Tracing a photo or a large image ran inside imageTrace.make on the UI
thread, so the window froze for as long as the trace took, with nothing
to say it was working.
A trace the user asks for (Object > Image Trace > Make and Make and
Expand, the task bar's Image Trace, the Image Trace panel's Trace and
presets) now runs on a thread of its own, as heavy plug-in filters do.
The status bar says so, and after 0.4 s a progress window shows how
many of the image's colors are traced, with Cancel and Continue in
Background (imageTrace.cancelRuns, imageTrace.hideRuns).
The result goes back to the command it was prepared for
(cmd::TraceRun, Traced::hand_in), which takes it only for the same
object, image and settings, so the edit is one undo step as before. A
newer trace of the same object replaces one still running, and a trace
whose image or settings changed meanwhile changes nothing. The control
channel, MCP, scripts and the web trace at once, as before.
The tracer reports its stages and color layers to a callback and stops
when it says so (trace_watched).
A page drawing one form over and over made its art again for every drawing
with no limit (a 1 KB file took 877 MB), and a form decoding to 64 MiB drawn
a thousand times hung. The import now makes at most half the objects a saved
document may hold (2M, 256K on the web), leaving the rest out with a warning,
and the scan reads at most 2 GiB of form content per page before refusing it
as past the reader's limits.
The reference app's Flare tool rotates the rays as the center is dragged
out, Shift constrains them to their original orientation, and Space
held moves the shape being drawn. VectorCraft's Flare tool drew the
rays in one fixed orientation and ignored Shift and Space.
shape.flare takes rotation (degrees, clockwise), which turns the rays
about the center and leaves the halo, the center and the rings as they
are. While the center is dragged out, the rays turn with the pointer,
as a polygon's first corner does, and a drag straight up leaves them
unturned. Shift keeps them unturned, or turned by General › Constrain
Angle as a polygon drawn with Shift is. Space held during the center
drag or the drag that places the rings' end point moves the flare at
its current size, and the drag goes on from there when Space is let
go, as with the shape tools.
Docs: docs/mcp.md, docs/target-app-parity.md.
In typography and Illustrator, Shift+Enter inserts a soft return (forced
line break) rather than ending the paragraph. Text wraps to the next line
without applying paragraph-level spacing (space before/after, first-line
indents), list continuation lines keep their parent item without repeating
markers, and justified text does not stretch lines ending with a soft return.
- Forward active modifier keys for Enter in ui-egui shortcuts so the tool
detects Shift+Enter.
- Type tool inserts U+2028 (LINE SEPARATOR) on Shift+Enter.
- Text shaping and layout treat U+2028 as an invisible zero-advance control
character, breaking the line in point and area type.
- Paragraph spacing and list markers apply once per paragraph as intended.
With nothing selected, a click with the Eyedropper picks up an object's attributes and an Alt/Option-click on another object applies them, as the reference app's Eyedropper does. Alt-click only copied from a selected object, and with nothing selected it failed. The session now keeps a copy of what appearance.copyFrom picked up last, and a reversed copy with nothing selected applies it.
Preview, Embed ICC Profiles, Create PDF-Compatible File and the other VectorCraft Options went back to their defaults for every document not saved yet. A native Save or Save As now records the options it used in the preferences (not the artboards it picked, nor Use Compression, which its preference decides), and file.formatOptions offers them for a document not yet saved as a native file. A document saved before keeps its own.
While an opacity mask is edited the Layers panel lists only the mask, so a new layer was added where no row showed it, and only the panel's layer count went up. Both commands are now disabled then, as isolation commands already are (outside_mask_editing).
- In `shaper::refresh`, replace full document walks with `changed_shaper_groups`,
diffing `before` and `after` layers and short-circuiting on pointer-equal (`Arc::ptr_eq`)
subtrees in O(1).
- Return whether Shaper groups rebuilt or modified artwork (`Result<bool>`),
allowing `Session::edit` to skip the second `cmd::objects_on_path::refresh`
call when no artwork was modified.
- In `textwrap::refresh`, check pointer equality on layers against `before.layers`,
skipping untouched layers in O(1) and checking only modified layers.
With a layer selected, Object > Hide > Unselected Artwork hid every object
on that layer, since the selected layer was dropped from the objects to
keep. The objects of a selected layer now count as selected.
While Lock Guides is on, a group that held a guide path was hidden whole,
which hid the guide with it. Guide paths now count as selected, so the
command keeps such a group visible and hides its other members one by one.
svg_darkness_uses_rendered_shadow_in_non_srgb_working_space runs itself
again in a child process with --exact and checked only the exit status.
libtest exits 0 when --exact matches no test, so a rename of the test
would have left the parent passing without running the non-sRGB check.
The parent now also requires "1 passed" in the child's output, as
layout_cache_follows_fonts_added_later in crates/tools does.
With `includeSubdirs` and the destination folder the same as the source
folder, the Export for Screens folder of `a.svg` was `a`, and its
`Artboard-1.svg` replaced the source `a/Artboard-1.svg` before Batch
opened it. Batch now keeps the names of subfolders of the destination
folder that hold source files, so that export folder is `a-2`.
With the destination folder the same as the source folder, `a..svg` gets
the name `a` and was saved as `a.svg`, replacing the source `a.svg`
before Batch opened it. Batch now keeps the names of the source files in
the destination folder for their own output, so `a..svg` is saved as
`a-2.svg` and `a.svg` is saved over itself.
The Blend tool kept its first pick, its clicked anchor and the blend it
was adding to through edits made outside the tool. Picking A, recoloring
other art and clicking B made a blend of A and B; undoing A's creation
left the next click doing nothing.
History::step names the current step by the serial numbers of the newest
undo step and the next redo step. The session keeps the active document's
uid and step from the tool's last pointer event and calls the new
Tool::history_moved at the next pointer event, or before drawing
overlays, when they differ. The tool's own edits are recorded after its
actions; a selection tool lent by Cmd is not told. BlendTool clears its
pick and chain there, as Escape does. A selection change keeps them.
With the Folder destination, `a.svg` is saved as `destinationFolder/a.svg`.
A later source `a.svg.svg` then got the Export for Screens folder `a.svg`,
which already existed as a file, and its export failed. Batch now numbers a
source's name when its folder or any file it writes in the destination
folder has the name of a file or folder an earlier source wrote, so that
folder is `a.svg-2`.
A recolor of everything counted a locked or hidden object as left
unchanged when the pass would only have linked it, or the tiles of a
pattern it is filled with, to a swatch of the same color. With
`group`, it also counted one as changed when the group's rewrite only
removed its link to a dropped swatch, and as unchanged when the
rewrite recolored a pattern it is filled with.
The trial pass now leaves out changes to swatch links alone, patterns'
tiles included, and the count compares the colors the object shows,
its patterns' tiles included, before the recolor and after the
rewrite.
A source file named `a..svg` gave the folder `a.` and a data set named
`a.` gave `Untitled_a.`. Windows drops a trailing period from a folder
name, so these folders were the same as the ones for `a.svg` and the
data set `a`, and the second export replaced the first one's files.
Batch now passes each name through `safe_file_name` before it numbers
repeated names, so the second folder is `a-2` or `Untitled_a-2`.
When the selection is exactly what select.all takes, recolor.apply and
edit.colors.invert, toCMYK, toGrayscale, toRGB, saturate and
adjustBalance now count the objects select.all left out whose colors
they would have changed: locked or hidden objects, the objects of
locked or hidden layers and sublayers, and objects on locked artboards
(counted as locked). In isolation mode the count covers the isolated
group's members. An object both hidden and locked counts as hidden.
Template layers' art is not counted. Locked and hidden members of a
selected group are recolored as before and are not counted. With any
other selection, or with ids, both counts are 0. Lock and visibility
work as before.
The reply carries notChanged: {locked, hidden}, and a warning when a
count is above 0, which the app shows in the status bar, for example
"Recolor completed; 3 locked objects and 1 hidden object were left
unchanged". A trial pass over the left-out objects finds which ones
would change. In recolor.apply, an object that the group rewrite then
changes is not counted.
The message has rows in the 20 catalogs that translate messages.
docs/mcp.md describes the counts.
Main replaced the glob import of the command helpers in fileio/eps.rs
with an explicit list; the EPS Save path's selectedOnly check uses
bool_or, so it is added to that list.
File > Document Color Mode and document.open {colorMode} converted the
colors of the layers, symbols, pattern tiles and swatches only. Graph
designs, graphic styles, the art of opacity masks, the tile that
pattern editing's Cancel puts back and the art of brushes kept their
old color model (only a tint of a global swatch in a graphic style or
a mask followed the swatch), so a CMYK document could still apply,
place or print RGB colors from them.
These now convert with the rest, in the same undo step: their solid
colors, gradient stops, text runs and mesh points, nested masks
included. A Hue Shift brush's key color takes the converted color of
the art color it matches, a tint of a global swatch included. The
brush library is stored again only when one of its colors changed. A
tint of a global swatch in any of these places becomes the converted
swatch's color at its tint, as in the layers. The reply's changed
count covers the colors of the layers, symbols, graph designs, pattern
tiles and opacity masks; the colors of graphic styles and brushes
convert without being counted.
Docs: docs/mcp.md, docs/target-app-parity.md.
While an opacity mask or a pattern was edited, a Shaper scribble and
Object › Shaper › Release and Expand ended isolation, and a Shaper
double-click on a Shaper Group isolated the group's original shapes.
Each replaced the editing layer's isolation while the document stayed
in mask or pattern editing. A click on the Shaper Group's mode widget
did the same through object.isolate.
A scribble, Release and Expand now keep the editing layer isolated in
these modes, and end isolation as before outside them. A double-click
with Shaper selects the original shape under the pointer without
isolating the group's original shapes, and the mode widget does not
show while a mask or a pattern is edited.
Docs: docs/shaper.md, docs/target-app-parity.md.
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