The PSB row of docs/file-format-parity.md says the merged image comes in
clipped by the file's clipping path, as the PSD row does, and
docs/target-app-parity.md's evidence list gets a line for it.
A PSD or PSB file can name one of its saved paths (image resources 2000
to 2997) as its clipping path in resource 2999. psdread::clipping_path
reads that path in the image's pixel space, under the even-odd rule the
file format specification gives, with a subpath around the whole image
first when the initial fill record says the fill starts with all
pixels.
File > Place of such a file, and File > Open of its merged image, put
the image in a clip group of that path with no paint. file.place answers
the image's id as `image`, as for a DCS file. Replacing an image alone
in a clip group with such a file keeps the image's scale and rotation.
links.update and links.relink leave the clip group as it is. Files that
name no clipping path come in as before.
Create Sub-folders and Open Location after Export are check items that set
the settings the panel shares with Export for Screens, and the panel's
Export follows them. Create Sub-folders is checked as the dialog opens on
it: on for a document without export settings, and on for remembered
folders per row, format or item, which the panel's Export now uses too.
Format Settings... opens Export for Screens on the Assets tab showing the
first row's format settings.
assets.settings.set takes openLocation (kept in document.exportSettings,
not in presets), refuses a subfolders or openLocation value that is not
true, false or null, and with subfolders false given alone also ends a
remembered folder per format or item. Export for Screens reads remembered
empty folders as none, as an export does.
With a Type tool and exactly one character selected, the canvas shows up
to five of that character's alternate glyphs in a row beside it. A click
runs the command the Glyphs panel's double-click runs, as one undo step;
an arrow at the end opens the Glyphs panel on Alternates for Current
Selection when the character has more. Preferences > Type > Show
Character Alternates (showCharacterAlternates, on by default) turns the
row off.
An image or a gradient mesh with a visible Crop Marks effect, or with a
Vector Halftone effect that makes dots, is measured in a plot of the art's
bounds. A halftone that makes no dots, such as one past the effect's cell
limit, leaves the image out as before.
Select > Start Global Edit now also takes rotated copies of the selected
object or group, in the highlights before the start, in the Global Edit
Options' Results count and in the started edit. An edit reaches each copy
turned by that copy's angle, so an anchor moved to the right on the
selected object moves downward on a copy turned a quarter turn clockwise.
The copy's angle is the one that lays the selected object's anchors and
handles on the copy's in order (a least-squares fit in the unit box),
and the copy is the same shape when each point then lies within a
millionth of the larger side of the copy's box. Reflected copies and
copies stretched along one direction stay unmatched. With Size, a rotated
copy matches when it is the object rotated without scaling. The no-match
message now names only reflected copies, in every catalog that has it.
Docs: docs/mcp.md, docs/gaps.md, docs/ui-parity.md and the evidence list
in docs/target-app-parity.md.
dotCooCoo