Variable Options in the Variables panel only renamed a variable, and no
command changed a variable's kind. variable.rename now takes
{name, newName?, kind?} and renames the variable, changes its kind, or
both, in one undo step, with none when nothing changes. A null or empty
value, an unknown kind, a taken name and locked variables are refused.
A kind change unbinds the objects that can't hold the new kind (text
keeps type with no other text variable, image keeps image objects,
graph keeps graph roots, visibility keeps every object) and drops the
variable's values in every data set. The dialog shows the variable's
name and kind and sends both.
The Assign tab has a New Row button before Merge. With art selected it
adds a row with no current colors above the first selected row, or at
the top, with that row's new color, and selects it. Merge with the new
row first moves the other rows' current colors into it, and they take
its new color. The row shows an empty slot until then.
An empty row recolors nothing and does not count toward Colors. OK
sends it with the other rows. recolor.apply adds no library swatch for
it and gives a rewritten color group no color from it, in the dialog's
groupColors and in the command's default.
The Variables panel drew each variable as one "name · object" line in
the order the variables were defined, with no headers and no sorting.
The list now has three columns with headers: the type icon, Variables
and Objects. A click on a header sorts the list by that column, and a
second click reverses the order. The new command variable.sort {by:
name|object|type|none, descending?} sets the order, which is panel
state: not saved and not an undo step. variable.list lists the
variables in that order and reports it as sort. An unknown by, or a
descending that is not true or false, is an error.
While the Selection, Direct Selection or Group Selection tool moves the
selection, or the Gradient tool draws a vector, W and H show the change
in x and y, with the distance and the angle under them. A Scale tool
drag shows its percentages; a Rotate, Reflect or Shear tool drag shows
the center of the selection's box and its angles. The Zoom tool adds the
magnification and the Paintbrush the name of its brush.
W and H follow Use Preview Bounds. With several objects selected, the
panel shows only the fill, stroke and type values they share, and Show
Options adds a tint's swatch and percentage and a gradient's swatch name.
- Tool::readout and Readout (crates/tools/src/readout.rs).
- info.readout returns the selection's size and the tool's readout.
- Docs: docs/mcp.md, docs/ui-parity.md.
The 3D and Materials panel gets a Render Settings menu with Wireframe.
Extrude & Bevel, Revolve, Inflate and Rotate take a `render` parameter,
`{mode: "shaded" | "wireframe"}`. In wireframe mode the effect stays
live and draws the edges Expand as Wireframes gives, each once, as
0.5 pt black strokes with round joins, with no shadow or graphics. The
object's own opacity, blending mode and opacity mask apply to the mesh.
Commands that set wireframe mode are checked against the edges it
draws: the shaded surface's paint copies, graphics and shadow limits do
not refuse them. A `render` value that is not an object holding only a
valid `mode`, and `render` on the 3D (Classic) effects, are refused.
Docs: docs/three-d.md, docs/mcp.md, docs/effects-parity.md,
docs/target-app-parity.md.
Replace measured the image inside a PSD or PSB file's clip group only
when the new file brought its own clipping path. A plain image placed
with `replace` over such a clip group took only the group's center and
came in at 100%, losing the image's scale and rotation. The image in
the group is now measured whenever the new art is an image, clipped or
not.
The Assign rows of the Separations panel's Color Settings section (where
Edit > Assign Profile... goes) offer the three choices of the help's
"Assign or remove a color profile": Don't Color Manage This Document, the
working space of the document's color mode with its name, and Profile with
the other profiles of that kind.
The rows act on the profile of the document's color mode, so an RGB
document's RGB profile can be assigned here; before, the row always set
the CMYK profile. Picking the working space assigns its profile, which
stays when the working space changes later. A choice the document already
has runs nothing, and the other model's profile stays as it is.
Params text, docs/mcp.md and the evidence line in
docs/target-app-parity.md are updated, with catalog rows for the new
labels.
Simplify Anchors, Deep Ungroup and Rejoin Path Pieces now follow the
rule the text tools use: with `ids`, they act on the locked and hidden
paths and groups the ids name, and on those inside the groups and
layers they name, but not on art on a locked artboard. From the
selection they still take only art that can be edited.
- Rejoin Path Pieces joins only pieces alike in being hidden and in
being locked (counting the groups and layers above them), so a joined
path does not show hidden art or unlock locked art. Locked and hidden
paths it makes are not selected. A compound path member named
directly stays out, as members reached through the compound do.
- Deep Ungroup takes apart named locked and hidden groups, and the
groups inside a named group or layer; a named layer stays. Objects of
a hidden group become hidden, and objects of a locked group become
locked.
- Simplify Anchors reports every named path it took in `ids`.
BFlat