Type > Smart Punctuation... now opens its own dialog in place of the
generic parameter form. It has the seven replacement options, Replace In
(Selected Text Only or Entire Document) and Report Results, which lists
how many of each chosen replacement were made after OK. The dialog opens
on the options confirmed last.
- type.smartPunctuation takes fiLigatures, flLigatures, spaces and
fractions, all off by default, so existing calls behave as before.
- Ligatures write U+FB00 to U+FB04, longest match first. Expert
Fractions writes the one-character fractions Unicode encodes, and
skips one with a digit, a slash or a decimal point next to it, across
a change of style too. Either is written only where the run's font
has a glyph for it.
- Smart Spaces keeps one space after a period, across runs. An inline
graphic separates the text on either side of it.
- The reply adds a replaced object with a count per kind. Nothing to
replace still records no undo step.
Docs: docs/mcp.md, docs/type-parity.md.
When a Type 2 CIDFont or a Type 42 descendant of a composite font has no FontMatrix, the
font a cshow procedure sees as current now takes the identity as its default, as glyph
measuring and drawing do, instead of the 1/1000 default of other fonts.
A CMYK or grayscale TIFF with extra samples is now read only when its
decoded samples, the copy that puts a planar file's samples pixel by
pixel and the RGBA pixels together fit the decoding allowance; the
check counted the decoded samples alone, so a small compressed file
could make the reader hold about twice the allowance plus the RGBA
image.
- The decoder may decode no more than the counted samples, and reads no
strip or tile of more compressed bytes than the file holds.
- A pixel of more than 64 samples is not read (VectorCraft's own limit).
Where a tabbed line with glyphs stepping back stops reading at its break limit on a soft
hyphen that ends the text, it now ends there without a hyphen, as a line that reads to the
end of the text does.
The PDF/X-1a case of tagged_tiffs_keep_their_icc_profile also exports a
gray JPEG with a gray profile, kept as it is, resampled and compressed
with JPEG, and checks that it is written in DeviceGray without the
profile. The comments on decoded_image, recode and the test say that
PDF/X-1a allows no ICC-based color spaces.
main's Live Paint Selection double-click (#7342) replaced the tool's
catch-all pointer arm with an explicit DoubleClick arm, so the
TripleClick kind this branch adds left the match non-exhaustive. The
tool now takes no action on TripleClick: the third click's press and
release already select what a click selects, as before the merge.
The merge also took main's import list in the engine's Live Paint
commands, which no longer named Paint while this branch's Merge code
still uses it; Paint is imported again.
usvg copies the element a <use> shows, and every copy gets its own copy of
the declarations its style attribute and matching style sheet rules give
it. A chain of <use>s that doubles at each level made usvg build those
copies before the import's object limit was checked: a 101 kB file whose
rectangle has a 100 kB style took 4.7 GB at 14 levels, and one 100 kB
style sheet rule on 16,000 groups took 1.5 GB without any <use>. A plain
chain stopped at usvg's own 1,000,000-node limit with a parse error.
The import now measures, before usvg reads the SVG, how many elements it
expands to and how many bytes of style values those elements copy, each
element measured once and each <use> counted as one addition. References
follow usvg's rules: first element of an id, href before xlink:href, and
the self and back references usvg leaves out. An SVG past 999,999
elements (500,000 on the web) is refused as too large, a loop of <use>
references usvg would copy without end is refused too, and one past 64 MB
of copied style values is refused with the new SvgError::StylesTooLarge.
SVG images count toward the same 64 MB as the SVG showing them, an image
past either limit refuses the whole import, and an image that doesn't
decode does not count.
Measuring an instance of a symbol with 9-slice guides looked its map up
through Document::symbol_slice_map, which scanned the symbol list and
measured the art box again in new quick boxes, and NineSliceMap::place
and most_placed made new quick boxes of their own. Each of those boxes
built the symbol name index over the whole list on its first lookup, so
every 9-slice instance measured read every symbol once or more. Picking
an object inside a 9-slice instance's art with Direct Selection did the
same for each object of the art that holds a symbol instance.
- SymbolBoxes cuts the guides through the art box it has measured
(SymbolBoxes::slice_map), and places and counts the art with itself as
the boxes, in the mode quick boxes use. Art with no 9-slice map is
moved by the instance's transform without looking the map up again.
- Document::symbol_slice_map, place_symbol_art,
place_symbol_art_unclipped and edited_nine_slice use one set of quick
boxes for each call.
- symbol_part_at and symbol_part_outline keep one set of quick boxes
for the instance's art.
The new tests count the symbols read. Measuring 200 instances of a
symbol with guides and 200 of a symbol with guides holding it, among
2,002 symbols, read 1,205,204 symbols before; now each set of boxes
reads the list once. Picking in a 9-slice instance whose art holds 20
instances read 84,042 symbols among 2,001; now it reads the list at
most twice.
When two gradients with different stop counts are blended, the second stop at the other
gradient's step took the last stop within the step tolerance, so two close but distinct stops
became a hard step. It now takes the last stop of a step of its own there, and otherwise paints
what the gradient paints at that place.
The doc comments of with_room and of the large-file test, and the
progress-doc line, gave the tiff decoder's default decoding buffer
(268,435,456 bytes) as 256 MB.
The progress-doc line for gray and RGB image profiles in PDF export now
states that PDF/X-1a, which allows no ICC-based color spaces, writes a
gray image with a gray profile in DeviceGray without the profile, and
converts RGB images to CMYK as before.
A hue gradient that reflects unrolls through its curve, whose stops have no swatch links, so a
gradient along a closed key started elsewhere lost its links. The links now come from the
gradient's own stops unrolled as a Classic gradient's, in order, so stops at one place and the
stops where two runs meet keep their own links.
With a Type tool and exactly one character selected, the canvas shows up
to five of that character's alternate glyphs in a row beside it. A click
runs the command the Glyphs panel's double-click runs, as one undo step;
an arrow at the end opens the Glyphs panel on Alternates for Current
Selection when the character has more. Preferences > Type > Show
Character Alternates (showCharacterAlternates, on by default) turns the
row off.
An image or a gradient mesh with a visible Crop Marks effect, or with a
Vector Halftone effect that makes dots, is measured in a plot of the art's
bounds. A halftone that makes no dots, such as one past the effect's cell
limit, leaves the image out as before.
A WMF without a usable placeable box that draws in a metric map mode
(MM_LOMETRIC to MM_TWIPS) is read at 96 pixels an inch, the scale
craft_metafile plays those modes at, so a one-inch MM_TWIPS picture opens
at 72 pt instead of 4.8 pt. The mode that more of the drawing records the
reader plays are drawn in decides, with SAVEDC and RESTOREDC followed as
the reader follows them; a file that draws nothing goes by its last mode.
Opaque strokes drawn one after another now join into one path only when
the pen is solid with round caps and round joins. A dashed stroke keeps
its own dash phase, and flat or square caps and miter or bevel joins
stay as the separate strokes drew them.
A document saved with a CMYK TIFF whose alpha follows another extra
sample keeps it as a CMYK image with its ink amounts, so EPS and PDF
export write the same inks as before; Open and Place still read such a
file with its alpha.
- A CMYK file with two or more samples past its inks and its
ExtraSamples values, which the decoder gives no color type, reads the
alpha that one of those values names, and its Orientation tag is read.
- A TIFF with extra samples whose samples take more than the decoder's
256 MB buffer reads, up to the decoding allowance.
- A file read as black-is-zero gray is read in place instead of copied.
Select > Start Global Edit now also takes rotated copies of the selected
object or group, in the highlights before the start, in the Global Edit
Options' Results count and in the started edit. An edit reaches each copy
turned by that copy's angle, so an anchor moved to the right on the
selected object moves downward on a copy turned a quarter turn clockwise.
The copy's angle is the one that lays the selected object's anchors and
handles on the copy's in order (a least-squares fit in the unit box),
and the copy is the same shape when each point then lies within a
millionth of the larger side of the copy's box. Reflected copies and
copies stretched along one direction stay unmatched. With Size, a rotated
copy matches when it is the object rotated without scaling. The no-match
message now names only reflected copies, in every catalog that has it.
Docs: docs/mcp.md, docs/gaps.md, docs/ui-parity.md and the evidence list
in docs/target-app-parity.md.
dotCooCoo