A graph keeps paints for its series and labels, and character and
paragraph style names for its labels, which each redraw gives the
marks and labels. Copy did not follow them, so a graph pasted into
another document left those swatches and styles behind, and a paste
that renamed them left the graph pointing at the old names.
Copy now collects them and paste relinks them, as it does for type.
Paste without Formatting drops the labels' style names, so it still
leaves text styles behind.
The script module docs, the script.run params text and the evidence line now
say that $.fileName in code that eval or Function compiled gives the file
being run, and the params text says that the empty name applies to code
compiled from a script given as text.
The ranges in the addon.shapes params text are in parentheses, so each
description reads as a params object. The configure description and
docs/mcp.md say that an omitted or null value keeps each shape's setting;
the defaults apply to the drawing commands only.
warichu_is_a_character_attribute_set_saved_and_exported looked for Tj or
TJ anywhere in the exported PDF. The file ID in the trailer and the XMP is
a base64 hash that changes each second and now and then spells one of
them, so the test failed on main twice (bf3cf422e, 446bf59bc) while
export outlines warichu type every time. It now counts text-object lines
only, as the colour font PDF test already does.
Changing Preferences › Hyphenation › Exceptions bumped each open
document's revision, but the caches of laid-out type outside the text
crate were keyed on the font generation alone. The renderer kept the
glyph geometry, raster-effect pixels, live-effect and envelope art,
pattern tiles and placed symbol art of unchanged type objects, so
hyphenated area type kept its old line breaks on the canvas. The
hit-test art of blends and envelopes, the Fit to Artwork Bounds answer,
the layout caches of the Type and Touch Type tools and the out port's
overflow mark were keyed the same way.
vectorcraft_text::layout_inputs() returns a number that changes with
the fonts and with the hyphenation exceptions. Every one of those
caches now keys on it instead of FontDb::generation(), and envelope ink
uses it in place of the private envelope_ink_inputs(). The hit-test key
hashes it together with the plug-in revision.
Tests: a renderer that drew hyphenated area type, alone, with a drop
shadow, in a group with a Transform effect, in a symbol instance and in
an envelope, draws it as a new renderer does after the exceptions
change; the out port of selected area type shows the overflow that the
new exceptions cause. The render test helpers that run a step again
when the fonts change during it now also run it again when the
exceptions change.
docs/mcp.md's line and stack row said $.stack shows at most 64 lines
and uses [global] only for the script's own code. It keeps the
innermost 64 frames after a leading line "…" when some are left out,
and [global] names any code outside a function, including code that
an included file, $.evalFile or eval runs. The row now also says how
a frame's file compares with $.fileName in each case: the same file
for code from a file, the run's name where $.fileName is empty for a
script given as source, [eval] where $.fileName is the file being run,
and [unknown] at line 0 where $.fileName is empty.
The engineName row now gives the #targetengine name, and the
script.run params text, the script module doc and the Scripts evidence
line say $.fileName is the file of the code that reads it rather than
the file being run.
After Reset Bounding Box on a turned symbol instance, Break Link to
Symbol and Object > Expand gave the art a box turned with the instance's
transform again. The art's boxes now turn with the instance's own box,
so they stand square when the instance's box did, and the angles the
art has inside the symbol are kept relative to it. The group that an
instance's opacity, blending mode or opacity mask adds around the art
takes the instance's box angle instead of standing square to the page.
A reflected instance can hold a box 180 degrees from the box its
transform gives in one step; the art now takes the instance's box
there too, the same rectangle with its handles where the instance had
them.
Compound shapes and Pathfinder receive an instance's art through the
same rule.
The clip groups and clip paths that 9-slice guides make for gradient
and pattern art take the angle of the cell that places them, and the
outer group keeps the object's angle turned by the instance, instead
of standing square to the page. This also changes the result for an
instance that was never reset: a 20 degree sliced instance gave clip
groups at 0 degrees and now gives them at 20.
Docs: params text, docs/mcp.md, docs/target-app-parity.md.
A command that needs a whole number of 0 or more, such as `index` of
`appearance.setItem`, `anchor` of `path.removeAnchor` and
`addon.pen.removePoint`, `sourceDocument` of `edit.dropSelection`, `index`
of `document.activate` and `to` of `document.move`, answered "missing
integer `index`" (or "missing index") both when the key was left out and
when it was given as a value that is not a whole number of 0 or more, such
as "3", 2.5, -1 or true. A value that is given but is not one is now
refused with "`index` must be a whole number", the message object ids
already use. A key left out or given as null is still missing, and an
optional index such as `subpath` keeps its default. Neither error changes
the document or records an undo step.
Docs: docs/mcp.md, docs/target-app-parity.md.
A swatch delete, Swatch Options edit, merge, Edit Color Group, Spot
Colors options change or Default Swatches replace run as a
command.batch step left the fill and stroke new art takes linked to the
old or deleted swatch, because the defaults were skipped whenever an
interaction was open. A batch step now rewrites them as the command run
on its own does; a live Swatch Options preview still leaves them alone,
and a failed batch or a canceled batch preview puts them back.
The same commands now also rewrite the fills and strokes of the
appearance new art takes, and record the change with their undo step,
so Undo and Redo put the paints for new art back with the swatches.
- After a fill drag, the Live Paint Bucket stores the release point, so the
cursor swatch preview shows there instead of where the pointer last moved
before the press.
- Arrow nudges and Alt+arrow type spacing read Shift and Alt from the key
press, as the tool keys do, so a modifier released within the same frame
still makes a 10 pt nudge, a copy, or a spacing step.
- tool.setOption accepts cursorSwatchPreview for the Live Paint Bucket and
refuses a value that is not true or false.
A closed freehand stroke is fitted as the open stroke would be and closed by a
straight segment from its end back to its start. Fitted as one loop, the
closing segment curved on past both ends and back, like a hat's brim.
craft_dxf::parse_recovering reads the tags (ASCII and binary, any code
page), model::Document::read the sections, tables, blocks, layouts and
entity followers, and Entity::read each entity. The pair parser, the
records, the header, layer, block and layout readers and the colour
palette are gone; what stays is the mapping onto VectorCraft art.
Binary DXF files now open instead of being refused. A damaged binary
file says so.
A CSV file that holds NUL bytes and has no byte-order mark was refused.
It is now read as UTF-16 when at least half of its two-byte units hold
a NUL byte, in the byte order that reads a line break. A file with fewer
NUL bytes (UTF-8 or Windows-1252 text with stray NUL bytes, or UTF-16
text made mostly of characters above U+00FF) is still refused, and so is
a file that reads a line break in both byte orders, has an odd length,
isn't valid UTF-16 in that order or holds a NUL character. Refused files
get the same message as before.
BFlat