A paragraph whose characters differ in line metrics (type size, font,
leading, vertical scale, or an inline graphic taller than the text) was
broken with the Single-line Composer in area type of a shape other than
a rectangle, or with text wrap. The every-line composer now composes it
there too.
- The composer takes each line's width from a measure that follows
where the lines above it went (`composer::Measure`,
`compose_with`). The fixed widths by line number are one such measure.
- In a frame whose lines are not all as wide, each line the composer
tries is placed from the pen the lines above it left, at its own
tallest metrics, as the line loop places it (`layout/shaped.rs`).
Starts with the same placement are shared, and each start keeps the
placements it was tried with.
- A line too long for its room does not end the search from its start
while a glyph after it could make the line taller and set it lower,
where the frame may be wider.
- The line loop places a composed line in such a frame at the line's
tallest metrics, so it gets the room the composer measured for it.
- The search for one paragraph stops after 1,000,000 lines tried or
2,000,000 baseline steps. The searches of all the paragraphs of one
frame share a budget of 2,000,000 lines and 4,000,000 steps, kept
apart from the line loop's own steps. A paragraph whose search stops
is broken line by line. A paragraph the frame has no room for is
broken line by line too, and overflows as before.
Tests: crates/text/src/tests/combos.rs (a stepped frame, a frame that
widens, text wrap with two spans on a baseline, overflow, a long
paragraph) and crates/text/src/layout/wrapping_tests.rs (the composer
with a measure, and the shared search budget).
The i18n test that main added for 3D refusals calls validate_three_d_at with this branch's (Option<usize>, usize) position: effect 0 of appearance item 0 is (Some(0), 0).
With both guides of an axis past the same edge, the art keeps its size
from the other edge of the instance, or shrinks to the instance's width
or height when the instance is smaller than the art. The module doc,
AxisMap::new and the docs/target-app-parity.md entry now say so.
A selected warp envelope now shows the points of its surface on a 4x4
grid (8x8 or 16x16 where 4x4 strays more than 0.1% of the warp's
diagonal from it). object.mesh.movePoint, movePoints, addLine,
deletePoint and object.envelope.setMeshPoint accept a warp: the first
edit turns it into a mesh envelope on that grid and applies the edit as
one undo step, so Undo or Escape gives the warp back with its style and
bend. An edit that moves no point leaves the warp and adds no undo
step. A warp that no such grid follows (some version 0 maps) shows no
points and its edits fail without changing anything.
movePoints and setPointColor on a gradient mesh record no undo step
when they change no point.
#5748 moved the Pencil's and the Paintbrush's Fidelity to screen pixels, but
docs/ui-parity.md still gave it in points. The Pencil row now gives the
slider's rail, the field and the key steps in px, and says the tool sends
path.freehand the value in points at the current zoom.
The Pencil row also appeared twice, the second copy without the Fidelity
text. The two rows are merged into one.
The comments on FIDELITY_MAX, fidelity_step, fidelity_at and fidelity_from
in the Tool Options dialog name the tool's unit, since the slider is shared
with Smooth and Blob Brush, which stay in points.
In the Touch workspace, a two-finger tap on the canvas now switches
between the Selection tool and the drawing tool chosen last, as the
help page describes. It no longer undoes there; outside Touch a
two-finger tap still undoes, and a three-finger tap still redoes in
every workspace.
- New UI command tool.toggleTouchMode (Switch Selection and Drawing
Modes, {} -> {tool}). From the Selection, Direct Selection, Group
Selection, Magic Wand, Lasso or Perspective Selection tool it chooses
the drawing tool chosen last in the window, or the Pencil tool when
none has been chosen; from any other tool it chooses the Selection
tool. The Hand, Rotate View, Zoom and Print Tiling tools never become
the drawing tool. It adds no undo step.
- These tool lists and Pencil as the first drawing tool are
VectorCraft's own rules.
- The label is in every catalog. Docs: docs/mcp.md, the touch row of
docs/hardware-parity.md and docs/target-app-parity.md.
After a rotation the Selection tool already shows and drags a bounding
box turned with the objects, but the Free Transform tool still used the
page-aligned box. Its handles sat on the wrong corners, a side handle
scaled along the page axes, and Perspective Distort and Free Distort
started from a box that did not match the art.
- The Free Transform tool keeps the selection's turned box for the
drag. Handles, the rotate zone and the move zone are read in its
frame; a handle scales along the selection's own sides from the
opposite handle (or the center with Alt) and snaps as the Selection
tool's does; Cmd/Ctrl on a side handle shears along that side; the
outline, handles and cursors are drawn on the turned box.
- Perspective Distort and Free Distort move the corners of the turned
box. `object.distort` takes `angle?` (degrees): `from`, or the
selection's bounds without it, is then a box in the frame turned by
that angle. Upright boxes send the same params as before.
- The Scale and Reflect tools, their dialogs and commands, and the
Transform panel's flips keep the page's axes.
Docs: docs/mcp.md, docs/target-app-parity.md.
A new Type preference, Show samples on white (`fontSamplesOnWhite`, off
by default), draws each family's sample in every font menu, and in
Type → Font in the in-window menu bar, in the Light brightness's text
color on a white area, in every interface brightness. A row's white
area is drawn while its sample is still rendering, and leaves 2 pt above
and below it where a highlighted row's color shows. The family names and
the rest of the menu keep the interface's colors. Preferences dims the
checkbox while Enable in-menu font previews is off.
Docs: docs/mcp.md (prefs), docs/target-app-parity.md evidence line.
The Drawing tools row in docs/target-app-parity.md now names the
measurement readout that the Pen, Smart Pen and Curvature tool show
with the rubber band off. The score, gaps and hours are unchanged.
The Paragraph panel's Mojikumi Set lists None, YakumonoHankaku,
GyomatsuYakumonoHankaku, GyomatsuYakumonoZenkaku and YakumonoZenkaku,
then Line-end Punctuation Half Width, and text.setFormat {mojikumi}
takes yakumonoHankaku, gyomatsuYakumonoHankaku, gyomatsuYakumonoZenkaku
and yakumonoZenkaku besides none and lineEndHalf.
The spacing of each set is VectorCraft's own rule, built on the help
page's one-line description of each set:
- YakumonoHankaku sets every bracket, comma and full stop half width,
takes a quarter em off each side of a middle dot, and puts a quarter
em between Japanese and Latin letters or digits.
- GyomatsuYakumonoHankaku keeps punctuation full width inside a line,
sets an opening bracket starting a line flush and a closing mark
ending it half width, and takes the quarter em after a middle dot
ending a line off.
- GyomatsuYakumonoZenkaku keeps punctuation full width and adds the
quarter em between Japanese and Latin text.
- YakumonoZenkaku sets characters as None does.
Both composers and vertical type measure each line as it is set. A
right-to-left paragraph, whose line ends are measured untrimmed, also
draws them untrimmed, and a right-to-left line that ends between a
Japanese and a Latin character is measured without the quarter em the
set adds there. With a Desired glyph scaling other than 100%, the
space a set takes off before an opening bracket or middle dot, and the
Japanese-Latin space recorded at a line's end, scale with the glyph.
The sets save with the document and paragraph styles; new type and
Reset Panel keep Line-end Punctuation Half Width. SVG export lays type
with middle dots out again for its positioned spans. A .ai save
reports a paragraph with one of the new sets as left out.
Docs: docs/mcp.md, docs/target-app-parity.md, docs/type-parity.md,
docs/gaps.md.
Copy now remembers the whole chain of layers around each object, not only
the name of the nearest one. With Paste Remembers Layers on:
- In the same document, art goes back into the sublayer it came from while
that sublayer exists, even after it was moved, so two sublayers of the
same name in different layers stay apart. A deleted sublayer is made
again inside the layer that held it.
- In another document, the sublayer and the layers around it are matched
by name from the top level down; of repeated names, the topmost chain
that matches the most names wins, a shown and unlocked one first. A
missing sublayer is made inside its layer, and a missing layer on top
with the sublayer inside it, in the paste's undo step.
- When the matched layer, or a layer around it, is hidden or locked, the
paste fails with "the target layer is locked or hidden" and nothing is
pasted, instead of putting art in a hidden layer or making a second
layer of the same name.
Each font menu kept its own script, kind, Variable and favorites
filters, so a filter chosen in the Character panel's menu was off in
the Control bar's, the Properties panel's, the Glyphs panel's and the
dialogs' menus. The filters now live in one place that every font menu
reads when it is drawn and writes back afterward. A filter chosen in one
menu is on in the others, and their rows are listed by it. The mouse
wheel over a closed family field steps through the families those
shared filters list. The search, highlight and expanded families stay
with each menu. The filters last for the session, as before.
Docs: docs/type-parity.md, docs/target-app-parity.md.
The Layers panel's trash button, rows dropped on it, the panel menu's
Delete Selection, and Delete or Backspace on highlighted rows now run
ui.layerDelete. When a layer or sublayer among the rows holds art
(hidden, locked and nested objects count; guides do not), a confirm
dialog asks first. OK deletes the rows it asked about, by id, in the
document it was asked in, as one undo step; Cancel keeps them. Empty
layers, guide-only layers and object or group rows alone are deleted at
once. layer.delete itself is unchanged and never asks.
The series fill and stroke and the label fill and stroke a graph keeps
for its next redraw are now in the paint traversal, so Delete Pattern
and canceling a new pattern make them no paint and a Pattern Options
rename renames them. Before, a later graph.setData drew the paint of a
missing pattern again. Global swatch edits reach the same paints.
The progress-doc line now says that only canceling a new pattern clears
its paints; canceling the edit of an existing pattern puts the
definition, and after a rename the old name, back.
Extrude & Bevel (both kinds) and Inflate built every fill and stroke
solid of an object, each up to 163,840 faces, before any check, so one
effect on a path with many strokes or a group with many members could
build several times that. The solids are now built in order and their
faces counted together: once they pass 163,840 (VectorCraft's own
limit), no later solid is built, the object draws its source art, and
effect.apply, effect.setParams, Export 3D Object and Expand as
Wireframes report "The 3D surface is too complex; simplify the shape".
A stroke left out for its own limits is not counted.
Export 3D Object now builds Extrude & Bevel (Classic) meshes with the
Classic bevel options, so the exported solid matches the drawn one.
A 9-slice guide can now be placed outside the symbol's art, by dragging
it past the art's edge in symbol editing mode, by symbol.options
nineSliceGuides, or by a Symbol Options field below 0% or above 100%.
A scaled instance then scales by the cells its art falls in.
- Each guide is a fraction from its edge in -16..16, and the two guides
of an axis keep their order (left + right < 1, top + bottom < 1).
- A guide past an edge cuts the art at that edge, so that side's outer
cell holds no art. With both guides of an axis past opposite edges,
the art scales as a whole along it. With both past the same edge, the
art keeps its size in the outer cell at the other edge.
- Symbol Options shows the guides with three decimals, and OK keeps a
field that was not changed at its exact value.
- Native files keep the guides exactly. SVG and .ai write such an
instance as its placed art, without guides.
Docs: docs/mcp.md, docs/target-app-parity.md, docs/gaps.md.
Enable Rubber Band now hides only the preview segment in the Pen, the
Curvature tool and the Smart Pen. With it off and Measurement Labels on,
the three tools still show the D / Angle / dX / dY readout at the pointer
while a path is drawn, and the Curvature tool also shows it when
going on from the current end of a selected path. With Measurement Labels
off, no readout shows either way. The click places the same anchor as
before.
Docs: docs/mcp.md (penRubberBand, curvatureRubberBand), docs/ui-parity.md,
docs/target-app-parity.md.
effect.apply, appearance.addEffect and effect.setParams checked an effect
parameter's type only when the effect has a dialog default for the key. Keys
that only the params text names were stored as given: an Outline Stroke with
`width: "10 pt"` drew at the stroke's own weight, and a Gaussian Blur with
`linear: 1` blurred in linear light.
- The earlier 3D `perspective`, `lightAzimuth` and `lightElevation`,
Scribble's `variation` and Outline Stroke's `width` must be numbers, and
Gaussian Blur's `linear` must be true or false. A test walks every effect
so a new key without a default needs a listed type or a check of its own.
- The `style` of Crop Marks must be `roman` or `japanese`, and `null` is
refused. Any other value drew as Roman.
- An installed plug-in effect's parameters are checked against its manifest
when the command runs, as plugin.run already checks the effect records a
filter returns.
- effect.setParams with `warpStyle` checks the parameters against the new
Warp style's effect, as it already did for a 3D effect's new
`threeDType`. It checked them against the old style.
- effect.setParams refuses a `visible` that is not true or false, such as
`1` or `"false"`, when called and when a step plays, and nothing changes.
Before, the value was ignored and the rest of the call applied. `null`
still leaves the visibility as it is.
A step of command.batch is refused the same way. A replayed journal or
action still plays a wrongly typed effect parameter, as it plays a key the
effect no longer takes.
Docs: docs/mcp.md, docs/target-app-parity.md.
dotCooCoo