In a turned or skewed user space, the source is drawn onto the filter's
canvas pixels first and cut to the pixels it draws there, so the image
lies along the user space's axes. A region in objectBoundingBox units
(the default filterUnits) and primitive lengths with
primitiveUnits="objectBoundingBox" are then measured against the
object's box in that user space instead of the raster's box turned into
it.
SVG export and the image fallback keep a filter live only when SVG
import can store its user space again: scale and axes together can
scale it past 0.001 to 1000 points to a unit while each is valid alone
(scale 1000 with axes [2, 0, 0, 2]). Such an object is written as an
image. Import and export share the user-space check.
An SVG whose filtered element sits under a rotate, skew, uneven scale or
matrix transform now opens with the filter as a live Effect > SVG Filters
effect instead of losing it with a warning.
- The svg.filter effect takes an optional axes [a, b, c, d]: the document
directions of one unit along the filter's x and y axes, before scale.
effect.apply and effect.setParams refuse axes with an entry outside
-1000..1000 or a determinant within 0.001 of 0.
- With axes, the filter runs on a canvas lined up with its user space, so
offsets, blurs and the region run along the element's axes, and the
result is drawn back through axes. The canvas holds at most 4 times the
object's raster pixels. A region measured against the object's box uses
the object's box in that user space.
- SVG import stores the element's user space as scale, origin and axes.
- SVG export writes such a filter live: a group's transform holds the
user space, and the art is written in document coordinates in a group
with the inverse transform, so strokes keep their widths.
The Japanese row in docs/localization-parity.md said every message is
translated, and the Japanese catalog line in docs/target-app-parity.md
said 38 messages were missing, one of them waiting on #7214, which has
merged. On main the untranslated report lists 98 messages without a
Japanese row, 77 of which every complete-message language lacks. Both
lines now give the counted rows and the report's count, and name the
open pull requests that translate part of them.
A block's line took the tallest ascent and deepest descent of its
characters, or the height of the stack's em boxes, whichever was larger.
The top block line's characters reach above the stack by their ascent
past the em box, and the bottom line's below it by their descent, so with
a wide Line Gap the line was too short for them. The line's ascent and
descent now also take in each character's reach from its own block line's
baseline.
- Outline Stroke on a graph's strokes, including Object > Expand with
Stroke on, adjusts the bounds the graph keeps, the same way
Create Outlines on its labels does. Before, the stroke outlines
changed the bounds of the art without type, and the next redraw
stretched the plot by the width the outlines added.
- A graph that keeps `placedArt` and has no art other than type left
is no longer measured on the bounds of all its art. A label edit on
such a graph moved and stretched the plot at the next redraw; the
plot now stays where it is.
- A redraw no longer measures a move or scale on art that has no width
or no height now, such as a graph left with one axis line. Before,
the plot collapsed to no width.
- A clipping group in a graph that holds type is measured on its clip
when the clip does not depend on type, so moving art outside the clip
does not change the bounds. Blends, envelopes and repeats are
measured whole, as they are drawn.
- The doc crate's helper is named `graph_art_without_type` and sits
with the file's other free functions.
- docs/mcp.md lists Outline Stroke and states that moving an outlined
label, a swatch, an axis or a tick mark on its own can move or scale
the plot, and that a graph left with only labels, or with art that
has no width or height, does not follow a move.
- Tests: a scale of the graph made before outlining a label, a move of
a graph opened from `.ai` after its label is restyled and moved,
Outline Stroke after a move, a graph left with only its labels or
with one line, and clipping groups holding type.
A plot of the art's bounds now leaves placed images, objects at 0%
opacity and unpainted paths out of the art of a dynamic symbol, as it
does for other symbols. An object that an instance's fill, stroke or
opacity makes the plot draw is measured for that instance only, and an
instance whose symbol holds nothing else is left out, so a document
with only such instances is refused.
With Show East Asian Options on, the Glyphs panel menu lists Traditional
Forms, Expert Forms, JIS 04, JIS 90, JIS 78 and JIS 83 Forms, Monospaced
Full-Width, Half-Width, Third-Width and Quarter-Width Forms, and Revert
To Default Forms. Each form draws the selected characters with the
font's OpenType feature for it (trad, expt, jp04, jp90, jp78, jp83,
fwid, hwid, twid or qwid). A form is checked when every selected
character has it and disabled when none of the faces that draw the
selected text, fallback faces included, has the feature.
The form is a new character attribute, glyphForm, one form at a time
(text.setFormat, text.setRangeStyle). It is saved only when set,
character styles carry it, and runs that differ only in their form
shape as one piece of text. SVG writes it in font-feature-settings;
PDF draws the glyphs from the layout.
In PDF/X-1a, a tagged gray JPEG that the Compression settings keep as
JPEG was decoded and written with Flate. It is now written with its
JPEG data unchanged, in DeviceGray without its profile.
A PNG or JPEG embedded as it is now has its gray or RGB profile checked
with valid_icc, like the images the recoder writes: a malformed profile
is left out, the JPEG keeping its JPEG data and the PNG decoded.
dotCooCoo