Under automation read roots, a reply replaced only the path inside a
`file:///outside/a.svg` URL, which left `file://a.svg`, a URL that names a
host. The whole URL of an absolute path, with `localhost`, another host or
no host, is now replaced with the file name, unless part of its scheme was
already replaced. A reply key rewritten to read the same as another key of
its object took that key's place and its field was lost; the rewritten key
now takes ` (2)`, ` (3)` and so on, and a key that is not rewritten keeps
its name.
Under automation read roots, a reply shows each path outside the read roots
that the request sent by its file name. A save or export to a path the
client gave inside the write roots then answered with the bare file name in
`path`, where the save replies keep the given path. The `path` and `files`
entries of the reply's result, a `command.batch` step's result included,
that equal a path param the request gave inside the write roots now stay as
given; every other occurrence is still shown by its file name, and loaded
libraries outside the read roots keep their `loaded/<file name>` ids.
- ui.dock's move takes a hidden panel's shown id in target, as the other
docking destinations do.
- Shortcut overrides keyed panel:<panel id>, saved and in an open
Keyboard Shortcuts dialog, show the panel id shown for a library
outside the read roots, also when nothing else refers to it.
- Outside Windows, a native path is matched only as written: a sent
/out/weird/name.svg no longer renames a hidden library at
/out/weird\name.svg, and a reply does not read one as a spelling of the
other. Windows paths are still matched with either separator.
- Outside Windows a `\` stays part of a hidden library's or sent path's
file name; another platform's absolute path is still split on `\`.
- A hidden relative path is matched after leading `./` and `../` parts
only when they start the path, so `/work/./data/icon.svg` keeps its
text.
- `ui.inspect` and `ui.docking` replies are hidden once, so a library
at the top of the file system shows as `loaded/<file name>` with its
separator.
Outside Windows, a path that starts with a drive (`C:`) or a `\` is read
as a name in the working folder, so with the working folder inside a
read root it passed the read check. ui.inspect then kept it in recorded
action steps and replies did not hide it when a request sent it. The
check now counts such a path as outside the read roots wherever the
control channel and the library commands check a path.
A sent path whose text overlapped part of a hidden library's path could
keep that path from being hidden; the hidden libraries' ids and paths
are now matched first. A hidden relative path is also hidden where a
reply shows the absolute path it reads as from the working folder, and
a hidden library sent by that other form shows as the sent path does.
A library loaded from outside a confined client's read roots keeps its
`loaded/<file name>` id for the session, in ui.inspect, ui.docking and
the library commands, so an id taken from an earlier reply still finds
the same library after another library with the same file name is
loaded. swatch.library.copyToUser leaves out `path` when the file is
outside the read roots, as the saves do.
The ids come from the engine's concealed_library_ids, which now reads a
path written with either separator, counts another platform's absolute
path as outside the roots, and keeps each id in the session.
Outside Windows, a library path that starts with a drive or a backslash counts as outside the read roots, since the file access check would read it as a name in the working folder.
Each hidden id or path is replaced once, chosen from the reply as given,
so a hidden path inside another library's shown id is not replaced
again, and a readable id written with %XX escapes keeps the hidden path
it begins with. A path quoted with {:?} is matched with its quotes and
control characters escaped. A path outside the read roots that the
request sent is shown by its file name in a reply that succeeded as in
one that failed, and a path param counts with a relative path too. A
relative path is not replaced where it ends a longer path. Without a
read root, a file: URL that names another host stays in ui.inspect's
recorded steps.
A hidden id or path stays only where it begins another loaded library's whole id with no `.` or `..` part, also when that id has a space after the hidden part.
- Every request under a read root records the hidden libraries before it
runs, and the reply hides those and the ones hidden after it. A panic
is answered inside the request, so its error is hidden too.
- A hidden path followed by more path text stays only when the longer
text is another loaded library's id with no `.` or `..` part.
- Encoded file data is skipped only for a base64 string under
`dataBase64`, `pngBase64` or `thumbnailBase64`; objects and lists under
those keys, and other keys ending in `Base64`, are searched.
- The error of a failed request hides a path outside the read roots that
the request sent by its file name, so it reads the same whether or not
a library was loaded from that path.
- Paths written with `%XX` escapes are hidden, and on Windows paths in
another letter case.
- Recorded steps in `ui.inspect` leave out `~`, paths under `~` and paths
starting with `./` or `../` outside the read roots under any param.
- Hidden libraries are numbered in load order and keep their id from one
request to the next.
Under the read roots, every control reply now shows a hidden library's
id as loaded/<file name> and its path as the file name in every string
and key: status text, dialogs, the command palette query, a script's
report, recorded steps and errors. The id and path are replaced at any
boundary, so a path between spaces, brackets or quotes, followed by a
period or by more path text (<path>.bak), or quoted with escaped
backslashes is hidden too. An occurrence that continues into a longer
path stays only when the request may read that longer path, so a
readable library's id that begins with a hidden one keeps its text.
The libraries hidden after the request ran are hidden, and for a
request that names one, those hidden before it too. A reply with no
path separator in it is not searched. Encoded file data (dataBase64,
pngBase64) is sent unchanged.
Recorded steps in ui.inspect leave out a path outside the read roots
under path, paths, file, files, folder and any param whose name ends in
Path, Paths, File, Files or Folder (diffPath, fontFiles,
destinationFolder), and an absolute path or file: URL outside the roots
under any other param or in any list. The file: scheme is matched in
any case, a URL's %XX escapes are decoded before the check, a file: URL
inside the roots stays, and a file: URL that
names another host is always left out. file_access::is_path_key holds the list of
path params, and testkit's is_path_key uses it.
Follows #6608. ui.inspect shows a library loaded from outside the read
roots as loaded/<file name>. A request may now name the library or its
panel by that id in a panel, library or panels param, in a docking
destination (anchor, before, onto, above, below) and in
window.panel.layout's action: ui.set {panel} reopens the closed panel
instead of floating a new one. The reply to such a request, an error
included, shows the shown id.
ui.inspect rewrites only whole ids, and only in the fields that hold
library and panel ids, so a readable library's id that begins with a
hidden one keeps its path, and status text, the command palette query
and a script's report keep their text. A hidden library does not take
the id of a library loaded without a path.
ui.inspect also leaves out of recorded action steps the path and folder
params, params named like destinationFolder and the entries of a paths
list that lie outside the read roots, also inside a batch step's
commands. It hides a library id holding a path written with either
separator, and checks a folder preference against the roots as written,
without trimming spaces.
In a gradient or a shaded area the palette colors on either side of a band
border differ by more than the image changes across it, so pixel noise
decided where the border ran, and it was smoothed over 0.5 px like a real
edge: borders wobbled, kept stair steps and took many anchors.
Each crack between two colors now records how much of the step between
them the image makes next to it and a few pixels further out, how much the
image changes there along the line between the two colors and in any
direction, and how much it changes within each side (RGB distances, 0 to
255 a channel). A piece of outline is the contour of a smooth area when its
cracks show less than half of the step; either more of it further out, a
change along the line under 12, or no opaque pixels further out; some change
within the sides, at least 1/32 of the change along the line; and a whole change
under twice the change along the line, or under 24. Such a piece is
smoothed over 4 px (a closed one over at most an eighth of its smaller
width or height), keeps no corners, is fitted to at least 0.5 px and is
checked against its smoothed points. The values are the same from either
side of the crack.
Grayscale reads each pixel as its gray, for this rule and for every edge's
sub-pixel shift, which compared the pixels' colors with gray palette
entries.
Color traces of clean flat-color art and Black and White traces are
unchanged. Specks rise by up to 0.8 per image on gradient and photo
inputs, and Auto Color with Shapes leaves a 0.3 px gap there.
Docs: docs/target-app-parity.md, docs/image-trace-quality.md.
Load Actions refuses an action set file over 8 MiB, with more than 1,000
actions, or with an action of more than 10,000 steps. Several ways of
changing a set could pass those limits, leaving a set that Save Actions
refuses to write.
- While an action records, a command (a batch and Find Objects that
selects included) whose step would give the action more than 10,000
steps or its set's file more than 8 MiB does not run, and the recording
goes on. A stop that playback reaches is left out then. A command whose
step grows past a limit only as it runs keeps its edit; the status bar
names the limit and Stop leaves the step out. Stop also leaves out any
recorded step still past a limit. Steps recorded after an exclusion
past an action's last step are included.
- An exclusion that would make the set's file larger than 8 MiB changes
no checkmark; one that keeps the size or shrinks it always works.
- Begin Recording, New Action, Duplicate, renaming an action, Action
Options, Set Options and New Set refuse a change that would give a set
more than 1,000 actions or a file larger than 8 MiB. A change that
leaves a set no further past a limit than it is now is allowed.
- Load Actions refuses a set, .aia sets included, that Save Actions would
write larger than 8 MiB (a file with less white space, or a set name
that gets a number added).
The limits are the existing ones from files.rs, and the errors reuse the
existing messages. docs/mcp.md and the commands' params text describe the
new errors.
- A live color adjustment recolors a masked image's masked pixels, on the
canvas and in outputs that apply the adjustment, so the colors the mask
hides stay hidden. Before, the adjustment recolored the image's own
pixels and the hidden colors showed again.
- An envelope warp gives each piece of a masked image the image's color
mask, so the warped image shows its masked pixels.
Tests: a_live_color_adjustment_keeps_the_hidden_colors_hidden and
an_envelope_warp_draws_the_masked_pixels.
With one object that Start Global Edit accepts selected with the Selection
tool, the canvas now highlights the other objects a start would take with the
current Global Edit Options, before Global Edit starts. The outlines are kept
per document revision and options, and none are shown during a drag.
Docs: docs/mcp.md (Global Edit), docs/gaps.md (G5).
The AppKit cursor delivery's evidence in docs/ui-parity.md and
docs/target-app-parity.md says the host sets its cursor again on every
pass while it owns it, so the tool's cursor stays when the pointer moves
(#6362). Status lines and history updated; scores and estimates
unchanged.
The AppKit cursor adapter set its cursor again only when
NSCursor.currentCursor differed from it. But that is the app's last set
cursor, not the one on screen: when the pointer moves, AppKit can put
the system arrow back while currentCursor still reads as ours, so the
adapter kept the arrow. Pressing V over the canvas showed the Selection
tool's arrow, and the first move replaced it with the system pointer.
While it owns the cursor, the adapter now sets it on every pass. That
costs nothing when it is already showing.
With Transform Objects off, a group's Transform effect scales the
strokes and moves the patterns of a member's linked mask as it does
the member's, instead of leaving the mask as it was.
- `charpath` in a CIDFont only named, over a predefined CMap, adds the
outlines of the characters its codes stand for, placed as `show` sets
them, and moves the point as `show` does. It added no outlines.
- `cshow` gives its procedure each code of such type, two bytes for a
two-byte code, with the code's width. It split two-byte codes into
single bytes.
- `glyphshow` sets the named character itself. It set the character's
UTF-8 bytes as Latin-1 letters.
- `kshow` runs its procedure between each two codes of such type, with
the two codes' values. It didn't run it. The procedure sees the font
the file set as current, and a font it sets stays current.
- A name that ends in the row-and-cell CMap `H` or `V` splits off the
CMap only when the file defines the CIDFont of that name (as a
resource or with `definefont`), or the name has a hyphen and an
installed face that covers Japanese has it. `Foo-Bold-H` stays a font
of the whole name.
- In a CMap that can't be read (`GBT-H`), each code moves the point one
em, along the line or down the column; a tab or carriage return byte
is a code of its own.
- One parser reads the names of the predefined Unicode CMaps, for EPS
and legacy `.ai` type.
- Outlines added to a path by `charpath` stop at the path's point limit.
- docs/file-format-parity.md, docs/gaps.md and docs/mcp.md describe type
in named CIDFonts over the predefined CMaps.
- A Transform effect that makes copies or moves at random, listed after
an Extrude or Revolve effect, now keeps the raster effects before the
3D effect at their own values, as it does without the 3D effect.
Before, the 3D art kept a Drop Shadow scaled by a Transform effect
between them.
- In a fill's or stroke's own effects, such a Transform effect also
keeps the raster effects before it from following an earlier
Transform effect with Transform Patterns on, and the Transform
effects between them.
- Colored Pencil's pencilWidth and Paint Daubs' brushSize are distances
in document units, so a Transform effect after them and Scale Strokes
& Effects scale them as they scale Palette Knife's strokeSize. The
Paint Daubs params text names the unit.
Single Word Justification's Full Justify counted and placed a gap after
every drawn glyph, so a combining mark or the vowel sign of a Devanagari
syllable moved away from its letter. Desired Letter Spacing and the
letter spacing range of a justified line did the same between two glyphs
of one cluster.
- The Full Justify gap count and placement share one check that skips
glyphs with the same cluster byte as the glyph drawn after them.
- Letter spacing goes after the last glyph of a cluster only.
- Letter spacing, Full Justify and CJK inter-character gaps pass over
every default-ignorable character drawn with no width (soft hyphens,
bidi marks, embeddings, overrides and isolates, joiners, word joiners,
variation selectors, tags, the byte order mark) and put the space
between the visible characters on either side. The Hangul fillers stay
letters.
- A zero-width space takes no word-space room on a justified line and
stays a line break opportunity. Letter spacing before it is set after
it, so a line broken there ends at its last letter.
- A single word that Full Justify spreads and that breaks at a hyphen
has the same gap before the drawn hyphen as between its letters.
- Kinsoku push-in counts the gaps it can close past format controls, as
the layout closes them.
Tests cover horizontal, right-to-left and vertical type, Desired and
fitted letter spacing, format controls, zero-width spaces, the drawn
hyphen, push-in, and a Devanagari syllable when a Devanagari face is
installed.
A linear, radial, conic or diamond gradient has a spread: Pad (the
default, as before), Repeat or Reflect, with a count of 1 to 100
(VectorCraft's own limit). Repeat and Reflect run the stops that many
times along the vector (around the turn for a conic) and keep going past
both ends, Reflect running every other run backwards, as SVG's
spreadMethod does.
The Gradient panel has a Spread menu and a Repeats field, and the
Gradient tool marks where the runs meet. paint.setFill and
paint.editGradient take `spread` and `repeats`; bad values are errors.
Presets, swatches, blends, strokes along or across a path, Outline
Stroke and Object › Expand follow the spread; Expand gives each run the
same whole number of objects, and Outline Stroke's mesh keeps the color
on each side of a sharp step between two stops at one offset.
SVG writes and reads spreadMethod: SVG import now reads a repeating or
reflecting gradient as one that repeats or reflects once, instead of
expanding its stops over the shape. CSS writes repeating gradients.
PDF writes a conic's sweep shading over one run. PDF, EPS, legacy .ai
and the .ai editing data write the other kinds with their stops
repeated across the shape: at most 256 runs and 16,384 stops (256 stops
in .ai files), and for a radial or diamond no farther than 65,536 runs
from its center, with a warning past those. PDF import now finds sharp
steps in any axial or radial shading instead of blurring them.
Docs: docs/mcp.md (Spread), docs/target-app-parity.md, docs/gaps.md.
The editing copy of a PDF-compatible .ai now holds the Brushes panel's
Calligraphic, Scatter and Art brushes in the panel's order, with the art
of Scatter and Art brushes. A path or compound path with a Calligraphic
brush, or with an Art brush in Tints whose art bends along the path,
keeps the brush on its stroke. Other brushed strokes are still written
as their brush's art.
The writer reads each brush back with the reader's code before writing
it. Brushes that would not come back with their settings, brushes past
the reader's limits and every brush on a large canvas are left out with
a warning. A brush that has the name of an earlier brush that was left
out is written, and no path is written with it on its stroke.
An object linked to a graphic style that is left out at the object
limit now also raises the warning about links left out.
Brushes and their options:
https://web.archive.org/web/20241230205225/https://helpx.adobe.com/illustrator/using/brushes.html
Docs: docs/file-format-parity.md.
egui spreads a wheel notch over the next frames. When a number field took
a notch and the pointer then left the field, the rest of that notch
scrolled the panel under the pointer, or a panel drawn before the field.
- A begin-pass plugin (`WheelTailPlugin`) keeps, per viewport, how much of
the notches number fields took egui has not let out yet, and takes what
egui lets out of them out of each pass's scrolling before any panel
scrolls.
- It reads each pass's wheel events in order with egui's touch rules
(start, end, cancel, and the timeout of a touch that never ends), so a
turn inside a touch, or one ended in the same pass, leaves nothing owed.
- A turn the other way on the panel while the rest runs out scrolls the
panel by its whole size.
The sweeps in command_sweep.rs kept their own list of file and folder
keys (path, diffPath, folder, destinationFolder) in testkit's
safe_value and again in the temp-folder test, so a command whose file
key was not on the list was sent raw junk strings, and a key written as
`{path | name ...}` (document.open) was never swept.
- The engine exports the plug-in call rules' file keys as
`cmd::key_location`, `cmd::location_in` and `cmd::location_keys`,
which read every key a params description names, the keys of the
commands its `...` entries name, and the schema. `diffPath` is a file
key, so a plug-in call that carries it is refused; Slice Options'
`url` and Export for Screens' `folders` name part of the document, so
a call to object.slice.options with a top-level `url` is accepted.
- testkit's `param_keys` reads the keys the engine reads, and
`junk_params_for_command` and `safe_value_for_command` send every
string under a file or folder key, in arrays and in objects inside
them, as a location in the sweep's temp folder. Each such key also
gets a list of paths and a list of `{ids, path}` objects.
- Every catalog sweep, the serializability sweep included, uses them,
and the temp-folder test checks every key the catalog names, at any
depth.
Type and live objects in the art of a linked opacity mask are outlined
and evaluated before a group's or layer's geometry effects run over it,
so the mask moves and bends with the art it masks. Before, the effects
reached only the paths in a mask's art.
- With Scale Strokes & Effects on, a Transform effect scales the strokes
of an image's or symbol instance's linked mask as it scales those of a
path's mask.
- A mask's art takes Transform copies in the form it had before the
first effect, as the art it masks does.
- A linked mask whose art is one image or symbol instance takes a
Transform effect's move and copies with the art it masks. Under any
other geometry effect, which images and symbol instances do not take,
art whose masks hold one keeps its shape.
- A symbol instance in perspective projects the linked masks in its art
with that art.
- A live-effect plug-in that paints its pieces leaves art with linked
masks as it is, since a mask can't take the pieces.
Docs: the docs/target-app-parity.md line moves next to the Transparency
entry and lists the cases where existing documents draw differently.
dotCooCoo