With `zip: true`, document.exportForScreens deflated nothing: every file
went into the archive stored. Each file is now deflated, or stored when
deflating does not make it smaller, as file.package's archive does. The
file list, the names and the reply's fields stay the same; `bytes` and
the archive's contents change. Entries keep the fixed 1980-01-01 date, so
the same files still give the same archive.
The deflating writer moves from package.rs into fileio/zip.rs as
`zip::deflate`, beside `zip::store`, and file.package calls it there with
its own date and error text. The test reader `zip::entries` reads
deflated entries too. The `zip` option's text in docs/mcp.md,
docs/control-protocol.md and the command's params says the files are
deflated.
An Alt-click right of a short layer name, inside the wider rename
target, no longer replaces the selection. The isolated layer's own row
now selects the art inside it (layer.selectAll), where it cleared the
selection before. The doc line says the click selects visible, unlocked
art and clears the selection on a hidden or locked layer.
The reference app selects all objects on a layer with an Alt-click
(Option-click) on the layer's name in the Layers panel. In VectorCraft
an Alt-click on a name did what a plain click does: it highlighted the
row and made the layer current, and the art stayed unselected.
An Alt-click on the name of a layer or sublayer now also selects its
visible, unlocked art, as the row's selection square does
(layer.selectAll), and the layer still becomes current
(layer.setCurrent). On a locked or hidden layer the click clears the
selection, as that row's selection square does. On a group or object
row, beside the name, and with Shift or Ctrl/Cmd held as well, the
click does what it did before.
Docs: docs/mcp.md, docs/target-app-parity.md.
The reference app resets a gradient to black and white when the
gradient button in the Tools panel is Cmd/Ctrl-clicked, and to the
default black and white linear gradient when the Gradient Fill box in
the Gradient panel is Cmd/Ctrl-clicked. In VectorCraft a Cmd/Ctrl-click
on either did what a plain click does, and the reset was only in the
Gradient panel menu.
A Cmd/Ctrl-click on the Gradient panel's thumbnail or on the Tools
panel's Gradient button now makes the gradient of the active Fill or
Stroke a linear gradient with the White, Black stops, through
paint.editGradient, as one undo step. A solid or no paint becomes that
gradient, and with nothing selected the default paint changes. A plain
click keeps its behavior, and the panel menu's Reset to White, Black
is unchanged.
Docs: docs/target-app-parity.md.
The reference app selects the complement of the current fill or stroke
on a Cmd/Ctrl-click of the Color panel's color bar and the inverse on a
Cmd/Ctrl+Shift-click, and with Alt (Option) also held it changes the
nonactive one. In VectorCraft these clicks picked the spectrum's color,
and a Cmd/Ctrl+Shift-click cycled the color modes.
A Cmd/Ctrl-click on the spectrum now applies Complement and a
Cmd/Ctrl+Shift-click applies Invert to the active Fill or Stroke, as
the panel menu's items do: a selected gradient stop or freeform point
is recolored in place, and a solid color goes through paint.complement
or paint.invert. With Alt also held, the click runs the command on the
inactive proxy, which stays behind. A Cmd/Ctrl drag still picks colors,
and plain, Alt and Shift clicks keep their behavior. The panel menu's
Invert and Complement use the same code.
Docs: docs/target-app-parity.md.
A click with the Scissors tool cut the path whether or not Alt was
held, and the cursor stayed the Scissors cursor. The reference app's
shortcut list has "Switch Scissors tool to Add Anchor Point tool" on
Alt (Option).
While Alt is held, a click with the Scissors tool now does what a click
with the Add Anchor Point tool does: on a segment it adds an anchor
point with path.insertAnchor in one undo step, and the path is not cut.
The cursor is the Add Anchor Point tool's while Alt is held. When Alt
is let go, the cursor is the Scissors again and a click cuts.
Docs: docs/target-app-parity.md, crates/tools/src/cursors.toml.
The reference app's shortcut list switches between its Type tools with
Shift and with Alt (Option). VectorCraft's Type tools had no such switch.
While no type is being edited, a press with Shift held makes new type
with the chosen tool's horizontal or vertical counterpart: Type and
Vertical Type, Area Type and Vertical Area Type, Type on a Path and
Vertical Type on a Path. A press with Alt held makes it with Type on a
Path in place of Area Type, or the reverse, in the same writing
direction. With both keys held, both switch. The keys held when the
press starts are the ones that count. The pointer shows the tool the
press acts as, and the chosen tool stays selected. While type is being
edited, Shift and Alt work as they did.
Docs: docs/target-app-parity.md.
The reference app switches the units of measurement with
Ctrl+Alt+Shift+U on Windows and Option+Shift+Command+U on macOS.
VectorCraft could set the document's units with document.setUnits or
a right-click on a ruler, but no command stepped through them and no
key did it.
document.switchUnits (Switch Units, default Cmd+Alt+Shift+U) sets the
document's units to the next one in the order a right-click on a
ruler lists them: Points, Picas, Inches, Millimeters, Centimeters,
Pixels, Feet & Inches, Meters, Yards, Feet, and from Feet back to
Points. Each press is one undo step, and the reply names the new
units. Keyboard Shortcuts lists it under Document.
The precise cursors shortcut-editor test used Cmd+Alt+Shift+U as a
free key; it now uses Cmd+Alt+Shift+Q.
Docs: docs/mcp.md, docs/ui-parity.md, docs/target-app-parity.md.
With the Width tool, Escape did not deselect the selected width points:
they stayed selected, Delete still removed them, and in isolation mode
the same Escape left isolation mode. The reference app's shortcut list
gives Esc for deselecting a width point.
Escape now deselects the Width tool's selected width points. The path,
its widths and the undo history do not change, and no command is sent.
While width points are selected the tool takes Escape, so that Escape
does not also leave isolation mode. With no width point selected, and
during a drag, Escape does what it did before.
Docs: docs/mcp.md, docs/target-app-parity.md.
The reference app switches an arc between open and closed with C,
flips it with F and changes its angle with Up/Down while it is dragged
out. VectorCraft's Arc tool ignored these keys during a drag.
While an arc is dragged out, C now switches it between an open and a
closed path, F switches its base between the X and Y axes in the same
box, and Up/Down raise and lower its slope by 10 within -100 to 100.
Each press switches once. The arc drawn on release uses the new values,
and they stay as the Arc tool's options. With nothing dragged, C and F
are shortcuts as before.
Docs: docs/mcp.md, docs/target-app-parity.md.
The reference app switches the Blob Brush to the Smooth tool while Alt
(Option) is held. In VectorCraft an Alt drag with the Blob Brush painted
a blob like any other drag.
With Alt held at the press, or pressed before the drag has moved, the
Blob Brush shows the Smooth tool's cursor and a thin line without the
length label, and the release smooths the selected paths under the
drag with path.smoothRegion, as the Pencil does when Alt key toggles to
Smooth Tool is on. Shift does not constrain a smoothing drag, a stroke
that has moved keeps painting when Alt goes down, and with nothing
selected the release changes no path.
Choosing another tool during a Pencil smoothing drag no longer leaves
the Pencil showing the Smooth tool's cursor when it is chosen again.
deactivate now clears the smoothing state, for the Blob Brush too.
Docs: docs/target-app-parity.md.
edit.colors.saturate's params text names intensity as required, but a
call without it, or with a string such as "40", read the intensity as
0 and still ran Saturate. It changed no visible color but recorded a
Saturate undo step.
edit.colors.saturate now reads intensity with f64_req, as shape.ellipse
reads its box. A missing, null or non-number intensity is the error
"missing number `intensity`", which changes nothing and records no undo
step. A number outside -100..100 still counts as its nearest end, and
the params text says so.
Saturate returns a color whose saturation stays the same, as at an
intensity of 0, as it was. The HSB round trip rewrote most such colors
in their last bit, so they counted as changed and lost their swatch
link.
In the same file, edit.colors.adjustBalance read a channel that is not
a number as 0, and color.harmony read steps or amount that is not a
number as its default. Both now refuse it with check_numbers, as the
commands docs/mcp.md lists for #1952 do. A null is still read as a key
left out.
Docs: docs/mcp.md, docs/target-app-parity.md.
layer.new, layer.selectAll, layer.target, layer.move, layer.template,
layer.pasteRemembersLayers and layer.releaseToLayers read their on/off
params with bool_or or as_bool, which falls back to a default for a
value that is not true or false. layer.new {"top": "true"} added the
layer above the current one instead of on top, layer.template
{"on": "false"} and layer.pasteRemembersLayers {"on": "false"} turned
the option on when it was off, layer.move {"copy": "true"} moved the
rows instead of copying them, layer.selectAll and layer.target with
"add": "true" replaced the selection, and layer.releaseToLayers
{"build": "true"} released the objects without building up copies.
These commands now fail with "`<key>` must be true or false" for a
value that is not true, false or null, as the artboard and Object menu
commands do, and leave the document, the selection, the highlighted
rows and the undo history as they were. layer.newSublayer, which takes
layer.new's options, refuses such a top too. A null is read as a key
left out.
docs/mcp.md also lists showCenterMark, showCrossHairs and
showVideoSafeAreas among the keys artboard.new and artboard.setProps
refuse in this way, as they already did.
Docs: docs/mcp.md, docs/target-app-parity.md.
artboard.setProps refused an x, y, width or height given as text, but
artboard.new read such a value as the key left out: {"x": "10"} added
an artboard at the default position and recorded an undo step. Both
commands read a name that is not a string, such as 5, as no name, so
artboard.new gave the default name and artboard.setProps kept the old
one.
artboard.new now refuses an x, y, width or height that is not a number
with "`<key>` must be a number, not <value>", the message
artboard.setProps gives, and both commands refuse such a name with
"`name` must be a string", for each entry of artboard.setProps'
artboards too. They refuse it before they change anything. A null is
still read as the key left out.
Docs: docs/mcp.md, docs/target-app-parity.md.
A blend whose keys are blends draws each of its steps as a copy of a key,
and that copy makes its own steps when it is drawn, so step counts capped
per pair multiplied with nesting: five levels of 15 steps were 1.3 million
steps from a 23 KB file, 3.4 GB to export.
A blend now makes at most 100,000 steps in all (MAX_BLEND_STEPS), counting
the steps of the blends inside its keys and steps. Past the budget each pair
of keys keeps the same share of its steps; a copy of a blend spaced by
distance counts the most steps its spacing can make, since scaling it up
adds steps. Blends within the budget draw every step as before.
Drop the unsupported Windows 7 x64 portable build and everything that existed only for it:
the windows7 workflow, packaging script and docs/windows7.md; the windows7 feature and the
win7-target cfgs (plain cfg(windows) now); the Windows 7 print transport
(printing/windows7.rs); the glow renderer path; and vendor/windows-link, the patched crate
only that build used. NOTICE, README and the living docs no longer describe it; dated
change-history rows are left as they were.
the_default_budget_follows_the_installed_memory_read compares the default
budget with the 1 GiB fallback when the installed memory can't be read,
as default_history_budget does, instead of failing. The reader itself is
still checked by vectorcraft-render's installed_memory_is_read.
The undo history line in docs/target-app-parity.md says the budget is at
most a quarter of the address space in a 32-bit build.
A Shape Builder click or drag over a selection of more than 128
segments merged on the UI thread, so the app stopped drawing and
answering until the merge was done. The tool now computes such a
merge on another thread from the map it built for the hover.
Meanwhile the canvas keeps drawing, the touched regions stay
highlighted and the pointer is the busy pointer. When the merge is
done, the tool runs shapeBuilder.merge with the gesture's params as
one undo step, and the command takes the computed shapes when it
would compute the same ones. The web build merges in the command, as
before.
A press while the map is still being built no longer waits for it on
the UI thread: the tool records the gesture and makes it once the map
is there.
Clicks, drags and the Shape Builder's arrow keys made during the
merge, and commands, menu items, the app's own dialogs, saves and tool
or document switches, run after it on the merged art; engine queries
that only read run at once. A change to the selected paths made
outside a command drops the merge. The headless host and ui.pointer
reply once the merge is applied.
The Shape Builder and the Live Paint Bucket keep their map of the
selection over a new revision of the document when the selected paths
and their outlines are unchanged, instead of building it again.
* chore(deps): pin craft-libs to 62bb0e1d (shared combo box)
* fix(ui-egui): dropdown menus grow back after their contents shrink
Every combo box is craft_ui::ComboBox, whose menu follows its contents'
height while it is open (egui#5225); clippy.toml bans egui::ComboBox.
The font family menu is a craft_ui::combo::Menu under its field, with the
search field and filters in its header and the family rows scrolling under
them, still laid out only in view. The menu keeps to the room on its side
of the field, so the list's minimum height and the popup's room are gone.
* fix(ui-egui): the shortcut import's target picker grows back after a search
Its search field, "No equivalent" and the row's choices are the header of
a craft_ui::combo::Menu, and Keyboard Shortcuts' entries scroll under
them. That was the last menu on the popup path that capped itself at the
room left, so that path and combo's `searchable` flag are gone.
* chore(deps): craft-libs 60d60d48 (dropdown fixes)
* chore(deps): craft-libs 4d7b82f7 (dropdown fixes)
* chore(deps): craft-libs 92d392cf (#387 merged)
* chore(xtask): pdf-deps expects craft-libs 92d392cf
An auto-hidden taskbar reserves no work area, so the guard that keeps
the custom title bar's window borderless left a maximize covering the
whole monitor. The shell treats a caption-less window that covers its
monitor as a full-screen app, and in PhotoCraft, which has the same
guard, the hidden taskbar then did not show when the pointer reached
its edge (storytold/photocraft#4845).
While a maximized window covers its whole monitor, the guard now finds
the taskbars (the Shell_TrayWnd and Shell_SecondaryTrayWnd windows),
takes the monitor edge nearest each one's center, and stops the window
one pixel short of the monitor on each of those edges where the work
area reaches the monitor's edge. A taskbar that reserves a work area
is still cleared by the move into the work area. This ports
Higgs32584's fix in PhotoCraft (storytold/photocraft#6878).
Docs: docs/target-app-parity.md.
Co-authored-by: Higgs32584 <mhiggins217@gmail.com>
With the taskbar on the top edge, a maximize, a restore from the
taskbar or a drag to the top of the screen showed a classic title bar
above the app bar (#3242, #3723, #2072). The guard that keeps the
custom title bar's window borderless trimmed only the bottom of a
parked maximize to the work area, so with the taskbar on the top or a
side the window still covered it, and the strip between the window's
edge and the client area, which winit keeps on the work area, was
drawn as an old-style caption.
The guard now moves a parked maximize inside the work area on every
edge, keeping the resize border it was parked with, which it reads
from an edge without a taskbar. A rect it already moved, a dragged or
snapped window and a monitor with no reserved taskbar are left alone.
The move uses SWP_FRAMECHANGED and SWP_NOCOPYBITS and invalidates the
window, so the whole window is drawn again, and the style strip uses
SWP_NOCOPYBITS too. This ports FredApps's fix in PhotoCraft
(storytold/photocraft#5237).
Docs: docs/target-app-parity.md.
Co-authored-by: FredApps <153173854+FredApps@users.noreply.github.com>
The parity doc's line on Create Outlines, Expand and Expand Appearance
on a frame of threaded text gave no source. It now links the public
help pages on creating and removing text threads, and says that they do
not describe outlining a threaded frame, so the handling is VectorCraft's
own behavior.
Brings in 8404fa42, which merges main e2a8280. The history budget keeps reading vectorcraft_render::physical_memory, now backed by main's Windows, macOS and FreeBSD readers.
On screen, placed documents (PDF, .ai and .vectorcraft) draw from
bitmaps made in the background. Each bitmap that became ready changed
a generation in the canvas key, so the canvas rendered the whole frame
again. The bitmaps share a 512 MiB budget, and making one dropped the
least recently drawn others, even those on screen: with more than that
on screen, every frame dropped a bitmap it drew and asked for it again,
without end. A bitmap that could not be made (the file can't be read
and there is no preview) also changed the generation and was asked for
again in every frame.
When a bitmap is ready, placed_document::made_between names its file,
and the canvas renders again only where the objects showing it are
(placed_area), as it does after an edit, when the frame shown was
rendered on the UI thread and that part is at most half the frame.
Art of a symbol, a graph design, a pattern or a brush that shows the
file still renders the whole frame.
Bitmaps drawn or made since a frame began are not dropped to make room
for the ones it asks for. They stay past the budget up to 2 GiB. A
bitmap that would take them past 2 GiB is not kept, and its file draws
exactly at that zoom. A bitmap that can't be made shows the
placeholder, does not change the generation, and is not asked for
again.
Docs: docs/target-app-parity.md.
A PNG, JPEG, GIF or WebP image that takes more than the decode
allowance as RGBA (2 GiB, 512 MiB in the web app), such as a 24000 ×
24000 JPEG, was placed with the warning "too large to draw" and then
drew as a crossed gray box on the canvas and was left out of raster
exports. A 16-bit PNG whose decoded samples were past the allowance
was shown the same way, with the same warning, although its RGBA fits.
The renderer now decodes such an image at the largest size, keeping its
proportions, that fits the allowance as RGBA. Each pixel of the result
is the mean of the image's pixels it covers. A PNG that isn't
interlaced is read a row at a time; other images are decoded whole when
their decoded samples fit the allowance. A 16-bit PNG that isn't
interlaced and whose RGBA fits is read a row at a time at its own size.
An image of more pixels than the allowance has bytes still draws as the
crossed box, and so does one whose decoded samples are past the
allowance, other than a PNG that isn't interlaced. The renderer
decodes an image at reduced size only while the result and the memory
reading it takes (the image decoded whole, or the PNG reader's row
buffers) fit beside the images being painted; otherwise the image is
not decoded on that render (on the canvas it draws as the crossed box)
and is tried again on the next render. The document keeps the whole
file for saving and export. A placed document's saved preview past the
allowance is decoded the same way, at the size it is drawn at or at the
reduced size when that is smaller.
Open, Place and the Links panel say "an image of W × H pixels is shown
at reduced size" for an image drawn smaller. They say nothing for an
image drawn at its own size, and they say "too large to draw" for one
that is not drawn at reduced size.
Docs: docs/mcp.md, docs/target-app-parity.md (the crossed box's line
now names an image over the allowance that can't be drawn at reduced
size).
A Drop Shadow, Gaussian Blur, Feather or Photoshop-style filter raster
too large to keep whole is cropped to the view. It was drawn again
only while a later frame's rect, panned back, lay inside the frame it
was made in, so every pan that showed new pixels made it again. For a
Drop Shadow on a 6000 x 4000 pt image in a 2560 x 1440 view at 100% to
400%, a pan took 60 to 84 ms; with Gaussian Blur or Feather, a pan took
158 to 217 ms.
When such a raster is made again at the zoom and rotation of the one
kept for the object, it now also covers a margin around the view: up
to half the view's longer side, while the raster stays within the
8.4 million pixel budget at full size (441 pixels on each side of a
2560 x 1440 view for a 20 pt blur at 100%). Later pans that keep the
view inside the margin draw that raster. The first frame at a zoom, a
zoom step and the frames of a drag make the raster without the margin,
as before. A shadow made over an earlier cropped shadow covers only
the rect the earlier one was made for.
A kept raster is drawn again only after a pan by whole device pixels,
but the wheel, a trackpad and the scroll bars scrolled the view by
amounts that are not whole pixels. The canvas now moves the view by
whole device pixels when it scrolls or is dragged. A scroll by the wheel, a trackpad, a touch screen or a scroll
bar is rounded, and the part of a pixel left over is added to the next
scroll of the same view; it is dropped after a zoom, a turn, Fit or a
document switch. A Hand tool, Space or middle-button drag and a scroll
bar thumb drag round the distance from where the drag began.
The silhouette of a shadow or glow raster is now drawn with art culled
against the raster's own area instead of the view, as filtered content
already is. Before, a group member outside the view cast no shadow
into a raster kept whole, so a pan that showed the member drew it
without its shadow. A cropped raster kept across the margin would have
done the same. The moved silhouette that a drag compares is drawn the
same way.
Docs: docs/target-app-parity.md.
dotCooCoo