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Merge main into feat/live-paint-bucket-multi-click
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@@ -27,7 +27,7 @@ Chinese by `imachus`). Only Georgian is recorded as reviewed by a native speaker
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| Language | Code | UI strings translated | Dialogs / tooltips / messages | Script support | Native review | Status | To `full` (h) |
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|---|---|---|---|---|---|---|---|
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| English | `en` | source, 100% | all | Latin | — | full | — |
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| Simplified Chinese (Mandarin) | `zh-hans` | 5,102 rows, 791 of them `@msg` (counted 2026-10-21): menus, `tl!` literals and messages complete when counted | all | CJK UI font from craft-fonts (BIZ UDPGothic) when embedded, else a system font; IME with marked text at the caret; vertical type partial ([type-parity.md](type-parity.md)) | no | full | — (review) |
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| Simplified Chinese (Mandarin) | `zh-hans` | 5,102 rows, 791 of them `@msg` (counted 2026-10-21): menus, `tl!` literals and messages complete when counted | all (3,439 `@msg` and 48 `@msgplural` rows, counted 2026-11-13: the untranslated report lists 40 missing messages for it) | CJK UI font from craft-fonts (BIZ UDPGothic) when embedded, else a system font; IME with marked text at the caret; vertical type partial ([type-parity.md](type-parity.md)) | no | full | — (review) |
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| Spanish | `es` | 4,009 / 4,020 (99.7%) | all (604 messages) | Latin | no | full | — (review) |
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| Hindi | `hi` | 8,782 rows (2026-11-13): 3,014 `@msg`, 47 `@msgplural`, 41 `@plural`; no gaps in the untranslated report | menus, dialogs, tooltips and scanned messages; contributor-approved loanword terminology; agent wording pass | UI and document text shape with HarfRust; installed desktop Devanagari fallback, or a `Deva` craft-fonts face; web font still needed | contributor terminology review; 2026-11-13 wording pass on messages and longer labels, with a glossary-term test; wider proofread welcome | complete catalog, machine-assisted draft | native review, layout and web font |
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| Arabic | `ar` | 0 | none | document text: bidi layout and Paragraph Direction; interface: no right-to-left layout, no Arabic shaping in egui | no | none | 25–40 |
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@@ -54,9 +54,9 @@ plus review. Native-speaker review is human work and isn't in the hours.
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| Dutch | `nl` | 7,299 rows, 1,609 of them `@msg` and 47 `@msgplural` (counted 2026-11-13 on `main` at `9a1a158a3`): in `COMPLETE_MESSAGES`, and the untranslated report lists the same missing messages for it as for German; one/other plurals | full |
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| Danish | `da` | 5,279 rows, 750 of them `@msg` (counted 2026-10-21): menus and `tl!` literals complete when counted; its messages are partial; one/other plurals | full |
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| Russian | `ru` | 4,009 / 4,020 | full |
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| Ukrainian | `uk` | 4,009 / 4,020 (one/few/many plurals) | full |
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| Ukrainian | `uk` | 8,802 rows, 3,439 of them `@msg` and 48 `@msgplural` (counted 2026-11-13); one/few/many plurals | full |
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| Hungarian | `hu` | 5,253 rows (counted 2026-10-21): menus, `tl!` literals and messages complete when counted; one plural form | full |
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| Polish | `pl` | 5,130 rows (counted 2026-10-21): menus, `tl!` literals and messages complete when counted; one/few/many plurals | full; native review pending |
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| Polish | `pl` | 9,044 rows, 3,439 of them `@msg` and 48 `@msgplural` (counted 2026-11-13): the untranslated report lists 46 missing messages for it, and 47 menu strings, 26 `tl!` literals, 11 undo labels and 45 swatch names; one/few/many plurals | full; native review pending |
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| Finnish | `fi` | 5,318 rows (counted 2026-10-21): menus, `tl!` literals and messages complete when counted; one/other plurals, 797 `@msg` rows | full; AI-assisted, native proofreading pending |
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| Czech | `cs` | 5,240 catalog entries, including 795 `@msg` rows (counted 2026-10-21); menus, literals and messages complete when counted | catalog complete; render-site gaps reduced; native review pending |
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| Bosnian | `bs` | 5,841 rows (counted 2026-10-30): menus, `tl!` literals and messages complete when counted; one/few/other plurals | full; AI-assisted, native review pending |
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+22
-7
@@ -3170,8 +3170,13 @@ already walks Image Trace. Short agent entry points:
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reply's `defined` lists the variables the import defined. While the variables are
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locked, an import whose header would define a variable fails with "variables are locked".
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A `dataset.import` file that isn't UTF-8 is read as Windows-1252, unless it starts with the UTF-8 byte-order mark.
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A file that starts with a UTF-16 byte-order mark is read as UTF-16, and a file without one that holds NUL bytes is
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refused. `csv` and `data` are read as the text they hold.
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A file that starts with a UTF-16 byte-order mark is read as UTF-16. A file without one that holds NUL bytes is read
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as UTF-16 when at least half of its two-byte units hold a NUL byte, as characters from U+0001 to U+00FF do, in the
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byte order that reads a line break (`\n` or `\r`). It is refused when fewer of its units hold a NUL byte (UTF-8 or
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Windows-1252 text with stray NUL bytes, or UTF-16 text made mostly of other characters, which needs a byte-order
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mark), when both byte orders read a line break (the text holds U+0A00 or U+0D00), when it has an odd length, and
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when it isn't valid UTF-16 in that order or holds a NUL character. A file with no line break has no data rows and is
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refused for that. `csv` and `data` are read as the text they hold.
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- Variable libraries: `variable.loadLibrary {path|xml|dataBase64}` (the Variables panel menu's Load Variable
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Library…) replaces the document's variables and data sets with a variable library's in one undo step. A load, like a
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`dataset.import`, adds no undo step when it leaves the variables and data sets as they were. The library
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@@ -3516,7 +3521,8 @@ already walks Image Trace. Short agent entry points:
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at the pointer selects under these rules: the arrow with a filled square for a face, with a short line for an edge,
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and with an x for nothing. It keeps the look it had at the press until the release.
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The Live Paint Bucket's options (`tool.setOption {tool: "livePaintBucket", values}`; double-clicking the tool opens
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them, dialog `livePaintBucketOptions`) are `paintFills` (on), `paintStrokes` (off), `highlight` (on), `color` (the
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them, dialog `livePaintBucketOptions`) are `paintFills` (on), `paintStrokes` (off), `cursorSwatchPreview` (on),
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`highlight` (on), `color` (the
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highlight color, `#rrggbb` or a layer color's name; `#ff2a2a`) and `width` (the face highlight's width, 1 to 20 screen
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pixels; 4; an edge's highlight is half as wide). The dialog's OK gives an error for a `color` with an alpha part
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(`#rrggbbaa` or `#rgba`) and changes nothing. `tool.setOption` gives an error that names the option and sets none of
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@@ -3548,6 +3554,14 @@ already walks Image Trace. Short agent entry points:
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defaults to the face's fill or the edge's stroke paint. `livePaint.fill` refuses a `scope` other than `"one"` with
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`points`. Both replies add `count`, the number of faces or edges the click reaches, including those that already had the
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paint.
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With the Live Paint Bucket selected and no drag in progress, Left and Right without Shift, Alt or Cmd/Ctrl (which
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keep their shortcuts) run `paint.setFill {swatch, ids: []}` (or
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`paint.setStroke` when the Stroke proxy is in front) with the color swatch before or after the active paint in the
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Swatches panel, wrapping around at the ends; from a color that is no swatch, Right picks the first swatch and Left
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the last, and with no color swatch the tool does not take the keys. The selected art keeps its paint. With
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`cursorSwatchPreview` on, the active paint shows as a ringed chip above the pointer between the swatches before and
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after it, except during a fill drag or with Alt held; a solid color that is no swatch shows alone, and a paint that is not a solid color shows no chip. Left and
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Right step the swatches with `cursorSwatchPreview` off too.
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`livePaint.merge` keeps the bottom Live Paint group's id, name, lock, visibility, transparency, appearance, opacity
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mask and graphic style link. With a Live Paint group among the objects, `livePaint.make` adds the others to it as
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`livePaint.merge` does, and so does `livePaint.fill {ids}` when `point` is outside that group's faces.
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@@ -9916,8 +9930,8 @@ The Shape Builder tool's options are its Shape Builder Tool Options (dialog `sha
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`openFilledAsClosed` (on: a filled open path bounds a region as if an invisible edge closed it; off: it cuts regions
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as an unfilled path does), `pickColorFrom` (`artwork`, the default: a merged shape takes the appearance, opacity and
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blending mode of the front-most selected object under the drag's first point, else of the one under its last point,
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else of the front-most selected object; `swatches`: the current fill, and the Left and Right arrow keys step the
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current fill through the document's color swatches), `cursorSwatchPreview` (off; with `swatches`, chips above the
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else of the front-most selected object; `swatches`: the current fill, and the Left and Right arrow keys without
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Shift, Alt or Cmd/Ctrl step the current fill through the document's color swatches), `cursorSwatchPreview` (off; with `swatches`, chips above the
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pointer show the current fill and the swatches before and after it), `selection` (`freeform`, the default, or
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`straightLine`: a drag touches what the line from its first point to the pointer crosses), `highlightFill` (on by
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default; when it is off, merge mode shades no regions), `gapDetection` (off) with `gapLength` (pt, 0 to 72; 3), `clickStrokeSplitsPath` (In Merge Mode,
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@@ -10817,7 +10831,8 @@ Commands:
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- `addon.pathtools.cornerSet {ids?, anchors?, items?, radius, kind?, every?, minAngle?, maxAngle?}` cuts live corners, the ones Direct Selection's
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corner widgets and the Corners dialog edit, as one undo step. `ids` (default: the selection) are the paths and
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`anchors` the anchor indices of each path's outline with no corners cut; without `anchors`, a path's direct-selected
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anchors, or all of them. `items: [{id, anchors?}…]` gives each path its own instead. Only anchors where two sides meet
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anchors, or all of them. `items: [{id, anchors?}…]` gives each path its own instead; a member key other than `id`
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and `anchors`, or `items` given with `ids`, is an error. Only anchors where two sides meet
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at an angle take a corner: smooth anchors and open ends are skipped, and it is an error if none is left. `radius` is
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0 to 1,000,000 pt, drawn no larger than fits; `kind` is `round`, `invertedRound` or `chamfer` (default: each corner's
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own). `every` (`all`, `odd` or `even`; default `all`) keeps, of those anchors, only the odd- or even-numbered ones,
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@@ -10827,7 +10842,7 @@ Commands:
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be more than `maxAngle`, and it is an error, saying so, if no chosen corner is in the range. Object › Plug-ins › Path Precision Tools › Set Corners… (also in the Anchor Inspector's
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Corners section) sets these with Preview. → `{ids, corners}`.
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- `addon.pathtools.cornerRemove {ids?, anchors?, items?}` makes those corners sharp again, as one undo step; a plain path
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with none left is plain again. → `{ids, corners}`.
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with none left is plain again. Its `items` take the same keys as `cornerSet`'s. → `{ids, corners}`.
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- `addon.pathtools.slideAnchor {id, subpath?, anchor, t}` moves an anchor along its path, the segments beside it refitted
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so the outline stays (the anchor count and index stay). `t`, -0.98 to 0.98, says where: positive, a curve parameter on
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the segment after the anchor; negative, back from the end of the one before. An anchor at a sharp corner loses it, as
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@@ -10,6 +10,8 @@
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>
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> Numeric spinner update (2026-11-10): held mouse arrows repeat past the click timeout; scores and estimates unchanged (#6307).
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> **PDF import status (2026-11-14, #6957):** Outlined Indic glyphs retain their full stroke properties; translucent glyphs stay separate, and a soft mask attaches to each glyph separately. Scores and estimates unchanged.
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## Feature submission evidence
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M4: Explicitly requested editing data keeps a single artboard larger than its 14,400 pt capped PDF page (#6865). Scores and estimates unchanged.
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@@ -56,6 +58,7 @@ M7 type: Touch Type moves a right-to-left character along its line and up from i
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| 2026-11-13 | minor | PDF import: glyphs inside a marked-content span with an empty `ActualText` come in as outlines in their fill and stroke instead of being left out, adding no text (#6971; `empty_actual_text_keeps_the_glyphs_art` in `crates/pdf/src/tests/actual_text.rs`). Scores and estimates unchanged. |
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| 2026-11-13 | minor | Library panels (swatch, Color Book, brush, symbol and graphic style libraries): in a panel made taller the list fills the space above the footer instead of scrolling inside 220 or 280 pt (#2992; `the_list_fills_a_tall_panel_above_its_footer` in `crates/ui-egui/src/panels/library_panel/tests.rs`). Scores and estimates unchanged. |
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| 2026-11-13 | minor | Swatches: in a panel made taller the swatch list fills the space above the footer instead of scrolling inside 150 or 200 pt (#1638; `the_list_fills_a_tall_panel_above_its_footer` in `crates/ui-egui/src/panels/swatches/tests.rs`). Scores and estimates unchanged. |
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| 2026-11-13 | minor | M4: PDF import (#5235, #6906): Indic type keeps its marks on their line, and a line whose type would not draw as the file does keeps the file's glyphs as outlines (opaque, alike-stroked ones share a path except under a soft mask, where each glyph keeps its own path and mask; translucent ones keep their own). Scores and estimates unchanged. Evidence: `crates/pdf/src/tests/reshaped.rs`. |
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| 2026-11-10 | minor | M13 / G6: MCP catalogue (#6460): headless lists UI commands, eight prompts, 33 tools, effect vs command ids; scores and estimates unchanged. |
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| 2026-11-08 | minor | Character Styles panel: a double-click on a user style's row opens its Character Style Options (`ui.charStyleOptions`); the dialog keeps a fixed width and scrolls its sections in a shorter window, so OK and Cancel stay on screen. Tests `panels::text_styles::tests::double_clicking_a_character_style_row_opens_its_options` and `dialogs::char_style_options::tests::the_sections_scroll_in_a_window_shorter_than_the_general_list`. Scores and estimates unchanged. |
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| 2026-11-08 | minor | #3380, deletion only: preserve gradient placement and exact surviving geometry; consume owned subpaths with a shared original-node snapshot; consolidate status/evidence and document command/helper contracts. Compound behavior and the existing M2 status entry are retained. Endpoint highlighting remains open; scores and estimates unchanged. |
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@@ -12,6 +12,8 @@
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>
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> **Flyout update:** 2026-11-06 — resizable icon-strip flyouts and bottom-aligned panel footers (#5713); scores and estimates unchanged.
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> **PDF import status (2026-11-14, #6957):** Outlined Indic glyphs retain their full stroke properties; translucent glyphs stay separate, and a soft mask attaches to each glyph separately. Scores and estimates unchanged.
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## Feature submission evidence
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EPS embedded fonts, 2026-11-09 (#6023–#6067): the fonts an EPS carries draw their glyphs instead of being set as type in an installed font: composite (Type 0) fonts with the 8/8 mapping, plain Type 42 fonts (characters from their glyph names or character map, widths from the font), CID-keyed fonts over CMaps (Type 0 and Type 2 CIDFonts, CIDFonts in a FontSet's Compact Font Format data, base-font CMaps, named CIDFonts over predefined Unicode CMaps set as type) and embedded Type 1 fonts; the show operators' spacing along the baseline is kept as tracking, `kshow` included. Each step is charged to the interpreter's budgets. Hand-written test files only (no corpus file uses these fonts); scores and estimates unchanged. Evidence: `crates/eps/src/import/tests_composite.rs`, `tests_type42.rs`, `tests_cid.rs`, `tests_type1.rs`; details in [file-format-parity.md](file-format-parity.md).
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@@ -60,6 +62,7 @@ Artboard Options forwards the active Artboard tool's Scale Artwork with Artboard
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| 2026-11-13 | minor | Library panels (swatch, Color Book, brush, symbol and graphic style libraries): in a panel made taller the list fills the space above the footer instead of scrolling inside 220 or 280 pt (#2992; `the_list_fills_a_tall_panel_above_its_footer` in `crates/ui-egui/src/panels/library_panel/tests.rs`). Scores and estimates unchanged. |
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| 2026-11-13 | minor | Swatches: in a panel made taller the swatch list fills the space above the footer instead of scrolling inside 150 or 200 pt (#1638; `the_list_fills_a_tall_panel_above_its_footer` in `crates/ui-egui/src/panels/swatches/tests.rs`). Scores and estimates unchanged. |
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| 2026-11-13 | minor | Swatches panel: its menu's Show Recent Colors hides and shows the panel's Recent Colors row, checked by default and kept between sessions apart from the Color panel's (#6617); scores unchanged. |
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| 2026-11-13 | minor | M4: PDF import (#5235, #6906): Indic type keeps its marks on their line, and a line whose type would not draw as the file does keeps the file's glyphs as outlines (opaque, alike-stroked ones share a path except under a soft mask, where each glyph keeps its own path and mask; translucent ones keep their own). Scores and estimates unchanged. Evidence: `crates/pdf/src/tests/reshaped.rs`. |
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| 2026-11-09 | minor | Stroke panel: Line Arrow, a 41st generated arrowhead: two arms of the head's weight (stroke weight × arrowhead scale, at least 0.25 pt: the line's weight at 100 % for lines of 0.25 pt or more) at right angles, a sharp tip and square-cut ends, twice as wide as the other heads; bounds and clicks follow each head's own reach (`stroke.set` `LineArrow`, #5421); scores and estimates unchanged |
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| 2026-11-09 | minor | Canvas: a 3D effect (Extrude & Bevel, Inflate, Rotate, Revolve) changed on type or a group draws again where its art was and is, measured by that art; the canvas measures through its renderer and draws the part with the art it made to measure it. Exports and Object › Rasterize take the solid of 3D type. Fit to Artwork Bounds and per-artboard SVG export measure every artboard through one renderer, building each solid once. A 3D effect on a fill or stroke that builds nothing (Revolve after Roughen) no longer overflows the stack on the canvas, in Object › Rasterize and in raster and EPS exports: the fill or stroke draws as without it. Tests `tests::changed::a_3d_effect_changed_on_type_or_a_group_changes_where_its_solid_was`, `fx::tests::a_renderer_measures_the_art_on_each_artboard_building_each_solid_once`, `canvas::tests::an_edit_to_a_3d_effect_redraws_with_the_art_measured`, `fx::tests::a_3d_effect_that_builds_nothing_draws_the_item_as_without_it`. Scores and estimates unchanged. |
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| 2026-11-08 | minor | Style panels: a double-click on a user character style's row opens its Character Style Options (`ui.charStyleOptions`), and on a paragraph style's row its Paragraph Style Options (rename); the Character Style Options dialog keeps a fixed width and scrolls its sections in a shorter window, so OK and Cancel stay on screen. Tests `panels::text_styles::tests::double_clicking_a_character_style_row_opens_its_options` and `dialogs::char_style_options::tests::the_sections_scroll_in_a_window_shorter_than_the_general_list`. Scores and estimates unchanged. |
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@@ -568,6 +571,7 @@ since 2026-10-01.
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- **Save refusal (#6146):** ordinary File > Save to its own location offers Save As after a terminal permission/read-only refusal, suggesting the original name and format, preserving options for the unchanged format and opening the chosen format’s Save options on a change. Cancel keeps the failed-save state. Busy pickers, recovery-copy errors, other failures, explicit destinations and Close/Quit keep the existing dialog. Engine, UI and MCP regression cases are in `cmd/fileio/tests_readonly.rs`, `io/tests_read_only_save.rs` and MCP `tests/fileio.rs`; focused UI regressions passed; engine regression execution and native panel acceptance pending. Scores and hours unchanged.
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- **PDF authored replacement text (#6165):** `crates/pdf/src/tests/actual_text.rs` covers replacement once with suffix placement, PDF text-string decoding, empty and nested owners, sibling spans, page reset, multiple text-show operations, style/line changes, fill-and-stroke, reader windows and bounded input. Authored logical-order stretches are protected while adjacent ordinary text still undergoes reconstruction. The replacement takes its first placed glyph's style and line; its characters are not redistributed over later lines/styles. Exact mixed-direction paragraph layout is not claimed. No export changes; scores and hours stay at 75% / 10–20 h.
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- **PDF Indic type (#5235, #6906):** `crates/pdf/src/tests/reshaped.rs` covers a vowel sign the file draws before its consonant (the line keeps the file's glyphs as outlines, with a note), text in reading order (stays type), a mark with no advance (stays on its line, not vertical type of its own), outlined glyphs stroked with different dashes and translucent outlined glyphs (each keeps its own path). Synthetic font only; one real Gujarati file checked by eye on page 1. Indic type in an uninstalled font keeps the file's glyphs as outlines; reordering signs so more lines stay editable is not done. Scores and hours stay at 75% / 10-20 h.
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- **Selection — disconnected path deletion (#3380, deletion only):** Clear/Delete and Cut turn surviving disconnected pieces of an ordinary contour into independent selected sibling objects. The first keeps its ID; all keep appearance, baked transforms and stacking order. `deletion_split_preserves_gradient_placement` compares rendered survivors with the original paint space and checks linear/radial fill/stroke vectors, already placed gradients and atomic Undo/Redo; connected remainders keep automatic fitting. Existing multi-subpath paths and explicit compound members retain their semantics. Original synthetic regressions in `crates/engine/tests/it/delete_path_pieces.rs` cover styled/transformed rectangles, cubic handles, compound preservation and atomic Undo/Redo; `crates/ui-egui/src/tests/removeanchors.rs` covers real-frame Delete/Backspace and a second Delete removing all survivors. Segment endpoint highlighting remains open. Scores and hours unchanged.
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@@ -788,6 +792,7 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur
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- Variables (data merge): text, visibility and image variables bound to objects (an object may carry several), dataset rows applied in one undo step (`variable.*`, `dataset.*`) from a Variables panel and Window › Variables, with dialogs to define, bind and edit, Make Text/Visibility/Image Dynamic, Capture/Update Data Set, CSV import/export (`dataset.import` / `dataset.export`), and a row in italics when an edit leaves the art not matching it; an image dataset value is a file path and apply keeps the object's bounds; bindings let go of deleted art and locked art is left alone except by visibility values; every command, like the rest, is drivable over MCP and the CLI.
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- Export for Screens numbers distinct row files whose names collide, compared without case, as `-2`, `-3`… instead of leaving them out; identical rows still write one file. It puts row folders that differ only in case into one folder (`document.exportForScreens`).
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- Variables: Import Data Sets… (`dataset.import`) reads tab-separated files as well as comma-separated ones. Every header cell is a variable, and the rows replace the document's data sets as Data Set 1, Data Set 2 and so on. An import error about a row's values gives the file line the row starts on.
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- Variables: Import Data Sets… (`dataset.import`) reads a UTF-16 file without a byte-order mark, instead of refusing it, when at least half of its two-byte units hold a NUL byte; it uses the byte order that reads its line breaks.
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- Variables: Import Data Sets… (`dataset.import`) defines the variables a file's header names that the document lacks, unbound. `#Shown` defines a visibility variable, `@Photo` defines an image variable, and a header without a prefix defines a text variable. A header that is a variable's exact name keeps naming it, and any other `%` header (graph data files) is refused.
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- Variables: Load Variable Library… in the Variables panel menu (`variable.loadLibrary`) replaces the document's variables and data sets with a variable library's, read from its XML file, in one undo step: every data set is deleted, and every variable is deleted with its bindings and values, except a text variable the library also declares, which stays bound so the library's data sets change its objects (#4136); then the library's other text variables are defined, unbound, and its data sets take the text of each value's `p` elements, one paragraph each. Variables of other kinds are left out with a warning that names their kinds.
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- Variables: Save Variable Library… in the Variables panel menu (`variable.saveLibrary`) writes the document's text variables and data sets as a variable library's XML file, which Load Variable Library reads back with the same text variables, data set names and text values. Variables of other kinds are left out with a warning that names their kinds.
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@@ -886,6 +891,7 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur
|
||||
- Window › Help Bar shows or hides the tool-help strip at the bottom of the window apart from the status bar (`window.helpBar`). Each setting is kept with the UI preferences and in saved workspaces, and Presentation Mode hides both bars. Layouts saved before the setting existed show the Help Bar where they show the status bar (`help_bar_toggle_is_independent_and_saved_in_workspaces`, `help_bar_and_status_bar_render_independently`, `legacy_help_bar_visibility_follows_each_layouts_status_bar`, `a_help_bar_setting_the_file_lacks_is_saved`).
|
||||
- Czech render-site labels: desktop/web file filters, diagnostics, suggested preset names and contributor tooltips/plurals now use catalog lookups; gradients have Czech adjective agreement and printer marks have a separate context (PDF/Print and Summary). Search, Home, toolbar/panel tooltips and Preferences already look up their labels. Every complete catalog has rows for these labels and for the Roman and Japanese printer mark styles. Evidence: `i18n::tests::czech_render_site_follow_up`, `i18n::tests::complete_catalogs_translate_render_site_labels`, `dialogs::tests_modal::printer_mark_labels_are_distinct_from_language_names`; see [localization-parity.md](localization-parity.md).
|
||||
- The History panel, Edit › Undo and Edit › Redo translate the names of the steps that apply or redefine a character or paragraph style and of the step that redefines a graphic style: each such step keeps its template (`Apply {name}`, `Redefine {name}`, `Redefine Graphic Style “{name}”`) and the style's name, every complete catalog has a row for each template, and the panel and the menu show the style's name as the document holds it, except the Normal styles' names, which they show in the interface language (`steps_named_after_a_style_list_the_template_around_the_name`, `undo_and_redo_name_a_style_step_around_the_style_name`).
|
||||
- The Polish catalog (`crates/ui-egui/src/i18n/pl.tsv`) has an `@msg` row for the status and error messages the untranslated report (`untranslated_report`) finds in the sources, 3,439 `@msg` rows in all: the errors of commands, scripts, file import and export and plug-ins. The report lists 46 Polish messages: 44 that open #7211, #7214, #7116, #7330 and #1931 translate, and 2 that no language has a row for. A message with two placeholders in a row (`Template::parse` in `crates/ui-egui/src/i18n/catalog.rs`) is still shown in English.
|
||||
- The status bar translates the limits a plug-in run can exceed (its instruction, time and memory budgets and its output size) and the error of a plug-in removal that leaves the plug-in's grant in the plug-in store, in every language that translates every message. The untranslated-strings report also lists messages that an error or a status takes from a `&str` constant (`plugin_limit_errors_are_translated`, `message_scan_reads_messages_held_in_constants`).
|
||||
- The status bar translates the plug-in host's other errors (manifest, module and run checks, the output an importer, exporter or effect returns, and the approval a plug-in's permissions need) in every language that translates every message. A JSON object or array inside a message stays as written, and a message that wraps another one, such as `plug-in manifest: {0}`, is matched by its own row before a row that starts with a placeholder. The reasons inside these errors (what is wrong with a parameter's spec or dialog keys, the value a parameter needs, what is wrong with an object, stroke, paint or effect in a plug-in's output) are translated with them, and the untranslated-strings report lists the reasons the plug-in host's error helpers take (`plugin_messages_are_translated_in_every_complete_catalog`, `plugin_errors_translate_with_their_values`, `plugin_error_reasons_are_translated_with_the_error`, `message_scan_reads_plugin_helpers`, `templates_that_start_with_text_match_first`).
|
||||
- The status bar translates the errors a script's `File` and `Folder` objects, `vc.run`, `$.evalFile`, the `$` object's properties and functions, `alert`, `confirm` and `prompt`, `vc.document` and `vc.log` raise, the limits a run can pass, and the errors of Drop Script Engine, and the line for a run that fails (a syntax error, a thrown error, a limit, a stop or an internal error, with the script's name, the line and column, the included file it is in and the files left written), in every language that translates every message. The script's name, paths, numbers, command ids and the text a script throws itself are shown as they are. A failure with no line and column, such as an error in code `eval` compiled, is shown with one colon after the script's name (`an_error_without_a_place_names_the_script_and_kind`). A message template that names a value twice matches only when both places hold the same text, so the line for a failed run is not taken for the message inside it (`a_repeated_placeholder_matches_the_same_text`). The untranslated-strings report also lists the messages the script host's `fail`, `value` and `over` helpers take and the errors the script interpreter throws, and a constant's text comes from the file or crate that declares it, so the Scripts menu's headers are not listed as messages (`script_errors_are_translated`, `script_host_errors_are_translated`, `message_scan_reads_script_interpreter_errors`, `message_scan_reads_constants_of_the_file_and_its_crate`, `message_scan_skips_test_modules_with_any_test_cfg`).
|
||||
@@ -893,6 +899,7 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur
|
||||
The counts that Package's status and question, the folder search of Missing Fonts and Find Linked Files, the modified and missing linked file prompts and the CSS Properties panel's notes show use the interface language's plural forms instead of a fixed "(s)" form. Evidence: `the_missing_links_note_uses_each_count_form` in `crates/ui-egui/src/dialogs/tests_package.rs`, `the_modified_links_question_uses_each_count_form` in `crates/ui-egui/src/dialogs/missing_links.rs`, `search_counts_use_each_count_form` in `crates/ui-egui/src/dialogs/missing_fonts/tests.rs` and `the_unnamed_objects_note_uses_each_count_form` in `crates/ui-egui/src/panels/tests_css_properties.rs`.
|
||||
The status bar's messages for relinked, replaced, updated and embedded images, broken links, linked files that can't be read or changed on disk, images that can't be decoded, added and unavailable fonts, copied CSS, downloads and exports with their notes name one item in the singular and more in the plural, in English and in each language's plural forms (`counted_status_messages_take_the_plural_form` in `crates/ui-egui/src/i18n/tests.rs`).
|
||||
The status bar's messages for documents opened or saved with notes and for discarded or restored recovered documents, and the Global Edit options' Results line, do the same (`open_save_and_recovery_messages_take_the_plural_form` in `crates/ui-egui/src/i18n/tests.rs`); the warnings for linked images and placed documents output as their previews and the errors for a page past a placed file's last page or artboard name their counts in the singular or the plural in English.
|
||||
- The Simplified Chinese catalog (`crates/ui-egui/src/i18n/zh-hans.tsv`) has an `@msg` row for the status and error messages the untranslated report (`untranslated_report`) finds in the sources, 3,439 `@msg` rows in all: the errors of commands, scripts, file import and export and plug-ins. The report lists 40 Simplified Chinese messages: the composite font, justification order and Blob Brush connect end errors that open #7211, #7116 and #7330 translate, and two messages that no catalog has a row for yet. A message with two placeholders in a row (`Template::parse` in `crates/ui-egui/src/i18n/catalog.rs`) is still shown in English.
|
||||
- Edit › Undo and Edit › Redo, in the in-window and native menus, name the step in the interface language as the History panel lists it (`panels::history::step_name`), so when the catalog has no plain row for a step named after an effect, such as Feather, the menu shows the translation of the effect's menu row without its ellipsis (`undo_and_redo_name_the_step_as_the_history_panel_does`).
|
||||
- The History panel translates the undo step names the engine, the tools and the shell write as literals: the untranslated report (`untranslated_report`) lists any a complete catalog lacks, and a step whose catalog row exists only with an ellipsis (such as an effect's menu name) shows that row without the ellipsis.
|
||||
- The German catalog (`crates/ui-egui/src/i18n/de.tsv`) has an `@msg` row for the status and error messages the untranslated report (`untranslated_report`) finds in the sources, 3,433 `@msg` rows in all: the errors of commands, scripts, file import and export and plug-ins. The report lists 48 German messages; 38 of them are the composite font, select-a-path and justification order errors that open #7211, #7214 and #7116 translate. A message with two placeholders in a row (`Template::parse` in `crates/ui-egui/src/i18n/catalog.rs`) is still shown in English.
|
||||
@@ -1297,6 +1304,7 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur
|
||||
In area type of a shape other than a rectangle, each line's whole band, ascent to descent, stays inside the frame: where an edge pinches in within the band, the line ends at the narrowest point, and a line runs beside a hole that starts and ends within its band, not across it. In area type of any shape, a line also stays clear of a text wrap object that reaches into any part of its band, and inside an Invert Wrap object over its whole band (`crates/text/src/layout/region.rs` tests).
|
||||
In area type whose frame has several contours, a line runs across an edge two contours share only when their edges lie exactly on one line, so a gap between contours keeps lines from crossing it, even a gap one unit in the last place wide near the edge of the canvas; an edge divided by an anchor exactly on it still lets lines cross (`layout::region::separate_slanted_contours_keep_a_four_ulp_gap_near_canvas_limit`, `shared_slanted_edge_still_joins_near_canvas_limit`, `area_type_sets_no_line_across_a_four_ulp_gap_between_slanted_contours`).
|
||||
With Invert Wrap, the spans a line keeps inside a wrap shape of many parts (a comb of 500 teeth) are found by stepping through the line's spans and the shape's spans once for each piece of the band, so the work grows with the number of spans, not with its square (`crates/text/src/layout/region.rs` tests).
|
||||
Text Wrap Options › Offset is a distance field in the document's units: a bare number is in those units, a typed unit ("12 pt") is read as typed, and OK sends points. In a document in picas, a bare number follows Preferences › Units › Numbers Without Units Are Points as the other length fields do: it is in points while that preference is on (the default) and in picas while it is off (`dialogs::command::tests::text_wrap_offset_in_picas_follows_numbers_without_units_are_points`). An Offset typed outside -1000 to 1000 pt, VectorCraft's own range for the command, or text that doesn't read, is refused: the field flashes and the dialog stays open, whether Enter or a click on OK ends the entry; in every dialog drawn by the shared dialog window, a click on OK no longer confirms it when the distance field it takes the focus from refuses its text (`dialogs::command::tests::text_wrap_offset_field_takes_document_units_and_refuses_values_outside_its_range`). Behavior reference: [the help page](https://helpx.adobe.com/illustrator/desktop/get-started/learn-the-basics/enter-values-in-panels-and-dialog-boxes.html).
|
||||
The Character panel's Small Caps, Superscript and Subscript buttons and the panel menu's items of the same names turn small caps and the superscript or subscript position on and off for the selected type, or for the text the Type tool has selected (`text.setFormat` or `text.setRangeStyle` `{smallCaps, position}`), in Document Setup's proportions. Turning Superscript on turns Subscript off, and turning Subscript on turns Superscript off. A button or item shows as on when the first selected character (at a caret, the character before it) has its attribute.
|
||||
The Character panel's Anti-aliasing Method dropdown, under Character Rotation, sets how the edges of the selected type objects are drawn as pixels (`text.setFormat {antiAlias}`), for the whole object, with each frame of a thread keeping its own method and graph labels keeping it when the graph is drawn again, on the canvas, in raster exports and when the type is rasterized. VectorCraft defines the methods: Sharp, the default, draws edges as before; None paints a pixel only where the type covers at least half of it; Crisp shows a pixel covered by a share c at `2c - 0.5`, and Strong shows it at `2c`, each kept between 0 and 1. SVG, PDF and EPS export are unchanged. Scores and hours unchanged.
|
||||
The OpenType panel's Stylistic Alternates and Titling Alternates checkboxes turn `salt` and `titl` on and off for the selected type, and its Figure menu lists Default Figure, Tabular Lining, Proportional Lining, Proportional Oldstyle and Tabular Oldstyle; Proportional Lining sets `pnum` and `lnum` and turns `tnum` and `onum` off, Tabular Lining turns `pnum` off and keeps `lnum`, Proportional Oldstyle turns `lnum` off and keeps `pnum`, and Default Figure and Tabular Oldstyle turn `pnum` and `lnum` off. Behavior reference: [Format text with OpenType features](https://helpx.adobe.com/illustrator/desktop/design-with-text/special-characters-glyphs/format-text-with-opentype-features.html) and [Use swashes, titling alternates, or stylistic alternates](https://helpx.adobe.com/illustrator/desktop/design-with-text/special-characters-glyphs/use-swashes-titling-alternates-or-stylistic-alternates.html) (public documentation). Tests: `panels::opentype::tests`.
|
||||
@@ -1437,7 +1445,8 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur
|
||||
Object › Live Paint › Merge adds the other selected paths and Live Paint groups to the bottom selected Live Paint group ([Live Paint groups](https://web.archive.org/web/20241230205225/https://helpx.adobe.com/illustrator/using/live-paint-groups.html)), which keeps its id, the paint of its faces and edges, and its name, lock, visibility, transparency, appearance, opacity mask and graphic style link. Object › Live Paint › Make with a Live Paint group selected, and a Live Paint Bucket click on a selected path beside a selected Live Paint group, add the paths to that group the same way. Make, Merge and the Live Paint Bucket take paths, compound paths and groups of them; with type, an image or another object among the selection they report that it has to be converted to paths first and change nothing, as type and raster images can't go into a Live Paint group directly ([Create Live Paint groups](https://helpx.adobe.com/illustrator/desktop/paint-and-fill/learn-painting-basics/create-live-paint-groups.html)); before, such an object went among the group's hidden sources and vanished from the canvas. Evidence: `tests_build::live_paint_refuses_type_and_images_and_changes_nothing`.
|
||||
With the Live Paint Bucket selected, Alt-click on vector art samples its fill, stroke and stroke weight into the paint defaults ([Paint with the Live Paint Bucket tool](https://helpx.adobe.com/illustrator/desktop/paint-and-fill/learn-painting-basics/paint-with-the-live-paint-bucket-tool.html)). On a placed image it samples the image pixel as a solid fill with no stroke. Alt+Shift-click samples only the color under the pointer, including an intermediate gradient color or image pixels, into the active fill or stroke ([Default keyboard shortcuts](https://helpx.adobe.com/illustrator/using/default-keyboard-shortcuts.html)). Neither click paints or changes the selection or selected art, and the next Bucket click paints with the sampled paint. Evidence: `tests_build::live_paint_bucket_alt_sample_paints_next_face_without_changing_selection`.
|
||||
Double-clicking the Live Paint Bucket opens Live Paint Bucket Options ([Paint with the Live Paint Bucket tool](https://helpx.adobe.com/illustrator/desktop/paint-and-fill/learn-painting-basics/paint-with-the-live-paint-bucket-tool.html)): Paint Fills (on) and Paint Strokes (off) set whether a click paints faces, edges or both, Highlight turns the outline of the face or edge under the pointer on or off, and Color and Width set it (red and 4 px by default). Faces are outlined at the Width and edges at half of it, as the page says faces are highlighted with a thick line and edges with a thin line. With both on, a click paints the edge within 4 px of the pointer, else the face, and Shift switches to Paint Fills only; with one on, Shift switches to the other. The options last across tool switches and are saved with the preferences (`tool.setOption {tool: "livePaintBucket"}`). Evidence: `builder::tests::{bucket_options_choose_what_a_click_paints, bucket_options_set_the_highlight, bucket_highlights_an_edge_thinner_than_a_face}`, `dialogs::live_paint_bucket::tests::double_clicking_the_tool_opens_its_options_and_ok_sets_them`.
|
||||
Live Paint Bucket double-click and triple-click, as [the help page](https://helpx.adobe.com/illustrator/desktop/paint-and-fill/learn-painting-basics/paint-with-the-live-paint-bucket-tool.html) describes them: a double-click on a face fills it and the faces reached across edges that draw no stroke, and on an edge it paints the edges joined to it with the same stroke; a triple-click fills every face of the group with the face's fill, or paints every edge with the edge's stroke (`livePaint.fill` and `livePaint.strokeEdge` `{scope: "connected" | "samePaint", match?}`; `pointer_gesture` and `ui.pointer` take `tripleclick`). Each click paints as it arrives, as its own undo step, and the paint compared is the one the face or edge had before the first of its clicks that painted it; a first click that made the Live Paint group counts when the face it filled is the clicked face. With Space held for the view tools, a click, double-click or triple-click paints nothing. Which faces and edges join and which paints match are VectorCraft's own rules. Evidence: `tests_build::{live_paint_bucket_double_click_floods_across_unstroked_edges, live_paint_bucket_double_click_floods_curved_and_narrow_faces, live_paint_bucket_double_click_floods_across_hidden_edges_and_past_gaps, live_paint_bucket_triple_click_fills_every_face_of_the_same_fill, live_paint_bucket_triple_click_after_making_the_group_matches_the_made_fill, live_paint_bucket_double_and_triple_click_paint_joined_and_same_stroke_edges, live_paint_scope_and_match_are_checked}`, `builder::tests::{bucket_double_and_triple_click_widen_what_a_click_paints, bucket_triple_click_after_making_the_group_on_another_face_matches_its_own_face}`, `tests::livepaint::a_triple_click_fills_every_face_of_the_same_fill` (MCP).
|
||||
Live Paint Bucket double-click and triple-click, as [the help page](https://helpx.adobe.com/illustrator/desktop/paint-and-fill/learn-painting-basics/paint-with-the-live-paint-bucket-tool.html) describes them: a double-click on a face fills it and the faces reached across edges that draw no stroke, and on an edge it paints the edges joined to it with the same stroke; a triple-click fills every face of the group with the face's fill, or paints every edge with the edge's stroke (`livePaint.fill` and `livePaint.strokeEdge` `{scope: "connected" | "samePaint", match?}`; `pointer_gesture` and `ui.pointer` take `tripleclick`). Each click paints as it arrives, as its own undo step, and the paint compared is the one the face or edge had before the first of its clicks that painted it; a first click that made the Live Paint group counts when the face it filled is the clicked face. With Space held for the view tools, a click, double-click or triple-click paints nothing and no face or edge is outlined. Which faces and edges join and which paints match are VectorCraft's own rules. Evidence: `tests_build::{live_paint_bucket_double_click_floods_across_unstroked_edges, live_paint_bucket_double_click_floods_curved_and_narrow_faces, live_paint_bucket_double_click_floods_across_hidden_edges_and_past_gaps, live_paint_bucket_triple_click_fills_every_face_of_the_same_fill, live_paint_bucket_triple_click_after_making_the_group_matches_the_made_fill, live_paint_bucket_double_and_triple_click_paint_joined_and_same_stroke_edges, live_paint_scope_and_match_are_checked}`, `builder::tests::{bucket_double_and_triple_click_widen_what_a_click_paints, bucket_triple_click_after_making_the_group_on_another_face_matches_its_own_face, bucket_triple_click_with_a_click_on_another_face_between_matches_the_first_fill, bucket_highlights_nothing_with_space_held}`, `tests::build::live_paint_scoped_fill_and_stroke_skip_parts_with_the_paint`, `tests::livepaint::{a_triple_click_fills_every_face_of_the_same_fill, clicks_with_space_held_paint_nothing}` (MCP).
|
||||
Live Paint Bucket Options has Cursor Swatch Preview, as the [help page](https://helpx.adobe.com/illustrator/desktop/paint-and-fill/learn-painting-basics/paint-with-the-live-paint-bucket-tool.html) lists: with the Bucket selected, the active fill or stroke shows above the pointer between the color swatches before and after it in the Swatches panel, and the Left and Right arrow keys pick the swatch before or after it, as the page describes. The selected art keeps its paint. As VectorCraft's own rules, the option is on at first, the arrows step the stroke when the Stroke proxy is in front, they wrap around at the ends and still step with the preview off, a color that is no swatch shows alone until Right picks the first swatch or Left the last, and the arrows do nothing during a fill drag or with no color swatch. Evidence: `tests::build::{live_paint_bucket_arrow_keys_step_the_active_paint_through_the_swatches, live_paint_bucket_arrow_keys_handle_unmatched_paint_few_swatches_and_drags, live_paint_bucket_arrow_keys_pass_swatches_of_the_same_color_for_fill_and_stroke, swatch_arrow_keys_leave_modified_arrows_to_the_shortcuts}`.
|
||||
Live Paint Make preserves the front-most covering source's fill when compound paths share a curved boundary, and Expand keeps the face fills. Regression evidence: `planar::tests::coincident_curves_keep_their_source_faces` checks source order, winding, fill rules and nearby boundaries; `tests::build::live_paint_make_and_expand_keep_abutting_compound_colors` checks native compound paths, Make, Expand and Undo/Redo. This preserves VectorCraft's source-fill rule without changing arrangement precision.
|
||||
Live Paint Gap Options (Object › Live Paint › Gap Options…, `livePaint.gapOptions`): with Gap Detection on, paint stops at the gaps that run from a loose end of a path to the nearest path, up to Small (3 pt), Medium (6 pt), Large (12 pt) or a custom size; Close Gaps With Paths adds an unpainted path across each gap; Preview applies the options live and draws the gaps in the Gap Preview Color. The options are saved, copied and undone with the group, and Merge keeps the bottom group's options when its Gap Detection is on, or else turns Gap Detection on with Small when another merged group has it on. When Gap Detection is off in every merged group, it stays off.
|
||||
View › Show Live Paint Gaps (`view.livePaintGaps`) draws the gaps of the selected Live Paint groups up to their Paint Stops At size, each in its group's Gap Preview Color, until Hide Live Paint Gaps or Hide Edges hides them ([Live Paint gaps](https://web.archive.org/web/20260105111201/https://helpx.adobe.com/illustrator/desktop/paint-and-fill/learn-painting-basics/find-and-close-gaps-in-live-paint-groups.html)).
|
||||
@@ -1662,7 +1671,7 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur
|
||||
In a `.ai` opened from its editing data, a path or type object with Offset Path, Outline Object or Outline Stroke on the whole object opens as itself with those effects live, in their order and shown or hidden; on a fill or stroke of type they stay on that fill or stroke. Offset Path keeps its Offset, Joins and Miter Limit, and Outline Stroke takes its width from the stroke. An Offset Path with a setting missing, out of range or not read keeps the drawn art, as does a path with a Path effect on one fill or stroke (`crates/eps/src/import/ai/style/tests.rs`, `crates/eps/src/import/ai/tests.rs`, `crates/eps/src/import/tests_native.rs`).
|
||||
In a `.ai` or EPS opened from its editing data, a Scatter brush whose last 15 numbers start with 1 comes into the Brushes panel in Tints, and each brush art section is read without its frame, an unnamed, unpainted rectangle with no settings of its own at the art's bounds (within 1/1000 pt). A wider frame stays in the art, and an art group with a state or look of its own (hidden, locked, isolated, knockout, an opacity, a blend mode, a name, a mask, a note or an appearance) stays a group (`crates/eps/src/import/ai/tests.rs`).
|
||||
In a `.ai` opened from its editing data, type with Warp on the object or on one of its fills or strokes opens as type with the effect live when the live warp draws as the art saved with it. When it draws differently, or when the file's limit of checks has no check left for it, it opens as that art, and one note says how many did. Type stays live without a comparison when the saved art paints nothing or draws type of its own, in frames of threaded type, when a text variable binds it, and when its text object doesn't come in as one text object (`crates/eps/src/import/ai/envelope.rs`, `crates/eps/src/import/tests_native.rs`).
|
||||
In a `.ai` opened from its editing data, an object with a Tweak that moves nothing or Pucker & Bloat at 0 opens as itself with the effect live. A path, compound path or group whose only effect is Transform without copies, or a Free Distort whose corners make a parallelogram, opens as itself with it live, and so does an object with nothing stroked whose only effect is Twist: a path or compound path with straight segments at up to 180° either way, and another path, compound path or group with no guide in it at up to 90° either way (limits VectorCraft sets); one twisted further keeps the drawn art. A gradient or pattern, an image, type, a clipping group, an opacity mask or effects inside the object, or a stroke with a Transform that scales, rotates or reflects, keep the drawn art (`crates/eps/src/import/ai/style/tests.rs`, `crates/eps/src/import/ai/tests.rs`, `crates/eps/src/import/ai/read/ops.rs`).
|
||||
In a `.ai` opened from its editing data, an object with a Tweak that moves nothing or Pucker & Bloat at 0 opens as itself with the effect live. A path, compound path or group whose only effect is Transform without copies, or a Free Distort whose corners make a parallelogram, opens as itself with it live, and so does an object with nothing stroked whose only effect is Twist: a path or compound path with straight segments at up to 180° either way, unless it is a compound path with a guide member that reaches past its other members and the angle is not 0°, and another path, compound path or group with no guide in it at up to 90° either way (limits VectorCraft sets); one twisted further keeps the drawn art. A gradient or pattern, an image, type, a clipping group, an opacity mask or effects inside the object, or a stroke with a Transform that scales, rotates or reflects, keep the drawn art (`crates/eps/src/import/ai/style/tests.rs`, `crates/eps/src/import/ai/tests.rs`, `crates/eps/src/import/ai/read/ops.rs`).
|
||||
A PDF page whose `UserUnit` (PDF 1.6) is above 1 opens at its size in points, its numbers times the `UserUnit` (one above 75,000 counts as 75,000), and `document.pdfInfo` gives its size and boxes in points too. A `.ai` whose editing data has its artboards in the units of such a page opens from that data at the page's size, with its layers, and when the layers can't be read its pages still take the artboard layout of the data, scaled the same way (part of #1482).
|
||||
`document.open`, `file.place` and `document.pdfInfo` reject a `cropTo`, `crop`, `password`, `colorMode` or `textAs` that is not a string, such as `"textAs": true`, and `document.pdfInfo` rejects a `thumbnailSize` that is not a number; the error names the param, and nothing opens or is placed. A param left out or given as null keeps its default (`crates/engine/src/cmd/fileio/tests_pdfimport.rs`).
|
||||
When the PDF content of a `.ai` has a page for each artboard, the layers are compared with every page on its artboard (until the pages compared take 8,388,608 pixels at the comparison's scale, about 67 letter-size pages, or number 128): art that only the layers or only a later page draws is handled as art that differs on the first page is, and a text object that a later page doesn't draw is left out unless its layer doesn't print (`crates/eps/src/import/tests_native.rs`).
|
||||
@@ -2084,6 +2093,9 @@ Corners section in the Anchor Inspector sets the radius and kind, counts the sel
|
||||
Set Corners… (in the submenu and the Corners section) sets the radius and kind with Preview, on all the chosen anchors
|
||||
or only the odd- or even-numbered ones (`every`, #5546), and only the corners whose angle is in a range
|
||||
(`minAngle`/`maxAngle`, #5545).
|
||||
`cornerSet` and `cornerRemove` refuse an `items` member key other than `id` and `anchors`, and `items` given with `ids`;
|
||||
saved steps still play (`corner_commands_refuse_an_unknown_item_key`, `corner_commands_refuse_items_with_ids`,
|
||||
`saved_corner_steps_with_older_item_keys_still_play`).
|
||||
Slide Anchor Along Path drags an anchor along its curve, the two segments beside it refitted by the keep-shape kernel
|
||||
(Shift: where the tangent is a multiple of 45°). Commands `addon.pathtools.cornerSet`, `cornerRemove` and `slideAnchor`,
|
||||
each one undo step; `vectorcraft_pathops::addons::pathtools::slide_anchor`. Tests: `addons::pathtools` in
|
||||
|
||||
Reference in New Issue
Block a user