The Assign rows of the Separations panel's Color Settings section (where
Edit > Assign Profile... goes) offer the three choices of the help's
"Assign or remove a color profile": Don't Color Manage This Document, the
working space of the document's color mode with its name, and Profile with
the other profiles of that kind.
The rows act on the profile of the document's color mode, so an RGB
document's RGB profile can be assigned here; before, the row always set
the CMYK profile. Picking the working space assigns its profile, which
stays when the working space changes later. A choice the document already
has runs nothing, and the other model's profile stays as it is.
Params text, docs/mcp.md and the evidence line in
docs/target-app-parity.md are updated, with catalog rows for the new
labels.
An sRGB destination converts tagged gray and RGB images to sRGB even when the
document's own RGB profile is sRGB, so the statement that the document's own
profile as destination keeps tagged images applies only to other RGB profiles.
With Convert to Destination and an RGB destination that is the document's
own RGB profile, RGB colors and RGB images keep their numbers, so an image
that carries an ICC profile keeps it. The export contract and progress line
now say so, and the test checks it.
Pattern Options gets the Move Tile with Art checkbox under Size Tile to
Art. With it on, a move of all of the tile art in pattern editing mode
moves the tile as far as the art moved, pixel-grid snapping included:
object.move, object.nudge, object.transform with a translation, and
drags with the Selection tool. A group counts as moved when each of its
members moved. A move of only
some of the art, a copy, a rotation, a scale and a move of
direct-selected anchors leave the tile where it is. The option is off
for a new pattern.
pattern.options takes moveTileWithArt and pattern.list reports it. A
pattern.options call that changes nothing no longer records an undo
step.
With Convert to Destination and an sRGB destination, a gray or RGB image
with an ICC profile whose pixels can't be decoded (a header past the
decoding allowance) was kept with its profile and no warning. It now
reports that the image is not converted. When the image is left out of
the file as well, only the warning that it is missing is given.
Linked pages on their trim boxes were spaced by the 36 pt gap alone, so
with a large bleed one page's bleed box reached into the next artboard
and a page export could show part of its neighbor. The artboards are
now laid out once the document's bleed is known, 36 pt apart plus the
bleed on both sides: the document's bleed, or a page's own bleed box
where it reaches farther.
The art's bounds no longer clip art that 9-slice guides place, or refuse
art that an instance shows through a nested instance:
- An instance whose art goes through 9-slice guides, at any depth, is
measured as its art placed through the guides, with the objects the
plot leaves out hidden after placing. Leaving them out first changed
the box the guides cut.
- Hidden art is not placed, so it does not use up the limit on placed
objects that the visible instances share.
- The copy of a dynamic symbol that an instance's changes are measured
on keeps the symbol's 9-slice guides and natural size.
- The changes of the instances in a dynamic symbol's art are collected
from all of the art, also from objects at 0% opacity or without paint,
which an instance of the symbol can change.
Merge current main and retain both the Pencil snapping documentation and Tech Circuit library evidence. Only docs/mcp.md required manual conflict resolution. Focused checks passed: no conflict markers or whitespace errors, all 28 catalogs retain four unique nonempty labels, and brush implementation/tests remain unchanged. No full local Cargo CI rerun.
With Output › Convert to Destination and a CMYK destination, or an RGB
destination other than sRGB that images are converted to, an RGB image
that carries an ICC profile had its numbers read as sRGB, so a Display
P3 image came out with the wrong colors. Such an image is now converted
from its profile to sRGB with the color settings' rendering intent, then
to the destination.
- An untagged image converts from sRGB as before.
- A gray image keeps its profile, as gray is not converted.
- A profile the color engine can't read leaves the numbers read as sRGB,
with a warning.
- Preserve Numbers is unchanged.
docs/mcp.md, the document.exportPdf params text and the progress doc
describe the behavior.
Eraser Tool Options gives Angle, Roundness and Size each a variation menu
(Fixed, Random, Pressure, Tilt, Bearing, Rotation) and a Variation field.
path.eraseRegion takes angleMode, roundnessMode and sizeMode with their
variations, sweeps a varying tip as a Calligraphic nib with what the pen
read along the drag, and refuses an unknown mode or a variation out of
range. The Eraser records the pen's pressure, tilt and rotation when a
mode follows them, and its tip outline at the pointer takes the angle,
roundness and size the pen gives while it erases.
With Output > Convert to Destination and an sRGB destination, a gray or
RGB image that carries an ICC profile (a Display P3 TIFF, a PNG or JPEG
with an embedded profile) is converted from that profile to sRGB with
the color settings' rendering intent and written without the profile.
Before, it kept its own numbers and profile.
- A 16-bit image that is not resampled or recompressed stays at 16 bits
a sample from PDF 1.5 on.
- A JPEG kept as JPEG whose samples the conversion leaves unchanged (an
sRGB profile) keeps its JPEG data; other JPEGs are encoded again.
- A black-and-white image whose converted levels are gray is compressed
as grayscale.
- A profile the color engine can't read is kept, with a warning.
- Without conversion, and with Preserve Numbers, images keep their
profile as before.
IccProfile::to_srgb_pixels converts a run of pixels in one pass.
Docs: docs/mcp.md, document.exportPdf params, target-app-parity.
With linkPages and cropTo: crop, a PDF-compatible .ai opened on its crop
boxes, while opening it as art uses its trim boxes. It now uses the trim
boxes too. A page on its trim box shows its bleed box round the
artboard, and the pages' bleed (the widest on each side) becomes the
document's bleed, as the importer sets it.
linkPages read and checked the whole PDF again for every page it
linked. The pages are now read from the file opened once. With
cropTo: bounding, a blank page stopped the open with "has no art to
place"; it now gets its crop box, as opening the page as art does.
- A form other than the default, set with text.setRangeStyle or
text.setFormat, takes away the characters' glyph choice, which would
otherwise keep drawing its own glyph. "default" keeps it.
- With a width form (fwid, hwid, twid, qwid), shaping leaves out palt and
turns kern and apkn off, and SVG output writes font-kerning: none and no
palt, as the OpenType feature list asks. proportionalMetrics and kerning
keep their values.
- The Glyphs panel menu counts a width form as available when a face has
the feature in GSUB or GPOS.
- At a caret, the menu's check marks and its no-op check read all the
text of the object, which is what the command formats. Choosing the
current form again is not skipped when a character has a glyph choice.
BFlat