The menu item checked a listed script and then ran script.run by its path,
which opened the file again; a link put in place of the file or a folder on
its path in between could make it run a file the check never saw, and the
include folder was looked up from the path again as well.
script.run takes installed: true. With a path it reads the file once through
script::folder::read, runs that text, and reads #include and $.evalFile in the
Scripts folder's real path followed by the names that read found. The menu
item runs script.run {path, installed: true}.
Create Sub-folders and Open Location after Export are check items that set
the settings the panel shares with Export for Screens, and the panel's
Export follows them. Create Sub-folders is checked as the dialog opens on
it: on for a document without export settings, and on for remembered
folders per row, format or item, which the panel's Export now uses too.
Format Settings... opens Export for Screens on the Assets tab showing the
first row's format settings.
assets.settings.set takes openLocation (kept in document.exportSettings,
not in presets), refuses a subfolders or openLocation value that is not
true, false or null, and with subfolders false given alone also ends a
remembered folder per format or item. Export for Screens reads remembered
empty folders as none, as an export does.
With a Type tool and exactly one character selected, the canvas shows up
to five of that character's alternate glyphs in a row beside it. A click
runs the command the Glyphs panel's double-click runs, as one undo step;
an arrow at the end opens the Glyphs panel on Alternates for Current
Selection when the character has more. Preferences > Type > Show
Character Alternates (showCharacterAlternates, on by default) turns the
row off.
Select > Start Global Edit now also takes rotated copies of the selected
object or group, in the highlights before the start, in the Global Edit
Options' Results count and in the started edit. An edit reaches each copy
turned by that copy's angle, so an anchor moved to the right on the
selected object moves downward on a copy turned a quarter turn clockwise.
The copy's angle is the one that lays the selected object's anchors and
handles on the copy's in order (a least-squares fit in the unit box),
and the copy is the same shape when each point then lies within a
millionth of the larger side of the copy's box. Reflected copies and
copies stretched along one direction stay unmatched. With Size, a rotated
copy matches when it is the object rotated without scaling. The no-match
message now names only reflected copies, in every catalog that has it.
Docs: docs/mcp.md, docs/gaps.md, docs/ui-parity.md and the evidence list
in docs/target-app-parity.md.
livePaint.info reported only the top fill of each face and the top
stroke and weight of each edge, so a lower row that draws under an
unpainted top row was not visible to a client. Each face and edge now
also carries `appearance`: every fill and stroke row, bottom first, as
{index, kind, paint, opacity, visible, width (strokes only), drawn}.
`drawn` follows Expand's rule row by row: the part is shown with an
opacity above 0, and the row is shown, has paint and an opacity above
0, and a stroke has a weight above 0. The existing `fill`, `stroke`,
`width`, `bounds`, `sources`, `gapOptions` and `gaps` fields are
unchanged.
The params text no longer says the group defaults to the selection:
the command takes `group`, or `id` when `group` is left out, and
returns an error without either.
The artboard commands that take `index` or `indices`, a replayed
`selectedArtboards`, the artboard Align and Distribute commands
(`artboard`, `activeArtboard`), `edit.newDocumentFromState` and Paste in
Place, in Front and in Back now report a value that is not a whole number
with "`<key>` must be a whole number" or "`<key>` must contain whole
numbers", naming the key. A whole number that names no artboard or state
keeps `no such artboard`, `no history state N` or the paste range message.
- A null artboard `index` is `missing index`, as for other required keys.
- An `indices` value that is not a list, an empty list and a malformed
entry each have their own message naming the key.
- `edit.newDocumentFromState` still uses the current state for an omitted
or null `index`.
- Paste checks the form of both `artboard` and `artboards` before either
range.
Docs: docs/mcp.md, docs/target-app-parity.md.
A path's Drop Shadow, glow, blur, Feather or pixel filter listed before a
Transform effect that makes copies was drawn once under all the copies, at
the object's own distances. Each copy now carries those raster effects,
scaled by the copy's mean scale, with a Drop Shadow's offset turned,
reflected and scaled with the copy. Raster effects listed after the
Transform effect still paint once around all the copies. Copies that stop
at the effect budget keep their effects, and a Transform effect without
copies draws as before.
The canvas, the object's bounds, export, baking and Expand Appearance use
the same art. Type, images, symbol instances, groups, a fill's or stroke's
own copying Transform effect, and paths with Rasterize or an SVG filter
before the copying effect keep one set of raster effects.
A trace handed in for imageTrace.make or imageTrace.makeAndExpand was
matched by its object, image, pixels and settings alone, so a trace made
in one document could stand in for the command in another open document
with the same image and settings. The trace's inputs now carry the
document's uid: TraceRun::current is false in any other document, and the
commands there drop the trace handed in and trace their own image, as one
undo step.
Test: a_trace_run_applies_only_in_its_own_document.
Document::symbol_art_bounds measured a symbol's art without the
document, so an instance of another symbol in that art counted as the
20 x 20 square. It now measures the art through SymbolBoxes, so a nested
instance takes its own symbol's art, and an inline graphic of the outer
symbol is sized by it and follows it when that symbol changes.
- The inline resolve order also follows the instances that size a
symbol's art, so a symbol is measured after the type in the art of
the symbols it holds is laid out again.
- A symbol whose art reaches itself through an instance and an inline
graphic is an empty slot. Only instances that the measurement uses
count, so one a clipping path hides adds no dependency.
- A missing symbol, a symbol without art, a symbol that holds an
instance of itself, and nesting 32 deep still measure as the square.
- SymbolBoxes finds symbols through a name index built once, and the
inline resolve pass and inline_art_bounds share one index, instead
of scanning the symbol list for each lookup.
swatch.spotOptions and swatch.resetDefaults {replace: true} rewrite the
fill and stroke for new art through map_default_paints, which also runs
for command.batch steps. Two tests now run each command on its own and
as a batch step followed by a rectangle, and check that the default
paints and the rectangles match: a Lab spot link keeps its tint and
takes the Lab values or their CMYK equivalent in both directions, and a
link to a swatch the replace removes is dropped while the color stays.
Both tests fail when map_default_paints skips every interaction.
The progress line for swatch steps in a batch names the two commands and
the new tests.
A gradient stop linked to a spot ink that also carries process plates
(a DeviceN stop opened from a PDF) printed only its spot tint: print
separations and Separations Preview left its Cyan, Magenta, Yellow and
Black plates blank. They now print the stop's plates beside the tint.
With spots printed as process, each process plate prints the stop's
plate layered with the spot tint's process equivalent, as a separated
image's spot plates layer. Plates beside no spot link, or beside
Registration, still print nothing of their own.
The color visitor also skipped a freeform gradient's points, so print
plates kept their display colors and Document Color Mode left them
unconverted. The points are now visited as unlinked colors.
swatch.edit stored a replacement gradient without its placement, so a
radial gradient with an aspect, Alt-dropped on a gradient swatch or
given as `paint`, lost that aspect, while swatch.new keeps it and
applies the swatch with it. A gradient given an aspect without `start`
and `end` lost the aspect in both commands. A replacement pattern kept
the tile transform of the swatch it came from, while swatch.new stores
a pattern untransformed, and `paint: {pattern: name}`, which an Alt-drop
of a pattern fill sends, was refused.
swatch.edit and swatch.new now store a gradient or pattern through one
helper: a gradient keeps its aspect, with or without a vector, and holds
no swatch link, and a pattern is untransformed. swatch.edit takes a
pattern by name, as swatch.new does.
dotCooCoo