When Profile inclusion is set to Don't Include Profiles (`profiles:
"none"`), gray, RGB and CMYK images are written in device color spaces
without their ICC profiles, and a JPEG that is kept as is loses its
APP2 ICC_PROFILE segments. PDF/A-2b, PDF/X-3 and PDF/X-4 keep tagging
their images.
Leaving the setting out keeps the earlier output. `profiles` now
serializes as null when not set, `"default"` clears a preset's value,
and Save PDF > Output lists Default first. Presets and stored settings
saved earlier hold `"profiles": "none"`, so exports from them now drop
image profiles.
When a click's press lands in one face and its release in the next, the
drag fills both. The bucket now notes the fill every face the drag
crosses had before the press, the release included, so a double-click
or triple-click that follows on such a face compares that fill instead
of the one the first click gave it. This also holds when the release of
the last click crosses into the clicked face.
When the first click makes the Live Paint group, or merges the selection
into a selected group, the crossed face counts with the fill it was made
with: a kept face's paint from the merged group (an unplaced gradient
fixed to its fit), else the fill Make gives it, the topmost fill that
draws of the front-most source path over it that has one. A selected
group's edges no longer count as source paths.
A double-click whose two clicks land on two joined edges now paints the
edges joined through the other edge its clicks painted:
livePaint.strokeEdge takes `through`, edge ids that the join counts as
drawing with `match`, and the tool passes that edge. When the second
press lands on the next edge and is released back on the first, the
double-click matches the first edge's stroke paint from before the
first click.
A press that the view tools take (held Space, the middle button), or
that holds Cmd/Ctrl and goes to the lent selection tool, now counts as
a press that paints nothing, so the clicks around it are not taken for
one triple-click's: the session tells the tool through the new
Tool::press_elsewhere.
The tool doc, docs/mcp.md and the progress-doc line now say that a click
records an undo step only when it changes a paint, and that a
triple-click paints the faces that have the clicked face's fill (and the
edges that draw with the clicked edge's stroke paint) with the bucket's
paint.
Follows #7291.
The importer kept a group's isolation only when something inside it
blended, so an isolated group or knockout group whose objects only
overprint read back without isolation. Written out again, it lost its
/I true and its overprinting objects then kept the inks of the art below
the group that they had covered. Isolation is now also kept when a
visible fill or stroke inside, or characters' fill or stroke, overprints,
directly or through children that do not isolate.
The 3D and Materials panel gets an Export 3D Object button. It adds the
selected objects that have a visible 3D effect to Asset Export as 3D
assets through assets.add3D, the command behind Asset Export's own
Export 3D Object, selects their assets there and shows the Asset Export
panel. Objects without a 3D effect, and a 3D object inside another
selected one, are left out. The button is unavailable while no selected
object has a visible 3D effect. Adding is one undo step, and nothing is
recorded when every object is an asset already.
Docs: docs/three-d.md, docs/mcp.md, docs/effects-parity.md,
docs/target-app-parity.md.
A feGaussianBlur or feDropShadow whose blur is not the same in every
direction in the document came in as an even Gaussian Blur or Drop
Shadow of the mean standard deviation. That covers two different
standard deviations (stdDeviation="4 1") and an even one in a skewed or
unevenly scaled user space. An SVG Filters effect in such a user space
is exported live under that transform, so on reopening its blur lost
the difference between directions.
Such a filter is now kept as an SVG Filters effect, which draws it as
it is. A blur in a turned, flipped or evenly scaled user space still
becomes the live effect, and a filter that no SVG Filters effect can
keep still comes in as the nearest even effect, as before.
docs/mcp.md said every PSD or PSB file of a loaded place cursor comes in
with the choices made last. With Show Import Options on, each such file
that has import options shows PSD Import Options when it is clicked or
dragged (place::place_from_cursor, and the psd_import test
a_cursor_loaded_with_show_import_options_on_asks_for_each_psd_file);
only with it off do the last choices apply.
Document the existing resize defaults and parameterless focus method. Keep one complete ui.render row, including traceViews, and record the documentation revision.
Source and rendered table reviewed. No local Rust build or tests ran; cargo/rustc are unavailable and PR CI validation is required.
An envelope record that lies in an outer envelope's AIDeformArtKey
block (X= ... X+) with no group around it now opens as a live envelope
inside the live outer one, and an object's own dictionary there (its
name) applies to it. Each envelope is still compared with its own drawn
art: an inner one that doesn't match keeps its drawn art as the outer
envelope's contents, and an outer one that doesn't match keeps its own.
- An envelope record in an opacity mask's art reads as part of the
mask; its block's X+ no longer ends the mask's art, which failed the
import.
- Envelopes still waiting for their XP when a dictionary ends keep
their drawn art, so a stray XP in a later container cannot take them.
While the Smooth tool is in use with a path it can smooth selected, the
bar shows the tool's Fidelity field and Tool Options..., which opens the
Smooth tool's options. The field sets Fidelity through tool.setOption
with the same range, unit and steps as the field in the options dialog.
With nothing smoothable selected, the tool shows no bar. The bar leaves
out the selection tools' actions and the Fill, Stroke, Recolor Artwork
and Lock controls. On a canvas too narrow for the field, More Options
lists Fidelity, which opens the tool's options.
The Smooth tool's cursor and the bar share one check of the selection,
which the bar keeps for the document's revision.
BFlat