* PDF import: outlined Indic glyphs keep their own stroke and transparency (#5235)
Follow-up to #6906, for two review findings on how a line kept as
outlines is joined into paths:
- Glyphs were joined when their stroke widths matched; dash, cap, join
and miter limit were ignored, so a dashed glyph took the stroke of the
solid one before it. They join only when the whole stroke matches.
- Translucent glyphs were joined into one fill, where overlapping marks
paint once instead of compositing as the file draws them. Only opaque
glyphs join.
Also records the fix in the PDF row of docs/target-app-parity.md and in
docs/roadmap.md, as AGENTS.md asks.
Tests: outlined_glyphs_stroked_differently_stay_apart and
outlined_translucent_glyphs_stay_apart (both fail without the change).
* PDF import: outlined Indic glyphs under a soft mask stay apart; check kept geometry (#5235)
Review follow-ups on #6957 and #6906:
- Glyphs kept as outlines under a soft mask were joined into one path,
so the mask was applied once to all of them where the file applies it
to each glyph. They now join only when no soft mask is active.
- The fallback tests counted outline nodes only. A new test compares the
kept outlines (element count and bounding box) with the same file
opened as outlines, so a dropped or moved glyph fails it.
Tests: outlined_glyphs_under_a_soft_mask_stay_apart (fails without the
change) and kept_glyphs_are_where_the_file_draws_them.
* PDF import: mask outlined Indic glyphs one by one under a soft mask (#5235)
Review follow-up on #6957. Keeping glyphs out of one shared path was not
enough: each path still went into the soft mask's queue and
flush_masked wrapped them all in one masked group, so a mask that is not
constant was applied once to every glyph, where overlapping glyphs
composite one by one in the file.
With a soft mask active the queued art is now drained before the first
glyph and after each one, so every glyph gets a mask of its own.
Test: outlined_glyphs_under_a_varying_soft_mask_are_masked_one_by_one
checks that each outlined glyph carries its own mask (0 of 3 without
the change).
* #6957: clarify soft-mask exception in glyph grouping docs
---------
Co-authored-by: ruchirguitar <info@jeevantirth.org>
Pin craft-ui to c4b8405d, which adds a top edge and the canvas-side top
corner to icon-strip flyouts and saves the moved top per group. Accept
its new MoveFlyoutTop docking action, and restore the saved top when a
group returns to its place. A docking regression checks the cursors, an
upward top-edge and free-corner drag with the bottom and icon-column edge
fixed, and the top after reopening and in a saved layout.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Codex <codex@openai.com>
Adds Gujarati to the target-app-parity localization evidence list and
the docs/roadmap.md milestone notes, following the Hindi entries, and
marks the catalog as reviewed by a native speaker with zero/one
singular plurals. Scores and estimates unchanged.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Window › Brush Libraries gains Ink and Wash after Art Ribbons: Tapered Ink, an art brush broad near its start that thins to a fine tip; Brush Pen, a calligraphic brush whose size follows the pen pressure; and Soft Wash and Pooling Wash, art brushes of translucent gray layers. The art brushes take the stroke color as tints. The names, shapes and opacities are VectorCraft's own.
Docs: docs/mcp.md, docs/gaps.md, docs/roadmap.md, docs/target-app-parity.md.
Window > Brush Libraries > Dry Media (`dry-media`) holds four art brushes:
Chalk Grain, Graphite Pencil, Wax Crayon and Charcoal Dust. Each is 100 pt
of filled vector paths generated from a fixed seed with integer steps and
plain arithmetic, at most 80 paths and 500 anchors, stretched along the
path with Tints colorization. The chalk and crayon art has even-odd gaps
cut out of its band.
The names, sizes and art are VectorCraft's own. A new i18n test checks
that every complete catalog names each built-in brush library.
Window > Brush Libraries > Bristle Brushes holds ten original bristle
brushes generated in code, one for each tip shape: Fine Liner, Pointed
Flat, Stubby Round, Dry Scrub, Soft Dome, Filbert, Angled Round, Angled
Flat, Fan Blender and Grass Fan. Their names and values are VectorCraft's
own, and every value lies inside the range the bristle brush keeps.
A test checks the ranges, that every tip shape is covered, that no name
matches a default brush or another library's brush, that adding the
library is one undo step and a second add adds nothing, and that a saved
library reopens with the same brushes. The library and brush names have
rows in every catalog. docs/mcp.md lists the library.
Save and Save As as EPS always wrote the chosen artboard as the page and
%%BoundingBox, and the EPS Options hid Use Artboards, so art past the
artboard was left outside the file's bounding box.
The EPS Options of Save As now show Use Artboards with All or Range
under it, unchecked by default. Unchecked, Save writes one file whose
bounding box fits all the visible art, as Export does, without the
artboards' background colors; with no visible art the page is the first
artboard, in its color. Checked with two or more chosen artboards, the
file at the path is the central file of the visible art and each
artboard is also written to <name>_<artboard>.eps beside it. Checked
with one, that artboard is the page of the file at the path, the
behavior Save had since #4293 (mockydevs). The file the document becomes
still carries the whole editable document.
Naming artboards with artboard, artboards or range still turns Use
Artboards on. file.formatOptions now reports it on, with those artboards
as the range, and the Save As dialog opens that way.
Changed default: an EPS saved with Save or Save As, an opened EPS
included, now gets a bounding box around its visible art unless Use
Artboards is checked or the save names artboards; an opened EPS saved
back this way loses the margins its page had. selectedOnly stays an
Export option, and Save refuses it.
Docs: params text of document.save and file.formatOptions, the
useArtboards option text, docs/mcp.md save_file,
docs/file-format-parity.md, docs/target-app-parity.md, and notes on the
earlier EPS Save evidence in docs/gaps.md, docs/roadmap.md and
docs/target-app-parity.md.
When the read-only fallback's Save As panel returns a different format, drop the options captured for the original format and open the picked format's normal Save options; an unchanged format keeps its options. Regenerate the file.save entry in the MCP command catalogue.
A plain Save that the location refuses (read-only filesystem or permission denied) now opens Save As with the name filled in, instead of ending in an error dialog. The refusal travels as a typed engine error (READ_ONLY_LOCATION), so the control protocol and MCP still return an error and never open a panel. Recovery failures, explicit destinations, a busy picker and Close/Quit keep their existing flow.
Closes#6146
ruchirguitar