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Pencil: ignores Smart Guides and Snap to Point
The Pencil no longer snaps to Smart Guides or Snap to Point and shows no Smart Guides while hovering or drawing: a stroke's points, its ends included, and both ends of its straight lines are where the pen went. Snap to Grid and Snap to Pixel are separate and still move its ends (#2958 is about the grid). Closing, continuing a selected path and Edit Selected Paths are unchanged; the Knife's straight cuts still snap.
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@@ -4812,9 +4812,11 @@ snap the pointer as drawing tools do, so dragging a corner onto another object's
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```
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Every point a drawing tool places snaps the same way, through one snapper (#506): the Pen's and Curvature tool's
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anchors, the Pencil's first and last point, the shape tools' start and dragged corner or radius (`rectangle`,
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anchors, the shape tools' start and dragged corner or radius (`rectangle`,
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`roundedRectangle`, `ellipse`, `polygon`, `star`, `lineSegment`, `arc`, `spiral`, `rectangularGrid`, `polarGrid`), the
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Type tool's click and frame, and a new artboard's corners. The point lands on another object's anchor, centre or
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Type tool's click and frame, and a new artboard's corners. The Pencil ignores Smart Guides and Snap to Point and
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shows no Smart Guides: its strokes and straight lines follow the hand (Snap to Grid and Snap to Pixel still move
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their ends). The point lands on another object's anchor, centre or
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path ("anchor", "center", "path"), else lines up with the anchors, edges and centres of the art and the artboards (a
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line from the target and "align"); the Pen's lands on the path being drawn too, so a click on its first anchor closes
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it exactly. With `mods.shift` the point keeps to its 45° step from the anchor before it (from `constrainAngle`; a box
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@@ -941,7 +941,7 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur
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With the Blob Brush, Alt held before the press, or pressed before the drag has moved, switches to the Smooth tool, as the reference app's [Default keyboard shortcuts](https://web.archive.org/web/20260726060015/https://helpx.adobe.com/illustrator/using/default-keyboard-shortcuts.html) page lists: the cursor shows the Smooth tool, the drag shows a thin line without the length label, Shift does not constrain it, and the release smooths the selected paths under the drag (`path.smoothRegion`) instead of painting; with nothing selected the release changes no path. A stroke that has moved keeps painting when Alt goes down.
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Curvature point markers are circular, with no direction handles. While drawing, its own point feedback replaces generic selection markers; existing paths use the selection overlay, including partial selections and Hide Edges. Anchor Size applies, and Direct Selection and Pen retain their handles. The real egui-frame regressions in `crates/ui-egui/src/canvas.rs` verify marker positions, counts and unchanged documents (#1236, in part); the existing-path interpolation request remains open. The curve through the points (`curvature_spline` in `crates/tools/src/draw2.rs`) makes each stretch of three points follow the circle through them: a smooth point's handles lie along that circle's tangent, each `chord / (3 cos²(α/2))` long (α between handle and chord, capped at 90°), and the ends of an open path mirror their neighbour's tangent in their chord, so a J or a U curves evenly, a turn tighter than 30° comes to a point, and uneven spacing doesn't loop; the rubber band, a dragged or inserted point and `path.convertAnchor` to smooth use the same rule, while the Pencil's fitting keeps its own; `tests/draw2.rs` checks that the rubber band is the path the click makes (#1236, in part). The Smooth tool smooths only the stretch of path under the drag (#1547, fixes #1512).
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While Alt is held during a Paintbrush stroke or before a press with no path selected that the Smooth tool can act on, the Paintbrush shows a closing cursor (a crosshair with a ring), and so does the Pencil with Alt key toggles to Smooth Tool off when Alt is pressed after the drag starts; releasing the mouse button with Alt still held closes the path. Before a Paintbrush press with such a path selected, Alt shows the Smooth cursor, and holding Alt at the press smooths that path with the Smooth tool's radius and Smooth Tool Options' Fidelity. A Pencil drag started with Shift or Alt held draws a straight line instead, which stays open.
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With Shift held at the press, the Pencil draws a straight line from the press point to the pointer at 45° steps from the Constrain Angle, as [Draw straight lines with the Pencil tool](https://helpx.adobe.com/illustrator/desktop/draw-shapes-and-paths/draw-shapes/draw-straight-lines-with-the-pencil-tool.html) describes; pressed on an end of a selected open path, the line continues the path from that end (part of #3799). With Option/Alt held at the press and Alt key toggles to Smooth Tool off, the Pencil draws a straight line at any angle, whose ends snap to Smart Guides, and it stays open when Alt is still held at the release; Shift and Alt together keep the 45° steps (#3799). While Shift or Alt is held before the press, the Pencil shows a straight-line cursor (a crosshair with a short line), and over an end of a selected open path, where the line continues the path, a path-continuation cursor (the same line leaving a small square), as the page describes.
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With Shift held at the press, the Pencil draws a straight line from the press point to the pointer at 45° steps from the Constrain Angle, as [Draw straight lines with the Pencil tool](https://helpx.adobe.com/illustrator/desktop/draw-shapes-and-paths/draw-shapes/draw-straight-lines-with-the-pencil-tool.html) describes; pressed on an end of a selected open path, the line continues the path from that end (part of #3799). With Option/Alt held at the press and Alt key toggles to Smooth Tool off, the Pencil draws a straight line at any angle, and it stays open when Alt is still held at the release; Shift and Alt together keep the 45° steps (#3799). While Shift or Alt is held before the press, the Pencil shows a straight-line cursor (a crosshair with a short line), and over an end of a selected open path, where the line continues the path, a path-continuation cursor (the same line leaving a small square), as the page describes.
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- **Shapes:** all shape tools (including Flare) and the line, arc, spiral and grid tools. Space held while dragging out a shape, line, arc, spiral or grid moves it at its current size. While a grid is dragged out, Up/Down change its rows (concentric dividers) and Left/Right its columns (radial dividers). A click with a grid tool asks for the size, the divider counts and the grid options (#1377, in part): a skew for each set of dividers, Use Outside Rectangle As Frame or Create Compound Path From Ellipses, and Fill Grid; they are parameters of `shape.rectangularGrid` and `shape.polarGrid`, stay as the tool's options and apply to drags too. A shape just drawn stays adjustable with its tool: its Live Shape widgets drag, a press on its centre point (Show Center) moves the selection with the Selection tool's move arrow, snapping and Alt copy, and a press in the rotate zone just outside a bounding-box corner turns it about the centre with the Selection tool's rotate cursor (#5477; tests `a_shape_tool_moves_the_selection_by_its_centre_point_and_turns_it_from_a_corner` and, through the engine, `shapetools.rs`). The curve a skew percentage follows and the direction of the radial skew are our own (the public documentation gives neither), and the dialogs have no reference point locator. An ellipse's Pie Start and End Angle and Invert Pie (Transform and Properties panels' Ellipse Properties, `object.setLiveShape {pieStart, pieEnd, invertPie}`) cut it as a pie (#812). With the bounding box showing, the Selection tool shows a selected ellipse's two pie widgets just outside it; dragging one sets its angle in one undo step and double-clicking one makes the ellipse whole again. A live polygon's Polygon Properties there: side count, angle, corner type and radius, radius, side length and Make Sides Equal once an uneven scale has made its sides differ (`object.setLiveShape {sides, polygonAngle, polygonRadius, sideLength, makeSidesEqual}`, part of #812); a star is a plain path, as in Illustrator. The Flare Tool Options last as the tool's options: the next flare dragged out uses them, a click's dialog shows them and double-clicking the tool opens them (part of #812).
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- **Shapes:** all shape tools (including Flare) and the line, arc, spiral and grid tools. Space held while dragging out a shape, line, arc, spiral or grid moves it at its current size. The Flare tool's center drag turns the rays by 0.1 radian at each drag update in which the pointer's document y grows, and back by as much at each one in which it falls, Shift held keeps their turn, and Space held during either of its drags moves the flare. While a grid is dragged out, Up/Down change its rows (concentric dividers) and Left/Right its columns (radial dividers). A click with a grid tool asks for the size, the divider counts and the grid options (#1377, in part): a skew for each set of dividers, Use Outside Rectangle As Frame or Create Compound Path From Ellipses, and Fill Grid; they are parameters of `shape.rectangularGrid` and `shape.polarGrid`, stay as the tool's options and apply to drags too. The curve a skew percentage follows and the direction of the radial skew are our own (the public documentation gives neither), and the dialogs have no reference point locator. An ellipse's Pie Start and End Angle and Invert Pie (Transform and Properties panels' Ellipse Properties, `object.setLiveShape {pieStart, pieEnd, invertPie}`) cut it as a pie (#812). With the bounding box showing, the Selection tool shows a selected ellipse's two pie widgets just outside it; dragging one sets its angle in one undo step and double-clicking one makes the ellipse whole again. A live polygon's Polygon Properties there: side count, angle, corner type and radius, radius, side length and Make Sides Equal once an uneven scale has made its sides differ (`object.setLiveShape {sides, polygonAngle, polygonRadius, sideLength, makeSidesEqual}`, part of #812); a star is a plain path, as in Illustrator. The Flare Tool Options last as the tool's options: the next flare dragged out uses them, a click's dialog shows them and double-clicking the tool opens them (part of #812).
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- **Shapes:** all shape tools (including Flare) and the line, arc, spiral and grid tools. Space held while dragging out a shape, line, arc, spiral or grid moves it at its current size. The Flare tool's center drag turns the rays with the pointer, Shift keeps them in their original orientation (unturned, or turned by a nonzero General › Constrain Angle), and Space held during either of its drags moves the flare. While a grid is dragged out, Up/Down change its rows (concentric dividers) and Left/Right its columns (radial dividers). A click with a grid tool asks for the size, the divider counts and the grid options (#1377, in part): a skew for each set of dividers, Use Outside Rectangle As Frame or Create Compound Path From Ellipses, and Fill Grid; they are parameters of `shape.rectangularGrid` and `shape.polarGrid`, stay as the tool's options and apply to drags too. The curve a skew percentage follows and the direction of the radial skew are our own (the public documentation gives neither), and the dialogs have no reference point locator. An ellipse's Pie Start and End Angle and Invert Pie (Transform and Properties panels' Ellipse Properties, `object.setLiveShape {pieStart, pieEnd, invertPie}`) cut it as a pie (#812). With the bounding box showing, the Selection tool shows a selected ellipse's two pie widgets just outside it; dragging one sets its angle in one undo step and double-clicking one makes the ellipse whole again. A live polygon's Polygon Properties there: side count, angle, corner type and radius, radius, side length and Make Sides Equal once an uneven scale has made its sides differ (`object.setLiveShape {sides, polygonAngle, polygonRadius, sideLength, makeSidesEqual}`, part of #812); a star is a plain path, as in Illustrator. The Flare Tool Options last as the tool's options: the next flare dragged out uses them, a click's dialog shows them and double-clicking the tool opens them (part of #812).
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