Editable PDF import derived characters from glyph Unicode/CID mappings
even when the enclosing marked-content sequence supplied /ActualText.
A span that paints "xy" but says "AB", followed by "C", imported "xyC".
Track the outermost replacement owner per span (absent, explicitly
empty, consumed), decode it with the existing PDF text-string decoder,
emit it once at the first placeable glyph, and let the remaining glyphs
of the span advance the pen without phantom character slots or
inferred spaces. Authored stretches keep their logical order while
adjacent ordinary text still goes through visual-to-logical
reconstruction. Glyph identity still drives font matching. Depth and
size are bounded; oversized or unbalanced spans fall back to glyph
mappings with a warning.
Outlines mode and PDF export are unchanged. Parity docs updated,
scores unchanged.
Fixes#6165.
Type set in a family that isn't available keeps its name and shows in
the fallback font, as in PDF import, but EPS import said nothing. It
now notes each such family once, in the order its type comes (at most
64), and ends with PDF import's warning: "fonts that aren't available
show in the fallback font until they are: <families>".
Tests that set type in fonts the test machine may lack (Helvetica,
Ryumin, made-up names) check the program's warnings without that note,
since which fonts are installed depends on the machine.
Found while testing crates/engine/src/cmd/graph/data.rs:45-47 (parse_csv)
Co-Authored-By: Claude Haiku 5.5 <noreply@anthropic.com>
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
A PDF image mask (`/ImageMask true`) painted in a solid color opened as an
RGB image with the color in its pixels: Fill and Recolor Artwork didn't
reach the color, a spot color lost its ink, and the same mask painted again
in another color took the first one, because the painted image was cached
by the mask alone, and so did an uncolored pattern whose cell draws a mask.
It now opens as a grayscale image of what it paints, colorized by that
color, as the .ai reader opens a 1-bit image mask (#5790). A spot color
keeps its swatch and tint. The page's walk counts paths, not images, so the
ink is found from the color space. Readings of a pattern cell are told
apart by colorized images' colors too. Inside an alpha soft mask, or
painted with a pattern, a mask opens as before.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
copyFrom only writes paints enabled for pickup and apply, and paint, Transparency and the Eyedropper record an undo step only when the override changes.
copyFrom still edits the part when reverse, append and defaultsOnly are false, and reverse copies onto source. transparency.set records an undo step only when the override changes.
A picked part takes transparency and the Eyedropper only when those calls omit their other targets. Art, Pattern and Bristle brushes, native Wayland and the web still do not take tilt, bearing or rotation.
A dithered fill or a Perceptual linear or radial gradient whose stops
are all CMYK was written as an RGB image. It is now a CMYK image.
The stops keep their inks, an off-center midpoint is halfway between
its two stops' inks, and a Perceptual curve uses the ink mixes a
DeviceN shading uses. Dither's noise is added per ink and adds no ink
where the gradient has none.
The Output settings convert the inks as they do for any CMYK image.
A gradient with an RGB, gray or Lab stop, a stop linked to a spot
swatch, or a Perceptual curve of more than 4,096 stops is still written
as an RGB image.
Move form transforms into page space so Quartz keeps gradients aligned with their artwork. Add macOS rendering regressions and round-trip coverage for transparency, masks, layers and overprint.
Update the fix for the shared craft-pdf writer and the split exporter modules. Preserve upstream mask, coordinate-limit and layer-box fixes, moving the layer's paper bounds into the form's new space too.
Verified all three Quartz regressions fail on upstream 65adb7b21 and all five gradient-form tests pass with the fix. The new translated-layer regression also fails without moving the layer's paper bounds.
Before the final rebase onto 782f213e4: 463 PDF tests passed (one existing ignored test), workspace fmt, PDF Clippy, wasm, pdf-deps, layers, assets and brands passed. The final rebase reconciles documentation only; the PDF crate is unchanged from that tested revision.
After the final rebase, workspace fmt and Clippy pass. Full cargo xtask ci timed out while compiling workspace tests, so the full test suite and remaining CI stages did not complete. The earlier macOS Clippy blocker has been fixed upstream.
Direct Selection of a path, compound path or type inside a dynamic instance now applies transparency and gradient or pattern fills through the usual paint commands, and the G5 docs catch up on Overlap and Pattern auto corners.
On macOS the canvas paints tool cursor glyphs into the frame, so they
trail the pointer by a frame or more (#2292). This interim adapter
delivers the same glyphs as native NSCursors, which AppKit moves
independently of canvas redraws.
ui-egui prepares cached 1x/2x RGBA requests from the existing cursor
rasterizer and hotspots (transparent padding only) and keeps returning
a visible system fallback icon. The desktop host builds NSImage/NSCursor
objects with point-sized images and hotspots, owns cursor-rectangle
suspension and restoration, and hands the cursor back on menu tracking,
focus loss, empty passes, cursor overrides and shutdown.
Windows/X11, Wayland and web delivery are unchanged. No artwork, no
production unsafe, no new dependency package: only four AppKit features
are enabled on the already-shipped objc2-app-kit. Remove once the pinned
winit sizes macOS cursor images and hotspots in points.
Addresses #2292.
docs/mcp.md: vectorcraft-cli's mcp and run sessions keep the words in the file too; only without preferences do they last until the app closes. docs/type-parity.md: the custom dictionary commands are done and only the dialogs and Auto Spell Check remain, with the evidence at the end of the row.
- A custom dictionary file that is there but can't be read whole (not a
file, unreadable, or larger than the 1,000,000 bytes craft-proof reads)
is not loaded and never written over: attaching it logs why, and every
add, delete or change is refused with that reason. A missing file is
still created by the first save.
- When a save fails, the command takes back only its own change, so memory
and file agree; words the save took in from the file stay.
When the page's type is matched with the text objects, page words are also
split at private-use characters (from uniXXXX ligature glyph names such as
/uniE028 for a "ti" ligature) and each piece is matched as its own word, so
"Quality" set with that ligature matches its text object and the layers are
read without a false note.
makesomethingshit