diff --git a/docs/mcp.md b/docs/mcp.md
index d3314ffaa..184b33a60 100644
--- a/docs/mcp.md
+++ b/docs/mcp.md
@@ -1859,10 +1859,12 @@ already walks Image Trace. Short agent entry points:
   one back to the symbol. It is refused for a static symbol and for a path that names no object. On the canvas (VectorCraft's own rule), a Direct Selection click on an instance of a
   dynamic symbol selects the path, compound path or type object of its art under the pointer and outlines it
   (`symbol.instance.selectPart {id, path}`; Alt or Shift selects the instance whole). While it is selected,
-  `paint.setFill` and `paint.setStroke` (solid, none, gradient or pattern), `paint.invert` and `paint.complement` on a
-  solid color, all without `ids`, `id` or `item`, `transparency.set` with opacity and/or blend, and the Eyedropper's
-  `appearance.copyFrom` (fill and stroke, including a gradient or pattern) change that object for this instance only,
-  each as one undo step. A painted stroke on type without a weight gets 1 pt. `paint.invert` and `paint.complement`
+  `paint.setFill` and `paint.setStroke` (solid, none, gradient or pattern) and `paint.invert` and `paint.complement`
+  on a solid color change that object's fill or stroke for this instance only when `ids`, `id` and `item` are omitted.
+  `transparency.set` with opacity and/or blend does the same when `ids`, `id` and `item` are omitted; with `ids` or
+  `id` it edits those objects, so the instance's id changes the instance. `appearance.copyFrom` takes the source's
+  fill and stroke (including a gradient or pattern) for this instance only when `ids`, `reverse`, `append` and
+  `defaultsOnly` are omitted; with `ids` it copies onto those objects. Each of these is one undo step. A painted stroke on type without a weight gets 1 pt. `paint.invert` and `paint.complement`
   on a gradient or pattern, or on type whose characters differ in color, are refused with a status message, and so are
   Eyedropper options that pick up neither color, an Eyedropper source that is not a path, compound path or type (a
   symbol instance or a group, for which the paint defaults stay as they are too), isolate, knockout, knockoutShape,
diff --git a/docs/target-app-parity.md b/docs/target-app-parity.md
index 42effff5b..db189b2ed 100644
--- a/docs/target-app-parity.md
+++ b/docs/target-app-parity.md
@@ -208,7 +208,7 @@ dominate; 3D, graphs and automation are specialist). They sum to 105. Feature de
 | Drawing tools (Pen, Curvature, Pencil, shapes, Shaper) | 7 | 85% | Shaper construction widget, Pencil/Pen nuances, Blob Brush options, Touch Type, Dimension tool; see [ui-parity.md](ui-parity.md) | 8–13 | estimated; Curvature point display regression-tested (#1236, in part); Polygon/Star exact-size count persistence regression-covered; Live Corners' Relative rounding done (#3091), score unchanged; Copy and Cut with the Pen or Curvature tool take the anchors a Cmd/Ctrl-lent Direct Selection picked (#6123), score and hours unchanged |
 | Path operations, Pathfinder, Shape Builder, Live Paint | 5 | 80% | Shape Builder on the reporter's file (#937: art past 4,096 segments is cut by lines again; unconfirmed on the file itself); gap detection shares Live Paint’s finder, with a 72 pt custom cap and the existing options; Live Paint Gap Options | 4–8 | estimated; Shape Builder Gap Detection shares Live Paint’s spatial gap finder and temporary merge bridges (#2526); Custom is capped at 72 pt in the existing options dialog (lowered from 86%: open issues); compound attributes regression-tested (#1197); single-result source names survive SVG export/import (#1293), with [SVG ID semantics](https://www.w3.org/TR/SVG2/struct.html#IDAttribute) and original-shape tests; Simplify component selection and preview regression-tested (#1272); Simplify of a Direct Selection part of a path regression-tested (`tests/simplify_part.rs`); Divide open-cutting-path geometry and appearance regression-tested (#1307); the Shape Builder's edge-source grid is bounded in memory and files a segment once per cell (`planar.rs` test `rect_index_holds_a_bounded_number_of_references`); live compound shapes (Make, Alt-click, member Shape Modes, Release, Expand, saved and exported) regression-tested (#4522) |
 | Colour, swatches, gradients, patterns, mesh, recolor | 7 | 92% | 30.0's gradient additions are done (dither, perceptual blending, presets); freeform gradients in SVG/PDF, mixed spot/process gradients in SVG, PDF gradients mixing a spot color with RGB or Lab stops, and dithered spot gradient fills and Perceptual spot gradients with RGB or Lab stops other than white or more than 4,096 stops on their curve, which PDF export writes as images in process colors | 4–7 | estimated; Recolor model selection is available through the engine and MCP (#2520), and the dialog's color sliders (HSB, RGB, CMYK, Lab, Tint for a spot color) edit the selected row's new color in its mode, and the Edit tab's Global Adjust sliders (Saturation, Brightness, Temperature, Luminosity, -100% to 100%) change every recolored color at once (lowered from 96%: target moved); unpainted zero-width stroke restoration fixed (#1253), score and hours unchanged; Eyedropper source reads regression-tested (#1251); screen-bounded Recolor Edit chip list (#3416), score and hours unchanged |
-| Strokes, brushes, width profiles | 5 | 88% | Shift-double-click adjoining adjustment is implemented; brush libraries are done (four generated libraries, User Defined, Other Library…, Save Brushes); Art brush Overlap and Pattern brush auto corners are done; remaining: pen pressure on macOS, Stylus Wheel, more built-in brush libraries | 8–15 | estimated; width-point creation and adjoining adjustment regression-tested; dialog layout reviewed; evidence below; finite-arithmetic follow-up regressions and full CI passed (evidence below) |
+| Strokes, brushes, width profiles | 5 | 88% | Shift-double-click adjoining adjustment is implemented; brush libraries are done (four generated libraries, User Defined, Other Library…, Save Brushes); Art brush Overlap and Pattern brush auto corners are done; remaining: pen pressure on macOS, Stylus Wheel, more built-in brush libraries, tilt, bearing and rotation for Art, Pattern and Bristle brushes and on native Wayland and the web | 8–15 | estimated; width-point creation and adjoining adjustment regression-tested; dialog layout reviewed; evidence below; finite-arithmetic follow-up regressions and full CI passed (evidence below) |
 | Appearance, transparency, graphic styles, masks | 5 | 97% | raster effect reach in preview bounds | 1–2 | estimated; Transform typing, sliders, preview, and undo are covered in `crates/ui-egui/src/panels/tests_appearance.rs` |
 | 3D and Materials (and Turntable) | 4 | ~25% | live Revolve with automatic smooth vector shading and default-on continuous circular caps, Extrude & Bevel (twist, taper, caps, five bevel shapes), Inflate and Rotate with Position presets (colored Inflate uses smooth membrane lighting; white-light Inflate retains its existing shading; Extrude & Bevel and Rotate retain planar shading; one to ten colored lights, shared neutral ambient, painter visibility); materials, light presets, shadows, ray tracing, the rest of 3D Classic (Revolve, Rotate, Map Art), Turntable views, textures, map art and shading in 3D export | 30–55 | estimated (Extrude & Bevel, Inflate and Rotate added 2026-10-12) |
 | Type core | 9 | 80% | Auto-leading style resets are implemented; Hyphenation… and Justification… options are done (#2310, #2755), and a paragraph's Auto Leading also sets the Character panel's Leading, the Alt+↑/↓ leading nudge and Fill with Placeholder Text; remaining: Optical Margin Alignment, Middle Eastern features beyond bidi layout, optional group font-size preservation; transformed character controls fixed (#1034), see [type-parity.md](type-parity.md) | 14–19 | estimated; eleven-language pattern hyphenation in both composers, with grapheme and shaping-cluster protection (#4947, `hyphen::tests` and `layout::wrapping_tests`); Sanskrit patterns pending an allowlisted source; recent-font groups in font pickers (#3515); full-name font matches regression-tested (#1258); mixed paragraph alignment indication implemented; headless regressions, full integration CI and visual review pass; localized legacy family-name fallback with loaded/catalog regressions (#2208); Fractional Widths per type object regression-tested; color emoji fonts with bitmap glyphs (`sbix`, `CBDT`) draw and export; threading ports: every selected area type and type on a path shows its in and out ports (empty, arrow, red "+"), and the Selection tool threads from either, the in port into a frame before it, and a double-click on a threaded port breaks the thread there (`threads::tests::break_splits_the_thread_and_the_story_flows_into_the_first_part`, `select::tests::a_double_click_on_a_threaded_port_breaks_the_thread`, `canvas::tests::a_double_click_on_a_threaded_out_port_breaks_the_thread`) (#2572; `select::tests::a_click_on_the_in_port_threads_into_a_frame_before_it`, `text::tests::selected_type_shows_its_ports_in_each_state`, `threads::tests::add_before_threads_the_story_from_the_new_frame_into_the_clicked_one`, live screenshot); the Glyphs panel highlights and scrolls to the character selected with the Type tool (#4908, `panels::glyphs` tests); the OpenType panel lists only `ss01`–`ss20` sets present in the selected font and uses its custom names when supplied; Type-range desktop Copy publishes styled art and keeps font family, size and color on canvas Paste after editing (#5636); paint-only Arabic harakat keep joining with conditional GDEF-mark ownership and Insert Kashidas base-letter paint (`tests::harakat`) |
@@ -477,7 +477,7 @@ about 1–1.5 agent-hours each, so the other rows (estimated on the older scale)
 | Drawing tools | 7 | 86% | rough-square Shaper recognition and orientation steps corrected; editable Shaper Groups landed; Pencil: Alt key toggles to Smooth Tool (#2001); remaining: Shaper construction widget/gesture refinements, pencil and the remaining pen modifier nuances, Blob Brush Merge Only with Selection, Touch Type, Live Corners' Relative rounding | 7–12 |
 | Path operations, Pathfinder, Shape Builder, Live Paint | 5 | 86% | Live Paint gap options, Shape Builder gap detection, options (Tool Options dialog, clicking a stroke in merge mode) and Shift-drag marquee | 3–6 |
 | Colour, swatches, gradients, patterns, mesh, recolor | 7 | 96% | freeform gradients in SVG/PDF and mixed spot/process gradients in SVG (exported as stops; PDF export keeps the spot inks in a DeviceN shading, except next to RGB or Lab stops; dithered fills and Perceptual gradients with RGB or Lab stops other than white or more than 4,096 stops on their curve are written as images in process colors), pattern fills in Expand | 2–4; Eyedropper source reads regression-tested (#1251) |
-| Strokes, brushes, width profiles | 5 | 90% | more built-in brush libraries (four generated in code are done; Art brush Overlap and Pattern brush auto corners are done), pen pressure on macOS (the windowing layer reports none there), Stylus Wheel | 8–15 |
+| Strokes, brushes, width profiles | 5 | 90% | more built-in brush libraries (four generated in code are done; Art brush Overlap and Pattern brush auto corners are done), pen pressure on macOS (the windowing layer reports none there), Stylus Wheel, tilt, bearing and rotation for Art, Pattern and Bristle brushes and on native Wayland and the web | 8–15 |
 | Appearance, transparency, graphic styles, masks | 5 | 98% | raster effect reach in preview bounds (flattener presets apply in PDF, EPS and print) | 1–2 |
 | Live vector effects | 5 | 85% | Outline Object, Pathfinder Hard/Soft Mix and Trap (since done: #3061, #3063, #3785), SVG Filters, Transform Patterns and Scale Strokes & Effects on a fill's or stroke's own Transform effect | 6–10 |
 | 3D and Materials | 4 | ~25% | Initial Revolve, Extrude & Bevel, Inflate and Rotate, with simple lighting; materials, light presets, shadows, ray tracing, Revolve (Classic), Rotate (Classic), Map Art and more complete visibility remain | 25–45 |
@@ -1232,7 +1232,7 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur
     With a gradient stop or a freeform gradient point selected, Alt-clicking a color swatch in the Swatches panel recolors it instead of the inactive Fill or Stroke.
   - **Freeform gradient colors in their own model:** Object ▸ Expand and Object ▸ Create Gradient Mesh (`object.mesh.create`) mix a freeform gradient's points in the color model they share: points of C50 M20 Y0 K10 give mesh points of C50 M20 Y0 K10, and RGB points keep their values in a working RGB space other than sRGB. The canvas, the gradient chips and the SVG, PDF, EPS and EMF writers mix the points in that model too. PDF and EPS write a gradient whose points are all CMYK, or all Gray in a CMYK file, as a CMYK image, which PDF's Output settings convert as they convert any CMYK image. Points in different models mix in display RGB (on the canvas in a CMYK document that shows transparency, as the inks of each point), and a CMYK document stores the result of Expand as CMYK through the color settings. Points colored along CMYK stops (`paint.editGradient {stops}`, or a CMYK gradient switched to freeform) are CMYK, and so are a point `paint.freeform.splitLine` adds between CMYK points and a point `paint.freeform.addPoint` adds without `color` to CMYK points. Public reference: [Gradients](https://web.archive.org/web/20250714042311/https://helpx.adobe.com/illustrator/using/gradients.html) and [Meshes](https://web.archive.org/web/20250812201019/https://helpx.adobe.com/illustrator/using/meshes.html), which do not state how colors in different models mix; the rule is VectorCraft's own.
   - **Strokes:** one stroke-geometry module shared by the canvas, SVG, PDF and Outline Stroke; dotted lines (zero-length dashes draw dots or squares); arrowheads with hollow outlines, tip-on-end or extend-past-end alignment and one opacity for line and head. SVG and PDF export arrowheads, width profiles, brushes and aligned strokes exactly as the canvas draws them; Outline Stroke and the live Outline Stroke effect outline every stroke item as drawn (dashes, heads, profiles, alignment); dashes can be fitted to corners and path ends; width profiles carry through dashes, and their corners take the join. The Stroke panel edits type's character strokes, follows the stroke units (its weight presets are round values in that unit: `0.25 mm`, `0.0625 in`, `1 px`, #426; fields show four decimals in mm, cm and inches, three in points), shows mixed values blank and opens from the Control bar. A width profile library, thirty more arrowheads, and Width Point Edit with multi-select and discontinuous points. Visual bounds and clicks cover the whole painted stroke. Scale Strokes & Effects, Scale Corners and Use Preview Bounds work everywhere, and new art inherits stroke options, a graphic style or the whole last appearance.
-  - **Brushes (part of #852):** double-clicking a brush in the Brushes panel (or the panel menu's Brush Options…) opens Calligraphic Brush Options (Name; Angle, Roundness and Size, each Fixed, Random, Pressure, Tilt, Bearing or Rotation with its Variation; live previews of the nib and of a light–heavy–light stroke) or Bristle Brush Options (Shape and the bristle sliders); OK edits the brush and every stroke painted with it. The Paintbrush records the pen pressure along each stroke (kept with the path, saved, and joined when a stroke continues a path); a Calligraphic value on Pressure goes from value − variation at the lightest pressure to value + variation at the heaviest, on the canvas and in SVG, PDF and the other exports. Brushes saved before keep their look. Scatter Brush Options (Size, Spacing, Scatter and Rotation, each Fixed, Random between two values, Pressure from the first at the lightest pressure to the second at the heaviest, Tilt, Bearing or Rotation; Rotation relative to Page or Path), Art Brush Options (Width, Scale Proportionately, Stretch to Fit Stroke Length or Stretch Between Guides with the guides' start and end, the four Directions, Flip Along and Across, Overlap) and Pattern Brush Options (Scale, Spacing, the five tiles shown, Flip Along and Across, Stretch to fit, Add space to fit or Approximate path) each have Colorization (None, Tints, Tints and Shades, Hue Shift with its Key Color picked from the art's colours) and a live stroke preview; values from files and commands are clamped to their ranges. Art Brush Options › Overlap places art on each run between sharp corners so folds do not overlap (`ArtBrush.overlap`; `art_brush_overlap_splits_at_corners`). Still to come: Stylus Wheel, and pen pressure on macOS where the windowing layer reports none.
+  - **Brushes (part of #852):** double-clicking a brush in the Brushes panel (or the panel menu's Brush Options…) opens Calligraphic Brush Options (Name; Angle, Roundness and Size, each Fixed, Random, Pressure, Tilt, Bearing or Rotation with its Variation; live previews of the nib and of a light–heavy–light stroke) or Bristle Brush Options (Shape and the bristle sliders); OK edits the brush and every stroke painted with it. The Paintbrush records the pen pressure along each stroke (kept with the path, saved, and joined when a stroke continues a path); a Calligraphic value on Pressure goes from value − variation at the lightest pressure to value + variation at the heaviest, on the canvas and in SVG, PDF and the other exports. Brushes saved before keep their look. Scatter Brush Options (Size, Spacing, Scatter and Rotation, each Fixed, Random between two values, Pressure from the first at the lightest pressure to the second at the heaviest, Tilt, Bearing or Rotation; Rotation relative to Page or Path), Art Brush Options (Width, Scale Proportionately, Stretch to Fit Stroke Length or Stretch Between Guides with the guides' start and end, the four Directions, Flip Along and Across, Overlap) and Pattern Brush Options (Scale, Spacing, the five tiles shown, Flip Along and Across, Stretch to fit, Add space to fit or Approximate path) each have Colorization (None, Tints, Tints and Shades, Hue Shift with its Key Color picked from the art's colours) and a live stroke preview; values from files and commands are clamped to their ranges. Art Brush Options › Overlap places art on each run between sharp corners so folds do not overlap (`ArtBrush.overlap`; `art_brush_overlap_splits_at_corners`). Still to come: Stylus Wheel, pen pressure on macOS where the windowing layer reports none, and tilt, bearing and rotation for Art, Pattern and Bristle brushes and on native Wayland and the web.
     Under Tints and Tints and Shades, art in black ink alone goes by its ink amount, and a process or gray stroke color's tints and shades stay in that color's model; these are VectorCraft's own rules.
     Type in a scatter brush's art takes the brush's colorization as its paths do: Tints, Tints and Shades and Hue Shift recolor the characters' solid fills and strokes in each copy the brush draws, and Brush Options' Key Color list, whose first color is Hue Shift's default key, counts the characters' fills and their strokes wider than 0. The Brushes page says that a scatter, art or pattern brush takes its colors from the current stroke color and the brush's colorization method (<https://web.archive.org/web/20241230205225/https://helpx.adobe.com/illustrator/using/brushes.html>) and does not mention type there; recoloring the characters' paints like the art's fills and strokes is VectorCraft's own rule. The Symbol Stainer mixes the characters' strokes of type toward the stain as it mixes their fills. Evidence: `tests::scatter_colorization_recolors_type`, `tests::art_colors_list_the_most_used_first`, `tests::stain_mixes_type_strokes_too` (vectorcraft-brush).
   - **Pen tilt, bearing and rotation (part of #764):** Calligraphic and Scatter Brush Options offer Tilt, Bearing and Rotation beside Fixed, Random and Pressure. The Paintbrush records along each stroke how far the pen leans, which way, and how far its barrel is turned (kept with the path, saved, and joined when a stroke continues a path). A Calligraphic value on Tilt goes from value − variation with the pen lying flat to value + variation upright; on Bearing or Rotation it adds variation × the angle over 180°, so Angle on Bearing with a Variation of 180° turns the nib with the way the pen leans. A Scatter value goes from its first value to its second over the same ranges. A stroke without that input draws the brush's own value. On Linux under X11 and XWayland the app reads the tilt and an Art Pen's barrel rotation from XInput2, on macOS it reads them from AppKit's tablet events, and `path.freehand` points and `pointer_gesture` events carry them on every platform. The [Brushes](https://web.archive.org/web/20241230205225/https://helpx.adobe.com/illustrator/using/brushes.html) page defines the three options and does not say which way each one runs; that mapping is VectorCraft's own rule. Evidence: `tests::tilt_maps_to_roundness_along_the_stroke`, `tests::bearing_and_rotation_turn_the_nib`, `tests::scatter_values_follow_tilt_and_bearing` (vectorcraft-brush), `tests_brushsym::paintbrush_records_the_pens_tilt_on_the_stroke` (vectorcraft-engine), `tablet::tests::a_pens_tilt_and_rotation_go_into_the_feed` and `mac_tablet::tests::a_pens_tilt_and_rotation_go_into_the_feed` (vectorcraft).