layer.setProps, layer.new, layer.newSublayer and livePaint.gapOptions read
an 8-digit hex color such as #ff000080 as #ff0000 and set it without its
alpha. They now refuse it with the error a bad color already gets, and
change nothing. #rgba was already refused. #rrggbb, #rgb, a preset index
and a preset name are read as before.
`Color::from_hex` reads `#rrggbbaa` and keeps only its first six digits, so
a `color` set to `#ff000080` through `ui.dialog.set` was applied as
`#ff0000` without an error by Tile Edge Color, Live Paint Selection Tool
Options, Live Paint Bucket Options and Gap Options.
- A new `checked` next to `resolve` in `dialogs/tile_edge_color.rs` gives
the existing "is not a colour" error for an 8-digit hex color, and
otherwise reads the color as `resolve` does. `resolve` is unchanged, so
the swatches the dialogs draw with it show such a color by its RGB as
before.
- Each of the four dialogs' OK checks the color with `checked` first, and
leaves the dialog open with nothing changed. Tile Edge Color and Gap
Options already refused `#rgba`, which `from_hex` does not read. Live
Paint Selection and Live Paint Bucket used to ignore a color they could
not read, such as `#f008`, and apply their other fields; their OK now
refuses it.
- With Preview on, Gap Options sends no color for a `#rrggbbaa` value, so
the groups keep their own color, and the previewed gaps draw in black.
Docs: the params text, docs/mcp.md, docs/control-protocol.md and
docs/target-app-parity.md.
The params text of select.same.symbolInstance, docs/mcp.md and
docs/target-app-parity.md now say that the object compared with can be
of any kind (a group member selected on its own, or an object that is
not a symbol instance, which leaves the selection empty), and that new
art on a locked artboard is not passed over while it stays selected.
A test covers the three cases.
Remove Text Tweaker's own start and end check: range_of already refuses
a bad offset given with an id, and like the other type commands Text
Tweaker now ignores start and end without one. The test's "2" case
gets an id so it still reaches the check, and docs/mcp.md lists
addon.type.textTweaker with the commands that refuse such offsets.
text.startList read a negative or fractional `at` as the end of the
text, so it could remove a typed list marker there and start a list.
The `start` and `end` of text.editRange, text.getRange,
text.setRangeStyle and the type shortcut commands given an `id` read
such values as the start or end of the text.
These now return "`at` must be a whole number" (naming the key) and
change nothing. Omitted or null keys keep their defaults, and 2.0 is
read as 2.
Object > Expand with Object on now turns each symbol instance in the
selection, including one in a selected group or in a placed document's
art, into its art, as Break Link to Symbol places it. It goes one level
deep: the instances in that art stay instances. The art keeps the
instance's id and place in the stacking order, and Expand stays one
undo step.
- Instances with effects stay instances, and Expand Appearance bakes
them as before. Instances with an effect on a fill or stroke,
instances in perspective, and those in blends, repeats and Intertwine
groups stay instances.
- The art keeps the instance's opacity mask, as Break Link gives it.
- A hidden or locked instance's art stays hidden or locked.
- A placed document in an instance's art is expanded too.
- When the instances' art would make more than 1,000,000 objects, they
stay instances, the limit Break Link uses.
- The Fill and Stroke options (object.expand.info, and the Expand
dialog) count the fills, strokes and gradients in the art of those
instances, with a dynamic instance's own changes applied. The info
reports under symbolArt which of them only that art holds, and the
dialog enables those options only while Object is on.
While the Type tool edits a frame of threaded text, Select All selects
the text of every frame of the story, highlighted in each frame. The
tool edits the first frame that holds text.
- Typing, Delete and Cut replace the whole story as one undo step
(`text.editRange` takes `clear`, the other frames whose text goes).
- Copy and Cut take the whole story (`text.getRange {id, story: true}`).
- Fills and strokes, `type.step`, `appearance.copyFrom`, the Character,
Paragraph, OpenType and text style panels, the Tabs panel's tab
stops, the font menus and the Justification dialog act on every
frame's text (`text.setRangeStyle {id, story: true}` styles them in
one edit).
- A caret move, a click or a word or paragraph selection ends it.
Select All in unthreaded type is unchanged.
Docs: docs/mcp.md, docs/target-app-parity.md.
Template sets Lock again even when Lock was set in the dialog before it,
so a template layer is always locked. Only a Dim Images set before
Template keeps its value.
Setting Template in the dialog (the checkbox, or ui.dialog.set of template)
also set Lock and Dim Images, replacing a value set in the dialog earlier.
That value was then sent to every selected row, and ui.dialog.set gave
different results depending on the order of its fields. A Lock or Dim Images
set in the dialog now keeps its value when Template changes.
A .ai file whose PDF part has a page for each artboard had its layers
compared with the first page only. Art that the layers drew on a later
artboard and its page didn't, or that a later page drew and the layers
didn't, opened from the layers with no warning, and a text object that a
later page doesn't draw stayed.
When the PDF part has a page for every artboard, each page is now
compared with the layers on its artboard, and the comparison fails when
any page differs by more than it allows. Text objects that a later page
doesn't draw are weighed there and left out, unless their layer doesn't
print. Art that differs on a later page is handled as on the first page:
such files now open from their PDF part with the usual warning, where
they opened from their layers before. A PDF part with pages for some of
the artboards, or with its pages cropped to the art, is still compared
on its first page only. Pages are compared until their comparison
drawings take 8,388,608 pixels (about 67 letter-size pages, or 4 when the
PDF part is only images), and at most 128 pages are compared. The type
share in the import's note is now that of the page whose type differs
most.
The layers are drawn once for the pages of the same size and cut into
each page's part. Each page moves by less than half a pixel to start on
a whole pixel, and the column or row the move takes past its artboard
isn't compared. Each page's drawing and result are kept until the layers
change, for the last two documents weighed. Taking a text object out
draws again only the pages within reach of it (every page when type
wraps).
An artboard, or the page of an EPS's editing data, whose sides are within
half a point of its page's is drawn on an area of the page's size, so
both drawings have the same number of pixels. Before, such a file could
open without its layers when the half point changed the rounded size of
its drawing, even when its layers matched the page.
Docs: docs/mcp.md, docs/target-app-parity.md.
Capture sweep-piece source attribution before endpoint pinning can move its
midpoint off the original outlines. Keep the existing lookup after pinning
when the original piece has no source.
Add planar coverage and native compound Make/Expand/undo regressions, and
document the existing front-most source-fill rule.
Select > Same > Fill Color, Stroke Color, Fill & Stroke, Stroke Weight,
Opacity, Blending Mode, Appearance, Shape, Graphic Style and Appearance
Attribute compared the other objects with the first selected object,
even when select.set had put a hidden or locked object, one on a
template layer or one outside the isolated group first. They now take
the first selected object that the Select commands could select, in
selection order, and keep the compound path and isolation rules for it.
A selection that holds no such object returns "nothing selected".
add_text's vertical option turns on the OpenType vert feature, so the docs no
longer say it leaves glyph orientation unchanged. ui.actionSet.duplicate uses
the current set when set is omitted, with or without action.
Read RGB and HSB numbers in the active working RGB space in the Color panel
and Color Picker. Keep native values through hex and web-safe controls and
cache live components by native color and color settings.
Break Link to Symbol dropped the instance's opacity mask. The art now
keeps it, or a group around the art holds it when the symbol's art has
a mask of its own. The objects in the instance's mask art count against
Break Link's limit of 1,000,000 objects.
A `start` or `end` such as -1 or 1.5 was read as absent and changed text
before the range; it is now refused. Characters that already have the value
are left out, so a run that changes nothing returns count 0 and makes no
undo step. docs/mcp.md cites the public formatting-type page.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
docs/mcp.md says that the default weight text.setStyle and text.setRangeStyle give an unweighted stroke is in the type's own units, so scaled type draws it wider, while strokeWidth and strokeOptions lengths are in document points.
The test moves from an inline module in cmd/textedit.rs to
tests/charstroke.rs and uses that file's helpers. docs/mcp.md says that
text.setRangeStyle gives a range's stroke a 1 pt weight as text.setStyle
does, and that its strokeWidth and strokeOptions lengths are in document
points.
When an effect on a layer or a group draws copies of its art, the editing
data holds the type of each copy inside the drawn look. The reader skipped
that type, so the copies came in without text objects, the page's type for
them was given to other groups by painting order, and the import noted that
a text object may be in another group than it was.
The reader now keeps such type as a text slot without a story, in the
copy's group. The page's type that lies over a copy's other art (at least
half of it in the art's box) goes to that copy's slots by painting order,
before the rest is given out. Of overlapping copies, the one that holds
more of it takes it, and the smaller one on a tie. When the page's type
outside the copies is too little for the other text objects, a copy with
more of the page's text objects than slots leaves the extra ones to them.
A slot that gets no type
is removed and not counted as a text object that couldn't be read.
Type beside a copy's art, and every copy's type in a file past the import's
text-object limits or opened with its type as outlines, goes as before. A
text object with an appearance keeps its own type as before.
With several rows highlighted, Layer Options shows the first row's
settings, and OK sent Show, Lock, Color, Template, Print, Preview and
Dim Images to layer.setProps for every row. Changing one setting gave
every row the first row's values for all of the others as well.
The dialog now records each setting set by one of its controls or by
ui.dialog.set, and for several rows OK sends only those. A setting set
to the value the dialog shows is still sent, so choosing the first row's
color gives every row that color.
When Template changes and Lock and Dim Images are not set in the dialog,
OK does not send them. layer.setProps then locks each row that becomes
a template and dims it to 50%, unless a percentage is set in the dialog,
and unlocks and stops dimming each row that stops being one. When
Template is turned on, the dialog shows that 50%. When Template is set
back to the first row's value, the dialog shows the first row's Lock,
Dim Images and percentage again. A Dim Images percentage set in the
dialog is sent whenever Dim Images is on, also when Template turned it
on.
ui.dialog.set of template now also sets locked and dimImages, as the
Template checkbox does, for one row as well as several. Before, a script
that set template to true and confirmed the dialog left the layer
unlocked and undimmed.
The Dim Images percentage field now has the accessible name "Dim Images
to:", as its checkbox has.
Select > Same > Font Family, Font Family & Style, Font Family, Style & Size,
Font Size and the text fill and stroke color commands took the type to match
from the first type found among the selected objects. Type that is hidden or
locked inside a selected group, type on a template layer and type outside the
isolated group could set the reference. They now take it from the type that
Link Block Series starts from, in the same selection order. A selection whose
only type cannot be selected returns "select a text object".
Window > New Window was grayed out. It now opens another view of the
current document, with its own zoom, center, rotation, artboard and
Outline or Preview, as a tab of its own. While a document has more than
one view, each tab shows the view's number after the name
("Untitled-1:2"). An edit in one view shows in every view of the
document.
Tile, Cascade, Float in Window, Float All in Windows and Consolidate All
Windows arrange each view as they arrange a document, and Tile and
Cascade are enabled with two views of one document. A new view of a view
in a floating window opens in a floating window too. File > Close and a
tab's close button close the view; the document's last view closes the
document, asking to save it first. Next Document and Previous Document
step through the views in tab order.
Each Tile pane and floating window draws its view in its own Outline or
Preview, and switching views with the Artboard tool targets the artboard
the view shows. A switch to another view of the current document resets
the tool, as a switch to another document does (Session::reset_tool).
Artwork held over another view's tab during a drag switches to that
view, and a drop there moves it.
Fixes#4116
docs/mcp.md (dataset.import) and docs/gaps.md (Recolor Artwork ›
Assign, Average & Join) quoted sentences from the reference app's help
pages. Each quote is replaced by a plain statement of the behavior, and
each help-page link stays as the source.
A built-in Type Tools add-on (Object › Plug-ins › Type Tools › Text Tweaker…,
`addon.type.textTweaker`): size, baseline shift, rotation, horizontal or vertical
scale, tracking, leading or stroke weight go from a start value to an end value
along a straight ramp, an ease, a bow, a spike or at random with a seed, set as
the Character panel sets them, while the text stays live. One undo step, a
dialog with Preview, catalog rows in all 26 languages, docs/mcp.md and the
parity docs.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Per review on #5327: Preferences › File Handling › Edit Original With (an app
path and Choose…) becomes the checkbox Use System Defaults for Edit Original,
on by default. Off, Edit Original opens a raster image in the app that made
it, PhotoCraft, looked for only where it installs; any other file, or no
PhotoCraft, goes to the system's default app. The preference is a boolean, so
prefs.set over control or MCP can no longer name an executable. The label has
a row in all 26 catalogs.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Preferences › File Handling › Edit Original With picks the app Links
panel › Edit Original opens a linked file in: System Default (as before),
PhotoCraft (found in /Applications or ~/Applications on macOS, on the
PATH elsewhere) or Other Application, with a path field and Choose….
The desktop host's new `open_file_with` service starts only an
application (an .app bundle on macOS, an .exe on Windows, an executable
file elsewhere), with the path as its only argument and never through a
shell. Edit Original still refuses control requests.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
With one Objects on Path group of two or more objects selected, the
Selection and Objects on Path tools show a square Space widget beyond the
last object, ahead along the path. Dragging it moves the last object
along the path, around its bends, as far as the pointer moves along it,
and the objects between follow evenly while the first one stays. With
Alt (Option on macOS) the objects spread from both ends toward or away
from the center of an open path, or of the first anchor of a closed one.
The distance between the objects shows next to the pointer in the
document's units; the drag is one undo step, and Escape cancels it.
- object.objectsOnPath.options takes spacing (points, or "auto", the
default even spread) and start (points from the first anchor). A
spacing the path has no room for is drawn smaller and kept, so a
longer path brings it back. Older files read as Auto.
- Moving the group, Pivot, Rotate, path edits, copies and saving keep
the Space. Scaling, rotating or shearing the group keeps the first
and last objects where the transform takes them on the new path, live
shapes included; a value that cannot be kept that way scales with the
path's length.
- The Rotate All widget follows the first object when Space moves it.
Behavior: https://helpx.adobe.com/illustrator/desktop/manage-objects/arrange-objects/rearrange-and-edit-objects-on-a-path.html
and https://helpx.adobe.com/illustrator/using/objects-on-path.html.
A document tab dragged more than 24 pt above or below the tab strip
floats its document in a window under the pointer and makes it the
current document (window.arrange.floatInWindow takes index and at for
this). A shorter drag, or one along the strip, leaves the tabs as they
are. A document window dragged by its title bar onto the tab strip goes
back under the tabs; the strip shows an outline while a window is over
it. A desktop document window is an OS window, so it has the document's
tab at its top: dragging that tab moves the window, and dropping it on
the main window's tab strip docks it (window.arrange.consolidateAllWindows
takes index for one document).
A document floated again opens where it is asked to, not where its last
window was.
Window > Arrange > Float in Window (window.arrange.floatInWindow) moves
the current document out of the tab strip into a floating window of its
own, and Float All in Windows (window.arrange.floatAllInWindows), a new
item, does so for every tabbed document. Cascade (window.arrange.cascade)
floats every document and stacks the windows from the upper left of the
document area to its lower right, 30 pt apart, in tab order. On the
desktop each window is an OS window; on the web and on Wayland it is a
window inside the app's window, as floating panels are. While the
control channel is attached, the windows also open inside the app's
window, so ui.click, ui.drag and ui.screenshot reach them.
The current document's window holds the canvas. The other windows, and
the main window while the current document floats, draw their documents
as Tile's panes do, and a press in one makes its document the current
one. A document's OS window that takes the keyboard focus makes its
document the current one, and keys typed there run the main window's
shortcuts. Closing a window closes its document, asking to save unsaved
changes. Consolidate All Windows brings floating documents back under
the tabs, and Tile brings them back into its grid.
Cascade is enabled with two or more documents, Float in Window while the
current document is tabbed, Float All in Windows while any document is
tabbed, and Consolidate All Windows while documents are tiled or
floating. ui.inspect reports the floating documents.
Character Style Options and New Character Style get a Character Color
section and an OpenType Features section.
Character Color sets the fill and stroke (None or a document swatch;
a global swatch or a tint of one stays linked, with a Tint from 0% to
100%), the stroke Weight, and Overprint Fill and Overprint Stroke. A
gradient or pattern paint the style already has stays until another
paint is chosen.
OpenType Features sets Figure, Position, Standard and Discretionary
Ligatures, Contextual, Stylistic and Titling Alternates, Swash,
Ordinals, Fractions and Stylistic Sets 1 to 20. A changed control
replaces only its own tags in the style's feature list, so other tags
stay, and Default Figure and Default Position are stored as their
features turned off, distinct from unset.
Empty controls stay unset, and each section's Reset Panel clears only
its own attributes.
charStyle.new, charStyle.edit and charStyle.setAttrs check a changed
fill, stroke, stroke weight or feature list: tints from 0 to 1, links
to global swatches of the document (the color follows the swatch),
weights from 0 to 4000000, and known feature tags, at most 256. Values
the style or the text it is made from already has are kept.
charStyle.duplicate keeps the copied style's values in the same way, so
a style with a language tag that is not in the list can be duplicated.
Editing a global swatch now also updates the fill and stroke stored in
character styles, so their text no longer shows as overriding the style
and text styled later takes the new color. swatch.unused counts a swatch
a character style links to as used.
A stroke color given without strokeWidth left characters at weight 0, so
nothing was drawn. As paint.setStroke does, a painted stroke now gives a
run with no weight 1 pt, for the characters and for the label styles a
graph keeps; an explicit strokeWidth still sets the weight.
text.setStyle takes stroke (a color or "none") and strokeWidth (the character
stroke's weight in document points, as stroke.set gives it), with keepModel
for both colors. They apply to all the text or to the start..end range, and
to graph label styles, in the same undo step as the command's other keys.
A stroke key was ignored before.
While a symbol with Enable Guides for 9-Slice Scaling on is edited in
symbol editing mode, the canvas draws its two horizontal and two vertical
guides as dotted lines across its art, with any tool and with ruler guides
hidden. With the Selection tool the pointer near a guide shows the Move
cursor, and dragging the guide sets it through `symbol.options`'s
`nineSliceGuides` as one undo step; Escape during the drag puts it back.
A guide within 4 screen pixels takes the press before the art and the
bounding box. A dragged guide stays within the art's box and stops short
of the opposite guide; positions outside the art are not supported yet.
Select › Same › Text Fill & Stroke Color (select.same.textFillAndStrokeColor) selects the type
objects with a run of characters whose fill and stroke both match the first character of the
first selected type. Type that matches only the fill or only the stroke, or has the fill in one
run and the stroke in another, is left out. The entry follows Text Stroke Color in the menu and
has a row in every catalog.
dotCooCoo