The Assign rows of the Separations panel's Color Settings section (where
Edit > Assign Profile... goes) offer the three choices of the help's
"Assign or remove a color profile": Don't Color Manage This Document, the
working space of the document's color mode with its name, and Profile with
the other profiles of that kind.
The rows act on the profile of the document's color mode, so an RGB
document's RGB profile can be assigned here; before, the row always set
the CMYK profile. Picking the working space assigns its profile, which
stays when the working space changes later. A choice the document already
has runs nothing, and the other model's profile stays as it is.
Params text, docs/mcp.md and the evidence line in
docs/target-app-parity.md are updated, with catalog rows for the new
labels.
In a window narrower than a popup list's rows (Add New Effect, Tracing
Presets and the other lists built on menu_scroll), the list kept its rows
at full width and the popup ran past the window's right edge. The list is
now no wider than the window allows; a row that does not fit ends in an
ellipsis and shows its full text in a tooltip, dimmed rows included.
Screen readers and clicks still use the row's full text.
Menus that ask for a minimum width (the menu bar's 230 pt, submenus and
context menus) take the window's width when it is less, through
menu_min_width.
The long-popup tests now check that the popup ends inside the window,
and a new test covers a shortened row's tooltip, screen-reader name and
click.
The MCP catalog's ui.runInstalledScript entry was updated without its source in
crates/ui-egui/src/menus/ui_commands.rs, so `cargo xtask ui-commands --check` failed.
The source now carries the same text.
An sRGB destination converts tagged gray and RGB images to sRGB even when the
document's own RGB profile is sRGB, so the statement that the document's own
profile as destination keeps tagged images applies only to other RGB profiles.
Files saved for version 11 write the keys of their text document by name
(/DocumentResources, /FontSet, /StreamTag) and the kinds of its strikes
by their long names (/FrameStrike). The reader found no stories in them,
so their text objects were filled with the page's type in painting
order: type outside the artboards was lost, and type on them could land
in another text object.
The keys the reader uses now get their numbers from the dictionary they
sit in, from the root down, before the document is read. A run whose
style is written by name as a style's number takes that style. Files
saved for later versions that write a newer key by name among the
numbered ones (a font record's VersionString, a paragraph's
ParagraphDirection) have those keys read too.
Pressing a light other than the selected one, or tabbing to it, selected
it after the frame, and selecting another light clears the keyboard
focus, so the arrow keys then moved nothing. The widget now selects the
light first and gives it the focus after that.
With Convert to Destination and an RGB destination that is the document's
own RGB profile, RGB colors and RGB images keep their numbers, so an image
that carries an ICC profile keeps it. The export contract and progress line
now say so, and the test checks it.
BFlat