An import's instruction and time budgets are now host limits on Limits, as a heavy filter's are, so a test can give an importer a small budget. An importer past its instruction or time limit, and a file past the input limit, return their error and leave an open document and its undo history unchanged. The manifest fuzz varies extensions (missing, dotted, mixed-case, repeated, too long and too many).
Hindi became a complete catalog on main, and the merge gave it only the
antiAlias message row. It now has the Anti-aliasing Method label, the
Sharp method's antiAlias row, Crisp and Strong, so the dropdown no longer
shows English or the Contour tool's corner word for Sharp. A test checks
that every complete catalog has these rows.
A path that keeps its shape because the effect would pass the geometry
budget holds a group's own placed gradients in place. A hidden path in a
layer, which the layer's bounds leave out, no longer holds them, so the
layer's gradient moves with its visible art. The art's own gradients
follow the same rule.
A freeform gradient whose points were edited keeps its vector fitted to
the bounds, so it did not count as placed and its points stayed behind
under a Transform effect and Free Distort unless another placed gradient
was in the same appearance. Its points now move like a placed gradient.
docs/file-format-parity.md held 35 copies of the paragraph under
"Illustrator's private editing data" after #6202 left one, each copy
carrying a different set of the changes merged since. The section now
holds one copy with every clause from the others: placed PDF and .ai
pages as placed documents, Bas Relief among the single-effect art
styles, Bas Relief's settings block in type's art style, the fill a
clipping path keeps with its exceptions, paths with an Art brush, the
spot colors in brush art, symbols defined before the art styles
section, the Type on a Path options, and the artboards the type of a
PDF's later pages goes to.
Align to Path moved the whole line by the largest ascent and descent
among its characters. Each character now moves by its own font, size
and vertical scale. Ascender runs the top of the font's em box along
the path: the ideographic em box that the font's BASE table gives, or
in a Chinese, Japanese or Korean font the one that its typographic or
hhea box, a one-em box-drawing cross or its ideographs give; else an
em box centered on the cap height. Descender runs the bottom of the font's
bounding box along the path, and Center runs a line at half the height
of the top of the font's H along it. In vertical type, Ascender and
Descender move the characters half an em, and Center leaves them on
the path.
Existing documents with Align to Path set to Ascender, Descender or
Center lay their type out at a new distance from the path.
Generic CMYK's tone curves now pass through the CGATS TR 001 tone value
increase of each ink at 40% and 50% (C 20.0, M 17.6, Y 16.8, K 21.6 at
50%), and its 16 Neugebauer primaries mix linearly, so a single ink's
tints gain as TR 001 gives. The 300% ink limit stays. The primaries, the
black-generation curve and the black point are VectorCraft's own values.
- The black point is 90% black under neutral CMY that fills the ink
limit: sRGB black separates to C75 M68 Y67 K90 instead of C67 M67 Y67
K100.
- Black follows a curve over the gray component of the black-free
solve, raised by how far that solve stays lighter than the target.
Grays from sRGB 177 up carry no black, and sRGB 128 gray separates to
C50.5 M42.2 Y42.0 K7.5 instead of C38.8 M26.3 Y29.9 K24.4.
- Display of CMYK fills, swatches and imported CMYK values and the
separation of RGB and Lab colors use the same model.
Paper white still separates to C0 M0 Y0 K0, but other separations
change, and so does the display of CMYK colors with ink. Tests that held
numbers of the old model are updated.
Found while testing crates/mcp/src/resources.rs:191 (read_object)
Co-Authored-By: Claude Haiku 5.5 <noreply@anthropic.com>
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
The 2,000,000-triangle limit on a 3D object's meshes is now checked as
each mesh is built, so an object past it is refused before the rest of
its meshes are built:
- Revolve counts each fill's and stroke's mesh as it builds it, instead
of building every one first.
- Inflate still solves every shape's membrane at once (the eye depends
on the highest puff), but builds each solid only when its mesh is
reached (inflate_meshes), so a refused object leaves the later
solids unbuilt.
- All the objects of one 3D asset share one budget
(three_d_meshes_of), so assets.export3D refuses an asset whose
objects pass the limit together.
plugin.install wrote the grant and the module as two separate writes,
and either could fail with only a log record. With a grant tied to the
module's hash, the stored pair then no longer matched and the plug-in
was skipped at the next start.
The module is now written first and its grant only once it is there.
When the grant can't be written, the store gets its old module back, or
loses the new one on a first install, and a disabled plug-in stays
disabled. A stored module that can't be read back is not replaced by
one that needs a grant.
BFlat