Merge remote-tracking branch 'origin/main' into fix/macos-tmp-symlink-tests

docs/control-protocol.md

@@ -111,7 +111,7 @@ the two can still win that race.
 | `app.export` with `useArtboards` | `{path, useArtboards: true, range? \| artboards?, …}` | Export As: PNG, JPEG and WebP write one file per chosen artboard (default all; SVG does so for a `range`), `<path stem>-<artboard>.<ext>`, and return `{path, files: [path…]}`; a PDF keeps them as pages of `path`. `useArtboards: false` covers the bounds of the visible art. The menu's Export As… is `file.exportAs`: the `exportAs` dialog (`format`, `useArtboards`, `all`, `range`), then a save dialog and the format's options: `pngOptions` / `jpgOptions` / `webpOptions`, `svgOptions`, or `savePdf` for a PDF with Use Artboards |
 | `ui.dialog.*` on `gradientStop` | `{field: "color" \| "opacity" \| "location", value}` | double-clicking a stop on the Gradient tool's annotator opens its popover (fields `index`, `x`, `y`, `tab`); set `color` (hex), `opacity` or `location` (percentages) and `ui.dialog.confirm` to apply them to the selected stop. `gradient.selectStop {index}` picks the stop the annotator, the panels and Delete/←/→ (`ui.key`) act on |
 | `engine.execute` `ui.savePdfDialog` | `{path?, preset?, range?, …document.exportPdf options}` | opens the Save PDF dialog (`file.export.pdf` with no params opens it too). Its fields are the `document.exportPdf` options: set `compatibility` with `ui.dialog.set {field: "compatibility", value: "1.5"}`, a whole section with `{field: "compression", value: {…}}`, the artboards with `__allArtboards: false` and `range`, the visible section with `__section` (General, Compression, Marks and Bleeds, Output, Advanced, Security, Summary). `ui.dialog.confirm` writes `path` (else asks for one), returns `{path, bytes, warnings}` and opens the file when `viewAfterSaving` is set |
-| `file.save` / `file.saveAs` / `file.saveCopy` / `file.saveAsTemplate` (via `engine.execute`) | `{path?, format?, options?, svg?}` | Save writes the document's own file in its own format (a document opened from or saved as SVG/PDF saves as that again; the result's `warnings` say what the format loses). With `path` the file is written at once (Save As or a Copy to an SVG path without SVG options first opens SVG Options, below). Without one (never saved, a converted older file, Save As, a Copy, a Template) the app shows a save panel with one file type per save format (`vectorcraft`, `template`, `pdf`, `svg`, `svgz`, `ai`; for a Template, `template` and `ait`), then the format's options: SVG opens the `svgOptions` dialog (below; returns `{"pending": "svgOptions", "path"}`), PDF the `savePdf` dialog (its `__save` field names the save command); `ui.dialog.confirm` finishes the save. A name typed in the panel without the file type's extension gets it, and a name the panel returns with the extension of a format the panel does not list has it replaced (in a native save, `card.png` and `card.ait` are saved as `card.vectorcraft`, and `notes.v2`, whose extension names no format, is saved as `notes.v2.vectorcraft`); when a file of that name exists, which the panel did not ask about, the save (and every export or other write through a save panel) answers `cancelled` and opens a `replaceFile` dialog (fields `message`, `detail`, `path`): `ui.dialog.confirm` writes that file, `ui.dialog.cancel` writes nothing. On the web a `saveOptions` dialog (fields `path`, `format`) first names the file and picks the format. `file.formatOptions {format?}` reads the options a save would use. `file.revert` opens a `confirm` dialog (`{"pending": "confirm"}`); `ui.dialog.confirm` reloads the saved file in the same tab |
+| `file.save` / `file.saveAs` / `file.saveCopy` / `file.saveAsTemplate` (via `engine.execute`) | `{path?, format?, options?, svg?}` | Save writes the document's own file in its own format (a document opened from or saved as SVG/PDF saves as that again; the result's `warnings` say what the format loses). With `path` the file is written at once (Save As or a Copy to an SVG path without SVG options first opens SVG Options, below). Without one (never saved, a converted older file, Save As, a Copy, a Template) the app shows a save panel with one file type per save format (`vectorcraft`, `template`, `pdf`, `svg`, `svgz`, `ai`; for a Template, `template` and `ait`), then the format's options: SVG opens the `svgOptions` dialog (below; returns `{"pending": "svgOptions", "path"}`), PDF the `savePdf` dialog (its `__save` field names the save command); `ui.dialog.confirm` finishes the save. A name typed in the panel without the file type's extension gets it, and a name the panel returns with the extension of a format the panel does not list has it replaced (in a native save, `card.png` and `card.ait` are saved as `card.vectorcraft`, and `notes.v2`, whose extension names no format, is saved as `notes.v2.vectorcraft`); when a file of that name exists, which the panel did not ask about, the save (and every export or other write through a save panel) answers `cancelled` and opens a `replaceFile` dialog (fields `message`, `detail`, `path`): `ui.dialog.confirm` writes that file, `ui.dialog.cancel` writes nothing. A save or export that writes other files beside that path (a file per artboard, linked images, image maps) checks them before it writes anything: when any of them exists, it writes nothing and opens a `replaceFiles` dialog (fields `message`, `detail` (each file's name when there are several), `files`, `__command`, `__params`; the reply is `{"pending": "replaceFiles"}`, or comes once a Background Save or Export ends): `ui.dialog.confirm` runs the save or export again and replaces them, `ui.dialog.cancel` writes nothing; a dialog open when a background job asks stays open, and the question follows it. A save does not ask about the files the document's last Save or Save As in this session wrote. On the web a `saveOptions` dialog (fields `path`, `format`) first names the file and picks the format. `file.formatOptions {format?}` reads the options a save would use. `file.revert` opens a `confirm` dialog (`{"pending": "confirm"}`); `ui.dialog.confirm` reloads the saved file in the same tab |
 | SVG Options (`engine.execute` of `file.export.svg`, `file.saveAs`, `file.saveCopy`) | `{}` / `{path?, svg?: {…}}` | `file.export.svg` without params, and Save As or Save a Copy to an `.svg`/`.svgz` path without SVG options, open the `svgOptions` dialog (`ui.dialog.set` its fields: `styling`, `outlineText`, `images`, `objectIds`, `decimals`, `minify`, `responsive`, `fewerTspans`, `metadata`, `preserveEditing`, `useArtboards`, `allArtboards`, `range`, `showCode`, `profile` (`svg11`/`tiny12`), `encoding` (`utf8`/`utf16`/`latin1`), `embedFonts`; `ui.dialog.confirm` exports or saves and remembers the choices). With `svg: {…}` (the `document.formats` SVG options) they run directly. `app.save {path?, svg?}` takes the same options; a document saved as SVG saves as SVG again with the same options |
 | `engine.execute` `file.place` | `{paths?}` / `{path \| name+dataBase64, …file.place params}` | with no file, picks files and opens the `place` dialog; with `paths`, opens it for them (fields `files`, `link`, `template`, `replace`; `__replace` says whether Replace applies, `__info` describes each file). `ui.dialog.confirm` places one file centered in the view (or in place of the selected object) and loads the place cursor with several (`file.place.queue`). In the desktop app the dialog reads its files off the UI thread: `__info` is empty until they are read, `ui.dialog.confirm` returns `{background: true, status}`, `ui.inspect` lists the files still being read in `placing`, and the file is placed (or the cursor loaded) once it is read. With a file, it runs `file.place` centered in the view, at once. Files dropped on the window with no document open open. On the web, files dropped on the canvas are placed at the drop point (linked; Shift embeds) and files dropped off it (the tab bar) open, as in Illustrator; desktop drops carry no pointer position, so documents (native, SVG, PDF, `.ai`, EPS, DXF, EMF/WMF) open as tabs of their own and pictures and text are placed in the middle of the view. Swatch libraries and color books (`.vcswatches`, `.gpl`, `.ase`, `.acb`), graphic style libraries (`.vcstyles`), Libraries panel files (`.vclibrary`), presets (`.vcflattener`, `.vcpdfpresets`, `.vcprintpresets`, `.vcperspective`, `.vcexportpresets`), plug-ins (`.wasm`) and shortcut sets (`.kys`, in Import Shortcut Set) open wherever they are dropped, as File › Open opens them. With the cursor loaded (`ui.inspect` → `tool: "place"`, `toolOptions: {count, current, name, names}`), `ui.pointer` clicks and drags place files (in the desktop app each file is read off the UI thread and placed once it is read, and `ui.inspect` lists it in `placing` until then) and `ui.key` ←/→/↑/↓ and Escape cycle and discard them |
 | `app.export` raster options | `{path?, format: png \| jpg \| webp, ppi?, width?, height?, background?, antiAlias?, interlaced?, quality?}` | `ppi` sets the pixel size (72 = one pixel per point) and is stored in PNG and JPEG files (WebP files store no resolution); `width` or `height` sets the size of each file in pixels instead (`width` wins), and PNG and JPEG files store the resolution that results; `background` is `transparent`, `white`, `black` or `"#rrggbb"`; `antiAlias` is `none`, `art` or `type` (text snapped to pixels); `interlaced` writes an Adam7 PNG. The PNG Options dialog (`pngOptions`; `jpgOptions` / `webpOptions` for the other raster formats) has the same fields: fill them with `ui.dialog.set` and press OK with `ui.dialog.confirm` |

docs/mcp.md

@@ -463,7 +463,14 @@ or a new object (`css.export`, `object.isolate`, `layer.locate`, `layer.releaseT
 counterparts, `image.info`, `links.info`, `links.goTo`, `links.unembed`, `shaper.release`, `shaper.expand`,
 `transparency.editOpacityMask`, `transparency.viewOpacityMask`, `symbol.edit`, the `object.blend.spine.*` commands
 and `path.curvature`) refuse an `id` that is not a non-negative integer (`"abc"`, `"5"`, `true`) with an error and
-change nothing; an omitted or null `id` keeps the default. A command that leaves out an object selected inside a
+change nothing; an omitted or null `id` keeps the default. Commands that need an object id (`document.node`, the
+`path.*` anchor and handle commands, `text.reshapePath`, `text.editRange`, the `object.mesh.*` point commands,
+`layer.target`, `node.move`, `select.magicWand` and the others like them, and the `source`, `target`, `group` and
+`path` keys of `appearance.transfer`, `appearance.copyFrom`, `layer.move`, the `livePaint.*` commands and
+`text.createInPath`) refuse a value that is not a non-negative integer with "`id` must be a whole number", naming the
+key, and report a key left out or null as missing. The optional `group` of `livePaint.fill` and `parent` of
+`node.move` are refused the same way when given; left out, they keep their defaults. `livePaint.info` reads `id` when
+`group` is left out or null, and reports a missing group only when both are left out. A command that leaves out an object selected inside a
 selected group also leaves it out when `ids` list it together with a group that holds it. Every command that takes
 `ids` (or `slices`, for the slice commands) refuses a list with an entry that is not a non-negative integer, or a value
 that is not a list, and changes nothing; it does not act on the other entries. The error for an entry names the key,
@@ -6532,9 +6539,15 @@ else its topmost visible fill's, where a fill or stroke at 0% opacity does not c
 of its stops, a gradient mesh's the average of its points' colors (points at 0% opacity left out), and a pattern's its first visible solid fill (gray
 when it has none). The pens draw in turn, each pen's paths in paint order, or with `sortPaths: true` each next path
 the one that starts nearest where the pen stopped (an open path may be drawn from its other end, and a closed one
-starts at its point nearest the pen). Curves become straight moves no further than `curveTolerance` points from the
-curve (default 0.1, from 0.01 to 10). These defaults, the 255-pen limit and the rules for pen numbers and colors above
-are VectorCraft's own.
+starts at its point nearest the pen). With `insideFirst: true`, a path is drawn only after every path of the same
+pen that lies inside it, for example a letter's counter before the letter and a part's holes before the part. A
+path lies inside a closed path when it does not cross that path's line, every part of it lies inside that path (by
+the even-odd rule) or on its line, and some part lies inside: a path touching the line around it is inside, a path
+crossing it or leaving it through a corner is not, and copies of one outline are not inside each other. Without
+`sortPaths` the paths otherwise keep paint order; with it, the next path is the nearest of those free to draw.
+Curves become straight moves no further than `curveTolerance` points from the curve (default 0.1, from 0.01 to 10).
+These defaults, the 255-pen limit and the rules for pen numbers, colors and the order of paths above are
+VectorCraft's own.
 
 `hpglVersion: "hpgl"` (the default) writes `IN;`, then for each pen `PU;SP<n>;` and each path `PUx,y;PDx,y,…;`, and
 ends with `PU;SP0;`. `"hpgl2"` also writes the palette (`NP` and a `PC` color for each pen) and draws each pen's
@@ -6543,11 +6556,16 @@ with a coordinate outside −32,768 to 32,767 units (about 82 cm from the origin
 as it is, with a warning that older devices may not read it; this check is VectorCraft's own. `warnings` names
 type drawn as outlines, inline graphics in type (left out), placed images, opacity masks, raster effects, stroke
 looks that are not drawn, art past the plotter's range, HP-GL coordinates past 16-bit numbers, colors past 255 pens,
-and the limits on points, clipping work, symbols, live art, nesting depth and sorting.
+and the limits on points, clipping work, symbols, live art, nesting depth and sorting. Sorting and finding which paths lie inside which share one
+work budget for the plot, 500 million box and point comparisons. When sorting runs out of it, the paths not yet
+drawn keep paint order, each after the paths inside it with `insideFirst`. When it runs out while the writer is
+finding which paths lie inside which, the paths of that pen and of the later pens keep paint order. Both cases add
+a warning.
 
 ```json
 {"name":"export","arguments":{"path":"/tmp/decal.plt","format":"hpgl"}}
 {"name":"run_command","arguments":{"command":"document.export","params":{"format":"hpgl","path":"/tmp/sheet.plt","useArtboards":true,"hpglVersion":"hpgl2","pens":["#000000","#ff0000"],"sortPaths":true}}}
+{"name":"run_command","arguments":{"command":"document.export","params":{"format":"hpgl","path":"/tmp/stencil.plt","sortPaths":true,"insideFirst":true}}}
 ```
 
 ## TIFF, BMP and Targa export
@@ -7348,6 +7366,25 @@ Panel sets it back to Push Out Only. One undo step.
 {"name":"run_command","arguments":{"command":"text.setFormat","params":{"kinsokuType":"pushInFirst"}}}
 ```
 
+## Korean Line Break Anywhere
+
+`text.setFormat {koreanLineBreakAnywhere: bool}` (Paragraph panel menu › Korean Line Break Anywhere, shown with the
+East Asian options) turns it on or off for the paragraphs of the selected type (or `ids`, or the paragraphs a `start` /
+`end` range touches). Off, a Korean word (the characters between two spaces, when any of them is Hangul, Han and kana
+included) breaks only at its spaces, after East Asian punctuation in it, and at forced line breaks, so a word that does
+not fit moves to the next line whole; a word wider than the line still breaks where it overflows. On, a line may break
+between any two Hangul syllables. Both composers and vertical type follow it, No Break and the Kinsoku Set still apply,
+and hyphenation never adds a hyphen to Hangul. Text without Hangul keeps its own breaks. New type and imported text have
+it off; paragraphs saved before the option open with it on, the breaks they were laid out with. It is saved with the
+paragraph (`korean_line_break_anywhere` in `para`) only when off, paragraph styles carry it (Paragraph Style Options ›
+East Asian Composition Settings), and Reset Panel turns it off. A value that is not true or false is refused. One undo
+step. `.ai` editing data does not hold it, and a save reports a Korean paragraph with it on as left out. The
+help page: https://helpx.adobe.com/illustrator/desktop/design-with-text/fonts-and-scripts/set-line-breaks-korean-text.html
+
+```json
+{"name":"run_command","arguments":{"command":"text.setFormat","params":{"koreanLineBreakAnywhere":true}}}
+```
+
 ## Hanging punctuation (burasagari)
 
 `text.setFormat {burasagari: "none"|"standard"|"forced"}` sets the Paragraph panel menu's Burasagari (None / Regular /
@@ -8056,8 +8093,8 @@ the Paragraph Styles panel, or Paragraph Style Options… in its menu, does the
 `paraStyle.edit {name, to, attrs}`, which takes the same arguments as `charStyle.edit` and replaces the style's
 name and attributes in one undo step; the paragraphs that use the style keep their local overrides. OK with no field
 changed records no undo step, and Preview updates the paragraphs while the dialog is open (Cancel restores them).
-The `paraStyleOptions` dialog exposes `name`, `section` (`general`, `basic`, `tabs`, `composition`, `hyphenation` or
-`justification`) and `preview`, and these fields:
+The `paraStyleOptions` dialog exposes `name`, `section` (`general`, `basic`, `tabs`, `composition`, `hyphenation`,
+`justification` or `eastAsian`) and `preview`, and these fields:
 
 - Basic Paragraph Formats: `justify` (`Auto`, `Left`, `Center`, `Right`, `JustifyLeft`, `JustifyCenter`,
   `JustifyRight` or `JustifyAll`), and `left_indent`, `right_indent`, `first_line_indent`, `space_before` and
@@ -8076,6 +8113,8 @@ The `paraStyleOptions` dialog exposes `name`, `section` (`general`, `basic`, `ta
 - Justification: `word_min`, `word_desired`, `word_max`, `letter_min`, `letter_desired`, `letter_max`, `glyph_min`,
   `glyph_desired` and `glyph_max` (percent), `auto_leading` (percent) and `single_word` (`fullJustify`,
   `alignLeft`, `alignCenter` or `alignRight`).
+- East Asian Composition Settings: the `korean_line_break_anywhere` checkbox (Korean Composition Settings › Korean
+  Line Break Anywhere).
 
 A field left as it was keeps the attribute as the style has it, and an empty field leaves its attribute unset; an
 empty Hyphenation or Justification field takes its default while another field of that section is set. Attributes
@@ -8090,8 +8129,9 @@ position. A value the style already has is kept. An invalid value leaves the
 style, its paragraphs and Undo history unchanged, and keeps the dialog open.
 Reset Panel removes the section's attributes from the definition: Basic Paragraph Formats removes `justify` and the
 five distances, Tabs removes `tabs`, Composition removes `composer` and `roman_hanging`, Hyphenation removes `hyphenate` and
-`hyphenation`, and
-Justification removes `justification`. `ui.paraStyleOptions.resetPanel {}` performs that reset for the section
+`hyphenation`,
+Justification removes `justification`, and East Asian Composition Settings removes `korean_line_break_anywhere`.
+`ui.paraStyleOptions.resetPanel {}` performs that reset for the section
 selected in Paragraph Style Options or New Paragraph Style; it is disabled on General.
 
 In the native file a text object's `para` holds the first paragraph's attributes and `paras` (left out when every

docs/target-app-parity.md

@@ -1202,7 +1202,8 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur
   Type › Optical Margin Alignment (`type.opticalMarginAlignment`) hangs the punctuation and letter edges at the ends of a type object's lines outside its margins: at the left of left-aligned lines, at the right of right-aligned lines, and at both ends of centered and justified lines, in point and area type of left-to-right paragraphs. Quotation marks, hyphens, full stops and commas hang wholly; asterisks, tildes, ellipses, en and em dashes, colons and semicolons hang by half; and A, V, W, Y, v, w and y hang by a tenth of their width. It is off by default and saved with the type object. Justification's Glyph Scaling leaves the glyphs that hang at their width, so they hang exactly their share, and Standard burasagari counts what hangs at a line's start as room before hanging a comma; `crates/text/src/tests/hang.rs` checks whole paragraphs with both composers, ragged, centred and justified, with Line-end Punctuation Half Width and bidirectional lines.
   Optical Margin Alignment and Roman Hanging Punctuation hang right-to-left paragraphs of point and area type, and type on a path whose first paragraph runs right to left, too. Auto aligns a right-to-left line at its right, or at the end bracket of a path, so it hangs there. A right-to-left line is read from right to left: where it hangs at its left margin, `."` ending it hangs both glyphs.
   The Paragraph panel menu's Kinsoku Shori Type (`text.setFormat {kinsokuType}`, with the East Asian options) picks Push In First, Push Out First or Push Out Only for each paragraph: a character the Kinsoku Set keeps off a line's start or end is set on the line, with the line's gaps next to CJK characters closed by at most a tenth of an em each to fit, or moved to the next line with the character before it. Push Out First pushes in only when pushing out would leave the line more than an em short. Push Out Only is the default, the setting is saved only when it is not, and paragraph styles carry it.
-  The Paragraph panel menu's Reset Panel (`text.setStyle`, `text.setFormat` and `text.tabs.clear`) gives the selected type's paragraphs, or the paragraphs the Type tool's selection touches, Auto alignment, no indents or paragraph spacing, Hyphenate off with the default Hyphenation and Justification options, Auto direction, Bottom-to-Bottom Leading, the Line-end Punctuation Half Width Mojikumi Set, Regular burasagari, the Hard kinsoku set, Push Out Only, the Every-line Composer, Roman Hanging Punctuation off, no kashidas and no tab stops, as one undo step.
+  The Paragraph panel menu's Korean Line Break Anywhere (`text.setFormat {koreanLineBreakAnywhere}`, with the East Asian options, and the East Asian Composition Settings section of Paragraph Style Options) sets for each paragraph whether a line may break between any two Hangul syllables. When it is off, a word that contains Hangul breaks only at its spaces and after punctuation, or where the word is wider than the line, and takes no hyphen. New type has it off; paragraphs saved before the option read as on, so their lines do not move.
+  The Paragraph panel menu's Reset Panel (`text.setStyle`, `text.setFormat` and `text.tabs.clear`) gives the selected type's paragraphs, or the paragraphs the Type tool's selection touches, Auto alignment, no indents or paragraph spacing, Hyphenate off with the default Hyphenation and Justification options, Auto direction, Bottom-to-Bottom Leading, the Line-end Punctuation Half Width Mojikumi Set, Regular burasagari, the Hard kinsoku set, Push Out Only, the Every-line Composer, Roman Hanging Punctuation and Korean Line Break Anywhere off, no kashidas and no tab stops, as one undo step.
   The Paragraph panel menu's Hyphenation… (`ui.hyphenation`, `text.setFormat {wordsLongerThan, afterFirst, beforeLast, hyphenLimit, hyphenationZone, hyphenateCapitalized}`) sets each paragraph's hyphenation limits: the shortest word that breaks, the fewest letters on each side of the hyphen, the most hyphenated lines in a row, a zone at the right edge where the Single-line Composer breaks before a word instead of hyphenating it, and whether capitalized words break. The defaults are words longer than 5 letters, 3 letters on each side, no limit or zone, and capitalized words hyphenated; paragraph styles and the native file keep the options.
   PDF export with type as text writes the hyphen that ends a line broken inside a word as a hyphen character where the line draws it, and the file opens with the hyphen in the line's text; kashidas are drawn as paths.
   The Paragraph panel's Insert Kashidas (with the Indic options; `text.setFormat {kashida}`) lengthens each Arabic word of a justified horizontal area type line with a kashida, a tatweel between its last pair of joined letters, before the word spaces widen: Short, Medium and Long kashidas are at most a quarter, half and a whole em long, Stylistic ones are whole tatweels up to an em, and None (the default) leaves the line as before; paragraph styles and the native file keep the setting.
@@ -1520,6 +1521,7 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur
   - HEIC and HEIF images open and place from `.heic` and `.heif`, as the [supported file formats](https://helpx.adobe.com/illustrator/kb/supported-file-formats-illustrator.html) list High Efficiency Image under both Open and Place (and [Fix HEIF file import errors on Windows](https://helpx.adobe.com/illustrator/desktop/add-and-import-files/import-other-file-types/fix-heif-file-import-errors-on-windows.html) covers both ways of bringing HEIF files in): HEVC-coded single pictures and grids of tiles, 8 to 10 bits, with an alpha image, decoded by heic-rs in the engine's default `heif` feature. The container's rotation, mirror and crop are applied. Without an `nclx` box, the HEVC stream's video signal type gives the samples' matrix and range. An RGB ICC profile, or Display P3 with the sRGB curve named by an `nclx` box or, without a color box, by the stream, is converted to sRGB; the EXIF resolution tags size the image, or 72 ppi. Image sequences, other codings and grids of cropped tiles are refused with a message, and so is every HEIF file in a build without the feature. The decoder checks image size before allocating (`crates/engine/src/cmd/fileio/tests_heifread.rs`).
   - HP-GL/2 plot files (`.plt`, `.hpgl`, `.hgl`, `.hpg`, or a name no other format reads when the file starts with plotter instructions) open and place as paths on one layer, the artboard round the art: each line drawn with the pen down is a stroked path in its pen's color and width, line types become dash patterns, circles, arcs, wedges and Bézier curves are curves, filled and edged rectangles, wedges and polygons (polygon mode) are filled or stroked paths, and encoded polylines, scaling points, user units and rotation are read. Labels, symbol mode's symbols, raster images and hatching aren't drawn and are listed in the warnings (`crates/cad/src/hpgl/tests.rs`, `crates/engine/src/cmd/fileio/tests_hpgl.rs`).
   - Export As › HP-GL (`document.export {format: "hpgl"}`) writes a `.plt` plot of an artboard, each artboard or the art for pen plotters and cutters: each visible path once along its line in plotter units from the artboard's bottom-left corner or center, a pen per color or a pen table, curves flattened to a tolerance, type as outlines, clipping masks and the artboard's edges applied, and HP-GL or HP-GL/2 (pen colors and encoded polylines); plots read back by the HP-GL reader give the same lines (`crates/cad/src/hpgl/write/tests.rs`, `crates/engine/src/cmd/fileio/tests_hpgl.rs`).
+  - HP-GL export's `insideFirst` cuts each pen's paths inside before outside: a path is drawn only after the pen's paths that lie inside it (a letter's counter, a part's holes, rings within rings), touching outlines counted as inside and crossing ones not, in paint order or nearest first with `sortPaths`, within the plot's work budget; these order rules are VectorCraft's own (`crates/cad/src/hpgl/write/nest.rs`, `crates/cad/src/hpgl/write/tests.rs`, `crates/engine/src/cmd/fileio/tests_hpgl.rs`).
   - EPS and DXF in and out, EMF/WMF in and out; PNG (with PNG-8), JPEG, WebP, GIF, TIFF, BMP, Targa and layered PSD export; grayscale TIFFs with an alpha channel or other extra channels place, relink and open, the alpha as the image's transparency (#1466 in part); PSD and PSB files open and place, linked or embedded, as their merged image in every colour mode and depth (#918). EPS import runs a PostScript Level 3 interpreter written from the PostScript Language Reference: resource categories and `resourceforall`, local and global VM (`currentglobal`/`setglobal`/`gcheck`), `clipsave`/`cliprestore`, subarrays and substrings that share storage, the standard dictionaries in `systemdict`, `dictstack`, `internaldict`, executable filters and strings, `load` by any key, `//name` immediate names, `token`, `execform`, user paths, `cshow`, `rootfont`, `cachestatus`, colour rendering and halftone queries, file `status` and data read with `flushfile`, and `pdfmark` marks dropped (Discord feedback, #466, #469, #474). Masked images (`ImageType 3` in its three interleavings) and reusable streams are read, and an image's several data sources are read in turn, as the reference defines (procedures that read one file get their own rows: such images came in banded, #498). `restore` puts dictionaries back as they were at the `save`, so programs that count their saves in a dictionary read to their end (part of #505). Tiling patterns come in as pattern swatches, uncoloured ones too; Type 3 fonts' glyphs as their outlines, spaced by `ashow`/`widthshow`/`xshow`/`kshow`; mesh and function-based shadings (types 1, 4–7) as gradient meshes; sampled functions (type 0) and Flate/LZW predictors are read. It is tested with programs written from the specification in the ways common generators use these features; Inkscape/cairo EPS files open as vectors. When a file's PostScript still can't be read, it opens as its TIFF preview, its Windows metafile preview (as vectors) or its EPSI preview, and the warning (in the status bar, `document.open`/`app.open`/MCP `open_file` replies and `vectorcraft-cli info`) names the error, the operator that raised it and the procedures it ran in. Legacy PostScript `.ai` files (Illustrator 3–8, written with the prolog that defines their operators) keep their groups and nested groups (`u` … `U`), between and inside clipping groups; EPS and EMF/WMF import nest clips (and groups) at most 128 deep, so a hostile file can't exhaust the stack. DXF TEXT justified Fit or Aligned spans its two points (stretched, or scaled as a whole). PDF export writes type as real, searchable text in embedded subset fonts by default, as Illustrator's PDF presets do (Convert Text to Outlines is an option; printer's marks stay shapes), so text-heavy PDFs stay small (#733). DXF export writes each fill as its outlines followed by its hatch, so laser and cutter software, which skips hatches, gets filled art and type too (#546).
   - TIFFs that store each channel as its own plane (PlanarConfiguration 2) place, relink and open as the same image stored pixel by pixel does, 8 and 16 bits: grayscale with an alpha channel or other extra channels, and CMYK with or without them. A planar CMYK TIFF keeps its ink amounts and is stored as a CMYK TIFF with each pixel's inks together, at the file's resolution. A TIFF whose header claims more strips or tiles than can be counted is refused as too large to draw (#1466 in part; `crates/engine/src/cmd/fileio/tests.rs`).
   - 1-bit TIFFs compressed with CCITT Group 3 (ITU-T T.4) place, relink and open: Compression 2 (modified Huffman) and Compression 3 with one-dimensional rows or, with T4Options bit 0, two-dimensional ones, with or without fill bits, in strips or tiles, with either FillOrder and either polarity. Rows in T.4's uncompressed mode are not read. A file whose pixels would take more than the decoding allowance as RGBA is refused as too large to draw (#1466 in part; `crates/engine/src/cmd/fileio/tests.rs`).