With New Art Has Basic Appearance on (the default), the selection never
reached the fill and stroke proxies, so new art kept the colours set last.
A select.* command or layer.target that changes the selection now loads
the proxies and the weight from what the selection shows in them.
A paint or weight the selected objects don't share stays as it was, and
art without paint (a placed image) changes nothing. The template is left
alone, and only a changed selection loads, so a sampled paint stays.
In Safe Mode and for a disabled stored module, load_stored_plugins does
not read the module, so grants.json keeps the grant for its id. The next
load that reads the module forgets the grant.
An output lists at most 100,000 objects and must return every read-only object, so an input with
more than that many is now an object-budget limit before the plug-in starts.
A path or compound path that doesn't fit what is left of the input now fails the run with the
runtime's own "selection is too large to hand over" limit before the rest of the selection is
written, instead of later read-only objects reporting a size error. Objects that clip a clip
group are left out for every filter: compound paths and paths inside a group that clips one
reached filters before, as type, images and symbol instances did.
File › Open imports .vccomposite files as composite fonts, so an importer
listing that extension no longer shows it under its own filter or in
document.formats. File › Open gets a Composite fonts filter.
document.open refuses dataBase64 that decodes past the importer input
limit before decoding it. A file whose start shows a built-in format
still opens as that format, as it does by path.
A path whose live effect paints its pieces was measured with the
flattened output and the source appearance's strokes, so a piece with a
wider stroke of its own could be culled while the stroke was on screen,
and Rasterize and raster effects worked over bounds that were too small.
visual_bounds and shape_bounds now measure the art reshape returns, each
piece with its own appearance, and a raster effect on a fill or stroke
spreads that art.
When a press held during a merge is dropped, the held pointer events
and tool keys after it are removed, as before, but a perspective plane
key (1 to 4 with the grid shown) stays held and is made after the
merge, as it is when no merge is running. Pointer events held after the
last held release, which follow a press the tool already has, are
removed with that press.
- A file read for opening is laid out in the composite fonts registered
then. Opening a document and reverting the front one now measure again
the type set in a font named like a composite font that an open document
defines, the font database holds or the session registered earlier. Type
in other fonts, missing ones included, keeps the bounds it was read with.
- Switching to a document or closing the front one measures again the type
set in a composite font whose definition changed, and any type without
bounds.
- A document reverted while in the back measures its type in composite
fonts when it comes to the front, not in the front document's.
- Text holding an inline graphic whose symbol's type was measured again
takes the graphic's new size.
- A failed or panicked command puts the font database's composite fonts
back with the documents.
- Setting a composite font to the definition an export lends keeps it after
the export ends.
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