Control bar > Snapping > Pixel Snapping Options... opens a dialog with
three checkboxes: Snap to Pixel While Drawing, While Moving and While
Scaling. OK sets them; Cancel leaves them as they were. While View >
Snap to Pixel is off, the dialog notes that the options take effect once
it is on.
- view.snapToPixel.options {drawing?, moving?, scaling?} reads and sets
them. They are kept in the preferences as the pixelSnap group, all on
by default, so turning Snap to Pixel on behaves as before. An unknown
key or a value that is not a boolean is refused and changes nothing.
The command has a parameter schema, which raises the API level to 4.
- Drawing covers points the drawing tools place, the Knife's straight
cut, the Measure tool and the rulers' origin. Moving covers Selection
and Direct Selection moves, ruler guides, artboard moves and the
Rotate, Reflect and Shear tools' drags. Scaling covers bounding-box,
Free Transform, artboard and slice handles and the Scale tool's drag.
An edit whose option is off snaps as it does with Snap to Pixel off.
- Align New Objects to Pixel Grid and the objects' pixel-aligned
property do not depend on these options.
Docs: docs/mcp.md, docs/target-app-parity.md.
A paragraph whose characters differ in line metrics (type size, font,
leading, vertical scale, or an inline graphic taller than the text) was
broken with the Single-line Composer in area type of a shape other than
a rectangle, or with text wrap. The every-line composer now composes it
there too.
- The composer takes each line's width from a measure that follows
where the lines above it went (`composer::Measure`,
`compose_with`). The fixed widths by line number are one such measure.
- In a frame whose lines are not all as wide, each line the composer
tries is placed from the pen the lines above it left, at its own
tallest metrics, as the line loop places it (`layout/shaped.rs`).
Starts with the same placement are shared, and each start keeps the
placements it was tried with.
- A line too long for its room does not end the search from its start
while a glyph after it could make the line taller and set it lower,
where the frame may be wider.
- The line loop places a composed line in such a frame at the line's
tallest metrics, so it gets the room the composer measured for it.
- The search for one paragraph stops after 1,000,000 lines tried or
2,000,000 baseline steps. The searches of all the paragraphs of one
frame share a budget of 2,000,000 lines and 4,000,000 steps, kept
apart from the line loop's own steps. A paragraph whose search stops
is broken line by line. A paragraph the frame has no room for is
broken line by line too, and overflows as before.
Tests: crates/text/src/tests/combos.rs (a stepped frame, a frame that
widens, text wrap with two spans on a baseline, overflow, a long
paragraph) and crates/text/src/layout/wrapping_tests.rs (the composer
with a measure, and the shared search budget).
Dutch was not in COMPLETE_MESSAGES, so with the interface in Dutch
script errors, plug-in manifest and permission errors, parameter
schema errors, 3D effect refusals, file-reader errors and data-set
messages showed in English.
- nl.tsv gains 557 `@msg` rows and one `@msgplural` row: the messages
the German catalog translates and Dutch lacked. Most are one block
with a header comment on their conventions, in the order de.tsv
holds them; the rest sit next to the related existing rows.
Backticked names, command ids, double-quoted values and bare true,
false and null stay as the English writes them.
- nl joins COMPLETE_MESSAGES, so the message tests that iterate the
list check Dutch too, and the untranslated report lists Dutch's
missing messages. It lists the same set for Dutch as for German.
- The registry comment, docs/development.md, the Dutch row and
introduction of docs/localization-parity.md, and the interface
languages line of docs/target-app-parity.md list Dutch among the
languages that translate messages.
A right or middle drag on a swatch or color group, a brush, a symbol, a
graphic style, a library item or group, a character or paragraph style,
an Appearance row or thumbnail, the Fill and Stroke squares, a Recent
Colors chip or the Gradient panel's thumbnail started the same drag as
the primary button, so it could reorder, copy, delete or apply the item.
These drags now start only with the primary button, as Layers rows
(#7016) and Artboards rows (#7005) do: `widgets::drag_source`, the
Swatches tiles, library panel items, text style rows and Appearance rows
check `drag_started_by(Primary)`, and the Appearance thumbnail shows the
grabbing hand only for a primary drag. Right-click menus and the Graphic
Styles panel's held right-button preview are unchanged.
A right-click on a character style in the Libraries panel now opens Apply
Character Style, Add to Character Styles, Move to Group, Rename… and
Delete. Apply is enabled only with type selected. Opening the menu applies
nothing, and the paragraph style menu is unchanged.
- library.addToCharacterStyles adds the style to the document's character
styles without applying it, so no type needs to be selected. A document
style with the same name and attributes is reused with no undo step, and
a name taken by other attributes gets a number.
- library.renameItem renames a library item in place and keeps its group.
The name is trimmed and has 1 to 256 characters. Another item of the same
kind with that name is an error, the item's own name writes nothing, and
a rename is not a document undo step.
- library.use and library.addToCharacterStyles compare a library style
with the document's in the form the document stores it in. A whole
number size from a library file no longer adds a numbered copy.
- A character style color linked to a swatch that is not a global or spot
swatch of the document keeps the color it shows without the link.
Before, adding or applying such a style failed with "no swatch".
Help page: https://helpx.adobe.com/illustrator/desktop/design-with-text/fonts-and-scripts/add-and-use-text-and-character-styles-in-libraries.html
The Smooth tool, and an Alt smoothing drag with the Pencil, Paintbrush or
Blob Brush, now send path.smoothRegion their Fidelity divided by the zoom,
as the Pencil and the Paintbrush do since #5748. Smooth Tool Options shows
Fidelity in px. A saved Fidelity keeps its number, so it smooths as before
at 100% zoom.
path.smoothRegion now refits at tolerances from 0.05 px at the highest zoom
to 100 px at the lowest (0.000078125 to about 3195 pt) instead of clamping
to 0.05 to 100 pt, so the setting keeps scaling across the whole zoom range.
path.smoothRegion replaced the anchors of each path it smoothed but left
the selection alone, so anchor and segment refs selected with Direct
Selection still named the old indices: after a smooth that removed
anchors, a ref could point past the end of the path or at another
anchor. The edit now drops those refs for each path it changes, so the
path stays selected whole. Selected paths the drag does not change keep
their anchors, and undo restores the earlier selection.
Simplify, Object > Path > Smooth, the Smooth tool and freehand strokes
turned every refitted curve whose handles lay near its chord into a
straight line. A short curve whose end directions were off the chord
passed that test, and the anchor between it and the next curve became a
corner the path did not have: a Smooth tool drag along a line jagged by
up to 6 pt left corners of 7.7 to 40.6 degrees.
A curve now becomes a line only when the line runs within 0.5 degrees
of the directions the path arrives and leaves along. A nearly straight
piece that would turn more stays a flat curve. Convert to Straight Lines
is unchanged.
SVG 2 defines text-anchor start for right-to-left text as placing the
right side of the text at its position, and end as placing the left
side there (https://www.w3.org/TR/SVG2/text.html#TextAnchoringProperties).
Import placed start at the left edge and end at the right edge whatever
the direction.
- Point type and type on a path swap start and end when the effective
direction is rtl. On a path, right-to-left text anchored by start now
ends at startOffset and text anchored by end begins there. Vertical
type keeps its anchoring.
- Each line and each absolutely placed chunk is anchored by the
text-anchor and direction of the element holding its first
character, a tspan's own included. A later chunk no longer takes the
first chunk's anchor.
- Each line of point type starts at its own x, also when it has the
same anchor as the line before it or another line holds absolutely
placed characters. Such lines were drawn at the first line's x.
- A test covers letter-spaced right-to-left lines: the layout keeps the
tracking of every letter in such a line, so the whole advance sits
on its anchor.
Stroke is the widest feature that can be stroked, and it was applied to
each connected shape as a whole: a thick body with thin arms stayed one
filled area. Now a shape wider than Stroke somewhere keeps as its area
every disc wider than Stroke that fits in it, and each piece outside
those discs that reaches out of them at least one and a half times its
own width (and 3 px) is traced as a stroked center line. A line's end at
the area goes to the cut, so the line's cap closes the join. Corners and
edge slivers stay in the area, and a piece that cannot be traced stays
in it too. Shapes no wider than Stroke trace as before.
Each line keeps one width; without Fills, the area is still a 1 px
outline.
Docs: docs/target-app-parity.md.
Under a tutorial's steps, View more opens the tutorial's practice sample
as a new untitled document, which becomes the active one; open documents
stay as they are, and Save asks where to save the copy. Each of the 12
tutorials has its own small SVG drawing in panels/learn/samples.rs, read
only when View more is pressed.
Once the sample is open, Finish tutorial marks the tutorial finished.
A finished tutorial shows Next Up with the next tutorial's title in the
same skill, and Next Up shows that tutorial without opening its sample.
After a skill's last tutorial the panel says so and shows Back to
skills; Next Up never moves to another skill. Finished tutorials are
kept while the app runs; the skill rings and counts do not show them
yet. The help page's short video is not part of this change.
- learn.openSample, learn.finish and learn.next run the three controls
and are listed in the UI command catalogs; a missing, non-string or
unknown tutorial id, or a step out of order, is an error and changes
nothing.
- New labels and messages have rows in every catalog.
- Docs: docs/mcp.md, docs/target-app-parity.md, docs/ui-parity.md and
the ASSETS.md line for art generated in code.
The Set Font Height Reference dropdown shows an icon before each
reference's name, in the open list and in the closed field: Em Box
frames the whole square around an A, Cap Height and x-Height put a bar
from the baseline to the top of a capital A or a lowercase x, and ICF
Box frames a square inset in the em square. The icons are painted with
egui's painter in the row's text colour and the theme accent.
widgets::dropdown_icon_names is a dropdown_names whose options carry a
painted icon.
With art selected, the Edit tab shows a Prominent Colors bar under the
wheel: a part for each row in its new color, as wide as the row's share
of the art, the largest first. Dragging the edge between two parts moves
width from one to the other; when the drag ends, the rows' current
colors move toward the new widths and the art previews the result. OK
keeps the recolor as one undo step.
- recolor.weigh {map, weights?, ids?} returns each row's share of the
uses of the art's colors and, with weights, the rows with their
current colors moved: one color at a time between rows that have a
new color, while a move brings the shares nearer the weights, the
color nearest in Lab to the row it goes to first. A row keeps its
first color, the tints of one global swatch move together, colors
that stay keep their order, and the command changes nothing. A use
counts for the row recolor.apply recolors it with, and the work is
bounded at 50,000,000 color-by-row comparisons.
- The New Color Group menu beside the link button has Save All Colors
(the new colors in row order) and Save Prominent Colors (the bar's
colors in its order); each saves a color group as its own undo step.
- The dialog's weights field drives the bar from ui.dialog.set. A new
Colors count drops it.
The i18n test that main added for 3D refusals calls validate_three_d_at with this branch's (Option<usize>, usize) position: effect 0 of appearance item 0 is (Some(0), 0).
With both guides of an axis past the same edge, the art keeps its size
from the other edge of the instance, or shrinks to the instance's width
or height when the instance is smaller than the art. The module doc,
AxisMap::new and the docs/target-app-parity.md entry now say so.
A selected warp envelope now shows the points of its surface on a 4x4
grid (8x8 or 16x16 where 4x4 strays more than 0.1% of the warp's
diagonal from it). object.mesh.movePoint, movePoints, addLine,
deletePoint and object.envelope.setMeshPoint accept a warp: the first
edit turns it into a mesh envelope on that grid and applies the edit as
one undo step, so Undo or Escape gives the warp back with its style and
bend. An edit that moves no point leaves the warp and adds no undo
step. A warp that no such grid follows (some version 0 maps) shows no
points and its edits fail without changing anything.
movePoints and setPointColor on a gradient mesh record no undo step
when they change no point.
#5748 moved the Pencil's and the Paintbrush's Fidelity to screen pixels, but
docs/ui-parity.md still gave it in points. The Pencil row now gives the
slider's rail, the field and the key steps in px, and says the tool sends
path.freehand the value in points at the current zoom.
The Pencil row also appeared twice, the second copy without the Fidelity
text. The two rows are merged into one.
The comments on FIDELITY_MAX, fidelity_step, fidelity_at and fidelity_from
in the Tool Options dialog name the tool's unit, since the slider is shared
with Smooth and Blob Brush, which stay in points.
When a linked file lost its clipping path, the clip group holding the
image stayed as a plain group of the image. When the file had a clipping
path again, the image went into a new clip group inside that plain group,
so each round nested one more group. The plain group holding just the
image now becomes its clip group again, in the layers and in symbol,
pattern, graph design and mask art.
With the lowResProxyEps preference on, opening a document kept the saved
preview of a linked DCS file, so the link showed as EPS without its
plates. Opening now reads the first 1 MiB of each such EPS file and reads
a DCS file in full. The whole file is read only when a binary EPS header
puts the PostScript past those bytes or the header comments run past
them. Other EPS files keep their preview.
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