along it (its ideographic em box, else an em box centered on the cap height), `descender` runs the
 bottom of the font's bounding box along it, and `center` runs a line at half the height of the top of the font's H
@@ -9838,6 +10122,13 @@ show selected type on a path's brackets: dragging the start or end bracket (`poi
 begins or ends, dragging the centre bracket slides the type along its path and, dragged across the path, flips it
 (with Cmd/Ctrl held it only slides). Each is one undo step.

+Type on an open path that starts before the path's start keeps every character, and the characters whose middle falls
+before the path's start are not drawn. A `flip` starts it at the start bracket, and dragging the center bracket slides
+it from where it starts and no further before the path. Past the path's end, text that does not fit is overflow, as
+for other type on a path. SVG import reads a `<textPath>` anchored or offset before an open path's start this way, and
+SVG export writes it as a negative `startOffset`. Releasing it to point type keeps the first drawn character where it
+was drawn.
+
 ```json
 {"name":"run_command","arguments":{"command":"type.pathOptions","params":{"start":0.25,"end":0.75,"flip":true}}}
 ```
@@ -10431,11 +10722,18 @@ same dialog, and its OK also draws a flare there. While the center is dragged ou
 pointer's document y grows adds one degree per document point to `shape.flare`'s `rotation` (it turns
 only the rays), decreasing y subtracts the same rate, and unchanged y leaves it. This application rate is independent of event frequency; Shift held keeps
 the turn as it is. Space held keeps the turn as well. Once the center drag has passed its starting distance, and in the
-drag that places the rings' end point, Space held moves the flare at its current size. The Artboard tool's are the active artboard's Artboard Options
+drag that places the rings' end point, Space held moves the flare at its current size. In the center drag, Up and Down
+Arrow add and remove rays, and Ctrl (Command on macOS; `mods.cmd`) keeps the center's diameter as the last drag showed
+it while the drag sizes the halo: the halo's radius keeps the ratio to the pointer's distance that it had when the key
+went down, through `growth` within 0 to 300 %. Letting the key go sizes the center with the drag again, and the flare
+keeps the new `growth`. While the rings' end point is placed, Up and Down Arrow add and remove rings (0 to 50; with
+Rings off they do nothing), and each press of backquote (the ~ key; a pointer event's `backquote` turning true) sends a
+new `ringSeed`, which moves the rings along the path and keeps their count and sizes. Each new flare starts from the
+options' counts and growth, without a `ringSeed`. The Artboard tool's are the active artboard's Artboard Options
 (dialog `artboardOptions`; the Artboard tool's active artboard while it is in use, else the window's; its `x` and `y`
 are the artboard's top-left corner in document points, while the dialog shows X and Y at the reference point the
 Transform panel uses, counted from the ruler origin), a graph tool's
-the selected graph's Graph Type (an error without one), a Symbolism tool's the Symbolism Tools Options (dialog
+the selected graph's Graph Type (dialog `graphType`, described below; an error without one), a Symbolism tool's the Symbolism Tools Options (dialog
 `symbolismOptions`: `diameter` in points, `intensity` and `density` 1–10, one brush for the eight tools) and the
 Magic Wand tool's its panel. `ui.newArtboard` (Alt-click on the Artboards panel's New Artboard) opens Artboard Options
 for a new artboard, with `new: true` and the name, position and size that `artboard.new {}` would give it. OK runs
@@ -10444,6 +10742,31 @@ for a new artboard, with `new: true` and the name, position and size that `artbo
 default name, "Artboard N" for the Nth artboard.
 A canvas-click dialog also has `preview` (initially on): tentative settings draw at the remembered click, Reset refreshes that preview, and Cancel discards it without persisting settings. OK accepts one flare as one Undo step. Toolbar-only options draw no artwork.

+Object › Graph › Type… (`graph.setType` without params) and a double-click on a graph tool open Graph Type (dialog
+`graphType`) for the selected graph, or for the series picked in it with Group Selection. Its fields are the options
+`graph.setType {}` returns, under the command's names for them. `legend`, `pieLegend`, `piePosition`, `pieSort`,
+`firstRowInFront`, `firstColumnInFront` and `filledLines` are held for every type, so a type picked in the dialog shows
+the options it uses. `overrideValues` and `rightOverrideValues` are Override Calculated Values of the left (or only)
+value axis and of the right one. While one is on, OK sends `axisMin`, `axisMax` and `ticks` (or `rightAxisMin`,
+`rightAxisMax` and `rightTicks`), and the dialog fills the ones the graph lacks with the values the axis would be
+calculated with for the type, value axis and Separate Scales the dialog shows.
+One that was on and is turned off sends `null`, `null` and `0`, and one left off sends none of the three. `__page` is the
+page the dialog shows: `options` (Graph Options), `valueAxis` (Value Axis, or Left Axis while the value axis is on both
+sides), `rightAxis` (Right Axis, with the value axis on both sides) or `categoryAxis` (column, stacked column, bar,
+stacked bar, line and area graphs); a pie graph has the `options` page alone, and a page the type picked lacks shows
+`options`. With series picked, `type` and `valueAxis` (`left` or `right`) go to those series and the other options to
+the whole graph, as the command applies them; `type` or `valueAxis` is `null` while the picked series differ in it, and
+OK then leaves each series as it is. OK runs `graph.setType` with the fields: `legend` for every type but pie,
+and the three pie options for a pie graph. When the selection changed while the dialog was open, it also sends `id`, and
+`seriesIndexes` while series are picked and a `type` or `valueAxis` goes to them, so it changes the graph and the series
+the dialog opened on. A value axis side without a scale of its own (the right side without Separate Scales, or with
+Separate Scales a side that no series is on) shows the tick values of the scale drawn on it, and its Override Calculated
+Values is dimmed. A value of `axisMin`, `axisMax` or `ticks` (or of the right axis' three) that is not a number is sent
+as it is, and `graph.setType` refuses it. With nothing changed it closes without a step of history. An overridden value
+axis whose maximum is not more than its minimum is the error "Maximum must be more than Minimum." and the dialog stays
+open. The types the dialog dims for picked series (those that cannot go in the graph), the options it dims for a type
+and the pages it lists are VectorCraft's own rules.
+
 ```json
 {"name":"run_command","arguments":{"command":"tool.setOption","params":{"tool":"flare","values":{"rays":24,"ringsOn":false}}}}
 ```
@@ -11167,9 +11490,10 @@ Plug-ins › Artwork Cleanup and in its panel (`window.panel {panel: "artworkCle
 `addon.cleanup.simplify {tolerance?, protectCorners?, ids?}` removes the anchors each selected path can do without and
 refits the handles beside each one, so the outline keeps its shape. `tolerance` runs from 1 to 100 (20 by default); the
 outline stays within tolerance × 0.02 pt of where it was, measured against the original outline, so removals don't add
-up. With `protectCorners`, anchors where the path turns by more than 30° stay. Open ends always stay. Locked and hidden
-paths, and paths in locked or hidden groups, are left out. It reports the anchor counts `before` and `after`, as one
-undo step.
+up. With `protectCorners`, anchors where the path turns by more than 30° stay. Open ends always stay. From the
+selection, locked and hidden paths, and paths in locked or hidden groups, are left out. With `ids`, it also takes the
+locked and hidden paths of the objects, groups and layers the ids name, but not paths on a locked artboard. It reports
+the paths it took as `ids` and their anchor counts `before` and `after`, as one undo step when a path changed.

 The health check looks for issues in the selection, or in the whole document while nothing is selected (`scope:
 "selection"|"document"` picks one). Locked and hidden objects, and the insides of live or generated art (blends,
@@ -11203,13 +11527,17 @@ envelopes, graphs, symbols), are left out.

 `addon.cleanup.deepUngroup {includeClipGroups?, ids?}` takes apart every level of grouping in the selection. Clipping
 groups stay whole unless `includeClipGroups` is true; their clipping paths then become plain paths. Objects keep the
-opacity of the groups they were in. Locked and hidden groups stay whole, and locked and hidden objects stay locked or
-hidden and are left out of the selection.
+opacity of the groups they were in. From the selection, locked and hidden groups stay whole. With `ids`, it also takes
+apart the locked and hidden groups the ids name and the groups inside the groups and layers they name (a named layer
+stays a layer), but not groups on a locked artboard; an object of a hidden group becomes hidden, and an object of a
+locked group becomes locked. Locked and hidden objects stay locked or hidden and are left out of the selection.

 `addon.cleanup.rejoin {gap?, ids?}` welds the selected open paths whose ends lie within `gap` (0 to 6 pt, 0.1 by
 default) back into paths. Each end joins one other end: where several are in reach, the one the path turns least to go
 on into. Pieces may run either way, and a chain whose ends meet closes. Each new path takes the place and paint of its
-topmost piece.
+topmost piece. With `ids`, it also takes locked and hidden open paths, but not paths on a locked artboard. Only pieces
+that are alike in being hidden and in being locked (by themselves or by a group or layer above them) join, and locked
+and hidden paths it makes are not selected.

 ```json
 {"name":"run_command","arguments":{"command":"addon.cleanup.check","params":{"scope":"document"}}}
@@ -12202,10 +12530,11 @@ VectorCraft addition and changes no parity score.
  the path's fill and stroke), so the released path has no fill and no stroke.
 - **The text** keeps its runs with their character attributes and its paragraph attributes, and becomes point type on
  one straight line along the object's own axis, with the baseline starting where the first character sat on the path
-  (type with no characters starts at its start bracket). Type on a Path Options (effect, align to path, spacing, flip,
-  brackets) don't apply to point type and are dropped. Type with Dynamic Text on (`type.dynamicText`) becomes point
-  type with it off, at the sizes it was drawn at: each size, leading and baseline shift is multiplied by the fit factor.
-  Without `keepOriginal` the type object itself becomes the point
+  (type with no characters starts at its start bracket; type that starts before an open path's start keeps its first
+  drawn character where it was drawn, with the characters that were not drawn before it). Type on a Path Options
+  (effect, align to path, spacing, flip, brackets) don't apply to point type and are dropped. Type with Dynamic Text
+  on (`type.dynamicText`) becomes point type with it off, at the sizes it was drawn at: each size, leading and
+  baseline shift is multiplied by the fit factor. Without `keepOriginal` the type object itself becomes the point
  type, keeping its id, so a frame of threaded text leaves its thread with the text it holds, as
  `type.convertToPointType` does for area type.
 - It acts on the type on a path among `ids` (or `id`, else the selection), groups included; other objects are left
@@ -12247,6 +12576,7 @@ the error text. The interactive fallback applies only to ordinary File > Save, n

 | Date | Change |
 |---|---|
+| 2026-11-14 | Built-in Tech Circuit brush library (id `tech-circuit`): Circuit Trace, Bus Lines and Terminal Nodes; ten built-in libraries. |
 | 2026-11-13 | The Pencil ignores Smart Guides and Snap to Point and shows no Smart Guides; Snap to Grid and Snap to Pixel still move its ends (#7252). |
 | 2026-11-13 | `path.freehand`: `closed`, when given, decides whether a stroke that continues a path (`extend`) closes it; the Pencil and the Paintbrush send it by Close Paths When Ends Are Within. |
 | 2026-11-13 | Snap to Point with Smart Guides off draws no Smart Guides labels or lines (#7250). |
@@ -804,9 +804,10 @@ is a piece drawn by itself, in the order returned, with paints of its own:
  anchors, 256 fills and 256 strokes per piece, 256 stops per gradient), finite numbers in range with nothing clamped
  (color components, tints, offsets, opacities, midpoints 0.13 to 0.87, stops in order of `offset`, stroke
  widths 0 to 1,000 pt, miter limits 1 to 500), and every swatch a solid paint, gradient or stop links to and every
-  pattern named in the document. One fault refuses the whole result: that step of the stack draws its input as it was,
-  the effect record stays, and `plugin.info`'s `lastError` names the plug-in and the field, for example `Test Tone:
-  plug-in output: objects[1].strokes[0].width: …`.
+  pattern named in the document. A gradient stop's `plates` need that stop's own link to a spot swatch of the document;
+  the gradient's `swatch` does not link its stops. One fault refuses the whole result: that step of the stack draws
+  its input as it was, the effect record stays, and `plugin.info`'s `lastError` names the plug-in and the field, for
+  example `Test Tone: plug-in output: objects[1].strokes[0].width: …`.
 - The pieces are never written into the document while it is drawn, measured, previewed, saved or exported. PDF and SVG
  export draw them as the canvas does, from a copy of the document. Object › Expand Appearance writes each piece as an
  ordinary path or compound path with its fills and strokes, as one undo step. Object › Expand of gradient and pattern
@@ -1,6 +1,6 @@
 # Roadmap: milestones and what's next

-> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-11-13 · **Change:** minor (Graphic Styles list fills a taller panel, #2992; scores and estimates unchanged; previously: PDF import: glyphs in a span with an empty ActualText come in as outlines, #6971; scores and estimates unchanged; previously: library panels' lists fill a taller panel, #2992; scores and estimates unchanged; previously: Swatches list fills a taller panel, #1638; scores and estimates unchanged; previously: icon-strip flyouts also resize from the top edge and the canvas-side top corner, keeping the moved top in workspaces (storytold/craft-libs#1094); scores and estimates unchanged; previously: #6865: explicitly requested oversized editing artboard; Live Paint Bucket fills faces crossed in one drag (#6373); previously: #6404: transform-aware Eyedropper character copying; scores and estimates unchanged; previously: M10/G5: Energy Beams brush library; MCP docs list Energy Beams; previously minor: M10/G5: Skill Icons symbol library; MCP docs list Skill Icons; previously minor: M10/G5: Status Effects graphic style library; MCP docs catch-up for symbol libraries; previously minor: M10/G5: Inventory Icons built-in symbol library; previously minor: Edit › Edit Custom Dictionary…: its dialog adds, deletes and changes the custom dictionary's words, #4936; previously minor: M10/G5: Game HUD graphic style library; previously minor: resizable icon-strip flyouts and bottom-aligned panel footers, #5713; previously minor: M10/G5: Map Markers built-in symbol library; previously minor: right-click on type: Spelling › Auto Spell Check, with its check mark, #4936; previously minor: right-click on a word Auto Spell Check underlined: its suggestions, Ignore All and Add to Dictionary, #4936; previously minor: G2: Effect Gallery thumbnails and in-dialog preview are in; Auto Spell Check: `edit.autoSpellCheck` underlines the unknown words, #4936; previously minor: PDF editable import preserves authored ActualText once, including empty/nested spans and authored ordering (#6165); cross-line/style layout remains approximate; scores and estimates unchanged; PDF marked-text export (#6309): compatible glyphs stay on one layout line with per-glyph offsets; scores and estimates unchanged; interim macOS cursor delivery, #2292; native validation pending; scores and estimates unchanged; Control bar › Snapping includes the existing Snap to Glyph and Alignment Guides toggles (#6164); scores and estimates unchanged; custom dictionary and Ignore All: `text.spelling.addWord`, `removeWord`, `changeWord`, `dictionary` and `ignoreAll`, #4936; previously minor: EPS import: embedded fonts (composite, Type 42, CID-keyed, Type 1, CFF FontSet) draw their glyphs; spell check engine: `text.spelling.check` and `text.spelling.suggest` on craft-proof, #4936; previously minor: floating tab groups collapse into the side icon rail and opened rail panels fold back into it, #5925 in part; M4/M7: `.ai`/EPS type keeps its tab stops, and right-aligned lines with tabs lay out as the file's page, #6147; M4/M7: `.ai`/EPS type from the text document lays its lines out closer to the file's page, within limits, #6137; numeric fields step on wheel hover without taking keyboard focus, #5949; Character Styles panel: a double-click on a style's row opens its Character Style Options; the dialog keeps a fixed width and scrolls its sections, so its buttons stay on screen; Selection QoL: marquee modes and visible feedback, #5313; SVG CSS classes survive export and repeated import in all four styling modes (#2480); current-main integration retains event attributes and scripts; #3380 deletion-only review follow-up: independent survivors keep gradient placement, owned subpaths avoid discarded copies, and contracts/status/evidence are clarified; endpoint highlighting remains open; scores and estimates unchanged; Indian-language hyphenation review and license allowlist, #4947; Hindi catalog and contributor loanword preferences; full wording review in progress; Effect dialogs: a colour swatch beside a hex colour opens the Color Picker, #5365; shape tools move the selection from its centre point and turn it from the zone outside a box corner, #5477; scores and estimates unchanged) · **Target:** Adobe Illustrator 2026 (30.x)
+> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-11-15 · **Change:** minor (PDF import: stroked type keeps the line cap, line join and miter limit the file strokes it with, a glyph stroked otherwise than the run it joins coming in as a run of its own, #7741; M10/G5: Neon & Glow built-in graphic style library (Cyan Neon, Magenta Laser, Amber Tube, Electric Lime, Pulse Violet, Cobalt Phosphor); previously: Tech Circuit brush library, G5; previously: Graphic Styles list fills a taller panel, #2992; scores and estimates unchanged; previously: PDF import: glyphs in a span with an empty ActualText come in as outlines, #6971; scores and estimates unchanged; previously: library panels' lists fill a taller panel, #2992; scores and estimates unchanged; previously: Swatches list fills a taller panel, #1638; scores and estimates unchanged; previously: icon-strip flyouts also resize from the top edge and the canvas-side top corner, keeping the moved top in workspaces (storytold/craft-libs#1094); scores and estimates unchanged; previously: #6865: explicitly requested oversized editing artboard; Live Paint Bucket fills faces crossed in one drag (#6373); previously: #6404: transform-aware Eyedropper character copying; scores and estimates unchanged; previously: M10/G5: Energy Beams brush library; MCP docs list Energy Beams; previously minor: M10/G5: Skill Icons symbol library; MCP docs list Skill Icons; previously minor: M10/G5: Status Effects graphic style library; MCP docs catch-up for symbol libraries; previously minor: M10/G5: Inventory Icons built-in symbol library; previously minor: Edit › Edit Custom Dictionary…: its dialog adds, deletes and changes the custom dictionary's words, #4936; previously minor: M10/G5: Game HUD graphic style library; previously minor: resizable icon-strip flyouts and bottom-aligned panel footers, #5713; previously minor: M10/G5: Map Markers built-in symbol library; previously minor: right-click on type: Spelling › Auto Spell Check, with its check mark, #4936; previously minor: right-click on a word Auto Spell Check underlined: its suggestions, Ignore All and Add to Dictionary, #4936; previously minor: G2: Effect Gallery thumbnails and in-dialog preview are in; Auto Spell Check: `edit.autoSpellCheck` underlines the unknown words, #4936; previously minor: PDF editable import preserves authored ActualText once, including empty/nested spans and authored ordering (#6165); cross-line/style layout remains approximate; scores and estimates unchanged; PDF marked-text export (#6309): compatible glyphs stay on one layout line with per-glyph offsets; scores and estimates unchanged; interim macOS cursor delivery, #2292; native validation pending; scores and estimates unchanged; Control bar › Snapping includes the existing Snap to Glyph and Alignment Guides toggles (#6164); scores and estimates unchanged; custom dictionary and Ignore All: `text.spelling.addWord`, `removeWord`, `changeWord`, `dictionary` and `ignoreAll`, #4936; previously minor: EPS import: embedded fonts (composite, Type 42, CID-keyed, Type 1, CFF FontSet) draw their glyphs; spell check engine: `text.spelling.check` and `text.spelling.suggest` on craft-proof, #4936; previously minor: floating tab groups collapse into the side icon rail and opened rail panels fold back into it, #5925 in part; M4/M7: `.ai`/EPS type keeps its tab stops, and right-aligned lines with tabs lay out as the file's page, #6147; M4/M7: `.ai`/EPS type from the text document lays its lines out closer to the file's page, within limits, #6137; numeric fields step on wheel hover without taking keyboard focus, #5949; Character Styles panel: a double-click on a style's row opens its Character Style Options; the dialog keeps a fixed width and scrolls its sections, so its buttons stay on screen; Selection QoL: marquee modes and visible feedback, #5313; SVG CSS classes survive export and repeated import in all four styling modes (#2480); current-main integration retains event attributes and scripts; #3380 deletion-only review follow-up: independent survivors keep gradient placement, owned subpaths avoid discarded copies, and contracts/status/evidence are clarified; endpoint highlighting remains open; scores and estimates unchanged; Indian-language hyphenation review and license allowlist, #4947; Hindi catalog and contributor loanword preferences; full wording review in progress; Effect dialogs: a colour swatch beside a hex colour opens the Color Picker, #5365; shape tools move the selection from its centre point and turn it from the zone outside a box corner, #5477; scores and estimates unchanged) · **Target:** Adobe Illustrator 2026 (30.x)
 >
 > Oversized artboard import update (2026-11-12): Explicit editing-data import retains a single artboard beyond a capped 14,400 pt PDF page (#6865).
 >
@@ -159,13 +159,13 @@ Gujarati interface follow-up (2026-11-14): the catalog and zero/one plural rule
 | M1 | Selection, transform, layers, MCP (common command tools, strict keys, session resources and version-aware result hints) | ✅ mostly done (document-tab artwork drag with lossless resource transfer and one target Undo; malformed MCP app replies discard the connection without replay, #1761; bounded control socket waits and connection-slot recovery, #1726; bounded synthetic control input, #1709; no-op anchor Align keeps Undo, Redo and saved state (#1180 follow-up); transform reference point snaps to anchors/centres; rotated objects keep a rotated bounding box and their angle; Free Transform, Scale and Reflect along a rotated box pending; the Transform fields take one Tab each, the W/H link after them) | 4–6 |
 | M2 | Drawing tools + smart guides | ✅ mostly done (#3380 deletion creates independent selected path pieces and keeps bounds-fitted gradients in place; endpoint highlighting remains open; Polygon/Star exact-size count persistence, with repeated-drag, tool-switch and Cancel regression coverage; Curvature point markers without direction handles (#1236, in part); Direct Selection segment click/Delete preserves neighboring edges, #1278; Flare, Reshape, Live Corners widget dragging and per-corner radii and kinds landed, on any path's corners; Shaper rough-shape recognition and orientation steps, the remaining Pen modifier nuances; Shaper Groups with editable sources and separate fill/stroke edits landed; custom ruler origin with drag preview, active-artboard reset, relative X/Y fields and native round-trip (#1212); construction widget/refinements pending); a shape just drawn moves by its centre point and turns from the zone outside a corner with its tool still active (#5477); Tangent and straight-segment perpendicular snapping use saved Smart Guides Geometric Guides preferences and Control bar quick access (#2537), including the existing Snap to Glyph and Alignment Guides toggles (#6164); no View submenu; Copy and Cut with the Pen or Curvature tool take the anchors a Cmd/Ctrl-lent Direct Selection picked (#6123) | 12–18 |
 | M3 | Paint & appearance (swatches, color, gradient, stroke, appearance, transparency, styles) | ✅ done (M3.7–M3.98): swatches, groups, libraries, tints, Lab spots and Registration; Eyedropper copies transformed character dimensions (#6404) and styles highlighted text only (atomic transparency rejection); Eyedropper reads visible locked and outside-isolation sources (#1251); Color Picker, Color panel, Color Guide, Color Themes, Edit Colors and Recolor Artwork (screen-bounded Edit chip list, #3416); gradients that follow every transform, the annotator, linked stops, freeform gradients, focal points, gradients on strokes and Expand; visible strokes when paint is added to inherited None/zero-width art (#1253); stroke geometry, arrowheads, dashes fitted to corners, stroke on type, width profiles and the Width tool (Shift-double-click enables adjoining adjustment in Width Point Edit; finite-arithmetic follow-up regressions and full CI passed ([Validation evidence](target-app-parity.md#evidence-what-ships-today-by-area))), Scale Strokes and preview bounds; Appearance targeting, container appearance, target circles, Expand Appearance; knockout, isolation, blend accuracy, CMYK blending, overprint, Attributes, masks and clipping, Flatten Transparency; graphic styles, links and libraries; CSS library export preserves fractional linear and radial gradient stop positions. Left: freeform gradients in SVG/PDF, mixed spot/process gradients in SVG and PDF gradients mixing a spot color with RGB or Lab stops export as stops or process colors; PDF export writes dithered gradient fills with spot stops, and Perceptual spot gradients with RGB or Lab stops other than white or more than 4,096 stops on their curve, as images in process colors; confirm the Scale Strokes & Effects default; Recolor model selection is available through the engine and MCP only (#2520); the dialog retains its existing controls; Library panels' lists (swatch, Color Book, brush, symbol and graphic style libraries) fill a taller panel above its footer (#2992; scores and estimates unchanged); Graphic Styles list fills a taller panel above its footer (#2992; scores and estimates unchanged); Swatches list fills a taller panel above its footer (#1638; `the_list_fills_a_tall_panel_above_its_footer`; scores and estimates unchanged); | 4–8 |
-| M4 | Files (native, SVG, PDF, raster, Export for Screens, clipboard interop) | Rename artboards in Export for Screens (#7275); Explicit editing-data import keeps oversized capped-page artboards (#6865; estimates unchanged); Save refusal continuation (#6146): ordinary Save offers Save As; unchanged format keeps options, changed format opens its Save options; cancellation/automation isolation; focused UI regressions passed, native acceptance pending; PDF authored ActualText preserved once in editable import (#6165; first-glyph line/style, bounded input; estimates unchanged); PDF export keeps harakat and zero-advance Noto Arabic dot glyphs in one compatible batch per layout line, with per-glyph vertical offsets (#6309). `crates/pdf/src/tests/realtext.rs` (`mark_text_*`) checks decoded cluster mappings, mixed Arabic/Latin/digits, contour placement against outline export, vertical columns, differing path rotations and PDF/X-1a/3/4. Editable-text import preserves authored ActualText separately (#6165), with cross-line/style layout limits; separately styled or differently rotated clusters and external viewer search/copy remain outside this export-only evidence. `.ai`/EPS type from the text document keeps its paragraphs' tab stops (#6147); `.ai`/EPS type from the text document keeps auto leading per line, its hyphenation options, and may show more of the last lines the file sets in an area frame of its own, when growing the frame by its lines' deepest descent plus 0.05 pt shows them (#6137); ✅ done (M4.14–M4.98 on 2026-10-05): Save As/Save a Copy/Revert/templates, Data Recovery and background save, SVG import and export fidelity (units, text, symbols, filters, SVGZ, Preserve Editing, SVG Options), shared guarded PDF writer and windowed reader ([pdf-backend.md](pdf-backend.md)), PDF import (colours, layers, masks, editable text, security) and export (presets, marks, bleed, ICC and output intent, raster effects, subset fonts, PDF/X-1a, X-3 and X-4, PDF layers, overprint, page thumbnails, fast web view, PDF 1.3), Place and Links, Package, EPS and DXF in and out (EPS legacy mesh corners, vector opacity masks and raster page comparison verified; closed SPLINE flags round-trip and circular paths export as native CIRCLE/ARC, #1299), EMF/WMF, TIFF/BMP/Targa/PSD/GIF/PNG-8 export, Print and print presets, slices, Save for Web, TIFF in Export for Screens and Asset Export, clipboard flavours, File Info; AF.1–AF.4 add Affinity import (native layers, artboards, vectors, text and images from Affinity 1–3 files; the embedded preview only as a warned fallback; AF.4 expands current `.af` fixtures and every-board round-trip validation); EPS Save and Save As keep an opened EPS as EPS with its page frame and complete editable VectorCraft document (2026-10-26; G9 import fidelity unchanged). Left: DWG (use DXF), PSD placement as layers, overprint read back from PDF, Affinity export, polish; SVG CSS classes survive export and repeated import in all four styling modes (#2480); current-main integration retains event attributes and scripts; SVG CSS classes survive export and repeated import in all four styling modes (#2480); current-main integration retains event attributes and scripts; PDF import: glyphs inside a marked-content span with an empty `ActualText` come in as outlines in their fill and stroke, adding no text (#6971; scores and estimates unchanged); | 3–6 (existing scope; Affinity export unestimated) |
+| M4 | Files (native, SVG, PDF, raster, Export for Screens, clipboard interop) | PDF import: stroked type keeps the file's line cap, line join and miter limit (#7741; estimates unchanged); Rename artboards in Export for Screens (#7275); Explicit editing-data import keeps oversized capped-page artboards (#6865; estimates unchanged); Save refusal continuation (#6146): ordinary Save offers Save As; unchanged format keeps options, changed format opens its Save options; cancellation/automation isolation; focused UI regressions passed, native acceptance pending; PDF authored ActualText preserved once in editable import (#6165; first-glyph line/style, bounded input; estimates unchanged); PDF export keeps harakat and zero-advance Noto Arabic dot glyphs in one compatible batch per layout line, with per-glyph vertical offsets (#6309). `crates/pdf/src/tests/realtext.rs` (`mark_text_*`) checks decoded cluster mappings, mixed Arabic/Latin/digits, contour placement against outline export, vertical columns, differing path rotations and PDF/X-1a/3/4. Editable-text import preserves authored ActualText separately (#6165), with cross-line/style layout limits; separately styled or differently rotated clusters and external viewer search/copy remain outside this export-only evidence. `.ai`/EPS type from the text document keeps its paragraphs' tab stops (#6147); `.ai`/EPS type from the text document keeps auto leading per line, its hyphenation options, and may show more of the last lines the file sets in an area frame of its own, when growing the frame by its lines' deepest descent plus 0.05 pt shows them (#6137); ✅ done (M4.14–M4.98 on 2026-10-05): Save As/Save a Copy/Revert/templates, Data Recovery and background save, SVG import and export fidelity (units, text, symbols, filters, SVGZ, Preserve Editing, SVG Options), shared guarded PDF writer and windowed reader ([pdf-backend.md](pdf-backend.md)), PDF import (colours, layers, masks, editable text, security) and export (presets, marks, bleed, ICC and output intent, raster effects, subset fonts, PDF/X-1a, X-3 and X-4, PDF layers, overprint, page thumbnails, fast web view, PDF 1.3), Place and Links, Package, EPS and DXF in and out (EPS legacy mesh corners, vector opacity masks and raster page comparison verified; closed SPLINE flags round-trip and circular paths export as native CIRCLE/ARC, #1299), EMF/WMF, TIFF/BMP/Targa/PSD/GIF/PNG-8 export, Print and print presets, slices, Save for Web, TIFF in Export for Screens and Asset Export, clipboard flavours, File Info; AF.1–AF.4 add Affinity import (native layers, artboards, vectors, text and images from Affinity 1–3 files; the embedded preview only as a warned fallback; AF.4 expands current `.af` fixtures and every-board round-trip validation); EPS Save and Save As keep an opened EPS as EPS with its page frame and complete editable VectorCraft document (2026-10-26; G9 import fidelity unchanged). Left: DWG (use DXF), PSD placement as layers, overprint read back from PDF, Affinity export, polish; SVG CSS classes survive export and repeated import in all four styling modes (#2480); current-main integration retains event attributes and scripts; SVG CSS classes survive export and repeated import in all four styling modes (#2480); current-main integration retains event attributes and scripts; PDF import: glyphs inside a marked-content span with an empty `ActualText` come in as outlines in their fill and stroke, adding no text (#6971; scores and estimates unchanged); | 3–6 (existing scope; Affinity export unestimated) |
 | M5 | Performance | 🟡 background render + caches + MT done; `vectorcraft-cli bench` and `vectorcraft-cli perf` (budget suite); opaque solid-fill knockout paths draw once in hard-edge/supersampled raster export, with analytical-AA compositing unchanged; file format v2 opens 3× faster (50k paths: 722 → 244 ms); raster effects (glows, shadows, blur, feather) no longer force the whole frame single-threaded (filtered offscreen per effect, verified equal to the single-threaded reference); Craquelure/Mosaic Tiles/Stained Glass distance searches optimized with pixel-invariance checks and the `texture_drag_perf` probe (#1257); effect-heavy demos need a clean-machine benchmark; dirty-region rendering, GPU backend spike pending | 15–25 |
 | M6 | Path operations (Pathfinder, Shape Builder, offset…) | ✅ mostly done (live compound shapes: Make, Alt-click a Shape Mode, member modes, Release, Expand (#4522); single-result Pathfinder names and SVG IDs retained (#1293); Divide open-cutting-path geometry, appearance and history verified (#1307; existing segment cap remains); Simplify preview/counts and rewritten-path component selection verified (#1272; the slider opens at the Auto-Simplify level; a Direct Selection part of a path simplifies on its own); Compound appearance and member fill-rule edits verified (#1197); Boolean precision on almost-horizontal edges fixed and the property tests made deterministic; Shape Builder gap detection, large-offset bug open); Shape Builder Gap Detection shares Live Paint’s spatial gap finder and temporary merge bridges (#2526); Custom is capped at 72 pt in the existing options dialog | 3–6 |
 | M7 | Type (point/area/path, editing, styles, OpenType, threading, glyphs) | Spell check engine: `text.spelling.check` and `text.spelling.suggest` on craft-proof and the custom dictionary and Ignore All commands and Auto Spell Check with its right-click suggestions, Ignore All and Add to Dictionary, and Spelling › Auto Spell Check in the context menu of type, and the Edit Custom Dictionary dialog (#4936; the Check Spelling dialog remains); Right-aligned area type sets the text after a line's last tab against the right edge, the text before it at its stops (#6147); A line a soft return ends is justified as a wrapped line is (#6137); Indian-language pattern hyphenation preserves syllables in both composers (#4947); 🟡 Hanging punctuation keeps its published amounts under Glyph Scaling, and Standard burasagari counts a hung line start as room; Fullwidth `！` / `？` keep an upright fallback in vertical type; Hyphenation… and Justification… per paragraph (#2310, #2755), Auto Leading also driving the Character panel's Leading, the Alt+↑/↓ leading nudge and Fill with Placeholder Text; Document-point character controls after object/group scaling (#1034; optional font-size preservation remains separate), Character/Paragraph Styles (explicit Auto-leading resets and local leading overrides), per-paragraph paragraph attributes, mixed paragraph alignment indication (headless regressions, full integration CI and visual review pass), Area Type Options (with Width/Height, Auto Size and Shrink Text to Fit; overflow reported to agents and vertical Align), type areas resized by their handles and reshaped with Direct Selection, threaded text, Fit Headline, Glyphs (feature-valued alternates and unencoded glyphs applied in one Undo step while keeping Arabic joining, #5514), OpenType panel (including font-defined Stylistic Sets), Find Font (Document, Recent and System replacement sources, #5217), installed system fonts in every font menu (fonts registered with Windows outside its font folders, the XDG and Flatpak host font folders on Linux, and fonts installed while the app runs, listed when it comes back to the front; searchable; the Character and Properties menus show each family's sample of the selected text, preview it live under the pointer or ↑/↓, show recently applied families first (#3515), filter by script and kind, list a family's styles, and star favourites; the Glyphs panel and Find Font's Replace With use the same menu without the live preview) and found by name on open/import (full-name aliases and Missing Fonts searches verified, #1258; Windows font-service QA pending), variable fonts' named instances as styles, CJK names in the UI, input methods (marked text in place, candidate window at the caret; Japanese IME), Text Wrap (offset, invert, both sides of an object; follows edits), Type on a Path effects and Options with draggable start/centre/end brackets (slide, flip), tab stops + Tabs panel (Above Text floats it over the selected text, its ruler at the canvas zoom so stops line up with the columns, #729), inline symbols in text (beyond parity), Hebrew/Arabic bidirectional text, Paragraph Direction, Every-line/Single-line Composer per object (ragged text too) done; paint-only Arabic harakat keep joining with GDEF-mark ownership and Insert Kashidas tatweels on the base letter's paint (`tests::harakat`); tab leaders, spell check, vertical type pending | 45–60 |
 | M8 | Transform & distort (Puppet Warp, Liquify tools, Envelopes, Blends, Perspective Grid) | ✅ done (M8.1–M8.20 on 2026-10-06, fidelity pass): Liquify Tool Options with one shared brush, pen pressure, hold-to-apply, a safe scope and incremental strokes; tool options that last; Puppet Warp rotation, multi-select, Control bar and a rest-shape session that follows Undo; Width tool on compound paths; Envelope dialogs with preview, Reset with Warp/Mesh, full Envelope Options, type/images/symbols/appearance/gradients/patterns distorted on canvas and in every export, warps that keep their frame, Edit Contents, mesh handles and Control bar; Blend Options, anchor-targeted Blend tool, editable spine, keys picked on the canvas, faithful interpolation and knockout; Anchor Point spine conversion/handle editing and selection priority (#2544), with #2425 Shift reshape preserved; Perspective Grid with Define Grid, presets, lock/snap/rulers, widgets, the 1–4 plane switch, movable planes, Perspective Selection scale/copy/perpendicular/Transform Again, and type and symbols truly projected with Edit Text. Left: Anti-Alias and Preserve Shape output, warp-envelope point editing, brush interpolation in blends, Free Transform/Scale/Reflect along a rotated box | 2–4 |
 | M9 | Live effects (+ 3D & Materials) | 🟡 2D effects done incl. Effect → Pathfinder, Color Adjustments and Document Raster Effects Settings; PDF export warns when the pixel cap lowers raster-effect resolution; Artistic › Colored Pencil, Cutout, Dry Brush, Film Grain, Fresco, Neon Glow, Paint Daubs, Palette Knife, Poster Edges, Rough Pastels, Smudge Stick, Sponge, Underpainting and Watercolor and Sketch › Halftone Pattern, Bas Relief, Charcoal, Conté Crayon, Photocopy, Stamp, Torn Edges and Water Paper done (57/57 Photoshop filters); Revolve with automatic smooth vector shading, default-on circular caps and continuous rims, Extrude & Bevel, Inflate and Rotate with one to ten colored directional lights and four original lighting presets; SVG Filters, remaining raster effects and 3D materials and shadows pending | 81–130 |
-| M10 | Brushes, symbols, patterns, Repeat | 🟡 pattern swatches (5 tile types, Pattern Options, editing mode, SVG `<pattern>`/PDF export) and live Repeat (radial/grid/mirror) done; interactive selected mirror axis implemented (focused and native checks passed; full CI blocked by an unrelated text test); symbol libraries done (Window › Symbol Libraries, six generated libraries (Basic Shapes, UI Frames, Map Markers, Inventory Icons, Skill Icons, Weather Icons), User Defined, Other Library…, Save Symbols); brush libraries done (Window › Brush Libraries, nine generated libraries including Ink and Wash, Bristle Brushes and Dry Media, User Defined, Other Library…, Save Brushes); symbol editing shows draggable 9-slice guides (#5280), with guides outside the artwork still unsupported; brushes/symbols in progress | 23–37 |
+| M10 | Brushes, symbols, patterns, Repeat | 🟡 pattern swatches (5 tile types, Pattern Options, editing mode, SVG `<pattern>`/PDF export) and live Repeat (radial/grid/mirror) done; interactive selected mirror axis implemented (focused and native checks passed; full CI blocked by an unrelated text test); symbol libraries done (Window › Symbol Libraries, six generated libraries (Basic Shapes, UI Frames, Map Markers, Inventory Icons, Skill Icons, Weather Icons), User Defined, Other Library…, Save Symbols); brush libraries done (Window › Brush Libraries, ten generated libraries including Tech Circuit, Ink and Wash, Bristle Brushes and Dry Media, User Defined, Other Library…, Save Brushes); symbol editing shows draggable 9-slice guides (#5280), with guides outside the artwork still unsupported; brushes/symbols in progress | 23–37 |
 | M11 | Artboards & views (selected-set deletion shared by Artboards menu, trash and Properties, retaining artboard 1 when all are selected; Artboard deletion keys keep the first of an all-selected set and protect artwork; history prunes invalid indices while preserving valid multiselection (history tests and full workspace CI pass); click-to-fit objects with the Artboard tool (#1227), artboard escape routing and document setup modal handoff done; artboard panel/tool with Move Artwork for X/Y fields and Artboard Options, Trim View, middle-button pan, print tiling and the status bar's artboard navigator with synchronized Artboard tool selection done; Window › Arrange › Tile and Consolidate All Windows done; multiple windows, presentation polish) (cached canvas reprojection preserves scale during resize, rotation and DPI changes; regression-tested and contributor-confirmed 2026-10-19; estimates unchanged) (cached canvas dimensions match the renderer limit before cache-key creation, view construction and worker submission; regression-tested; estimates unchanged); status-bar pointer coordinates follow the active ruler origin and General units | 🟡; Artboard Options shares existing presets and orientation controls and can fit artwork without moving it; artwork fitting includes all drawn document art across artboards and off-board; artwork bounds are cached by active document and revision, and selection uses the shared bounds cache across artboards | 15–25 |
 | M12 | Advanced color & art (CMYK/ICC, separations, Gradient Mesh, Live Paint, Image Trace, Graphs) | 🟡 Gradient Mesh, Live Paint, Image Trace (junction-returning pieces retain their positioned boundaries; a simpler contour walk with identical output; an edge's sub-pixel shift is the same from either side; notches read only their own piece; collapsed loops keep few segments; large images trace with a warning; Auto Color keeps rare distinct colours; quick presets trace at once and the Image Trace button opens the adjustment controls; Properties reopens them; tiny fitted contours retain islands and holes; Create Strokes: exact crop EDT, Guo–Hall thinning and maximal-disc graph simplification; 15 presets, the 14 documented ones each with an enhanced version; Ignore Color, Shapes, Auto Grouping and Gradients options; measured in `image-trace-quality.md`; closed outlines retain their interior after straightening; the Flat Logo mode places edges to a fraction of a pixel, restores sharp corners, snaps lines and circles, and refuses gradients; live trace result bounds and selection highlights exclude the retained bitmap except in source-image views), Recolor Artwork, colour management (ICC, soft proofing, separations preview), Graphs (all 9 tools, Graph Data/Type, group-selected series colours persist through regenerate/save/open) done; Graph Design and Marker designs, Transpose and Switch x/y, `\|` label line breaks, the pie options, drop shadows, the legend across the top, overlapping widths, First Row/Column in Front, filled lines, kept label formatting and the Graph Data worksheet done; graph Column designs pending; Vector Halftone Preview keeps the selection box without drawing dot selection marks (#6369); Live Paint Bucket fills faces crossed in one drag (#6373) | 6–10 |
 | M13 | Automation (Actions ✅ record/playback, persisted; variables, scripting, batch) | 🟡 MCP `add_text` exposes existing vertical point, area and path type; `script.run` and File › Scripts › Other Script… run JavaScript files, and Window › Script Console shows their output; the script document model and batch work remain | 18–27 |
@@ -207,6 +207,9 @@ separate. Scores and hours unchanged. [Behavior and command details](development

 | Date | Change | Summary |
 |---|---|---|
+| 2026-11-15 | minor | PDF import: stroked type (text rendering modes 1, 2, 5 and 6, and glyphs under `ActualText`) keeps the line cap, line join and miter limit of the graphics state it is stroked with, as paths do, instead of butt caps, miter joins and a miter limit of 10; a glyph filled and then stroked otherwise than the run its fill joined comes in as a run of its own, so the glyphs before it keep their stroke (#7741; `imported_stroked_type_keeps_the_files_cap_join_and_miter_limit` in `crates/pdf/src/tests/textstroke.rs`). Scores and estimates unchanged. |
+| 2026-11-15 | minor | M10/G5: Neon & Glow built-in graphic style library (Cyan Neon, Magenta Laser, Amber Tube, Electric Lime, Pulse Violet, Cobalt Phosphor); estimates unchanged |
+| 2026-11-14 | minor | Tech Circuit adds three original procedural brushes (Circuit Trace, Bus Lines, Terminal Nodes); ten built-in brush libraries. G5 remaining estimate 3–13 h (estimated); parity scores and headline totals unchanged. |
 | 2026-11-14 | minor | Gujarati (#6613): contributor proofreading completed for all 387 additions, with 11 wording corrections; 4,673 reviewed catalog rows. Status/error messages remain partial; web selection requires a bundled Gujarati face. Scores and estimates unchanged. |
 | 2026-11-12 | minor | Gujarati (`gu`): 4,286-row machine-assisted catalog reviewed by a native speaker, zero/one singular plurals, desktop font fallback and optional Gujarati craft-fonts fallback; all 72 translation tests pass; a web font and about 2,600 untranslated messages remain; scores and estimates unchanged |
 | 2026-11-12 | minor | Explicit editing-data import keeps a single artboard beyond a capped 14,400 pt PDF page (#6865), with a warning; automatic mode stays unchanged. Scores and estimates unchanged. |
@@ -38,6 +38,21 @@ pages describe it.
  3D effect of each other selected object in place (`effect.setParams` with `threeDType`): the settings both
  effects take keep their values, and the rest start at the new effect's defaults. One click is one undo step,
  and an object whose effect already has the type does not change.
+- **Render Settings › Wireframe**, under the object types, draws each selected 3D object as the edges of its
+  faces instead of its shaded surface, as the public
+  [Render 3D vector artwork](https://helpx.adobe.com/illustrator/desktop/special-effects-styles/create-3d-graphics/render-3d-vector-artwork.html)
+  page describes for editing Depth, Taper and Twist in a mesh view. The item is checked while the first selected
+  object's effect is in wireframe mode, and choosing it turns the mode on or off for every selected Extrude & Bevel,
+  Revolve, Inflate and Rotate (`effect.setParams` with `render: {mode}`), as one undo step. The effect stays live:
+  each edit to its settings redraws the edges. The edges are the ones Expand as Wireframes gives, each once, with a
+  0.5 pt black stroke, round joins and no fill (VectorCraft's own choice). Geometry effects after the 3D effect
+  reshape the drawn edges, as they reshape shaded art. Expand as Wireframes reshapes each face before it joins the
+  edges, so with such an effect its paths can differ from the drawn ones. The mesh shows every edge whatever the
+  opacity, blending mode or opacity mask of the fills, strokes and group members, as Expand as Wireframes does;
+  the object's own opacity, blending mode and opacity mask apply to it as a whole. The shadow and the graphics are
+  not drawn.
+  The mode is saved with the effect and drawn in every output, and Expand Appearance gives the edges as paths.
+  Choosing Wireframe again draws the shaded surface. The 3D (Classic) effects keep their own Wireframe surface.
 - Below them are the Object, Rotation and Lighting tabs of the effect's options dialog, with the same controls
  and ranges, showing the 3D effect of the first selected object (its own effects first, then those of its fills
  and strokes). A changed setting goes to the 3D effect of each selected object whose effect takes that setting;
@@ -66,7 +81,8 @@ pages describe it.
  when no selected object has a visible 3D effect.
 - The Lighting tab also holds the Shadows switch and its settings ([Shadows](#shadows)). The Materials tab holds
  the Graphics ([Graphics](#graphics)); base materials and ray-traced rendering are not built (see below). The
-  rotation and light rings on the artboard are part of the options dialog only.
+  rotation and light rings on the artboard are part of the options dialog only. The panel's Lighting tab has the
+  lighting widget instead ([Lighting widget](#lighting-widget)).

 ## Extrude & Bevel

@@ -302,6 +318,33 @@ applied 3D effect. Every target must have a 3D effect at that position; validati
 the whole operation is one undo step. The numeric light settings are saved, not a preset name.
 Existing documents keep their appearance unless a preset is chosen.

+### Lighting widget
+
+On the 3D and Materials panel's Lighting tab, above the list of lights, a sphere shows every light of the
+effect where it shines from, as the public
+[3D and Materials panel options](https://helpx.adobe.com/illustrator/desktop/special-effects-styles/create-3d-graphics/3d-materials-panel-options.html)
+page describes for dragging light sources around the object. The sphere is seen from the front: a light's
+Rotation is its angle around the center, and its Height runs from the rim (0°) to the center (90°). A light in
+front of the object is a sun filled with its color, and a light behind the object is hollow. The selected light
+is drawn larger, above the others.
+
+- Pressing a light selects it in the list of lights and records nothing. Dragging it moves it on its side of the
+  object, rounded to 0.1°; Shift snaps Rotation and Height to 15°. The drag is previewed while the pointer is
+  down and is one undo step when it is released.
+- **Move Light to Back** moves the selected light behind the object, and **Move Light to Front** moves it back
+  in front, as the page's "Move selected light to the back/front of object" does. It sets the same
+  `lightBehind` (or a list light's `behind`) as the **Light behind the object** checkbox.
+- Each light takes the keyboard focus. Left and Right turn the focused light around the object by 1°
+  (counterclockwise and clockwise), Up and Down raise and lower it by 1°, and Shift makes each step 15°. Each
+  press changes only the setting it moves and is one undo step. A
+  step past 90° or below 0° Height changes nothing. Screen readers name each light with its number, Rotation,
+  Height and, for a light behind the object, its side.
+
+The widget sends the same settings as the Rotation, Height and Light behind the object controls
+(`effect.setParams`); there is no command of its own. The sphere's look, the 0.1° rounding and the arrow keys
+are VectorCraft's own. The options dialogs keep the light rings on the artboard instead, and the Lighting tab
+of Extrude & Bevel (Classic), Revolve (Classic) and Rotate (Classic) has no lighting widget.
+
 ### Light settings

 One to ten directional lights. **Lights** selects the light whose settings and artboard gizmo are edited. **Add Light** adds and selects a white front light; **Delete Light** removes the selected light while retaining at least one. Ambient Light is shared by all lights. The public panel options' Light Settings are kept in their order:
@@ -453,6 +496,9 @@ Commands validate the shape and the parameters before the document changes. All
 with `symbol` (the name of a document symbol), `face` (`front` or `back`, default `front`; `threeD.rotate` and
 `threeD.revolve` take `front` only), `x` and `y` (points, default 0), `scale` (1..10000%, default 100) and `rotation` (-360..360 degrees,
 default 0). Other keys, values out of range and graphics on the other 3D effects are rejected before editing.
+All four take `render` ([3D and Materials panel](#3d-and-materials-panel)): an object whose `mode` is `shaded` (the
+default) or `wireframe`. A `render` that is not an object, a key other than `mode`, another mode, and `render` on
+the 3D (Classic) effects are rejected before editing.

 ## What differs from the public documentation

@@ -504,8 +550,13 @@ out, perspective). No Adobe software, assets, presets or bevel shapes were used.
 - **3D (Classic)**: Extrude & Bevel (Classic), Revolve (Classic) and Rotate (Classic) are built, with their surface
  types and blend steps. Revolve (Classic) sweeps the surface Revolve sweeps, at 64 segments for a full turn, and draws
  every face back to front, so it has no Draw Hidden Faces setting. Rotate (Classic) turns the plane Rotate turns, seen
-  from either side, with the No Shading and Diffuse surfaces only. The track cube, map art, Turntable and 3D export
-  are separate, unbuilt items.
+  from either side, with the No Shading and Diffuse surfaces only. Preserve Spot Colors, on the Lighting tab of all
+  three, keeps a color linked to a spot or global swatch linked on every face: the highlight lowers its tint, and a
+  face that darkens gets black over it, multiplied and overprinting, so a spot color stays on its own plate. The
+  checkbox is unavailable while Shading Color is Custom
+  ([Preserve Spot Color](https://help.adobe.com/archive/en_US/illustrator/cs5/illustrator_cs5_help.pdf#page=260)); how
+  the faces are shaded with it is VectorCraft's own. The track cube, map art, Turntable and 3D export are separate,
+  unbuilt items.

 Release measurements and a repeatable CLI scene are in [3D lighting performance](3d-lighting-performance.md).

@@ -70,9 +70,9 @@ against Illustrator's public documentation; **estimated** unless noted.
 | CJK: East Asian Type units (Q, Ha) | done | Preferences › Units › East Asian Type (`unitsAsianType`, Points by default) offers every unit and Q and Ha, a quarter of a millimetre each ([Scripting Guide](https://ai-scripting.docsforadobe.dev/scripting/measurementUnits/): 0.709 pt per Q; [InDesign's unit notation](https://helpx.adobe.com/in/indesign/desktop/layout-and-grid-tools/rulers-and-measure-tools/change-ruler-measurement-units.html): `q`, `h`). The public pages do not say which fields follow it, so no field uses it yet and that waits for a source. Evidence: `q_and_ha_are_a_quarter_millimetre`, `east_asian_type_unit_*` |
 | CJK: manual tate-chu-yoko | done | Character panel menu › Tate-chu-yoko (`text.setFormat` / `text.setRangeStyle {tateChuYoko}`), with Show East Asian Options: marked characters stand side by side across one em of a vertical column, squeezed to the em when wider; two or three half-width digits still do so without the mark; horizontal type keeps the mark and does not move them. Tate-chu-yoko Settings… (`ui.tateChuYokoSettings`, `{tcyUpDown, tcyLeftRight}` in points) moves a marked block up or down and right or left as one piece. Evidence: `tests_vertical::manual_tate_chu_yoko_sets_marked_characters_across_one_em`, `tests_vertical::tate_chu_yoko_settings_move_a_marked_block_up_down_left_and_right`, `typecmd::tate_chu_yoko_is_a_character_attribute_saved_only_when_on`, `typecmd::tate_chu_yoko_settings_are_character_attributes_saved_only_when_set`, `dialogs::tate_chu_yoko::tests` |
 | CJK: Standard Vertical Roman Alignment | done | Character panel menu › Standard Vertical Roman Alignment (`text.setFormat` / `text.setRangeStyle {standardVerticalRoman}`), with Show East Asian Options, off by default: in vertical type the marked half-width characters (Latin letters, digits and other characters that would lie on their side) stand upright one below the other, each in its upright cell; spaces keep their width and tate-chu-yoko blocks stay across the column; horizontal type keeps the mark and does not change. Character Style Options has its own checkbox for it. Evidence: `tests_vertical::standard_vertical_roman_alignment_stands_half_width_characters_upright`, `typecmd::standard_vertical_roman_is_a_character_attribute_saved_only_when_on` |
-| CJK: East Asian glyph forms | done | Glyphs panel menu › Traditional Forms, Expert Forms, JIS 04, JIS 90, JIS 78 and JIS 83 Forms, Monospaced Full-Width, Half-Width, Third-Width and Quarter-Width Forms, and Revert To Default Forms, with Show East Asian Options ([Format East Asian characters](https://helpx.adobe.com/illustrator/using/formatting-asian-characters.html)): the selected characters are drawn with the font's OpenType feature for that form (`trad`, `expt`, `jp04`, `jp90`, `jp78`, `jp83`, `fwid`, `hwid`, `twid`, `qwid`; [feature list](https://learn.microsoft.com/en-us/typography/opentype/spec/featurelist)), one form at a time (`text.setFormat` / `text.setRangeStyle {glyphForm}`); a form none of the faces that draw the selected text (fallback faces included) has a feature for is disabled, and Revert To Default Forms draws the default glyphs. Saved natively only when set, carried by character styles, drawn on the canvas and in PDF, and written to SVG as `font-feature-settings`. Character Style Options has no field for it. Evidence: `tests::typo::glyph_forms_draw_the_fonts_east_asian_forms`, `typecmd::area_tests::glyph_form_is_one_character_attribute_saved_only_when_set`, `panels::glyphs::tests::east_asian_glyph_forms_in_the_panel_menu_set_the_selected_characters_form` |
+| CJK: East Asian glyph forms | done | Glyphs panel menu › Traditional Forms, Expert Forms, JIS 04, JIS 90, JIS 78 and JIS 83 Forms, Monospaced Full-Width, Half-Width, Third-Width and Quarter-Width Forms, and Revert To Default Forms, with Show East Asian Options ([Format East Asian characters](https://helpx.adobe.com/illustrator/using/formatting-asian-characters.html)): the selected characters are drawn with the font's OpenType feature for that form (`trad`, `expt`, `jp04`, `jp90`, `jp78`, `jp83`, `fwid`, `hwid`, `twid`, `qwid`; [feature list](https://learn.microsoft.com/en-us/typography/opentype/spec/featurelist)), one form at a time (`text.setFormat` / `text.setRangeStyle {glyphForm}`); a form none of the faces that draw the selected text (fallback faces included) has a feature for (in `GSUB`, or for the width forms `GSUB` or `GPOS`) is disabled, and Revert To Default Forms draws the default glyphs. A form other than the default takes away a character's glyph choice, and with a width form Proportional Metrics' `palt` is not applied and the font's pair kerning is off. Saved natively only when set, carried by character styles, drawn on the canvas and in PDF, and written to SVG as `font-feature-settings`. Character Style Options has no field for it. Evidence: `tests::typo::glyph_forms_draw_the_fonts_east_asian_forms`, `typecmd::area_tests::glyph_form_is_one_character_attribute_saved_only_when_set`, `typecmd::area_tests::a_glyph_form_takes_away_the_characters_glyph_choice`, `features::tests::width_forms_turn_off_proportional_metrics`, `panels::glyphs::tests::east_asian_glyph_forms_in_the_panel_menu_set_the_selected_characters_form`, `panels::glyphs::tests::glyph_form_items_at_a_caret_follow_all_the_text`, `panels::glyphs::tests::a_glyph_choice_lets_the_current_form_be_chosen_again` |
 | CJK: warichu | done | Character panel menu › Warichu and Warichu Settings… (`text.setFormat` / `text.setRangeStyle {warichu, warichuLines, warichuGap, warichuScale, warichuAlign}`, `ui.warichuSettings`), with Show East Asian Options ([Format East Asian characters](https://helpx.adobe.com/illustrator/using/formatting-asian-characters.html)): marked characters set at a percentage of their size and stacked on 1 to 6 lines inside their line, one above the other in horizontal type and side by side in vertical type, with a line gap and eight alignments; a block stays whole on one line. Saved natively, carried by character styles, drawn on the canvas and in every export (SVG, PDF and `.ai` write such type as outlines). Type on a path sets the characters at their own size. Evidence: `tests::warichu`, `dialogs::warichu::tests`, `typecmd::area_tests::warichu_is_a_character_attribute_set_saved_and_exported` |
-| CJK: composite fonts | partial | Type › Composite Fonts… (`type.compositeFonts.set`), with Show East Asian Options: a font made of a font per class of character (Kanji, Kana, Punctuation, Symbols, Roman, Numerals), each with its own style, size and baseline in percent of the type's size, Kana, Roman and Numerals with horizontal and vertical scale, and Kana with Scale at Center; New, Delete Font, Import… and Export… (`.vccomposite`, `type.compositeFonts.import` and `.export`) ([Creating composite fonts](https://help.adobe.com/archive/en_US/illustrator/cs3/illustrator_cs3_help.pdf#page=347)). Composite fonts are listed first in the font menus, saved with the document, and their type is laid out per class; SVG and legacy `.ai` write it as outlines. Not yet: custom character sets, the Units menu, Show Sample. Evidence: `text::composite::tests::characters_fall_in_their_classes`, `tests::composite::composite_type_draws_each_class_in_its_font`, `compositefonts::tests`, `dialogs::composite_fonts::tests` |
+| CJK: composite fonts | partial | Type › Composite Fonts… (`type.compositeFonts.set`), with Show East Asian Options: a font made of a font per class of character (Kanji, Kana, Punctuation, Symbols, Roman, Numerals), each with its own style, size and baseline in percent of the type's size, Kana, Roman and Numerals with horizontal and vertical scale, and Kana with Scale at Center; New, Delete Font, Import… and Export… (`.vccomposite`, `type.compositeFonts.import` and `.export`) ([Creating composite fonts](https://help.adobe.com/archive/en_US/illustrator/cs3/illustrator_cs3_help.pdf#page=347)); custom character sets (Custom: New, Delete Set, characters added by Direct Entry or Unicode code and deleted), each with its own font, style, size, baseline and scales, ahead of the classes, the later set winning a character two list (`custom` in `type.compositeFonts.set`) ([Customize characters in a composite font](https://web.archive.org/web/20220911143322/https://helpx.adobe.com/pdf/cs6/illustrator_reference.pdf#page=348)). Composite fonts are listed first in the font menus, saved with the document, and their type is laid out per set and class; SVG and legacy `.ai` write it as outlines. Not yet: the Units menu, Show Sample. Evidence: `text::composite::tests::characters_fall_in_their_classes`, `text::composite::tests::custom_sets_take_their_characters_before_the_classes`, `tests::composite::composite_type_draws_each_class_in_its_font`, `tests::composite::custom_character_sets_take_their_characters_first`, `compositefonts::tests`, `dialogs::composite_fonts::tests` |
 | CJK: ruby | partial | ruby (ふりがな) for live text (`type.ruby`): a reading over a byte range, above (right of the column in vertical type) or below, start/centre/end alignment, size, overhang or squeeze; saved natively, laid out with its line growing, drawn on the canvas, in SVG and PDF (as outlines where ruby is present), in EPS, EMF/WMF and legacy `.ai` (legacy `.ai` writes type with ruby as outlines), and kept by Create Outlines, Expand Appearance and flattening, each glyph where the layout puts it (`typecmd::ruby_tests::create_outlines_keeps_the_ruby_where_it_is_laid_out`) | #633 |
 | Language per character (Character panel › Language, character styles), text shaped in it | done | `text.setFormat` / `text.setRangeStyle {language}` by name or BCP 47 tag, one of Document Setup's languages (Hindi, Marathi, Gujarati, Bengali, Punjabi, Tamil, Telugu, Kannada, Malayalam, Odia and Urdu added, #4943; Assamese and Sanskrit added, #4947; Serbian: Cyrillic, Serbian: Latin and Croatian); the shaper gets the tag, so the font's language forms apply (OpenType `locl`: Turkish keeps `fi` apart and the dot on its i, #4940); new type takes the document's language; saved as the tag only when set, carried by character styles (#4946). English and eleven Indian languages hyphenate by run language; Sanskrit automatic hyphenation awaits allowlisted patterns (#4947). Not yet: `.ai`/PDF import of a text's language, paragraph styles. Evidence: `features::tests::language_picks_the_fonts_forms`, `features::tests::serbian_gets_the_fonts_serbian_forms`, `typecmd::area_tests::language_is_a_character_attribute_saved_only_when_set`, `tests::typo::indic_language_runs_hyphenate_with_both_composers`, `hyphen::tests::sanskrit_without_allowlisted_patterns_uses_only_exceptions`; spelling is checked in each run's Language (`text.spelling.check`, #4936) |
 | Language per character (Character panel › Language, character styles), text shaped in it | done | `text.setFormat` / `text.setRangeStyle {language}` by name or BCP 47 tag, one of Document Setup's languages (Hindi, Marathi, Gujarati, Bengali, Punjabi, Tamil, Telugu, Kannada, Malayalam, Odia and Urdu added, #4943; Serbian: Cyrillic, Serbian: Latin and Croatian; Bulgarian, #5945); the shaper gets the tag, so the font's language forms apply (OpenType `locl`: Turkish keeps `fi` apart and the dot on its i, #4940); new type takes the document's language; saved as the tag only when set, carried by character styles (#4946). Not yet: hyphenation by it in languages other than English and the eleven Indian languages above, `.ai`/PDF import of a text's language, paragraph styles. Evidence: `features::tests::language_picks_the_fonts_forms`, `features::tests::serbian_gets_the_fonts_serbian_forms`, `typecmd::area_tests::language_is_a_character_attribute_saved_only_when_set`; spelling is checked in each run's Language (`text.spelling.check`, #4936) |
@@ -2,6 +2,8 @@

 > **Last reviewed:** 2026-10-10 · **Last updated:** 2026-11-13 · **Change:** minor (Pencil continuation, straight-line and closing cursors; scores and estimates unchanged; previously: Graphic Styles list fills a taller panel, #2992; scores and estimates unchanged; previously: library panels' lists fill a taller panel, #2992; scores and estimates unchanged; previously: Swatches list fills a taller panel, #1638; scores and estimates unchanged; previously: icon-strip flyouts also resize from the top edge and the canvas-side top corner, keeping the moved top in workspaces (storytold/craft-libs#1094); scores and estimates unchanged; previously: macOS: the canvas cursor stays after the pointer moves, #6362; scores and estimates unchanged; previously minor: Remove Background in the Contextual Task Bar, Properties › Quick Actions and the Control bar; previously minor: Ruler origin: the corner drag snaps as a drawn point does; previously minor: Live Paint Bucket fills faces crossed in one drag (#6373); previously: #6404: transform-aware Eyedropper character copying; scores and estimates unchanged; previously: Outline view: images and gradient meshes are picked on what Outline draws, so a click inside them reaches the path behind, #6437; previously minor: a middle-click on a document tab closes it, #6506; previously minor: Blob Brush: a round tip's preview is the outline of the area it adds, round at both ends, as the stroke it commits (#4343); scores and estimates unchanged; previously:; ruler double-click adds a guide at the pointer, #5239; G5: Inventory Icons built-in symbol library (four built-ins); previously minor: files that record no units open in Preferences › Units › General, #5820; previously minor: interim macOS cursor delivery, #2292; native validation pending; scores and estimates unchanged; Control bar › Snapping includes the existing Snap to Glyph and Alignment Guides toggles (#6164); scores and estimates unchanged; floating tab groups collapse into the side icon rail and opened rail panels fold back into it, #5925 in part; numeric fields step on wheel hover without taking keyboard focus, #5949; Character Styles panel: a double-click on a style's row opens its Character Style Options; the dialog keeps a fixed width and scrolls its sections, so its buttons stay on screen; Selection QoL: marquee modes and visible feedback, #5313; #3380 deletion-only review follow-up: independent survivors keep gradient placement, owned subpaths avoid discarded copies, and contracts/status/evidence are clarified; endpoint highlighting remains open; scores and estimates unchanged; Drop Shadow and glow dialogs: spinner arrows, #5367, #5368; Stroke Weight Up and Down shortcuts, #5797; Layers: Rename (`ui.rename`) opens the name field of the selected layer, group or object, #5324; Properties in Edit Artboards: Transform section above the Artboards section, #5219; scrubby labels: the Control bar's Stroke: and Opacity: links and the Properties panel's Stroke link scrub their fields, #4088; Properties: Quick Actions has Repeat Options for one selected repeat, #5181; Direct Selection: Shift-click picks several blend spine points, which drag together, #5285; Direct Selection: Cmd/Ctrl held lends the Selection tool and shows its bounding box, #3901; Join tool trims two crossing open paths and joins them at the crossing, #5844; Control bar: Paragraph: link and Align left/center/right while type is selected, #5372; shape tools: a press on the selection's centre point moves it and one in the rotate zone outside a box corner turns it, #5477; scores and estimates unchanged) · **Target:** Adobe Illustrator 2026 (30.x; Units › East Asian Type acts, with Q and Ha units; scores unchanged)
 >
+> Tech Circuit update (2026-11-14): three original procedural brushes; ten built-in brush libraries (G5).
+>
 > Vector Halftone preview update (2026-11-10): temporary dot selection marks are hidden, and the bounding box stays available (#6369).
 >
 > Numeric spinner update (2026-11-10): held mouse arrows repeat past the click timeout; scores and estimates unchanged (#6307).
@@ -51,6 +53,7 @@ Artboard Options forwards the active Artboard tool's Scale Artwork with Artboard

 | Date | Change | Summary |
 |---|---|---|
+| 2026-11-14 | minor | G5: Tech Circuit adds three original procedural brushes (Circuit Trace, Bus Lines, Terminal Nodes); ten built-in brush libraries. G5 remaining estimate 3–13 h (estimated); parity scores and headline totals unchanged. |
 | 2026-11-14 | minor | Layers panel: right-clicking a layer/group/object row shows a context menu with Options…, Duplicate, Delete, Lock/Hide Others, Locate Object, and Collect for Export — matching standard desktop layer panel conventions. Scores unchanged. |
 | 2026-11-13 | minor | Pencil cursors: the continuation cursor (a short rising line) shows over an open end of a selected path before any press, freehand too, and while a continuing stroke nears another selected path's open end it connects to; the straight-line cursor is a short level line; a continued path, a straight line too, shows the closing cursor and closes within Close Paths When Ends Are Within of its other end, and with Alt at the release. Scores and estimates unchanged. |
 | 2026-11-13 | minor | Graphic Styles: in a panel made taller the list fills the space above the footer instead of stopping at 220 pt (#2992; `the_list_fills_a_tall_panel_above_its_footer` in `crates/ui-egui/src/panels/graphic_styles.rs`). Scores and estimates unchanged. |
@@ -200,7 +203,7 @@ tools, never checked side by side) isn't captured row by row.
 | Deleting segments or anchors that disconnect an ordinary path creates independent selected objects | done | #3380, deletion only: first piece retains its ID, styles and transforms carry over in sibling order, bounds-fitted gradients keep their original placement, and one Undo restores the original. Existing multi-subpath paths and compound members stay intact. `delete_path_pieces` covers transformed/styled rectangles, cubic handles and Undo/Redo. Endpoint highlighting remains open. |
 | Click/Shift-click anchors; marquee toggles with Shift | done | #483 |
 | Align selected anchors to their bounds or the artboard; repeating an alignment that moves nothing keeps Undo, Redo and saved state | done | #1180 follow-up; engine regressions include rounding-only moves and unchanged handles; #1641 (fixes #1636): Align and Distribute act on the anchors selected with Direct Selection, the points of one path aligning to each other and Distribute spacing them |
-| Align selected anchors to a key anchor | missing | #1636 |
+| Align selected anchors to a key anchor | done | #1636; a Shift-click with Direct Selection makes the point it adds the key anchor, drawn as a larger filled square in a frame, and Align To shows Align to Key Anchor; Align moves the other points to it and Distribute with a spacing places them from it; `select.key {id, anchor}` |
 | A ruler guide as the key object: a click on a guide selected with objects (or Align to Key Object with one object and a guide) makes it the key, drawn thicker; Align lines the objects (or selected anchors) up on it and the guide stays put | done | #2143; `select.key {guide}`; a vertical guide sets x only, a horizontal one y |
 | Distribute Objects and Distribute Spacing with a spacing from a key guide: the guide stays put and the other items are spaced the Distribute Spacing value from it, as from a key object with no size | done | Key guide from #3165; a vertical guide spaces the horizontal options, a horizontal one the vertical ones, and a guide along the axis leaves everything |
 | Distribute ruler guides: the Distribute Objects and Distribute Spacing buttons space the selected guides across the axis with the selected objects, as items with no size; two or more guides selected alone are enough | done | #1597 in part; guides alone: select them, choose Align to Artboard and click Horizontal (Vertical) Distribute Center for equal columns (rows) ([public forum answer, 2017](https://community.adobe.com/questions-652/illustrator-equal-guides-822924)); with objects: a guide on each artboard edge, included in the selection, keeps the outermost lines there ([public forum answer, 2025](https://www.signs101.com/threads/is-there-a-way-to-distribute-shapes-like-this-in-illustrator.179556/)); a guide has no width, so the three options of an axis are the same for it; guides along the axis stay |
@@ -381,6 +384,7 @@ next unit in the order a right-click on a ruler lists them, from Feet back to Po
 | Selection artwork drag hovers a visible document tab to activate it, then drops editable artwork on its canvas | done | `tests_document_drag`, `edit.dropSelection`, lossless resource and one-step Undo regressions; overflow and cross-window drag remain separate |
 | A document tab dragged along the tab strip moves its document; a line marks where it goes, the current document and every document's view stay as they were, and a drag off the strip still floats it | done | #5663, [public source](https://helpx.adobe.com/illustrator/using/customizing-workspace.html); `document.move`; `tests::tab_reorder`, `chrome::tests` (drop index with floating and view tabs), `engine` `tests::document_move` |
 | A middle-click on a document tab or its × closes it as the × does; closing a modified document's last view asks to save first (VectorCraft addition, as in PhotoCraft) | done | #6506; `chrome::tests::a_middle_click_on_a_tab_closes_it_as_the_close_box_does`; not scored |
+| Panels hidden by Tab or Shift+Tab show for a while when the pointer rests on the left or right edge of the window, over the canvas, and hide again when it moves away; Tab shows them for good | done | Part of #5661; `window.panels.peek` ([Workspace basics](https://web.archive.org/web/2014/https://helpx.adobe.com/illustrator/using/workspace-basics.html), "Hide or show all panels"); VectorCraft's own choices: the 6 pt band and the 0.3 s delays, only the docked panels on that side show (floating panels, Tools and the Control bar stay hidden), and nothing shows in Presentation Mode; `panel_docking::tests::resting_on_the_right_edge_shows_the_hidden_panels_over_the_canvas_until_the_pointer_leaves` and the tests after it |

 | Behaviour | Status | Notes |
 |---|---|---|
@@ -391,6 +395,7 @@ next unit in the order a right-click on a ruler lists them, from Feet back to Po
 | Selected Grid Repeat shows row, column and corner handles and spacing sliders; bounding-box handles take priority where they meet | done | #2691, `tools/src/repeat_grid.rs`; [public behavior reference](https://helpx.adobe.com/illustrator/desktop/paint-and-fill/create-and-edit-patterns/set-grid-repeat-options.html); drags preview and commit `object.repeat.options` as one undo step, Escape cancels; Radial Repeat has no handles yet |
 | Grid Repeat Options (Object › Repeat › Options…) has a Preview checkbox: the repeat on the canvas follows the fields while the dialog is open, Cancel puts the original back without a history step, OK keeps the previewed values as one undo step | done | #2651; [public behavior reference](https://helpx.adobe.com/illustrator/desktop/paint-and-fill/create-and-edit-patterns/set-grid-repeat-options.html) lists the Preview option for the grid options only, so Radial and Mirror Repeat Options have none; `dialogs/command.rs` tests |
 | Type on a Path Options (Type › Type on a Path › Type on a Path Options…, or a double-click on the Type on a Path tools) has a Preview checkbox, off when it opens: the selected type on a path follows Effect, Flip, Align to Path and Spacing while the dialog is open, Cancel puts it back without a history step, OK keeps the previewed values as one undo step | done | #5360; the [public page](https://helpx.adobe.com/illustrator/using/creating-type-path.html) lists the dialog's options, and public tutorials of the dialog show its Preview checkbox; `tests/pathtype.rs` |
+| Graph Type (Object › Graph › Type…, or a double-click on a graph tool) is a dialog of its own: a menu at the top shows Graph Options or the page of an axis; Graph Options has a button per graph type, Value Axis with Separate Scales, the Style checkboxes (Add Drop Shadow, Add Legend Across Top, First Row in Front, First Column in Front) and the options of the type picked (Column or Bar Width and Cluster Width; Mark Data Points, Connect Data Points, Edge-to-Edge Lines and Draw Filled Lines; a pie graph's Legend, Position and Sort); the Value Axis page (Left Axis and Right Axis with the value axis on both sides) has Tick Values with Override Calculated Values, Tick Marks and Add Labels, and the Category Axis page has Tick Marks with Draw Tick Marks Between Labels; with series picked by Group Selection the type and value axis go to those series | done | Public pages: [graph types](https://helpx.adobe.com/illustrator/desktop/automate-visualize-data/visualize-data/change-graph-types.html), [value axes](https://helpx.adobe.com/illustrator/desktop/automate-visualize-data/visualize-data/change-graph-value-axes.html), [columns, bars and lines](https://helpx.adobe.com/illustrator/desktop/automate-visualize-data/visualize-data/format-columns-bars-and-lines.html), [pie graphs](https://helpx.adobe.com/illustrator/desktop/automate-visualize-data/visualize-data/format-pie-graphs.html), [separate scales](https://helpx.adobe.com/illustrator/desktop/automate-visualize-data/visualize-data/assign-different-scales-to-value-axes.html), [combined types](https://helpx.adobe.com/illustrator/desktop/automate-visualize-data/visualize-data/combine-different-graph-types.html). The options dimmed for a type, the pages listed and the Legend checkbox are VectorCraft's own rules. Dialog `graphType`; `dialogs/graph_type.rs` and its tests |
 | Selected Mirror Repeat shows a prominent axis with move and rotation handles; bounding-box handles take priority over the axis line | done | #2877, `tools/src/mirror.rs`; [public behavior reference](https://helpx.adobe.com/illustrator/desktop/paint-and-fill/create-and-edit-patterns/set-mirror-repeat-options.html) |
 | Object › Expand on radial, grid and mirror repeats makes groups of their instances | done | #1765 (#1756) |
 | Object › Expand… is dimmed while the selection has appearance attributes (effects, several fills or strokes, a fill or stroke with its own transparency or effects, a brush); its tooltip and the status bar say to use Object › Expand Appearance first, which leaves a stroked line with Zig Zag a stroked zig-zag line that Expand then outlines | done | #3089; [public behavior reference](https://helpx.adobe.com/illustrator/desktop/manage-objects/arrange-objects/expand-objects.html); `dialogs/expand.rs` tests, engine `tests_objexpand`. `object.expand` (agents, scripts) still bakes effects in one step |
@@ -427,9 +432,10 @@ next unit in the order a right-click on a ruler lists them, from Feet back to Po
 | Control bar: Paragraph: link and Align left/center/right while type is selected (#5372) | done | After the Character controls, as the public documentation has the Control panel format paragraphs ([Paragraph panel overview](https://helpx.adobe.com/illustrator/using/formatting-paragraphs.html), [Align text](https://helpx.adobe.com/illustrator/using/align-text.html)); the link opens the Paragraph panel in a popover, as Character: does with the Character panel. The bar trims from its right end: X/Y/W/H, Distribute, Align, area type vertical alignment, then these buttons, then the link. The three-button set is our choice for room; all seven alignments are in the popover. `panels/paragraph/tests.rs` headless tests (`the_control_bar_shows_the_paragraph_alignment_of_the_selected_type`, `the_control_bar_trims_its_paragraph_section_after_the_controls_to_its_right`) |
 | Pathfinder shape results keep their source names and SVG IDs | done | #1293; Minus Front keeps the back name, Minus Back the front name; Unite/Intersect/Exclude use the backmost named input; compound output carries it once; geometry and paint unchanged |
 | Attributes fill-rule controls with a compound member selected | done | Edits the compound's rule; direction still edits only the member; rendered-hole and Undo/Redo regression tests (#1197) |
+| Info panel follows the tool in use: W and H show the change in x and y, with the distance and the angle, while the selection moves or the Gradient tool draws a vector; the Scale tool's percentages; the center and angles of a Rotate, Reflect or Shear tool drag; the Zoom tool's magnification; the Paintbrush's brush. W and H follow Use Preview Bounds, several selected objects show only the paint and type they share, and Show Options names a tint or a gradient swatch | done | `info.readout`; `Tool::readout`; behavior from the Info panel overview in the [archived user guide](https://web.archive.org/web/20220911143322/https://helpx.adobe.com/pdf/cs6/illustrator_reference.pdf#page=76); number formats, the rows shown between drags and the Direct Selection and Group Selection readouts are VectorCraft's own |
 | Make Compound Path on a group (such as outlined type) keeps its backmost path's paint; compound paths joined into one keep their holes | done | #1537 |
 | Symbol libraries: Window › Symbol Libraries (Basic Shapes, UI Frames, Map Markers, Inventory Icons, Skill Icons, User Defined, Other Library…, Save Symbols…) and the Symbols panel's Symbol Libraries Menu button and its menu's Open Symbol Library / Save Symbol Library…; a click on a library symbol adds it to the document's Symbols (one undo step, it becomes the current symbol), Shift/Cmd-clicks select for Add to Symbols, and a symbol dragged onto the canvas is added and placed where it is dropped | done | [public source](https://helpx.adobe.com/illustrator/desktop/manage-objects/traces-mockups-symbols/create-or-import-symbol-libraries.html), [Symbols panel options](https://helpx.adobe.com/illustrator/desktop/manage-objects/traces-mockups-symbols/symbols-panel-options.html), [placing from a library](https://helpx.adobe.com/illustrator/desktop/manage-objects/traces-mockups-symbols/create-and-place-symbols.html); `window.symbolLibrary`, `window.symbolLibrary.other`, `ui.saveSymbolLibrary` (dialog `saveSymbolLibrary`), `window.userSymbolLibrary1`…`10`; `panels::tests_symbol_libraries`; five built-in libraries (Basic Shapes, UI Frames with default 9-slice, Map Markers, Inventory Icons, Skill Icons; original, generated in code) |
-| Brush libraries: Window › Brush Libraries (Art Ribbons, Ink and Wash, Calligraphic Nibs, Bristle Brushes, Pattern Borders, Scatter Shapes, Game Trails, Energy Beams, Dry Media, User Defined, Other Library…, Save Brushes…) and the Brushes panel's Brush Libraries Menu button and its menu's Open Brush Library / Save Brush Library…; a click on a library brush adds it to the document's Brushes (one undo step, it becomes the current brush, and selected paths take it in the same step), Shift/Cmd-clicks select for Add to Brushes, a brush dragged onto a path is added and applied to it and one dragged onto the Brushes panel is added; thumbnails render with the library's patterns and symbols | done | [public source](https://helpx.adobe.com/illustrator/desktop/paint-and-fill/apply-and-edit-strokes/create-new-brush-libraries.html), [import brushes](https://helpx.adobe.com/illustrator/desktop/paint-and-fill/apply-and-edit-strokes/import-brushes-from-brush-libraries-or-other-files.html), [Brushes panel overview](https://helpx.adobe.com/illustrator/desktop/paint-and-fill/apply-and-edit-strokes/brushes-panel-overview.html); `window.brushLibrary`, `window.brushLibrary.other`, `ui.saveBrushLibrary` (dialog `saveBrushLibrary`), `window.userBrushLibrary1`…`10`; `panels::tests_brush_libraries`; nine built-in libraries (original, generated in code) |
+| Brush libraries: Window › Brush Libraries (Art Ribbons, Ink and Wash, Calligraphic Nibs, Bristle Brushes, Pattern Borders, Scatter Shapes, Game Trails, Energy Beams, Dry Media, Tech Circuit, User Defined, Other Library…, Save Brushes…) and the Brushes panel's Brush Libraries Menu button and its menu's Open Brush Library / Save Brush Library…; a click on a library brush adds it to the document's Brushes (one undo step, it becomes the current brush, and selected paths take it in the same step), Shift/Cmd-clicks select for Add to Brushes, a brush dragged onto a path is added and applied to it and one dragged onto the Brushes panel is added; thumbnails render with the library's patterns and symbols | done | [public source](https://helpx.adobe.com/illustrator/desktop/paint-and-fill/apply-and-edit-strokes/create-new-brush-libraries.html), [import brushes](https://helpx.adobe.com/illustrator/desktop/paint-and-fill/apply-and-edit-strokes/import-brushes-from-brush-libraries-or-other-files.html), [Brushes panel overview](https://helpx.adobe.com/illustrator/desktop/paint-and-fill/apply-and-edit-strokes/brushes-panel-overview.html); `window.brushLibrary`, `window.brushLibrary.other`, `ui.saveBrushLibrary` (dialog `saveBrushLibrary`), `window.userBrushLibrary1`…`10`; `panels::tests_brush_libraries`; ten built-in libraries (original, generated in code) |
 | Symbols panel: New Symbol opens Symbol Options (Name) before making the symbol; Alt-click skips it | partial | #1560 (#1566); Registration 9-point grid in Symbol Options (`symbol.new` / `symbol.place`); Export Type (Graphic / Movie Clip) and Enable Guides for 9-Slice Scaling (scaled instances keep their corners; in symbol editing mode the guides are drawn over the art and the Selection tool drags them); Symbol Type (Dynamic Symbol / Static Symbol, new symbols dynamic; #4938) |
 | Dynamic symbols: an instance changes the fill, stroke, opacity and blend of objects in its symbol's art and stays linked; Reset in the Properties panel's Quick Actions and the Symbols panel menu (Reset Symbol Instance) | partial | #4938; `symbol.instance.setAppearance` (by child-index path) and `symbol.instance.reset`; redefining keeps the changes, Break Link bakes them; Direct Selection of a path, compound path or type object inside an instance, with the Fill/Stroke controls setting its solid fill or stroke, is on canvas; on-canvas editing beyond a solid fill and stroke, and `.ai` read and write, remain |
 | Pathfinder Trim, Merge and Crop remove strokes; Merge joins same-fill objects whatever their strokes | done | #1570 (#1572) |
@@ -540,6 +546,7 @@ before release (#6373). [Paint faces and edges](https://helpx.adobe.com/illustra

 | Date | Change | Summary |
 |---|---|---|
+| 2026-11-14 | minor | Tech Circuit adds three original procedural brushes (Circuit Trace, Bus Lines, Terminal Nodes); ten built-in brush libraries. G5 remaining estimate 3–13 h (estimated); parity scores and headline totals unchanged. |
 | 2026-11-12 | minor | Numeric fields: a focus click released more than 1 pt from its press keeps the caret; a tap within 1 pt still selects the whole value (#6659, follow-up to #1326). Scores and estimates unchanged. |
 | 2026-11-12 | minor | Remove Background for a selected image in the Contextual Task Bar, Properties › Quick Actions and the Control bar, which runs at once with its defaults. Scores and estimates unchanged. |
 | 2026-11-12 | minor | Live Paint Bucket fills faces crossed in one drag (#6373). Scores and estimates unchanged. |