- The link watch and links.updateChanged look at a DCS file's plate files
of their own, so a changed plate file is read again.
- links.update and links.relink apply the file's clipping path to the
images in symbols, graph designs, patterns and masks too. When the new
file has no clipping path, a clip group holding the old file's clipping
path loses that path and stays as a plain group of the image, keeping
its id, name, visibility and transparency. The image keeps that path with its plates to tell it from a
clipping mask made in the document; a clipping path given another fill
rule in the document stays. An even-odd clipping path in the file is
kept as the same area under the nonzero rule.
- links.update and links.relink return the swatch warnings file.place
gives, including two files that add one ink in two colors.
- links.relink with copy fails for a DCS file with plate files of its own.
- file.place answers the image id of a clipped DCS placement as image,
and checks page and crop for a DCS file as it does for an EPS file.
- Print separations and Separations Preview take a spot plate's color
from the document's swatch of its ink, and a reduced image's plates
keep their coverage.
- Show DCS Transparency Interactions counts a transparent DCS image and
characters filled or stroked with a transparent gradient.
- %%PlateFile names keep their spaces, and header bytes that are not
UTF-8 are read as Latin-1.
- A plate program that draws more than one image, art besides its image,
or its image through a clipping path is an error naming the plate
instead of printing the wrong ink.
- Nested clipping paths around the composite clip the image together.
- A kept image with more plates than are read, or more TIFF directories
than its composite and plates, is the CMYK image of its composite
only, not a set of plates cut short.
- swatch.unused counts a spot or process swatch as used only while an
image the art shows has a spot plate of its name.
Effects apply in the order they are listed, so an effect listed after a
Transform effect applies to the art the Transform effect made, at its
own values, as an object's later effects do after the object's
Transform effect. With Scale Strokes & Effects on, a fill's or stroke's
own Transform effect scaled the effects listed after it in that fill's
or stroke's list by the mean scale: a 300% Transform turned a 5 pt
Offset Path after it into a 15 pt one, and a Drop Shadow after it took
three times its offset. With Transform Patterns or Scale Strokes &
Effects on, an SVG filter after it also had the origin of its user space
moved.
- The effects after such a Transform effect now keep their values, on
the transformed art and on each copy, on every fill and stroke a
live-effect plug-in paints the piece with, and when the copies are
counted against the effect budget.
- With Transform Objects off, the effects before it keep their values
too.
- The Transform params text, docs/target-app-parity.md and docs/gaps.md
describe the rule, and drop the note that listed an object's later
effects keeping their distances as a shortfall.
With logoColors named, Flat Logo measured how flat the image is against
the named colors. A solid pixel counts as flat only within 22 (RGB
distance) of one of those colors or white. Flat art whose named colors
were 20 levels off in every channel was refused as not flat, and the
refusal score of a gradient changed with the names.
The check now uses the image's own colors, found the same way as when
no colors are named. It looks for as many colors as are named, with
white, or as the Colors setting gives, whichever is more. How far the named colors are
from the image's colors no longer changes whether the image is refused.
This changes one existing behavior: an image with large areas of a
color that was not named used to be refused, and it is now traced in
the named colors.
Docs: docs/image-trace-adjustments.md, docs/target-app-parity.md, the
imageTrace.make params text.
A process color can't colorize a grayscale image that has an alpha channel,
and paint.setFill refuses that combination. Remove Background gave such an
image an alpha channel and kept its process colorize color. It now refuses
the run, changing nothing, when an image it is given is gray and colorized
with a process color. It checks this before any image is decoded. Another
image in the document that already has that combination does not affect a
run on other images. Black, white and spot colors still colorize the result.
The rule check_colorized applies to each image is now one function,
paint::gray_colorized_with_process, which both checks call.
Docs: docs/mcp.md (Remove Background), docs/target-app-parity.md.
tree() in crates/engine/src/cmd/findfiles/tests.rs returns a Tree guard
that holds the canonical path and removes the folder with everything in
it when it is dropped, also when the test panics. When the removal
fails, the guard gives the owner read, write and search permission on
every folder in the tree (Unix; links are not followed) and removes it
again, so a test that panics while a folder is locked leaves nothing
behind. A removal that still fails is ignored.
tree() empties the folder temp_dir returns in place instead of removing
and remaking it, so on Unix the folder keeps the owner-only mode that
temp_dir sets.
view.proofSetup, view.proofColors, view.overprintPreview and
view.separationsPreview stored the proof view and raised every open
document's revision on each run. They did this also when the request
asked for the view that was already showing, for example Proof Colors on
while it is on, or Proof Setup with no params. Each such run redrew every
canvas. When the active document's revision changes, the canvas also
sends a tool that asks for it a new hover event, although the pointer has
not moved.
- The four commands compare the new proof view with the current one. When
the two are equal, the commands leave the view and the revisions as
they are. Separations Preview's visible plates are compared as a set,
so the same plates in another order do not redraw.
- view.separationsPreview with `plates` naming a plate twice shows it
once, so one `toggle` of that plate hides it.
- color.loadProfile with a new file of the CMYK profile that Proof Setup
targets gives the documents new revisions, as it does for a working
space. Before, running Proof Setup again redrew the documents through
the new file; it now leaves an unchanged view alone.
- color.removeProfile gives the documents new revisions only when Proof
Setup targets the removed profile.
Paragraph panel menu > Bunri-Kinshi (with the East Asian options) and
text.setFormat {bunriKinshi} turn it on per paragraph. A line then
never breaks inside two em dashes, two horizontal ellipses, two two-dot
leaders or the two halves of a vertical kana repeat mark, the pairs W3C
JLREQ lists for class cl-08 (https://www.w3.org/TR/jlreq/#cl-08), nor
inside a chain of em dashes. Both composers, vertical type, Kinsoku
Shori Type, hyphenation and No Break follow it, and a pair wider than
the line stays whole on it. Justification and letter spacing add no
space inside a pair.
The setting works only with a Kinsoku Set: with Kinsoku Set None the
paragraph keeps the value without effect and the menu item is
unavailable. It is off by default, saved with the paragraph only when
on, carried by paragraph styles (Paragraph Style Options > East Asian
Composition Settings), and turned off by Reset Panel. A value that is
not true or false is refused. The .ai editing data has no field for it,
so saving reports a paragraph with it on and a pair in it as left out.
Docs: docs/mcp.md, docs/target-app-parity.md.
SVG Options gets an Include Variable Data checkbox (the `variableData`
option, off by default). With it on, the saved SVG carries the document's
text variables, its data sets' text values and each text variable's bound
type object as a `variableSets` element, in the layout Load Variable
Library already reads. A bound object is named by its element id in a
`docRef="id('...')"` attribute; an object without an id gets one.
Opening such an SVG reads the variable data back: the text variables, the
data sets (none active) and the bindings, so choosing a data set changes
the type again. Variable data that Load Variable Library would refuse is
left out with a warning, and the art opens. Markup that only looks like
the element (in comments, CDATA sections, processing instructions or the
document type declaration) is skipped.
Variables of other kinds, names XML can't hold, more than 256 text
variables or 1,000 data sets, and variable data over 8 MiB or 2,000,000
XML nodes are left out of the file, each with a warning. Type written as
outlines opens as art, so its variables are written unbound, with a
warning.
A painted live effect on a fill can return a piece with several fills,
each a copy of that fill with its effects. A Transform effect after it
moved the piece, but only the first returned fill's raster effects
followed it: with a Drop Shadow before the painted effect and a 200%
Transform effect after it, the first fill's shadow offset became 20 pt
and the second fill's stayed 10 pt. Each returned fill and stroke now
takes the followed values.
css.export read `scope` and `path` with a lenient string lookup, so a
value of the wrong type (`5`, `true`, `["all"]`, `null`) was treated as
left out: the selection was exported, or the CSS came back as data
instead of being written. Both keys are now checked before anything is
generated or written, and a supplied value that is not a string is an
error ("`scope` must be a string", "`path` must be a string"). A
left-out scope still exports the selection, and a left-out path still
returns the CSS.
css.generate and css.export with scope "all" do not use `ids` or `id`,
but a malformed one is now an error there too, as it already is for the
selection.
An HP-GL wedge of almost no radius drawn with an adaptive line type
(LT-1;EW0.000001,0,0;) leaves a lone moveto. Fitting the dashes to its
corners indexed the empty segment list and panicked while rendering. Such
a subpath now uses the exact plan, which has no runs to fit.
Found by import_fuzz::random_hpgl_instructions_never_panic.
artboard.new no longer raises a width or height below 1 pt to 1 pt, and artboard.setProps raises only a supplied side, so an edit to a small artboard's name or lock keeps its size.
File › Place with Link reads a DCS 1.0 or 2.0 file (an EPS file whose
header names one EPS program per printing plate) as one linked image of
its plates. Each spot plate adds a spot swatch in the CMYK values the
file gives, and the clipping path the file's composite is drawn through
clips the image. document.open, file.place without link or from bytes,
and links.embed refuse a DCS file and change nothing.
- The screen, composite print and exports show the plates mixed into
CMYK. Separations Preview and print separations show each plate on
its own ink; a spot plate prints as its CMYK values when spots print
as process.
- links.list answers the format DCS, and with dcsTransparency marks the
DCS images that are transparent or overlap transparent objects (the
Links panel menu's Show DCS Transparency Interactions).
- swatch.unused leaves out a spot swatch while a DCS image has a plate
of its ink.
- links.update and links.relink read the plates and the clipping path
again, and the link shows as modified when one of its plate files
changes or is gone.
- The plates go on the first plate's pixel grid, grown to hold every
plate where it prints; a plate of another size or position is
resampled onto it.
- A file may name 64 plates, a plate file may be 1 GB, and the plates
together may hold 512 MB of ink amounts. A file naming more plates is
an error.
Docs: docs/mcp.md, docs/target-app-parity.md, docs/file-format-parity.md.
Under --automation-read-root, document.json names a linked image or
placed file in a stored brush's art outside the read roots by its file
name alone, as it does in the layers. A stored brush entry that does not
read as a brush is left out of the reply, and a stored brush library
that is not a list becomes an empty one. A link whose file is inside the
read roots loses its stored relative path when that path leads outside
them, from the folder of the file the document was read from or from the
document's own folder.
dotCooCoo