craft_dxf::parse_recovering reads the tags (ASCII and binary, any code
page), model::Document::read the sections, tables, blocks, layouts and
entity followers, and Entity::read each entity. The pair parser, the
records, the header, layer, block and layout readers and the colour
palette are gone; what stays is the mapping onto VectorCraft art.
Binary DXF files now open instead of being refused. A damaged binary
file says so.
The copies of symbol instances drawn in a knockout group's soft masks
counted toward the objects the export's visible symbol art may hold, so
overlapping instances could use that limit up and leave later visible
instances out. Mask copies now count toward a limit of their own. When a
group's masks would leave out symbol art because that limit runs out,
the masks are discarded and the group is written as a PDF knockout
group, with a warning.
The object count that decides whether a group is drawn through masks
left out the art a brushed stroke expands into. A group in which a mask
would draw a brushed stroke is now written as a PDF knockout group, with
its own warning. The search follows what the export draws: visible
members, opacity masks that are on, symbol and inline graphic art, live
objects and placed documents as evaluated, and pattern tiles, and it
skips strokes without paint, width or a known brush.
A knockout group whose elements need no masks is written as a PDF
knockout group without a warning, so the two engine PDF tests that
expected the old warning now check that case and the brushed one.
The save commands' warnings now follow an export's .ai rules: a legacy
.ai file (aiVersion "7") reads only its own options, and the other .ai
and .ait files don't read outlineText, hiddenObjects, transparentImages
or preserveEditing. They name any option given beside the path that the
file doesn't read, not only compress, version, preview and precision,
and any such key in options. The bytes a save writes don't change.
The Save Options dialog sends a .ai save only the options the chosen
version reads, so a save from the dialog gets none of these warnings.
When the document's own file is already a .ai, the .ai options that a
save doesn't give and its file doesn't read keep their remembered
values, so the dialog still shows them; the save doesn't write them, and
a retry in another folder doesn't send them.
Export for Screens and Export Assets already accepted a key in a format
row or in a format's settings that only another format takes. Their
warnings now name it as given (formats[0].quality, settings.png.quality).
A key in a format's settings is named only when no row of that format,
as the export writes it, reads it. The options of an exportPreset, and
for assets.export the settings the document keeps, get no warning.
Docs: params text of document.save, document.exportForScreens and
assets.export; docs/mcp.md; docs/target-app-parity.md.
In a PDF without a standard, the warning for a page longer than 14,400 pt
written with a UserUnit above 1 now ends with "turn on Write pages longer
than 200 in at full size in points". The warning already said that apps
ignoring UserUnit show such a page smaller; it now names the Save PDF
option that writes the page at its size in points instead. PDF/A files,
which keep the UserUnit with the option on, and .ai saves, whose options
do not have it, keep the warning as it was.
The longer message has a row in every complete-message catalog. The
params text of document.exportPdf, docs/mcp.md and the evidence line in
docs/target-app-parity.md describe it.
An SVG or SVGZ writes each linked JavaScript file of SVG Interactivity
into a <script xlink:href> element as stored, so a caller with
automation read roots could read a path outside them from the exported
text. With read roots in force, an SVG or SVGZ of a document that links
such a file is now refused with "a linked JavaScript file is outside the
read roots", an error that names no file or folder. No file or folder is
written, and the document keeps the link.
- The check uses the rule document.json already applies to
svg_scripts: a relative path is taken from the document's folder, a
file: URL is a file, and another URL is not checked.
- It covers document.serialize, document.export, document.exportSelection,
document.exportForScreens and assets.export (before the folder is made
or any row is written), the SVG and SVGZ saves (also a save without a
path of a document saved as SVG), file.exportAs and the SVG Options
dialog's Show Code.
- Callers without roots, and the person at the keyboard, export the
links as stored.
Docs: docs/mcp.md, docs/target-app-parity.md.
vectorcraft_testkit::temp_dir returns a bare path, so every engine test
that wrote into one left the folder in the system temporary folder.
- testkit: TempDir, a test's own folder made through temp_dir (same
private creation and ownership checks) under a tag no other TempDir in
the process uses, removed with its contents when dropped, also when
the test panics.
- Engine unit and integration tests hold a TempDir for the whole test
instead of calling temp_dir: graph, fileio, compare, journal, library,
shortcut set, spelling, store, web export, cancel, containers, build,
color settings, command sweep, font folder, removed font, model-based
and the font search fuzz.
- The DCS and swatch library tests' own helpers and the PDF editing
tests' shared vc-pdfedit-<pid> folder use a TempDir per test too.
- The font and link file search, store, color settings and font folder
helpers no longer delete the private folder temp_dir checked and make
it again with default permissions.
A Fit to Artwork Bounds step of `command.batch` that gets no artboards from
the Artboard tool or the batch fits the first artboard, as the command does
by default, and its journal entry now records that `index`. Before, the
entry kept the step without it, so a replay with the Artboard tool choosing
two or more artboards fitted those instead.
A `command.batch` step with `"params": null` now reads as a step without
params. Before, it got neither the Artboard tool's selected artboards nor
the batch's `artboard`, so a Fit to Artwork Bounds step fitted the first
artboard and its journal entry recorded `null`.
When a Fit to Artwork Bounds step of `command.batch` takes the batch's
`artboard` as its `index`, the batch's journal entry now records that
`index`. Before, the entry kept the step without it, so a replay with the
Artboard tool choosing two or more artboards fitted those instead.
The params text, docs/mcp.md and docs/target-app-parity.md state that the
step uses the Artboard tool's selection only when two or more artboards
are selected, and the active artboard otherwise.
PDF export without a PDF/X or PDF/A standard writes pages longer than
200 in at full size in points instead of with a UserUnit scale.
longPagesInPoints is now on by default in PdfSettings, the built-in
presets and the Save PDF dialog. Turning it off writes such a page with a
UserUnit from PDF 1.6 on, as before. PDF/A-2b files keep the UserUnit,
and .ai saves keep it unless longPagesInPoints: true is passed.
Docs: params text, docs/mcp.md, docs/target-app-parity.md.
The profiles Edit > Assign Profile gives a document stayed the active
color settings after another document came to the front, so a new,
opened or switched-to document drew and converted its colors through the
previous document's profile, and closing the last document left it in
use.
The session now puts the front document's profiles in use (the working
spaces where it has none, or no document is open) after a new or opened
document, a tab switch, a close, File > Revert, every command including
each batch step and Undo or Redo of Assign Profile, a failed batch or
plug-in call, a script's rollback and slice boundaries, a canceled
preview, undo group or undo scope, and for each document Export All Open
and the update of placed documents work in. The active settings are
rebuilt, and the documents redrawn, only when they change.
document.export and document.serialize to .ai with useArtboards: false
wrote the one page of the visible art, but embedded the one-artboard
stand-in as the native document and as the editing copy for other apps.
Reopened, the file replaced the document's artboards with one artboard
around the art.
- The .ai of the art's bounds now leaves out both editing copies and
returns the warning "Preserve editing was left out: an .ai file of the
art's bounds would replace the document's artboards when reopened",
as the PDF of the art's bounds does.
- useArtboards: false with pdfCompatible: false is refused, with or
without editingData, since the file would have blank pages and no
editing copy.
- Save, Save As, Save a Copy and exports of the artboards keep both
copies. Legacy version 7 .ai files are written as before.
Docs: docs/mcp.md, docs/target-app-parity.md, document.export params.
Open and Place store some images again instead of keeping their bytes:
a photo turned by its orientation, a TIFF the image decoder reads, and
a CMYK TIFF with one plane per ink. Those images lost the ICC profile
their file embeds, and 16-bit samples were cut to 8 bits.
- raster_image keeps gray and RGB samples at 8 or 16 bits in the
stored PNG, with the gray or RGB profile in its iCCP chunk. A
profile of another color space, such as the CMYK profile of a CMYK
image read as RGB, is left out. A TIFF's profile is read with the
tiff decoder, which reads it whatever the image's size.
- stored_cmyk_tiff and turned_cmyk write CMYK8 or CMYK16 as the file
has it, with the CMYK profile as TIFF tag 34675 (UNDEFINED). A CMYK
JPEG's profile is put together from all its APP2 segments.
- The docs/target-app-parity.md line on EXIF orientation says 8 or 16
bits, and a line after it describes the kept profile.
`document.export`, `document.serialize` and `document.exportSelection`
accept a key that only another format takes. `{"format": "pdf",
"quality": 80}` wrote the PDF and gave no warning about `quality`.
The reply's `warnings` now name each such key, in the wording of a
save's note: "`quality` was not used: PDF files don't read it".
- The format's own options, the commands' own keys, null values and an
exporter plug-in's format get no note.
- The note names the kind of file written. A legacy `.ai` file
(`aiVersion: "7"`) reads `outlineText`, `hiddenObjects`,
`transparentImages`, the artboard choice and `useArtboards`, and
beside `aiVersion` no other option. The other `.ai` files don't read
those three options or `preserveEditing`, which is always on for
them.
- An export doesn't read `separateArtboards`, or `range` for a
`vectorcraft` or `template` file. A save reads them to write each
artboard to a file of its own.
- In the app, an export that automation asked for (`app.export` with a
path, `file.exportAs` run as a command) gives the same notes in its
reply and in the status bar. A Background Export replies before the
file is written, and that reply has the notes. An export that a
person starts from the File menu gets none.
- Export As gives a template export no `useArtboards` or `range`: a
template doesn't read them.
- `vectorcraft-cli convert` sends `outlineText` only with
`--outline-text`, and `hiddenLayers` only to the formats that read
it. A conversion then warns only about an option the command line
gave.
`document.save` gives its notes as before: it does not apply the `.ai`
rules above.
Docs: docs/mcp.md, docs/control-protocol.md,
docs/target-app-parity.md, the params text of the three commands.
An <image> whose EXIF orientation or TIFF Orientation tag turns or flips
its pixels, linked or as a data URL, is turned before usvg reads it: the
pixels are stored as they are shown, the width and height swap, and the
box fits the turned image under preserveAspectRatio, as CSS
image-orientation: from-image describes. A turned CMYK JPEG or TIFF keeps
its inks as a CMYK TIFF, as does a CMYK TIFF that is not turned.
- Data URLs of type image/tiff, and untyped TIFF bytes, are read.
- TIFFs with extra channels, CCITT Group 3 TIFFs and planar CMYK TIFFs
are read as Open and Place read them.
- Converted images decode within the decode allowance, and a TIFF that
claims more strips or tiles than the decoder can count is refused
before any decoder opens it.
- exif_orientation moves to vectorcraft-doc so Open/Place and SVG import
share it.
Tests: crates/svg/tests/it/image_orientation.rs.
A Fit to Artwork Bounds step of `command.batch` that names neither
`index` nor `indices` now fits the artboards the Artboard tool has
selected when the step runs (two or more), as the command does when the
app runs it on its own. Before, the step took the batch's `artboard` as
its `index`, so an action played from the Actions panel fitted only the
active artboard while several were selected.
- A step's own `index` or `indices` is kept, and the batch no longer adds
an unused `index` to a step that names `indices`.
- The batch's journal entry records the `indices` the step took, so a
replay fits the same artboards. An action leaves them out and fits the
artboards selected when it plays.
Docs: command.batch params text, docs/mcp.md, docs/target-app-parity.md.
The Character panel menu has Warichu and Warichu Settings… with Show East
Asian Options. Warichu characters are set at a percentage of their size
and stacked on 1 to 6 lines inside their line: one above the other in
horizontal type and side by side in vertical type. Warichu Settings sets
Lines, Line Gap, Scale and Alignment.
- text.setFormat and text.setRangeStyle take warichu, warichuLines,
warichuGap, warichuScale and warichuAlign; ui.warichuSettings opens
the dialog.
- A stretch of warichu characters is one block that stays whole on one
line. The canvas and every export draw the stacked lines; SVG, PDF and
the .ai writers write such type as outlines, as they do ruby. Type on a
path sets the characters at their own size.
- The attributes are saved natively, carried by character styles and
translated in every complete catalog.
Docs: docs/mcp.md, docs/type-parity.md.
A style written as one paint (`/SimpleStyle` with its paint operators)
was read as a style with no fill and no stroke. A graphic style library
listed it, and applying it cleared the object's fill and stroke.
Such a style now reads as the fill and stroke its `stroke fill Xd`
turns on, with the stroke's width, caps, joins, miter limit and dashes,
and its `Xy` transparency. A style whose paint is not read here (a
gradient or pattern fill, a pattern stroke, no `Xd`) is left out of the
library instead of coming in empty.
Part of #3349.
File > Open and File > Place read QuickDraw pictures, versions 1 and 2,
from .pct, .pic and .pict files, with or without the file's 512 bytes
of application data; a version 2 picture also opens by its content.
The reader plays the opcodes of Apple's Opcodes in Pictures table on
the metafile player: lines, rectangles, rounded rectangles, ovals,
arcs, polygons and regions become paths, text becomes point type in
the font the picture names, bitmaps, pixel maps and QuickTime JPEG
images become images, and the clip region clips what follows it.
Place puts the picture in one group clipped to its frame. What isn't
read comes back as warnings, and a picture cut short keeps what came
before it. PICT is not written.
Images whose transform flattens them no longer leave their pixel data
in the document. Formats whose signature starts the file are detected
before PICT, which is known by bytes 522 or 10.
Docs: docs/mcp.md, docs/file-format-parity.md, docs/target-app-parity.md.
File › Open already opened `.vcstyles` graphic style libraries in their
library panel and imported `.vcperspective` perspective grid presets, but
its dialog had no filter for either. It now lists "Graphic Style
Libraries" after "Swatch libraries" and "Perspective grid presets" after
"Print presets". "All readable files" still lists documents only.
Other Library… and Locate Library… in the swatch and graphic style
library panels list their library filter once; the swatch dialog listed
"Swatch libraries" twice.
A PDF of the art's bounds never carries Preserve Editing data, and the
export adds its warning only when Preserve Editing was on. docs/mcp.md
and the document.exportPdf params text now say so.
BFlat