A scatter, art or pattern brush dragged from the Brushes panel onto an
empty part of the canvas places a copy of its art there to edit,
centered where it is dropped (brush.placeArt). Dropped on a path, a
brush is still applied to it. A pattern brush is placed as its tiles in
a row, 10 pt apart, each in a group named for its tile, with an
unpainted rectangle at the back of a tile that has a repeat frame.
Calligraphic and bristle brushes have no art and are refused. A symbol
instance in the art is measured by its symbol's art.
Docs: docs/mcp.md, docs/target-app-parity.md.
A new built-in add-on, Image Tools (Object › Plug-ins › Image Tools),
adds Remove Background… (`addon.image.removeBackground`). It makes the
background of the selected images transparent by lowering the alpha of
their own pixels, in one undo step, with no service or model. The
background is the most common color along the image's edges, the
average of the image's corners, or colors the user picks. Contiguous
(on by default) clears it only where it reaches in from an edge; off,
it is cleared wherever it is. Tolerance and Softness (0 to 100, 10 by
default) set how near a color must be to be cleared and the band over
which pixels fade out. Match measures that nearness as the RGB
distance or as the largest difference on one channel. It is a
VectorCraft addition.
- The image stays an image: an embedded PNG with alpha, the source's
ICC profile and resolution, and 16 bits or gray when the source is.
A linked image is embedded and keeps its Placement Options.
- When the edges hold at least as many clear pixels as pixels of their
most common color, edge mode clears nothing, so a second run leaves
the subject alone. Corner mode leaves clear corners out of the
average and clears nothing when all four are clear.
- With Match set to Each Channel, a tolerance of t / 255 × 100 clears
the colors within t 8-bit steps on every channel.
- A CMYK image, a linked image that shows its preview, an image that
would need more than the decode allowance (checked from its header)
and a result with no pixel left are refused, and the document stays
as it was. When no pixel changes, no undo step is added. The result
reports `cleared`, the pixels made fully clear.
- Picked colors are hex colors, with or without `#`, or black, white,
red, green or blue.
- The dialog opens with Preview off; with Preview on, the canvas shows
the result, and Cancel puts the image back. While the dialog
previews, the session keeps the images' decoded pixels (at most
128 MiB, 32 MiB in the web app) so each preview step does not decode
them again, and releases them when the dialog closes with OK or
Cancel. A run that is not a preview step keeps nothing.
Docs: docs/mcp.md (Image Tools add-on), docs/target-app-parity.md.
A literal makes an extensible object whose properties are writable and
configurable, and an array whose length is writable. toSource wrote a
property defined with writable or configurable false, a sealed, frozen or
non-extensible object or array, and an array with a read-only length as an
ordinary literal, so evaluating the text gave an open value.
toSource now throws a TypeError for each of these, at any depth, as it
already does for getters, hidden properties and other prototypes.
Properties defined with every flag on are written as before.
Revolve, Extrude & Bevel, Inflate and Rotate take a Shadows switch on the
Lighting tab, with Position (Behind Object or Below Object), Distance from
Object (0 to 100%) and Shadow Bounds (10 to 400%), saved in the effect as
shadow, shadowPosition, shadowDistance and shadowBounds.
With shadows on, the first light casts a hard-edged vector shadow of the
solid: every face of every solid of the object projected along the light
onto a plane behind the object (square to the view) or below it (square to
its own vertical axis and turned with it), filled black with the nonzero
rule at 50% times the opacity of the art that casts it, in that art's
blending mode, and drawn behind the solids. Distance moves the plane away
by a share of the object's largest size; Bounds ends the plane at a square
about the foot of the object's center, four times that size across at
100%. No shadow is drawn while Shading is off, when the first light's
intensity is 0, or when it does not reach the plane. A member's opacity
mask and blending mode apply to the part of the shadow it casts. A shadow
is cast from at most 327,680 faces; past that, commands are refused and a
loaded file draws the source path. The canvas, SVG and PDF exports draw the
shadow, and Expand Appearance keeps it as a path. Values out of range are
refused before the document changes.
Docs: docs/three-d.md, docs/mcp.md, docs/effects-parity.md and the
docs/target-app-parity.md evidence list.
These commands read optional numbers and flags with f64_or and bool_or,
so a value such as "10" or "yes" ran the command with the default. They
now return an error and leave the document, the selection and the undo
history as they were. Omitting a key or giving null behaves as before.
- edit.duplicate, edit.paste, guide.move, object.slice.duplicate: dx, dy
- guide.move: copy
- document.node: summary
- edit.undoGroup.end: cancel
- guide.add: vertical
- guide.select, object.slice.select: toggle
- select.editSaved: delete; newName must be a string
- select.save: name must be a string
- file.close: index must be a non-negative integer
Object > Image Trace > Make and Make and Expand, and Object > Pattern >
Make and Edit Pattern, are no longer listed or accepted by
`ui.action.insertMenuItem`. Their menu items do more than run the
command: Image Trace traces off the UI thread with progress and Cancel,
and the Pattern items open the Pattern Options panel. Action playback
runs only the command.
Insert Stop and Insert Menu Item, given a set and action, now count the
steps that the recording in progress adds to that set, so the set as
Stop Playing/Recording leaves it stays within 10,000 steps per action
and 8 MiB as a file.
The command descriptions list every kind of menu item that cannot be
a step.
Docs: docs/mcp.md, docs/target-app-parity.md.
The Color panel's menu gets a checked Show Recent Colors item under Show
Options / Hide Options. Unchecking it hides the panel's Recent Colors row;
checking it shows the row again. Applied colors still join the list while
the row is hidden, Hide Options hides the row either way, and the Swatches
panel keeps its own row.
The setting is on by default and is kept with the preferences
(ui.color_show_recent_colors); a saved value that is not true or false
reads as on. ui.colorPanel takes recentColors: bool and answers it.
Docs: docs/mcp.md, docs/control-protocol.md, docs/target-app-parity.md.
The Edit Colors commands read `fill`, `stroke`, `includeImages` and
`includePatterns` with a reader that fell back to the default for any
value that is not true or false, so `edit.colors.toGrayscale
{"fill": "false"}` converted the fills it was asked to leave alone.
These keys, and `convert` and `mode` in `edit.colors.adjustBalance`,
are now read with `switch_or` and `text_param`, and a wrong type is an
error that changes nothing. The same applies to `addon.color.filter`,
which shares the scope.
`edit.colors.overprintBlack` now refuses a `remove`, `fill`, `stroke`,
`includeCmyBlacks` or `includeSpotBlacks` that is not true or false
and a `percentage` that is not a number. `color.harmony` refuses a
`rule` or `variation` that is not a string; a `variation` such as 5
was dropped before.
A null still counts as a key left out. docs/mcp.md describes the
errors.
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