The Drawing tools row in docs/target-app-parity.md now names the
measurement readout that the Pen, Smart Pen and Curvature tool show
with the rubber band off. The score, gaps and hours are unchanged.
The Paragraph panel's Mojikumi Set lists None, YakumonoHankaku,
GyomatsuYakumonoHankaku, GyomatsuYakumonoZenkaku and YakumonoZenkaku,
then Line-end Punctuation Half Width, and text.setFormat {mojikumi}
takes yakumonoHankaku, gyomatsuYakumonoHankaku, gyomatsuYakumonoZenkaku
and yakumonoZenkaku besides none and lineEndHalf.
The spacing of each set is VectorCraft's own rule, built on the help
page's one-line description of each set:
- YakumonoHankaku sets every bracket, comma and full stop half width,
takes a quarter em off each side of a middle dot, and puts a quarter
em between Japanese and Latin letters or digits.
- GyomatsuYakumonoHankaku keeps punctuation full width inside a line,
sets an opening bracket starting a line flush and a closing mark
ending it half width, and takes the quarter em after a middle dot
ending a line off.
- GyomatsuYakumonoZenkaku keeps punctuation full width and adds the
quarter em between Japanese and Latin text.
- YakumonoZenkaku sets characters as None does.
Both composers and vertical type measure each line as it is set. A
right-to-left paragraph, whose line ends are measured untrimmed, also
draws them untrimmed, and a right-to-left line that ends between a
Japanese and a Latin character is measured without the quarter em the
set adds there. With a Desired glyph scaling other than 100%, the
space a set takes off before an opening bracket or middle dot, and the
Japanese-Latin space recorded at a line's end, scale with the glyph.
The sets save with the document and paragraph styles; new type and
Reset Panel keep Line-end Punctuation Half Width. SVG export lays type
with middle dots out again for its positioned spans. A .ai save
reports a paragraph with one of the new sets as left out.
Docs: docs/mcp.md, docs/target-app-parity.md, docs/type-parity.md,
docs/gaps.md.
Copy now remembers the whole chain of layers around each object, not only
the name of the nearest one. With Paste Remembers Layers on:
- In the same document, art goes back into the sublayer it came from while
that sublayer exists, even after it was moved, so two sublayers of the
same name in different layers stay apart. A deleted sublayer is made
again inside the layer that held it.
- In another document, the sublayer and the layers around it are matched
by name from the top level down; of repeated names, the topmost chain
that matches the most names wins, a shown and unlocked one first. A
missing sublayer is made inside its layer, and a missing layer on top
with the sublayer inside it, in the paste's undo step.
- When the matched layer, or a layer around it, is hidden or locked, the
paste fails with "the target layer is locked or hidden" and nothing is
pasted, instead of putting art in a hidden layer or making a second
layer of the same name.
Show DCS Transparency Interactions compared full object bounds, so a
transparent object over the part of a DCS image that its clipping path
hides marked the image. Bounds are now cut to the clipping paths of the
clip groups and clipping layers that hold each object.
Each font menu kept its own script, kind, Variable and favorites
filters, so a filter chosen in the Character panel's menu was off in
the Control bar's, the Properties panel's, the Glyphs panel's and the
dialogs' menus. The filters now live in one place that every font menu
reads when it is drawn and writes back afterward. A filter chosen in one
menu is on in the others, and their rows are listed by it. The mouse
wheel over a closed family field steps through the families those
shared filters list. The search, highlight and expanded families stay
with each menu. The filters last for the session, as before.
Docs: docs/type-parity.md, docs/target-app-parity.md.
The Layers panel's trash button, rows dropped on it, the panel menu's
Delete Selection, and Delete or Backspace on highlighted rows now run
ui.layerDelete. When a layer or sublayer among the rows holds art
(hidden, locked and nested objects count; guides do not), a confirm
dialog asks first. OK deletes the rows it asked about, by id, in the
document it was asked in, as one undo step; Cancel keeps them. Empty
layers, guide-only layers and object or group rows alone are deleted at
once. layer.delete itself is unchanged and never asks.
The series fill and stroke and the label fill and stroke a graph keeps
for its next redraw are now in the paint traversal, so Delete Pattern
and canceling a new pattern make them no paint and a Pattern Options
rename renames them. Before, a later graph.setData drew the paint of a
missing pattern again. Global swatch edits reach the same paints.
The progress-doc line now says that only canceling a new pattern clears
its paints; canceling the edit of an existing pattern puts the
definition, and after a rename the old name, back.
The dialog sized its scrolling content from the window's own available
height and an assumed footer height, so it opened short and only grew as
input events drew more frames. It now sizes the content the way
Paragraph Style Options does: from the screen's height less the rest of
the window as drawn last frame, capped at 420 points, with the scroll
area taking that height at once when the section is longer.
The stored content height is the height the scroll area shows after a
short section shrinks it, so going back from a short section to General
keeps OK and Cancel on a small screen.
Extrude & Bevel (both kinds) and Inflate built every fill and stroke
solid of an object, each up to 163,840 faces, before any check, so one
effect on a path with many strokes or a group with many members could
build several times that. The solids are now built in order and their
faces counted together: once they pass 163,840 (VectorCraft's own
limit), no later solid is built, the object draws its source art, and
effect.apply, effect.setParams, Export 3D Object and Expand as
Wireframes report "The 3D surface is too complex; simplify the shape".
A stroke left out for its own limits is not counted.
Export 3D Object now builds Extrude & Bevel (Classic) meshes with the
Classic bevel options, so the exported solid matches the drawn one.
A 9-slice guide can now be placed outside the symbol's art, by dragging
it past the art's edge in symbol editing mode, by symbol.options
nineSliceGuides, or by a Symbol Options field below 0% or above 100%.
A scaled instance then scales by the cells its art falls in.
- Each guide is a fraction from its edge in -16..16, and the two guides
of an axis keep their order (left + right < 1, top + bottom < 1).
- A guide past an edge cuts the art at that edge, so that side's outer
cell holds no art. With both guides of an axis past opposite edges,
the art scales as a whole along it. With both past the same edge, the
art keeps its size in the outer cell at the other edge.
- Symbol Options shows the guides with three decimals, and OK keeps a
field that was not changed at its exact value.
- Native files keep the guides exactly. SVG and .ai write such an
instance as its placed art, without guides.
Docs: docs/mcp.md, docs/target-app-parity.md, docs/gaps.md.
A style written as one paint (`/SimpleStyle` with its paint operators)
was read as a style with no fill and no stroke. A graphic style library
listed it, and applying it cleared the object's fill and stroke.
Such a style now reads as the fill and stroke its `stroke fill Xd`
turns on, with the stroke's width, caps, joins, miter limit and dashes,
and its `Xy` transparency. A style whose paint is not read here (a
gradient or pattern fill, a pattern stroke, no `Xd`) is left out of the
library instead of coming in empty.
Part of #3349.
Catalog rows now read `{{` and `}}` as a literal `{` and `}`, in the
English source and in the translation, as in a Rust format string. A `{`
with no `}` after it is literal text instead of dropping the row.
- The plugin.run errors for an importer, an exporter and a live effect
(`document.open {"importer": ...}` and the like) now show translated
with the plug-in's id and JSON kept, in the 22 catalogs that list them.
Their rows were keyed as `{{"importer"}"}}`, which never matched.
- The test that keys a format string keeps `{{`/`}}` and numbers only real
placeholders, so its expected keys match the runtime text. Two junk
rows it produced for the RTF error (hi, sv) are removed.
Enable Rubber Band now hides only the preview segment in the Pen, the
Curvature tool and the Smart Pen. With it off and Measurement Labels on,
the three tools still show the D / Angle / dX / dY readout at the pointer
while a path is drawn, and the Curvature tool also shows it when
going on from the current end of a selected path. With Measurement Labels
off, no readout shows either way. The click places the same anchor as
before.
Docs: docs/mcp.md (penRubberBand, curvatureRubberBand), docs/ui-parity.md,
docs/target-app-parity.md.
effect.apply, appearance.addEffect and effect.setParams checked an effect
parameter's type only when the effect has a dialog default for the key. Keys
that only the params text names were stored as given: an Outline Stroke with
`width: "10 pt"` drew at the stroke's own weight, and a Gaussian Blur with
`linear: 1` blurred in linear light.
- The earlier 3D `perspective`, `lightAzimuth` and `lightElevation`,
Scribble's `variation` and Outline Stroke's `width` must be numbers, and
Gaussian Blur's `linear` must be true or false. A test walks every effect
so a new key without a default needs a listed type or a check of its own.
- The `style` of Crop Marks must be `roman` or `japanese`, and `null` is
refused. Any other value drew as Roman.
- An installed plug-in effect's parameters are checked against its manifest
when the command runs, as plugin.run already checks the effect records a
filter returns.
- effect.setParams with `warpStyle` checks the parameters against the new
Warp style's effect, as it already did for a 3D effect's new
`threeDType`. It checked them against the old style.
- effect.setParams refuses a `visible` that is not true or false, such as
`1` or `"false"`, when called and when a step plays, and nothing changes.
Before, the value was ignored and the rest of the call applied. `null`
still leaves the visibility as it is.
A step of command.batch is refused the same way. A replayed journal or
action still plays a wrongly typed effect parameter, as it plays a key the
effect no longer takes.
Docs: docs/mcp.md, docs/target-app-parity.md.
With Background Save on, Package's OK started the save of a dirty
document on the worker and then wrote the package whether or not that
save succeeded. With both preferences off, a failed save already stopped
the package, so the result depended on the preferences.
The package now starts only after the save is written, with both
preferences in every combination. With Background Export on, it is still
collected from the document as it was at OK and starts once the save's
result arrives; when the save fails, or asks a question first, no package
is written and the save's error stays in the status bar. With Background
Export off, the dialog shows the save's error.
background::after runs a step on the UI thread once a job's result is
applied.
Linked images and placed documents kept only in symbols, graph designs,
pattern swatches or opacity masks now have ids of their own. links.list
lists them after the layers' own, one row per stored object, with an
owner naming what holds them; links.check, the missing, modified and
updated files reported on open, the link watch and links.findFiles
report them by id; relink (All Instances included), update, embed,
placementOptions, info and image.info act on them. links.goTo on one
clears the selection and returns onCanvas: false with its owner, and the
Links panel says the link has no place on the canvas.
- Document::visit_stored, stored_node and stored_node_mut find objects
in every stored art. fix_next_id counts their ids and gives an object
there whose id is 0, past the id range or already used a new one,
updating Objects on Path references to renamed children.
- Copies of masked objects give the mask art new ids, and symbols and
patterns that placed art brings from another document take ids of the
document they join.
- The Links panel picks such rows in the panel itself, drops the pick
when the canvas selection changes, and draws their thumbnails from a
lookup made once per list refresh. Select by Link Status leaves them
out, as it cannot select them.
The refusals of Extrude & Bevel, Revolve, Inflate, Rotate and their
Classic forms (art a 3D effect can't build a solid from, invalid
light, shadow, graphics and surface settings, and Expand as Wireframes
notes) now have an @msg row in every complete-message catalog, as do
the effect names and object kinds the messages name, so the status bar
shows them in the interface language. Parameter keys, numbers and
names keep their English form; command replies stay English.
A value a message quotes in "...", curly quotes or backticks, such as a
symbol's name, is shown as written instead of being looked up as a
message of its own.
A parameter schema's error ("`zoom` must be a number > 0, not -1") was
translated around its requirement, which stayed in English in every
language: only "a number", "a string" and "true or false" had rows.
- Every complete catalog gets a row for each requirement a schema
writes: a number with each kind of range and with a unit, an integer
and its range, a list of names, an object id, a list of object ids,
a color, a point, an object and a list. The bounds, unit and names
stay as the English gives them.
- An enum error no longer matches the `{key}` must be one of {_1} row,
which took `"a", "b", not "c"` as its list and left ", not ..." in
English: a `{path}` must be one of {_1}, not {got} row translates it,
in the complete catalogs and in Bulgarian, Bosnian, Danish,
Indonesian and Dutch.
- A part of a message that starts with `{` or `[` is translated only
when it is an exact message, so "[x, y] (two numbers)" translates and
JSON values, shown cut short or whole, stay as they are.
Docs: docs/mcp.md (Parameter schemas), docs/target-app-parity.md.
With Smart Guides on, a selection moved with the Selection tool, Direct
Selection or a shape tool reached a ruler guide only within the Snap to
Point distance (2 px), while drawn points and bounding-box handles reach
it within the Snapping Tolerance (4 px). The move now uses the Snapping
Tolerance for the grabbed point and the edges, with and without Shift.
With Smart Guides off, Snap to Point keeps its own distance.
File > Open and File > Place read QuickDraw pictures, versions 1 and 2,
from .pct, .pic and .pict files, with or without the file's 512 bytes
of application data; a version 2 picture also opens by its content.
The reader plays the opcodes of Apple's Opcodes in Pictures table on
the metafile player: lines, rectangles, rounded rectangles, ovals,
arcs, polygons and regions become paths, text becomes point type in
the font the picture names, bitmaps, pixel maps and QuickTime JPEG
images become images, and the clip region clips what follows it.
Place puts the picture in one group clipped to its frame. What isn't
read comes back as warnings, and a picture cut short keeps what came
before it. PICT is not written.
Images whose transform flattens them no longer leave their pixel data
in the document. Formats whose signature starts the file are detected
before PICT, which is known by bytes 522 or 10.
Docs: docs/mcp.md, docs/file-format-parity.md, docs/target-app-parity.md.
The characters of an inline graphic draw no glyph, so their fill and
stroke paint only their underline and strikethrough (not on a path or in
vertical type) and the ruby readings that layout draws with them (a
reading takes the paint of the first base character on its line, and
type on a path has no ruby). Without one, their pattern no longer counts
as painted for Find, selection-only Change and Print.
Version 4 marks sets with Select Object steps, so a build that reads
version 4 but has no select.storedPath accepted a Select Path set and
failed at the step during playback. Sets with Select Path steps now
save as version 5, Load Actions reads versions 1 to 5, and docs/mcp.md
and the file header say so.
A colorized image whose linked file is missing shows the placeholder
preview, whose pixels are not grayscale. paint.setFill skipped such an
image and added a fill item instead, while the Fill proxy showed the
image's colorize color. A solid color now replaces the colorize color.
While that color is a spot color, black or white, a process color is
refused, since the relinked pixels may have an alpha channel.
dotCooCoo