While the Selection, Direct Selection or Group Selection tool moves the
selection, or the Gradient tool draws a vector, W and H show the change
in x and y, with the distance and the angle under them. A Scale tool
drag shows its percentages; a Rotate, Reflect or Shear tool drag shows
the center of the selection's box and its angles. The Zoom tool adds the
magnification and the Paintbrush the name of its brush.
W and H follow Use Preview Bounds. With several objects selected, the
panel shows only the fill, stroke and type values they share, and Show
Options adds a tint's swatch and percentage and a gradient's swatch name.
- Tool::readout and Readout (crates/tools/src/readout.rs).
- info.readout returns the selection's size and the tool's readout.
- Docs: docs/mcp.md, docs/ui-parity.md.
The 3D and Materials panel gets a Render Settings menu with Wireframe.
Extrude & Bevel, Revolve, Inflate and Rotate take a `render` parameter,
`{mode: "shaded" | "wireframe"}`. In wireframe mode the effect stays
live and draws the edges Expand as Wireframes gives, each once, as
0.5 pt black strokes with round joins, with no shadow or graphics. The
object's own opacity, blending mode and opacity mask apply to the mesh.
Commands that set wireframe mode are checked against the edges it
draws: the shaded surface's paint copies, graphics and shadow limits do
not refuse them. A `render` value that is not an object holding only a
valid `mode`, and `render` on the 3D (Classic) effects, are refused.
Docs: docs/three-d.md, docs/mcp.md, docs/effects-parity.md,
docs/target-app-parity.md.
A triple-click with the Live Paint Selection tool on a face now selects
every face of its group with that face's fill, and on an edge every edge
of its group that draws with that edge's stroke paint. Hidden faces and
edges are left out. Before, a triple-click selected only what its third
click selected.
With Shift held, the parts are toggled from the selection there was
before the clicks: the tool keeps what the double-click and the Shift
clicks of the series toggled, and the triple-click toggles those back.
docs/target-app-parity.md's Live Paint Selection line says so.
Replace measured the image inside a PSD or PSB file's clip group only
when the new file brought its own clipping path. A plain image placed
with `replace` over such a clip group took only the group's center and
came in at 100%, losing the image's scale and rotation. The image in
the group is now measured whenever the new art is an image, clipped or
not.
The Assign rows of the Separations panel's Color Settings section (where
Edit > Assign Profile... goes) offer the three choices of the help's
"Assign or remove a color profile": Don't Color Manage This Document, the
working space of the document's color mode with its name, and Profile with
the other profiles of that kind.
The rows act on the profile of the document's color mode, so an RGB
document's RGB profile can be assigned here; before, the row always set
the CMYK profile. Picking the working space assigns its profile, which
stays when the working space changes later. A choice the document already
has runs nothing, and the other model's profile stays as it is.
Params text, docs/mcp.md and the evidence line in
docs/target-app-parity.md are updated, with catalog rows for the new
labels.
BFlat