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.ai save: the editing copy keeps brushes and brushed paths
The editing copy of a PDF-compatible .ai now holds the Brushes panel's Calligraphic, Scatter and Art brushes in the panel's order, with the art of Scatter and Art brushes. A path or compound path with a Calligraphic brush, or with an Art brush in Tints whose art bends along the path, keeps the brush on its stroke. Other brushed strokes are still written as their brush's art. The writer reads each brush back with the reader's code before writing it. Brushes that would not come back with their settings, brushes past the reader's limits and every brush on a large canvas are left out with a warning. A brush that has the name of an earlier brush that was left out is written, and no path is written with it on its stroke. An object linked to a graphic style that is left out at the object limit now also raises the warning about links left out. Brushes and their options: https://web.archive.org/web/20241230205225/https://helpx.adobe.com/illustrator/using/brushes.html Docs: docs/file-format-parity.md.
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@@ -108,7 +108,17 @@ private editing data. VectorCraft:
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Transform, Free Distort, Pucker & Bloat, Twist, Zig Zag and Gaussian Blur too). Styles with gradient or pattern fills,
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with fills, strokes or effects the reader doesn't read back, with a name another style has, with names over 1,024
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bytes and past 4,096 styles are left out with a warning. A panel with no style written opens with a new document's
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styles, with a warning. No art style is written on a large canvas.
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styles, with a warning. No art style is written on a large canvas. The Brushes panel's Calligraphic brushes, and its
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Scatter and Art brushes with their art, are written in its order: Scatter and Art brushes in Tints or keeping their
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art's colors, Art brushes that stretch their art along the path from left to right at 100% unflipped without
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overlap, and art of paths and compound paths with points and groups with members, with one solid fill and one
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plain stroke each. Other brushes,
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Pattern and Bristle brushes among them, and brushes past the number or the art VectorCraft's reader reads are left
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out with a warning; no brush is written on a large canvas. A path or compound path with a Calligraphic brush, or
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with an Art brush in Tints whose art bends along the path, keeps the brush on its stroke; other brushed strokes are
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written as their brush's art. A document that uses a new document's brushes writes none until a path keeps one on
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its stroke; then the brushes are written, and the file opens without the new document's Pattern and Bristle brushes
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and its Art brush with other options.
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Point type, area type (with its rows, columns,
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gutters and first baseline, threaded frames included) and type on a path are written as text: a text object for
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each, naming its story in the text document, with the characters, fonts, sizes, leading, tracking, baseline shift,
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