The canvas, the gradient chips and the SVG, PDF, EPS and EMF writers mixed
freeform points in display RGB, while Object > Expand and Create Gradient
Mesh mixed them in the model the points share. Points that are all CMYK,
Gray, Lab or RGB now mix in that model in those places too. Points in
different models mix as before: in display RGB, and on ink planes as the
inks of each point.
This changes how existing art looks:
- CMYK and Lab points. With the default Generic CMYK working space and no
ink planes, halfway between C100 and K100 the canvas drew (17, 106, 139)
and now draws (54, 118, 143).
- RGB points in a working RGB space other than sRGB mix in that space.
- On ink planes (a CMYK document that shows transparency), RGB and Lab
points mix first and then separate.
Gray mixes keep their values, and CMYK and Gray points on ink planes draw
as before. RGB points in an sRGB working space draw as before except on
ink planes.
- PDF and EPS write a gradient whose points are all CMYK, or all Gray in a
CMYK file, as a CMYK image. PDF's Output settings convert it as they
convert any CMYK image.
- Darkening applies to the points before they mix.
- With Appearance of Black set to Rich, the canvas mixes a gradient with a
pure CMYK black point in display RGB, and the point fades from RGB black.
With New Art Has Basic Appearance on (the default), the selection never
reached the fill and stroke proxies, so new art kept the colours set last.
A select.* command or layer.target that changes the selection now loads
the proxies and the weight from what the selection shows in them.
A paint or weight the selected objects don't share stays as it was, and
art without paint (a placed image) changes nothing. The template is left
alone, and only a changed selection loads, so a sampled paint stays.
File › Open imports .vccomposite files as composite fonts, so an importer
listing that extension no longer shows it under its own filter or in
document.formats. File › Open gets a Composite fonts filter.
document.open refuses dataBase64 that decodes past the importer input
limit before decoding it. A file whose start shows a built-in format
still opens as that format, as it does by path.
- A file read for opening is laid out in the composite fonts registered
then. Opening a document and reverting the front one now measure again
the type set in a font named like a composite font that an open document
defines, the font database holds or the session registered earlier. Type
in other fonts, missing ones included, keeps the bounds it was read with.
- Switching to a document or closing the front one measures again the type
set in a composite font whose definition changed, and any type without
bounds.
- A document reverted while in the back measures its type in composite
fonts when it comes to the front, not in the front document's.
- Text holding an inline graphic whose symbol's type was measured again
takes the graphic's new size.
- A failed or panicked command puts the font database's composite fonts
back with the documents.
- Setting a composite font to the definition an export lends keeps it after
the export ends.
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