The Assign rows of the Separations panel's Color Settings section (where
Edit > Assign Profile... goes) offer the three choices of the help's
"Assign or remove a color profile": Don't Color Manage This Document, the
working space of the document's color mode with its name, and Profile with
the other profiles of that kind.
The rows act on the profile of the document's color mode, so an RGB
document's RGB profile can be assigned here; before, the row always set
the CMYK profile. Picking the working space assigns its profile, which
stays when the working space changes later. A choice the document already
has runs nothing, and the other model's profile stays as it is.
Params text, docs/mcp.md and the evidence line in
docs/target-app-parity.md are updated, with catalog rows for the new
labels.
With something selected, the Control bar shows a Select Similar Objects
button and, beside it, the Select Similar Options menu. The button
selects the objects like the first selected one by the attribute kept
for the session; a menu item selects by its attribute and keeps it,
and the kept item is checked. The items are All, Fill Color, Fill &
Stroke, Stroke Color, Stroke Weight, Opacity, Blending Mode,
Appearance, Graphic Style, Shape and Symbol Instance.
- select.similar {by?} runs the select.same command of that name, or
for "all" matches fill and stroke colors, stroke weight, opacity and
blending mode together. An unknown by is an error that keeps the
selection and the kept attribute. The journal records the attribute
used, so a recorded action repeats it, and a failed script or plug-in
call puts the kept attribute back.
- The button and menu belong to the Object Options group and sit at
the right end of the bar, after the X, Y, W and H fields. They take
only the room the other controls leave, so the bar leaves them out
before any other control.
- The Paragraph tests' control_bar_node looks for a label before a
value, so a link's text run listed first no longer stands in for
the link.
Docs: docs/mcp.md, docs/target-app-parity.md.
An sRGB destination converts tagged gray and RGB images to sRGB even when the
document's own RGB profile is sRGB, so the statement that the document's own
profile as destination keeps tagged images applies only to other RGB profiles.
Files saved for version 11 write the keys of their text document by name
(/DocumentResources, /FontSet, /StreamTag) and the kinds of its strikes
by their long names (/FrameStrike). The reader found no stories in them,
so their text objects were filled with the page's type in painting
order: type outside the artboards was lost, and type on them could land
in another text object.
The keys the reader uses now get their numbers from the dictionary they
sit in, from the root down, before the document is read. A run whose
style is written by name as a style's number takes that style. Files
saved for later versions that write a newer key by name among the
numbered ones (a font record's VersionString, a paragraph's
ParagraphDirection) have those keys read too.
With Convert to Destination and an RGB destination that is the document's
own RGB profile, RGB colors and RGB images keep their numbers, so an image
that carries an ICC profile keeps it. The export contract and progress line
now say so, and the test checks it.
Pattern Options gets the Move Tile with Art checkbox under Size Tile to
Art. With it on, a move of all of the tile art in pattern editing mode
moves the tile as far as the art moved, pixel-grid snapping included:
object.move, object.nudge, object.transform with a translation, and
drags with the Selection tool. A group counts as moved when each of its
members moved. A move of only
some of the art, a copy, a rotation, a scale and a move of
direct-selected anchors leave the tile where it is. The option is off
for a new pattern.
pattern.options takes moveTileWithArt and pattern.list reports it. A
pattern.options call that changes nothing no longer records an undo
step.
BFlat