The Links panel menu gets Sort by Size beside Sort by Name, Kind and
Status, and links.list takes sort: "size". A row's size is the file size
Link Info shows: the file's size now, else the size the document keeps
of it. Rows without a size (embedded images, a missing file whose size
is not kept) come last, and equal sizes go by name. The size is read
only when sorting by it, and under automation read roots a file outside
them is not read.
Every catalog with Sort by Status gets a Sort by Size row; the Ukrainian
Sort by Status row, which read "Sort by:", now says "Sort by Status".
Create Sub-folders and Open Location after Export are check items that set
the settings the panel shares with Export for Screens, and the panel's
Export follows them. Create Sub-folders is checked as the dialog opens on
it: on for a document without export settings, and on for remembered
folders per row, format or item, which the panel's Export now uses too.
Format Settings... opens Export for Screens on the Assets tab showing the
first row's format settings.
assets.settings.set takes openLocation (kept in document.exportSettings,
not in presets), refuses a subfolders or openLocation value that is not
true, false or null, and with subfolders false given alone also ends a
remembered folder per format or item. Export for Screens reads remembered
empty folders as none, as an export does.
This reverts commit bada8e1710. #7638 merged with its gate failing: besides six unformatted
files, render and trace don't compile against craft-libs e2dc681 (u64::from(usize) in
render/src/paint.rs, a private craft-libs function, and a call with one argument too many in
trace/src/opaque.rs), so main's CI fails. The tree is that of 0adbdce6cb, whose CI passed.
With a Type tool and exactly one character selected, the canvas shows up
to five of that character's alternate glyphs in a row beside it. A click
runs the command the Glyphs panel's double-click runs, as one undo step;
an arrow at the end opens the Glyphs panel on Alternates for Current
Selection when the character has more. Preferences > Type > Show
Character Alternates (showCharacterAlternates, on by default) turns the
row off.
An image or a gradient mesh with a visible Crop Marks effect, or with a
Vector Halftone effect that makes dots, is measured in a plot of the art's
bounds. A halftone that makes no dots, such as one past the effect's cell
limit, leaves the image out as before.
Select > Start Global Edit now also takes rotated copies of the selected
object or group, in the highlights before the start, in the Global Edit
Options' Results count and in the started edit. An edit reaches each copy
turned by that copy's angle, so an anchor moved to the right on the
selected object moves downward on a copy turned a quarter turn clockwise.
The copy's angle is the one that lays the selected object's anchors and
handles on the copy's in order (a least-squares fit in the unit box),
and the copy is the same shape when each point then lies within a
millionth of the larger side of the copy's box. Reflected copies and
copies stretched along one direction stay unmatched. With Size, a rotated
copy matches when it is the object rotated without scaling. The no-match
message now names only reflected copies, in every catalog that has it.
Docs: docs/mcp.md, docs/gaps.md, docs/ui-parity.md and the evidence list
in docs/target-app-parity.md.
When only some frames of a threaded story are selected, Remove Line
Breaks and Remove Paragraph Breaks built the story's frame list again
for every selected frame of it, so the work grew with the square of the
frame count. The command now notes a thread once its story is found not
to be selected in full, and reads that thread's other selected frames
on their own without going through the thread again. Each selected
frame still loses its own breaks, in the order selected, as one undo
step.
A test-only counter in threads.rs counts story_in calls, and
remove_breaks_goes_through_a_partly_named_story_once checks both break
kinds with frames named out of order and twice.
The bounds of a plot of the art's bounds no longer count the objects a
plot leaves out (placed images, objects at 0% opacity, unpainted paths)
when they sit in the art of a symbol. An instance whose symbol holds
nothing else is left out, so a document with only such instances is
refused with "nothing to export". The art of a dynamic symbol, and of a
group with effects, fills or strokes of its own, is measured whole.
- A graph opened from a .ai file now saves `placedArt` too. Moving or
restyling one of its labels before the first redraw no longer moves or
stretches the plot.
- Type > Create Outlines on a graph's labels now adjusts the saved bounds,
so the outlines do not read as a move at the next redraw. A move of
the graph made before the outlining is still followed.
- A `placedArt` with no width or height falls back to the bounds of all
of the art, as a graph saved without it does.
- `art_bounds` moves to the doc crate so the .ai reader can use it.
- docs/mcp.md describes `placedArt`, `placed` and when a redraw follows
a move.
- Tests: a legend across the top, a legend after a right value axis and
legend labels of several lines keep the plot in place through label
size changes; moving a category label on its own; outlining labels
before and after a move; a flat `placedArt`; a label moved in an
opened .ai graph.
When a drag reaches every anchor of a closed path that has a corner, the
path is cut open at the corner and refitted. The result started at the
corner unless the refit kept an anchor exactly at the old first anchor.
It now starts at its point nearest the old first anchor, at an anchor
there or at a new anchor split into the curve, as the other closed-path
cases do.
While a document's composite fonts are lent, type naming a composite font
the document does not define is set as in a missing font, even when the
front document or the document a placed document sits in defines one of
that name. A document that defines no composite font gets an empty scope
too, so a document in the back, a tiled window, a thumbnail or an export
made while another document is in front no longer borrows the front
document's definitions. A temporary document drawn while a document draws
keeps that document's fonts, and type laid out with nothing lent still uses
the registered ones.
- FontDb::composite_font looks only in the latest loan of the database.
- lend_composite_fonts lends an empty set at the top level when the
database holds composite fonts; lend_document_composite_fonts also lends
one inside another loan, for placed documents, back-document measuring
and threaded reflow on open.
- A loan that leaves out a registered font gets its own generation, so
layouts made with that font are not reused under it.
Only a pie with Legends in Wedges picks its legend labels' fill, white on
dark wedges. Paint visits and swatch mappings now leave its default black
legend fill out only for such a pie; other graphs draw the kept fill, so
it is visited and mapped like the other label fills. A color mode change
still leaves the default black legend fill as the default, so turning on
Legends in Wedges later keeps the white labels on dark wedges.
BFlat