With Background Save on, Package's OK started the save of a dirty
document on the worker and then wrote the package whether or not that
save succeeded. With both preferences off, a failed save already stopped
the package, so the result depended on the preferences.
The package now starts only after the save is written, with both
preferences in every combination. With Background Export on, it is still
collected from the document as it was at OK and starts once the save's
result arrives; when the save fails, or asks a question first, no package
is written and the save's error stays in the status bar. With Background
Export off, the dialog shows the save's error.
background::after runs a step on the UI thread once a job's result is
applied.
Linked images and placed documents kept only in symbols, graph designs,
pattern swatches or opacity masks now have ids of their own. links.list
lists them after the layers' own, one row per stored object, with an
owner naming what holds them; links.check, the missing, modified and
updated files reported on open, the link watch and links.findFiles
report them by id; relink (All Instances included), update, embed,
placementOptions, info and image.info act on them. links.goTo on one
clears the selection and returns onCanvas: false with its owner, and the
Links panel says the link has no place on the canvas.
- Document::visit_stored, stored_node and stored_node_mut find objects
in every stored art. fix_next_id counts their ids and gives an object
there whose id is 0, past the id range or already used a new one,
updating Objects on Path references to renamed children.
- Copies of masked objects give the mask art new ids, and symbols and
patterns that placed art brings from another document take ids of the
document they join.
- The Links panel picks such rows in the panel itself, drops the pick
when the canvas selection changes, and draws their thumbnails from a
lookup made once per list refresh. Select by Link Status leaves them
out, as it cannot select them.
The refusals of Extrude & Bevel, Revolve, Inflate, Rotate and their
Classic forms (art a 3D effect can't build a solid from, invalid
light, shadow, graphics and surface settings, and Expand as Wireframes
notes) now have an @msg row in every complete-message catalog, as do
the effect names and object kinds the messages name, so the status bar
shows them in the interface language. Parameter keys, numbers and
names keep their English form; command replies stay English.
A value a message quotes in "...", curly quotes or backticks, such as a
symbol's name, is shown as written instead of being looked up as a
message of its own.
A parameter schema's error ("`zoom` must be a number > 0, not -1") was
translated around its requirement, which stayed in English in every
language: only "a number", "a string" and "true or false" had rows.
- Every complete catalog gets a row for each requirement a schema
writes: a number with each kind of range and with a unit, an integer
and its range, a list of names, an object id, a list of object ids,
a color, a point, an object and a list. The bounds, unit and names
stay as the English gives them.
- An enum error no longer matches the `{key}` must be one of {_1} row,
which took `"a", "b", not "c"` as its list and left ", not ..." in
English: a `{path}` must be one of {_1}, not {got} row translates it,
in the complete catalogs and in Bulgarian, Bosnian, Danish,
Indonesian and Dutch.
- A part of a message that starts with `{` or `[` is translated only
when it is an exact message, so "[x, y] (two numbers)" translates and
JSON values, shown cut short or whole, stay as they are.
Docs: docs/mcp.md (Parameter schemas), docs/target-app-parity.md.
File > Open and File > Place read QuickDraw pictures, versions 1 and 2,
from .pct, .pic and .pict files, with or without the file's 512 bytes
of application data; a version 2 picture also opens by its content.
The reader plays the opcodes of Apple's Opcodes in Pictures table on
the metafile player: lines, rectangles, rounded rectangles, ovals,
arcs, polygons and regions become paths, text becomes point type in
the font the picture names, bitmaps, pixel maps and QuickTime JPEG
images become images, and the clip region clips what follows it.
Place puts the picture in one group clipped to its frame. What isn't
read comes back as warnings, and a picture cut short keeps what came
before it. PICT is not written.
Images whose transform flattens them no longer leave their pixel data
in the document. Formats whose signature starts the file are detected
before PICT, which is known by bytes 522 or 10.
Docs: docs/mcp.md, docs/file-format-parity.md, docs/target-app-parity.md.
Version 4 marks sets with Select Object steps, so a build that reads
version 4 but has no select.storedPath accepted a Select Path set and
failed at the step during playback. Sets with Select Path steps now
save as version 5, Load Actions reads versions 1 to 5, and docs/mcp.md
and the file header say so.
A colorized image whose linked file is missing shows the placeholder
preview, whose pixels are not grayscale. paint.setFill skipped such an
image and added a fill item instead, while the Fill proxy showed the
image's colorize color. A solid color now replaces the colorize color.
While that color is a spot color, black or white, a process color is
refused, since the relinked pixels may have an alpha channel.
Extruded type with a taper showed a row of light ticks along its walls,
and with a stroke a long light line down a wall (#7019).
A taper only scales each wall's far edge toward the center of the
bounds as it goes back: the scale is linear in depth, so without a
twist each wall stays a flat trapezoid, bevel bands included. The walls
were cut into 8 slices all the same, and at every joint between slices
a neighbor's seam painted a light tick onto the wall. Walls are now cut
into slices only for a twist, which bends them; the ticks and the long
line are gone from tapered, untwisted walls. Twisted walls and Inflate's
sides are sliced as before.
A tapered wall now draws like an untapered one, with three effects:
- A wall seen almost edge-on ends in one longer sliver instead of the
last of its slices. With mitered seams that sliver's thorn is longer;
round seam joins (#6980) keep it within half the seam's width.
- Its seam is as wide as an untapered wall's (the width follows the
face's thickness, up to 0.75 pt), wider than a slice's was.
- It is sorted by one depth, like an untapered wall, so at a concave
corner it can be drawn over a nearer face where the slices had
happened to avoid that (#7023).
Test: solid::tests::a_tapered_wall_is_one_flat_face_and_a_twisted_one_is_sliced
checks that a tapered square's four walls are four flat faces, that a
taper adds no faces to a circle's walls, with bevels (both sides,
inside), in perspective or hollow, and that a twisted wall is still
sliced. With taper slicing it fails (32 wall faces for the square's 4,
608 for the circle's 76).
Docs: docs/three-d.md, docs/target-app-parity.md.
A print to a file and the print preview list their notes as saves and
exports do since #6920: what the job leaves out of the document or prints
differently first (art outside the imageable area, type in a fallback
font, transparency flattened for PostScript), then the notes on the
options (halftone screens and a fixed flatness that aren't written, copies
per sheet that don't fit, a printer profile left out, ink options that
name no ink). Each kind keeps the order it is given in.
The print layout, the PDF print and the PDF print plan return the notes
on the options in `setting_notes` beside `warnings`, as `ExportReport`
does. The status message after a print to a file names the first note,
so a fixed flatness no longer hides type printed in a fallback font.
A solid now shares its mapped graphics only with the run of solids just
before it that have the same opacity and blending mode. Before, it
joined any earlier solid with the same settings, so with members A, B
and C where A and C match, A's graphic was drawn after C and over B.
The Materials tab shows no artboard handles for graphics on a hidden
fill or stroke, which draws no solid and no graphics.
docs/three-d.md now says that pattern tiles in a graphic keep their own
colors instead of taking the face's light.
Space held while dragging out a new anchor already moved it, handles and
all, but the closing drag skipped it, so the closing anchor could not be
repositioned. The closing drag now moves the first anchor by as far as the
pointer moves while Space is held, its handles with it, and the drag
shapes the handles round the new place once Space is released.
path.close takes `at: [x, y]`, which moves the first anchor, its handles
with it, before `in` and `out` are placed. docs/mcp.md and the Pen line
in docs/target-app-parity.md describe it.
- The link watch and links.updateChanged look at a DCS file's plate files
of their own, so a changed plate file is read again.
- links.update and links.relink apply the file's clipping path to the
images in symbols, graph designs, patterns and masks too. When the new
file has no clipping path, a clip group holding the old file's clipping
path loses that path and stays as a plain group of the image, keeping
its id, name, visibility and transparency. The image keeps that path with its plates to tell it from a
clipping mask made in the document; a clipping path given another fill
rule in the document stays. An even-odd clipping path in the file is
kept as the same area under the nonzero rule.
- links.update and links.relink return the swatch warnings file.place
gives, including two files that add one ink in two colors.
- links.relink with copy fails for a DCS file with plate files of its own.
- file.place answers the image id of a clipped DCS placement as image,
and checks page and crop for a DCS file as it does for an EPS file.
- Print separations and Separations Preview take a spot plate's color
from the document's swatch of its ink, and a reduced image's plates
keep their coverage.
- Show DCS Transparency Interactions counts a transparent DCS image and
characters filled or stroked with a transparent gradient.
- %%PlateFile names keep their spaces, and header bytes that are not
UTF-8 are read as Latin-1.
- A plate program that draws more than one image, art besides its image,
or its image through a clipping path is an error naming the plate
instead of printing the wrong ink.
- Nested clipping paths around the composite clip the image together.
- A kept image with more plates than are read, or more TIFF directories
than its composite and plates, is the CMYK image of its composite
only, not a set of plates cut short.
- swatch.unused counts a spot or process swatch as used only while an
image the art shows has a spot plate of its name.
- A fill or stroke at an opacity of 0 no longer counts as painting its
pattern, so Find, selection-only Change and Print leave that pattern's
type out.
- Text whose inline graphics draw a symbol shows that symbol's type: Find
selects it, and selection-only Change and the font list reach the type
through it, also through a pattern whose art holds such text.
- Refresh Font List lays out again the type in opacity masks and in the
art of symbols and patterns, and inline graphics, on the layers and in
that art, take the new size of their symbols' art.
docs/mcp.md said twice that `pages` naming every page of a .ai saved
without PDF compatibility opens it from its editing data, once with the
file named and once as "such a file". The paragraph also ended in the
middle of a sentence: "`clipboard.importPdf` takes every object of its
editing".
The sentence now appears once, with the file named, and the paragraph
ends with "its editing data."
Docs: docs/mcp.md.
A mesh envelope's points carry no color, so object.mesh.addLine with
a color at a point the envelope already has changes nothing. It now
compares only the envelope's points and handles and records no undo
step. The command text and docs/mcp.md say so.
object.mesh.addLine at a point that is already a mesh point (a corner,
a point on an edge or inside) adds neither a row nor a column, yet it
recorded an undo step. The lines are now added to a copy of the object
first: when the grid stays the same, including a mesh envelope stored
without handles, the command returns the point's index and records
nothing. A new color at the point is still one undo step.
dotCooCoo