A print to a file and the print preview list their notes as saves and
exports do since #6920: what the job leaves out of the document or prints
differently first (art outside the imageable area, type in a fallback
font, transparency flattened for PostScript), then the notes on the
options (halftone screens and a fixed flatness that aren't written, copies
per sheet that don't fit, a printer profile left out, ink options that
name no ink). Each kind keeps the order it is given in.
The print layout, the PDF print and the PDF print plan return the notes
on the options in `setting_notes` beside `warnings`, as `ExportReport`
does. The status message after a print to a file names the first note,
so a fixed flatness no longer hides type printed in a fallback font.
Space held while dragging out a new anchor already moved it, handles and
all, but the closing drag skipped it, so the closing anchor could not be
repositioned. The closing drag now moves the first anchor by as far as the
pointer moves while Space is held, its handles with it, and the drag
shapes the handles round the new place once Space is released.
path.close takes `at: [x, y]`, which moves the first anchor, its handles
with it, before `in` and `out` are placed. docs/mcp.md and the Pen line
in docs/target-app-parity.md describe it.
- The link watch and links.updateChanged look at a DCS file's plate files
of their own, so a changed plate file is read again.
- links.update and links.relink apply the file's clipping path to the
images in symbols, graph designs, patterns and masks too. When the new
file has no clipping path, a clip group holding the old file's clipping
path loses that path and stays as a plain group of the image, keeping
its id, name, visibility and transparency. The image keeps that path with its plates to tell it from a
clipping mask made in the document; a clipping path given another fill
rule in the document stays. An even-odd clipping path in the file is
kept as the same area under the nonzero rule.
- links.update and links.relink return the swatch warnings file.place
gives, including two files that add one ink in two colors.
- links.relink with copy fails for a DCS file with plate files of its own.
- file.place answers the image id of a clipped DCS placement as image,
and checks page and crop for a DCS file as it does for an EPS file.
- Print separations and Separations Preview take a spot plate's color
from the document's swatch of its ink, and a reduced image's plates
keep their coverage.
- Show DCS Transparency Interactions counts a transparent DCS image and
characters filled or stroked with a transparent gradient.
- %%PlateFile names keep their spaces, and header bytes that are not
UTF-8 are read as Latin-1.
- A plate program that draws more than one image, art besides its image,
or its image through a clipping path is an error naming the plate
instead of printing the wrong ink.
- Nested clipping paths around the composite clip the image together.
- A kept image with more plates than are read, or more TIFF directories
than its composite and plates, is the CMYK image of its composite
only, not a set of plates cut short.
- swatch.unused counts a spot or process swatch as used only while an
image the art shows has a spot plate of its name.
An inline graphic in overset characters, or one named on a run that holds
other characters, draws no symbol, so Find, selection-only Change and Print
no longer reach its symbol's type through it.
Characters of area type or type on a path that don't fit draw nothing, so
their character fill or stroke no longer counts as painting its pattern for
Find and selection-only Change, as Print already leaves them out.
- A fill or stroke at an opacity of 0 no longer counts as painting its
pattern, so Find, selection-only Change and Print leave that pattern's
type out.
- Text whose inline graphics draw a symbol shows that symbol's type: Find
selects it, and selection-only Change and the font list reach the type
through it, also through a pattern whose art holds such text.
- Refresh Font List lays out again the type in opacity masks and in the
art of symbols and patterns, and inline graphics, on the layers and in
that art, take the new size of their symbols' art.
Saving with transparentImages "omit" now reports its note in the notes on
the options rather than in the warnings, so the test compares every note
the export gives.
A mesh envelope's points carry no color, so object.mesh.addLine with
a color at a point the envelope already has changes nothing. It now
compares only the envelope's points and handles and records no undo
step. The command text and docs/mcp.md say so.
object.mesh.addLine at a point that is already a mesh point (a corner,
a point on an edge or inside) adds neither a row nor a column, yet it
recorded an undo step. The lines are now added to a copy of the object
first: when the grid stays the same, including a mesh envelope stored
without handles, the command returns the point's index and records
nothing. A new color at the point is still one undo step.
Cancel on a pattern that Make created for the edit now removes every
swatch of it, a color group's included, and turns every paint of it
left in the document into no paint: art outside the editing layer,
opacity mask art, type runs, symbol definitions, graph designs, other
patterns' tiles (a copy Save a Copy made included), graphic and
character styles, brush art, and the fill, stroke and appearance new
art takes. Delete Pattern clears its paints in the same places, and a
Pattern Options rename renames them there; both reached only the
layers before. Delete's `unpainted` counts the document paints it
cleared.
Cancel after a Pattern Options rename during the edit gives the
pattern its old name back with its swatches and paints, unless another
pattern, swatch or color group has taken that name; before, the
definition went back to the old name while its swatches and paints
kept the new one.
Undo and Redo restore new art's paints with the document, including
the appearance inherited from the selection with New Art Has Basic
Appearance off. A rename preview that is replaced or canceled starts
again from the paints the interaction began with, and a canceled
preview takes the selection's appearance again.
The symbol instances the picker reads now share one limit of 16,000,000
placed objects, charged through charge_symbol_art and counted as the
renderer counts them, so deeply nested or heavily repeated instances
stop there. An instance whose art would pass the limit is left out with
its own paints, as the canvas draws none of it. Pattern tiles carry the
count in and out, and their art is read one level deeper than the
object the pattern fills, so a chain of patterns shares the depth limit
with the art around it; a pattern cut short there is read again where
it is used less deep.
The pixels read inside clip groups are now tested against at most
4,000,000 clipping-path elements in all. The clipped reads of one image
share the work, a read outside clip groups keeps its own pixel budget,
and when the work left can't test a pixel of every clipped read, the
reads that fit are kept in order and the rest are left out.
ImageBlob::sample_pixels takes a pixel budget for each pick.
Follow-up to #6887.
- file.new installs the color profiles a New Document profile's file
carries when they are missing, as document.open does, so the new
document's assigned profile draws and a save embeds it. A color
profile that can't be used is listed in the result's `warnings` and
shown in the status bar.
- The new document's links find their files through relative paths
from the profile's file (`links_from`), as
edit.newDocumentFromState sets it.
- When the read roots leave out the profiles folder, profileError's
reason no longer names the folder's path.
A geometry effect on a symbol instance's topmost fill now reshapes the
filled shapes of the symbol's art, and one on its topmost stroke reshapes
the stroked shapes, keeping their colors, strokes and other detail. Only
a visible topmost fill or stroke with an opacity above 0 counts. Clipping
paths, guides and opacity-mask art keep their shapes; a group's own fills
and strokes in the art take the effects; a nested instance passes them on
to its own art, except one whose symbol holds the outer symbol.
The canvas, Use Preview Bounds and the drawn bounds, SVG and PDF export
and Object > Expand Appearance use the same art. Expand Appearance is
enabled for such an instance and turns it into an editable group in one
undo step. Bounds measure the art with a dynamic symbol's overrides, as
the canvas draws it.
Existing documents with a geometry effect on a symbol instance's fill or
stroke draw differently: before, the effect drew nothing.
A point exactly on a gradient mesh's outline located on the top and left
edges but not on the bottom and right ones, where the nonzero winding
number is 0. object.mesh.addLine and Create Gradient Mesh at a point there
reported the point outside the mesh, and the Eyedropper did not sample it,
while the hit test selects the mesh there.
locate_within now takes the nearest point of the edge for a point within
a millionth of a point of the outline, with any tolerance, and returns
nothing for a point that is not finite. A point just outside still needs
a tolerance.
A value that nests past a command schema's 16-level limit was reported
as an internal error ("please report this bug"). It is now a parameter
error that names the value's path, like the schema's other refusals; a
schema that is wrong in itself is still an internal error.
The schema check now also refuses a list of ids or a point inside 16
lists, since every value of those types is a list and the value check
refuses a list at that depth. A color there still takes a string.
Docs: docs/mcp.md, docs/target-app-parity.md.
The status bar shows a failed script run as one line: the script's
name, the line and column (and the included file), the error and the
kind of failure, with any files the run left written. No catalog had a
row for that line, so the whole line stayed in English. The errors of
File, Folder, vc.run, $.evalFile, a script's $ object, its alert,
confirm and prompt dialogs, vc.document, vc.log, the limits a run can
pass and Drop Script Engine had no row in any complete catalog either,
and several were not listed by the untranslated-strings report.
- Every complete-message catalog has rows for these errors and for the
failed-run line at each place and for each kind (syntax, thrown,
limit, stopped, internal). The script's name, paths, numbers, code
names ($.flags, File, answers, true, null, UTF-8), command ids and
the text a script throws itself are kept.
- A failure with no line and column, such as an error in code eval
compiled, is shown with one colon after the script's name
("t.js: TypeError: no (thrown)" instead of "t.js:: TypeError: no
(thrown)").
- A placeholder that occurs twice in a message template matches only
the same text both times. Before, "{name}: the next answer in
`answers` is for {_1}, not {name}" matched a whole failed-run line
and dropped its line, column and kind.
- The message scan reads the script host's fail(, value( and .over(
helpers and the script interpreter's errors (the js crate), skips
*_tests.rs files and cfg(all(test, ...)) modules, and reads a
constant's text from the file or crate that declares it, so the
Scripts menu's headers are no longer listed as messages.
Tests: i18n::tests::script_errors_are_translated,
script_host_errors_are_translated,
a_repeated_placeholder_matches_the_same_text,
message_scan_reads_constants_of_the_file_and_its_crate,
message_scan_reads_script_interpreter_errors,
message_scan_skips_test_modules_with_any_test_cfg,
tests::script_run::an_error_without_a_place_names_the_script_and_kind.
select.byNote compares letter case one character at a time, so a final
sigma matches σ, and Whole Word checks its boundaries against the
note's own characters, so İ neither ends a word early nor matches half
of itself. The search runs in time proportional to the note's length.
Set Selection passes its fields to ui.action.insertSelectObject as they
are, so a note or option of another type set through ui.dialog.set is
an error and the dialog stays open.
The Actions panel menu has Insert Select Path, after Insert Menu Item.
With one whole path or compound path selected, it inserts a Select
Path step into the action being recorded, or after the selected action
or step. Playing the step selects that path again.
- New engine command `select.storedPath {id, fingerprint}`. The step
stores the path's object id and a fingerprint of its geometry and
fill rule ("v1:" and 16 lowercase hex digits, FNV-1a 64). Playback
selects the path only while it exists unchanged and can be selected;
otherwise the step fails and the selection stays as it was. A path
on a locked artboard is refused in isolation mode too.
- Capture refuses an empty selection, several objects, selected
anchors or segments alone, groups, type, guides, a path selected
together with ruler guides, a member of a compound path, and hidden,
locked or template art.
- New UI command `ui.action.insertSelectPath {set?, action?, step?}`.
Step rows show "Select Path".
- `.vcactions` files that hold a Select Path step are written as
version 4. Reading accepts versions 1 to 4 and refuses a Select Path
step with invalid params.
- Rows for the new labels and messages in every catalog.
Docs: docs/mcp.md, docs/target-app-parity.md.
The comma in "more than 0, at most 100000" split the `spacing` entry in
the params text of `addon.cutting.weed`, so the params check read
"at most 100000 (...)" as a key and every_description_parses failed.
The range now reads "more than 0 and at most 100000".
Paste placed character and paragraph styles before the patterns, symbols
and brushes they use, and compared each one with the document's before a
pattern it painted with had its final name. A style that painted with a
pattern added as "Dots 2" kept painting with the document's own "Dots",
or was matched to a document style of its name that paints with that
"Dots". A symbol whose art paints with such a pattern, and a brush whose
art sets type in a style renamed on the way in, were matched the same way.
Paste, and the symbol, brush, pattern and Libraries imports that add art
through it, now place each style, symbol, pattern and brush after the
ones it uses, as Load Character Styles and Load Paragraph Styles already
did, and relink the styles they add at the end. Pasted back into its own
document, each definition stays the document's of its name.
File › Open already opened `.vcstyles` graphic style libraries in their
library panel and imported `.vcperspective` perspective grid presets, but
its dialog had no filter for either. It now lists "Graphic Style
Libraries" after "Swatch libraries" and "Perspective grid presets" after
"Print presets". "All readable files" still lists documents only.
Other Library… and Locate Library… in the swatch and graphic style
library panels list their library filter once; the swatch dialog listed
"Swatch libraries" twice.
A red, blue and green rectangle are made into an Intertwine group, and
red is brought over blue where they overlap. The green sliver meets that
overlap's edge over red only. The test checks that green still draws in
front of red within the 2 pt margin, that red's raised area takes in the
margin where only red paints, and that it leaves out the part where
green paints too.
With the Artboard tool chosen and Align to Selection, two selected artboards are the first and the last of the distribution, so the Align panel's and the Control bar's Distribute buttons are off until three are selected. With Align to Artboard the spacing places the second artboard from the active one, and two are enough.
The Distribute Spacing field takes negative values with the Artboard tool chosen, as artboard.distributeSpacing overlaps the artboards with a negative spacing. With other tools its lowest value stays 0.
Art inside two overlapping artboards now goes with the one first in artboard order when the artboard Align and Distribute commands move them, and stays when that artboard stays, as in the other artboard edits.
BFlat