The spotColors category is now titled Spot Color Objects and lists each
object filled or stroked with a spot color, by name with the spot colors
it uses, instead of the spot swatch names. A solid color or a gradient
stop linked to a spot swatch at a tint above 0 counts; process colors
that look the same and Registration do not. Paint that draws nothing is
left out by the rules Pattern Objects and Gradient Objects follow, and
type whose characters use a spot color is listed. Objects counts the
listed objects as Spot Color Objects.
document.info returns spotObjects, spotColorNames and objects.spots;
spotColors now holds the spot colors those objects use. The report that
Document Info > Save... and Package write lists the same rows.
The Spot Color Objects, Pattern Objects and Gradient Objects titles have
a row in each of the 27 complete catalogs, and a test checks that every
complete catalog has the three.
Docs: docs/mcp.md, docs/target-app-parity.md.
Pinning a closed spine from Replace Spine (a spine edit, Reverse Spine)
stored it closed with both end keys on its first point, so moving the
first key afterwards landed it on the last. Pinning now opens the spine
there as the layout of a moved key does.
Window › Swatch Libraries › Patterns and the Swatches panel's library
menu gain Optical Effects (`optical-effects`), a built-in pattern library
of eight black tiles drawn in code: Sine Bands, Ripple Lines,
Interference Rings, Offset Rings, Warped Checks, Pinched Stripes,
Chevron Pulse and Radiating Lenses. The names and designs are
VectorCraft's own. Each tile is 32 to 48 pt, one period of its design,
with fixed sample counts (at most 600 paths and 20,000 segments), so a
band that leaves one edge comes back at the same place on the opposite
edge, and rings and lenses that cross an edge are kept whole for the
tiling to draw on the next tile. Clicking a swatch adds its pattern and
swatch once and applies it, as with Geometric Patterns
(`swatch.library.add`).
The menu label has a row in every catalog; docs/mcp.md, the parity doc
and ROADMAP name the library.
A function an earlier run of a named engine defined was reported without
a line, column or file when it threw in a later run. The realm now gives
each source a tag that stays the same from run to run (Realm::error_tag,
Realm::script_tag), and no two sources share one once the tags run out.
Each named engine keeps the source maps of its runs' scripts, included
files and $.evalFile files, within 8 MiB, dropping the oldest first, and
an error in kept code is reported at that file, line and column. The
report's name and the console line keep the calling run's name. For an
earlier script given as source, file is that run's name.
Docs: docs/mcp.md (Script engines), script.run params text,
docs/target-app-parity.md.
Vertical type lays its lines out in line space and turns them a quarter turn
into text space. Convert To Area Type built the frame from line-space line
edges mixed with text-space bounds, so vertical point type moved (a 12 pt line
at (295.44, 40) went to (320.8, 28)). Convert To Point Type placed the new
origin in line space, so vertical area type moved down its column.
Both conversions now work out the frame or origin in line space and map it
through the layout's line transform. Horizontal type is unchanged.
text.tabs.set takes a list of more than 256 stops when every paragraph it
targets already holds at least that many, so a paragraph loaded with more
stops can lose them one at a time (the Tabs panel's Delete Tab). Any
other list of more than 256 stops is still refused, counted as supplied
before stops at one position merge.
Docs: docs/mcp.md.
When a dynamic symbol is redefined or edited, each instance kept every
appearance change whose path still named an object, even when that
object is now one that draws no fill or stroke of its own (an image, a
blend, a mesh) or a symbol instance given a gradient or pattern fill.
symbol.instance.setAppearance refuses such a paint, but the change stayed
on the instance and still counted as a color the document uses.
Fitting the changes to the new art now also clears a fill or stroke the
object at that path does not draw, and drops a change left empty.
On a closed spine from Replace Spine both end keys sit on its first
point, so moving one moved that point onto it and then back onto the
other. Once a key is moved off, the spine is now opened at its first
point, with a copy of it at the end taking the closing segment and the
last key.
Coordinates outside -32,768 to 32,767 plotter units (about 82 cm from the origin) are written as they are, with a warning that older devices may not read them. HP-GL/2 plots are not checked against this range.
An entry `<area>/keeps-<left area>` kept the copies in the left area
whenever the lock check on `<area>` failed, so an entry in a folder of
another account, or in one whose lock file can't be opened, kept a
crashed app's copies from being offered. Such an entry now keeps
nothing: only an area that this session holds, or that a running app of
this account has locked, keeps the copies it names.
With one whole blend selected, the Selection and Blend tools show two
widgets at the halfway point of its spine. Dragging the upper widget
along the spine sets the color shift (-100 to 100), and dragging the
lower one sets the easing strength (0 to 100). The lower widget shows
only when the steps follow a spine (a replaced spine or Align to Path),
the rule the step placement uses; a blend made without a spine shows
neither. When the boxes of three or more other visible objects hold a
widget's spot, the widget moves out in 16 px steps, up to 144 px, and
its line to the halfway point grows with it. While a widget is held,
the arrow keys step its value by 1 (Shift: by 10), and Escape or a
switch to another tool cancels the drag. A drag is one undo step; a
click or a drag that ends where it started records none.
- object.blend.setEasing sets easingType, ramp and colorShift on one
blend, refuses a hidden or locked blend and easing on a blend without
a spine, and records no undo step when nothing changes.
- BlendSpec::eases_along_spine holds the rule the step placement and
the widget share.
- While a tool is busy, an arrow it claims arrives with the press's
Shift and Alt; before, it always arrived plain.
Docs: docs/mcp.md, docs/target-app-parity.md.
After Replace Spine the keys are not pinned to spine anchors, so the
steps spread them evenly along the spine by arc length and put a moved
key straight back where it was. Once a key is moved off its place, the
spine is laid out pinned at the anchors where the keys were spread, and
the moved key takes its point of the spine along, as on a pinned spine.
When a running app has to leave its recovery area (its lock file was
removed and another app locked the area), its copies stay in the old area
until it writes them again in its new area. Only that app knew this, so
once the other app let the old area go, any app could offer, restore or
discard those copies while their app still ran.
The app now writes an entry `<new area>/keeps-<old area>` in its own area
while copies of its documents are left in the old one, and removes it
when none are. Another app that finds an area unlocked checks for such an
entry, and treats the area as a running app's while the area that names
it is held. After a crash the new area is no longer held, so the copies
are offered as before. The heartbeat writes the entry again if it was
removed.
Effect › 3D and Materials › 3D (Classic) › Rotate (Classic)… turns every
fill and stroke as one flat plane, as Rotate does, and shades it with the
classic No Shading or Diffuse surface.
- `effect.apply` with `threeD.classicRotate`: the Position rotation and
Perspective, `surface` (`none` or `diffuse`), the classic lights,
Ambient Light, Blend Steps and Shading Color. It has no highlight, no
Draw Hidden Faces and no shadow.
- The dialog shows Position on the Rotation tab and the surface and
lights on the Lighting tab, with no Object tab.
- Groups and layers turn about one shared center, and the effect also
goes on a fill or stroke, as Rotate's does.
- `effect.lightingPreset` refuses it, as it refuses the other classic
3D effects.
- Unknown parameters, numbers out of range, bad flags, a surface other
than No Shading or Diffuse and bad shading colors are refused with an
error.
A save or export that writes a file per artboard, linked images or image
maps names them after the file picked in the save panel, which asked only
about that name. A file already there under one of the other names was
replaced without a question.
Save As, Save a Copy, Save as Template, Save and Export now check those
files before writing anything. When any is there, nothing is written and
a replaceFiles question names it (and lists all of them when there are
several). OK runs the save or export again on the document that asked and
replaces the named files; a file it would now write that the question did
not name is asked about again. Cancel writes nothing. A background save
or export checks from its worker and asks once it ends, after a dialog
open then. Files the document's last Save or Save As wrote are replaced
without asking.
Services::exists is now an Arc<dyn Fn(&str) -> bool + Send + Sync>.
Under --automation-read-root, document.inspect gives `path` as null when
the document's file is outside the read roots. document.json names a
linked image or placed file outside them by its file name alone, without
its relative path, size or date, in the layers, symbols, graph designs,
patterns, the pattern being edited and opacity masks. It also names a
data set's image value outside them by its file name, and leaves the
Export for Screens folder outside them out of export_settings. The
document is not changed, and unconfined callers see the same replies as
before.
Type > Dynamic Text and the Contextual Task Bar now also take point
type. Turning it on makes the point type area type with Block on, in
the same undo step:
- Along the lines, the frame is as wide as the widest line as typed
with its paragraph's indents, measured with the word gap, so that
line keeps its size and stays where it was across the page by its
own alignment. The other lines are set to that width. When negative
indents take more than that line's width, the frame is as wide as
the line, placed so the line keeps its aligned point, and Block makes
the line larger.
- The frame starts at the top of the text and grows down (to the left
for vertical type) to hold every fitted line, around any Text Wrap
objects above it, so nothing overflows.
- The new frame takes the default Area Type Options and keeps only the
gaps; options kept from an earlier frame do not carry over.
- Point type with no line to fit (empty, or only spaces and breaks) is
left as it is, and so is point type when `on` is false. Without `on`,
point type counts as off, and the Type menu item is unchecked when
point type comes first in the selection. A gap given with nothing it
can apply to is an error.
Block now subtracts a list level's indent from the room it sets each
line to, as the layout does. Before, a nested list item was first set
too large for its line and then made smaller on a later pass.
Docs: docs/mcp.md, docs/target-app-parity.md.
A {Custom: {name, path}} head is refused when its path fills no area under the
non-zero rule: a single anchor, points on one line, or contours that cancel out.
A bow tie and a thin bar are taken. The params text and docs/mcp.md state the rule.
Window › Swatch Libraries › Gradients gains Holographic, after Organic
Fades: seven foils (opaque linear gradients of six narrow pastel and
pearl bands with off-center midpoints) and seven glows (radial
gradients from a bright center out to a clear edge), all mixed with the
Perceptual method. They also list in the Swatches panel's library menu,
swatch.library.list/get/add and the Gradient panel's Presets.
The names, colors and stops are VectorCraft's own. A saved preset that
already uses one of the new names is renamed with the first free number
when the preferences load.
Docs: docs/target-app-parity.md Swatches line, ROADMAP.
Window › Brush Libraries gains Ink and Wash after Art Ribbons: Tapered Ink, an art brush broad near its start that thins to a fine tip; Brush Pen, a calligraphic brush whose size follows the pen pressure; and Soft Wash and Pooling Wash, art brushes of translucent gray layers. The art brushes take the stroke color as tints. The names, shapes and opacities are VectorCraft's own.
Docs: docs/mcp.md, docs/gaps.md, docs/roadmap.md, docs/target-app-parity.md.
BFlat