charStyle.new now validates attrs against the target text's attributes, so a
language tag that is not in the list but that the selected run already holds
(a native file can store any tag) is kept. Any other unlisted tag is still an
error.
Character Style Options and New Character Style get an Advanced
Character Formats section with Horizontal Scale, Vertical Scale,
Baseline Shift, Character Rotation and Language. Empty fields stay
unset, an explicit 100%, 0 degrees or English: USA stays distinct from
unset, and Reset Panel on the section clears only these five. Scales
take 1% to 10000% and baseline shift -1296 pt to 1296 pt, as
text.setRangeStyle does; rotation is stored from -180 to 180 degrees.
Language sets the language the characters are shaped in; hyphenation
and spelling do not change.
A field still as it opened keeps its stored value without the range
check, so a style captured from a scaled type object can be renamed.
The same applies to Basic's Size and Leading minimum.
charStyle.edit keeps a language tag that is not in the list when the
style already has it, so a style read from a file with such a tag can
be edited.
The OpenType panel gets a Position menu after Figure, with Default
Position, Superscript, Subscript, Numerator and Denominator. `numr` and
`dnom` join the extra features (the existing bits keep their indices),
so they round-trip through the stored tags and reach the shaper.
text.setStyle and text.setRangeStyle take `featureChanges`, which turns
features on or off on top of each character's own features in one
command and keeps every tag the list does not name. The Figure menu,
the Position menu and the checkboxes send it, so on a selection whose
characters have different features each character keeps its other
features. Reset OpenType Features still sends `features`.
Catalog rows for Position:, Default Position, Numerator and
Denominator; one line each in docs/type-parity.md and
docs/target-app-parity.md.
A layer among the targets already stood only for its art that can be
edited. An object named in ids is now checked the same way: a hidden or
locked object, or one on a locked artboard, is refused with an error
instead of becoming the mask, being masked or getting an empty mask.
object.mesh.create with `at` ignored a failed line placement and still replaced the
path with a bare 1x1 mesh. When the new mesh can't place its lines at the point, the
object is left as it is, and when nothing was converted the command fails with
"point is outside the object" and adds no undo step.
With the Appearance panel's active row, the row belongs to the first
selected object, which need not paint first. effect.move reported where
the effect landed in the first target in paint order; it now reports
where it landed in the first selected object for the active row, and in
the first target for an explicit fromItem, as effect.apply does.
Export for Screens compared names and folders by upper-casing each
character, which turned dotless ı into I. A row with the folder ı then
wrote into the folder i, and an artboard named ı was numbered as a
second i. NTFS keeps ı apart from i and I, and so does Unicode case
folding outside Turkic languages, so fold now leaves ı as it is.
Area type made from the editing data's text document came in with one
row, one column, the 18 pt gutter and the Ascent first baseline,
whatever its frame kept. Each area frame now keeps its rows and columns,
the gutter between rows and the gutter between columns, and its first
baseline (Fixed, Cap Height, Leading or x Height) with its minimum,
scaled with the art's units. Each frame of a thread keeps its own, and a
key that is missing or can't be read leaves that option as it was. A
first baseline the frame keeps is no longer replaced by the fixed one
that matches the file's first line.
AreaOptions gets row_gutter (rowGutter, left out while unset), which
layout spaces rows by; text.areaOptions takes and reports rowGutter, a
gutter given alone sets both, and the Area Type Options dialog shows
Row Gutter.
Fixes#2763. An object whose editing-data dictionary holds the text wrap
options keeps them (offset in points, 6 pt by default, clamped to
±1000 pt; Invert Wrap), and the objects after the text in a version 7
wraparound group (`*w` … `*W`) are wrap objects at the default options.
Area type below a wrap object in its layer flows around it before the
layers are compared with the page, and threaded type flows on into its
next frames. A Large Canvas file's offset is scaled with its art.
The wrap resolver moves into `vectorcraft_doc::text::resolve_wrap` for
the import and the edit-time refresh, and builds each wrap object's
outline once per layer. A file whose wrap shapes would copy more than
2,000,000 anchors is not read from its editing data.
Docs: docs/file-format-parity.md.
The status bar said "Opened with 1 note(s)", "Saved <path> with 1 note(s)",
"Discarded 1 recovered document(s)" and "Restored 1 recovered document(s)",
and the Global Edit options showed "Result(s): 1". They now use the singular
for 1 and the plural otherwise, in English through i18n::msg_n and in every
catalog through @msgplural rows (the Results line through an @plural row).
The engine's warnings for linked images and placed documents output as their
previews, and its errors for a page past a placed file's last page or
artboard, also name their counts in the singular or the plural.
The catalogs drop the rows no message reads any more: the plain "(s)" rows
of the changed messages and the @msg row for "Packaged {n} file(s){note}".
Follows #5002.
Reading a pattern library adds no pattern or swatch to the document. A
pattern added from it undoes and redoes with its swatch, and both are
kept after a save and reopen.
swatch.library.add looks for the library's pattern among the document's
patterns of that name or a numbered copy of it, instead of importing it
into a copy of the document. Only a swatch that paints with the pattern
unmoved counts as the pattern's swatch, so a swatch whose pattern was
moved in its space is not reused and applied in its place.
Window › Swatch Libraries and the Swatches panel's library menu get a
Patterns submenu with Geometric Patterns, a built-in library of eleven
black pattern swatches drawn in code (dots, stripes, a checkerboard, a
grid, diamonds, triangles, crosses and a zigzag).
- Clicking a pattern in its library panel adds the pattern and its
swatch to the document and applies it to the active fill or stroke
(Alt: the other one), as one undo step. A second click reuses the
swatch; a different pattern under the same name keeps its name and
the library's pattern comes in numbered.
- swatch.library.list lists the pattern libraries after the gradient
libraries (category "patterns"), and swatch.library.add brings a
pattern swatch's pattern as pasting art painted with it does.
- The library panel draws each pattern tile from the library's pattern.
- "Geometric Patterns" is translated in every catalog.
A bin table that lists more than 100,000 runs of character or of paragraph
properties is refused while its pages are read. Every paragraph now counts
against the 100,000-paragraph limit, hidden and deleted ones and those in
field instructions included, and so does every line break. The properties
of the styles and of the property runs are read from one budget of 16 MiB,
and a document with more is refused.
Text inside a field's instructions is found with a count of the fields
open in their instructions instead of a search of the open fields for each
character.
Stshif.cstd counts the LPStd records of the style sheet and must be less than
0x0FFE. A sheet that ended before cstd records was read as far as it went, and
paragraphs in the missing styles were placed with the document defaults; a
cstd of 0x0FFE or more was cut to 0x0FFE. Both are now refused as a damaged
style sheet.
A paragraph style can set a logical start or end indent and the paragraph
itself only a physical left or right one, or the other way round. The
indent applied last now holds, after the sides are mapped for the
paragraph's direction; before, the logical indent always held, so a
paragraph's own indent was lost under its style's.
Each style's formatting is now worked out once, on top of the style it
is based on, and each property run's formatting once, so a document with
many hidden paragraphs or long style chains no longer resolves the
chains again for every paragraph and run. Character styles are applied
as a change to the paragraph's formatting.
A bin table whose file positions do not rise, a property page listed
twice, pages whose runs overlap, and styles based on each other in a
loop are refused as damaged, as MS-DOC requires (PlcBteChpx, ChpxFkp,
StdfBase). Property runs refer to their page instead of copying it.
An object whose art style holds Drop Shadow, Inner Glow, Outer Glow,
Feather, Round Corners or Scribble now opens as itself with those
effects live, in their order. Feather is read under the name and key
the files use (`Adobe Fuzzy Mask`, `Radius`).
Each setting is read only when it is written as its kind (`/Int`,
`/Real`, a fill style for a color) with a value in range. An unknown
key or choice, a missing setting, or a Scribble with a color of its own
keeps the drawn look, where the reader used to cast, clamp or default
the value.
dataset.import and variable.loadLibrary added an undo step, cleared Redo
and marked a saved document modified even when the variables and data
sets came out as they were, such as the same CSV or library loaded
again. Both now build the new variables on a copy and record a step only
when it differs. variable.loadLibrary's params text and docs/mcp.md say
so.
dataset.import read two header cells that named one variable (City
and City, or Shown and #Shown) into the same column, so each row kept
only the last non-blank cell and the other value was dropped without a
word. The import is now refused with the two column numbers, and the
message has a row in every complete-message catalog.
dataset.import replaced the reason for a refused cell with "value for
`X` must match its variable kind", so a visibility value such as
maybe and a graph value over 262,144 bytes gave the same message. The
error now keeps the line and gives the reason, and both messages have
a row in every complete-message catalog.
dataset.export checked only the 1 MiB size, so a document with more than
1000 data sets or 256 variables exported a CSV that dataset.import then
refused. Export now refuses such a document with a message naming the
limit, and the messages have rows in every complete-message catalog.
Undo, Redo and a canceled undo group put back an earlier document but
left the Variables panel highlight as it was. After renaming the
highlighted variable and undoing, the highlight still named the new
name: a variable defined later under that name showed highlighted
without a click, and Delete removed it.
Each of these paths now clears a highlight whose variable the restored
document does not define, as Delete Variables and Load Variable Library
already did.
Legacy type (`To` ... `TO`) now reads `min opt max TC` and `min opt max TW`
into the paragraph's letter and word spacing, `hangingQuotes Tq` into Roman
hanging punctuation, and `hyphenate limit lead tail max Th` into hyphenation
on or off, After First, Before Last and the Hyphen Limit (0 when the limit
flag is 0). Values are kept to the ranges the Justification and Hyphenation
options take, and a spacing triple out of order goes back to its default.
Operands of the legacy type attributes are read by their place: an attribute
whose operands are missing, are not numbers, or are flags other than 0 and 1
stays as it was. Before, a value that was not a number shifted the later
operands (`5 /x 7 Ti` set indents of 5, 7 and 0), and a bad `TA` or `Ta`
turned kerning on or set the alignment to left. One long `Tx` no longer goes
past the reader's limit on characters.
A curve rejected for having more than 256 segments now counts the most points a curve may have against the document's pressure points, so linking it from many strokes reads it a bounded number of times. Once the points are used up, later strokes import as plain strokes with a warning.
A version 7 text object has no arbitrary-angle character rotation: its
character attributes include baseline shift (Ts), scaling (Tz) and
tracking (Tt), Tv only turns Roman characters 90 degrees in vertical
text, and the positioning operators such as Tm are ignored on reading.
Type with Character Rotation was written as editable text with the
rotation left out, so rotated characters opened upright.
Such type is now written as its glyphs' outlines, the way type 8-bit text
can't hold already is, with the warning "type with rotated characters is
written as outlines, which keep the rotation, and is no longer editable
text". The outlines keep each character's rotation, baseline shift and
scale. Type without rotated characters, and type turned a whole number of
times, is still written as text.
Docs: docs/file-format-parity.md, docs/mcp.md, docs/target-app-parity.md.
A gradient of one spot ink's tints and paper white is written as a
Separation shading in that ink, with each white stop at 0% of it. A
white stop linked to a swatch that is not a spot color (a global White
swatch, for example) did not count as paper white. In an RGB document
the spot ink was then dropped: a Classic gradient was written in the
stops' own colors, and a Perceptual one was exported as an image in
process colors.
Such a stop now counts as paper white in the Separation and DeviceN
paths and in the checks that pick them, as an unlinked white stop does.
A stop linked to a white spot color is still a stop of that ink.
An override on a dynamic symbol instance names an object of its symbol's
art by path. Replace Symbol kept every override whose path the new
symbol's art also had, so a change made to one object of the old symbol
was applied to an unrelated object of the new one. An instance given a
different symbol now drops its overrides; an instance replaced with its
own symbol keeps them. Undo brings them back.
- Each segment of a pressure curve is also sampled where its width stops
rising or falling, so a dip between the regular samples of a long
curve is kept. The segment's values are scaled into -1..1 before that
is solved, so huge values in a file can't overflow it.
- A curve counts as full width only within 1e-9 of it, so a curve just
under full width keeps its profile.
- The pressure points of all strokes in one read are limited to about a
million, as for characters and table cells. Curves at full width count
too, and once the limit is reached no more curves are read; the
strokes past it are imported as plain strokes with a warning.
An Affinity stroke shaped with the Width tool stores its pressure curve
(LDeP: position along the path against width). The importer warned and
drew the stroke at full width all along.
- The pressure curve is read and sampled into the stroke's width
profile (2 to 8 points per segment, 256 segments at most, widths up
to the full weight). A curve at full width all along stays a plain
stroke; one that can't be read is warned about.
- Brush strokes keep their own warning.
- The pinned Affinity 3 signatures for the five corpus files with such
strokes are updated.
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