When image resource 1050 declared more bytes than the image resources
hold, the lookup stopped as if the file stored no slices, and Open and
Place brought the artwork in without the warning that the slices were
left out. The new psdread::resource tells a cut-short resource 1050
apart from one that is absent or that follows another block cut short,
and the slices reader passes that error on, so the warning names it.
Other resource readers keep their behavior.
Paste without Formatting sets each pie legend label in a wedge to white or
black from the wedge colors before it pastes, but a wedge linked to a global
swatch that the document gives another color takes the document's color
only during the paste (swatchConflict "merge", the default). A light wedge
merged into a dark swatch kept a black label, and a later redraw turned it
white.
The copied colors linked to merged swatches now take the document's color
before the labels are set, so the labels match what a redraw sets. Graphic
style links are left for the paste to relink.
When Profile inclusion is set to Don't Include Profiles (`profiles:
"none"`), gray, RGB and CMYK images are written in device color spaces
without their ICC profiles, and a JPEG that is kept as is loses its
APP2 ICC_PROFILE segments. PDF/A-2b, PDF/X-3 and PDF/X-4 keep tagging
their images.
Leaving the setting out keeps the earlier output. `profiles` now
serializes as null when not set, `"default"` clears a preset's value,
and Save PDF > Output lists Default first. Presets and stored settings
saved earlier hold `"profiles": "none"`, so exports from them now drop
image profiles.
When a click's press lands in one face and its release in the next, the
drag fills both. The bucket now notes the fill every face the drag
crosses had before the press, the release included, so a double-click
or triple-click that follows on such a face compares that fill instead
of the one the first click gave it. This also holds when the release of
the last click crosses into the clicked face.
When the first click makes the Live Paint group, or merges the selection
into a selected group, the crossed face counts with the fill it was made
with: a kept face's paint from the merged group (an unplaced gradient
fixed to its fit), else the fill Make gives it, the topmost fill that
draws of the front-most source path over it that has one. A selected
group's edges no longer count as source paths.
A double-click whose two clicks land on two joined edges now paints the
edges joined through the other edge its clicks painted:
livePaint.strokeEdge takes `through`, edge ids that the join counts as
drawing with `match`, and the tool passes that edge. When the second
press lands on the next edge and is released back on the first, the
double-click matches the first edge's stroke paint from before the
first click.
A press that the view tools take (held Space, the middle button), or
that holds Cmd/Ctrl and goes to the lent selection tool, now counts as
a press that paints nothing, so the clicks around it are not taken for
one triple-click's: the session tells the tool through the new
Tool::press_elsewhere.
The tool doc, docs/mcp.md and the progress-doc line now say that a click
records an undo step only when it changes a paint, and that a
triple-click paints the faces that have the clicked face's fill (and the
edges that draw with the clicked edge's stroke paint) with the bucket's
paint.
Follows #7291.
A brush.freehand call that continued a path by one point changed the
path's brush and left the selection as it was. With keepSelected off the
path stayed selected, and with it on the path was not selected, unlike a
longer continuation and unlike what path.freehand's params text says.
The brush edit now selects the path, or deselects it while the rest of
the selection stays, as a longer continuation does. A call that leaves
the brush as it is still changes nothing.
BFlat