graphicStyle.new linked the object it was made from, the art of a column
or marker design in a graph series included, and graphicStyle.redefine
gave the new look to every object still linked to the style. Redefining
the style from another object then restyled that art, which the graph
draws again from the design.
- graphicStyle.new makes a style from the art without linking it.
- graphicStyle.redefine leaves the art's look as it was and unlinks it,
as an edited object is, whether the art is a linked object (as in a
document saved before this change) or the source.
Docs: docs/mcp.md, the params text of graphicStyle.new and
graphicStyle.redefine.
A gradient vector drawn on the art, a click that applies one, and the
dragged start and end handles snapped through snap_draw, which gathers
the bounds and anchors of the art only. Path segments, View › Snap to
Glyph's guides and the construction guides through the vector's start
did not pull them, and a click applied the gradient from the pointer
rather than from the snapped point. They now snap through DrawSnap, as
the Pen and Line Segment tools do:
- The press gathers the targets, for a vector drawn on the art and the
start and end handles only, and the drag keeps them. A click applies
the gradient from the snapped press.
- A dragged end or handle leaves its start as a Line Segment's end does:
it lands on the construction guides through the start, and with Shift
it keeps to 45° steps from the Constrain Angle and snaps along them.
- The pointer hovering where a press would draw a vector (anywhere with
art selected, over art with nothing selected), and not over the
annotator, shows the guides of the point the vector would start on.
A press that snaps onto a nearby target no longer starts the drag
early: the 3 px drag threshold counts from where the pointer was
pressed, not from the snapped start.
A graph keeps paints for its series and labels, and character and
paragraph style names for its labels, which each redraw gives the
marks and labels. Copy did not follow them, so a graph pasted into
another document left those swatches and styles behind, and a paste
that renamed them left the graph pointing at the old names.
Copy now collects them and paste relinks them, as it does for type.
Paste without Formatting drops the labels' style names, so it still
leaves text styles behind.
A raster effect (Drop Shadow, Outer Glow, Gaussian Blur and the other
effects that paint pixels) on a symbol instance's topmost fill now draws
on each filled shape of the symbol's art, and one on its topmost stroke
draws on each stroked shape, after any geometry effects listed before
it. The same rules as for geometry effects apply: only a visible fill or
stroke with an opacity above 0 counts, a group's own fills and strokes
in the art take the effect, and an instance inside the art passes it on.
The canvas, Use Preview Bounds and the drawn bounds, SVG and PDF export
draw it, and Object > Expand Appearance is enabled for such an instance:
a shadow or glow becomes an image under the instance, and a blur,
feather or inner glow replaces it with the image, in one undo step.
Existing documents with a raster effect on a symbol instance's fill or
stroke draw differently: before, the effect drew nothing.
Character panel > Tsume, shown with Show East Asian Options, takes away a
percentage of the blank space on each side of a character's ink, inside
its own width, in horizontal type. The value is from 0 to 100, 0 by
default. 50 halves that space and 100 sets the ink against the
characters before and after it; the glyph keeps its shape. A character
without ink, such as a space, keeps its width, and a ligature or a
letter with its marks takes the value of its first character. The
font's pair kerning, tracking, manual kerning and Insert Aki are added
after it, and justification keeps it. Vertical type keeps its spacing.
- text.setFormat and text.setRangeStyle take `tsume`; a value that is
not a number or is outside 0 to 100 is refused, naming the key.
Character styles carry it, and a file holding a value outside the
range opens with the nearer end.
- The Character panel's Tsume field has 0, 25, 50, 75 and 100 in its
menu, and Reset Panel sets it to 0. Character Style Options shows it
in Advanced Character Formats.
- Live SVG text places each character Tsume moves, and type on a path
with Tsume is written as outlines.
Docs: docs/mcp.md (Tsume, Character Style Options fields),
docs/target-app-parity.md.
A paragraph whose characters differ in line metrics, in area type that is
not a rectangle or that wraps around an object, was broken line by line
with the Single-line Composer when the frame could not hold all of it.
The lines the frame holds are now composed with the whole paragraph: a
line the frame has no room for, and every line after it, is measured as
wide as the span of the last line set in the frame, less its indents.
Those lines overflow, or go on in the next threaded frame, which composes
them again at its own widths. A paragraph whose first line has no room,
and a search that passes its limits, still fall back to Single-line.
Docs: docs/mcp.md, docs/target-app-parity.md.
document.exportSelection run with no params or {} (a shortcut, or an
automation call) wrote the picked file straight away with each format's
defaults: a PDF used the default preset, so Save PDF's options, such as
writing long pages in points, could not be chosen. It now takes Export
As's route after the save panel: Save PDF without its Artboards
section, SVG Options without its artboards, the raster options, EPS
Options, DXF Options, Text Export Options with Selection Only on, or an
exporter plug-in's parameters. OK writes the selection alone, cropped
to it, with the chosen options. While a dialog is open the call returns
null, and OK returns what file.exportAs returns, without format or
bounds.
With a path or any option it still writes straight away.
- file.exportAs takes exportSelection: true and then writes the
document that document.exportSelection writes
(fileio::selection_doc), without artboard choices. The options
dialogs and the replace-file questions pass it on.
- Nothing selected stops before the save panel.
- SVG Options opened by Export Selection leaves the remembered Use
Artboards as it was.
- Exports through file.exportAs (Export As and the options dialogs)
apply Appearance of Black's rich black, as document.export does.
Docs: docs/mcp.md, docs/control-protocol.md, docs/target-app-parity.md.
Since #7294, object.setLiveShape refuses a negative `radius` and a
`sides` that is not a whole number from 3 to 1000. Session::replay
applied the same checks, so a journal entry or action step recorded
before that change with such a value stopped with a parameter error.
On replay, a negative radius now counts as 0, which is how it drew
before. A whole side count below 3 or above 1000 is brought into that
range, and a fractional or negative one is ignored. Direct calls still
refuse these values.
The ranges in the addon.shapes params text are in parentheses, so each
description reads as a params object. The configure description and
docs/mcp.md say that an omitted or null value keeps each shape's setting;
the defaults apply to the drawing commands only.
A required index given as something other than a whole number of 0 or
more, such as "3", 2.5, -1 or true, was reported as missing: `anchor` of
path.setHandle, path.moveAnchor and text.setPathHandle, `segment` of
path.insertAnchor, and `to` of artboard.reorder, library.moveGroup and
graphicStyle.move. Each now refuses it with "`anchor` must be a whole
number", naming the key; left out or null, it is still missing.
An optional `subpath` of path.appendAnchor, path.close and path.reverse
given that way was read as left out, so the command extended, closed or
reversed the default subpath (path.reverse reversed every subpath). The
`artboard` of the ruler origin commands answered "index out of range"
for such a value and for null. Both now refuse such a value with the
same message and change nothing. A null `artboard` is artboard 0, as one
left out is; a whole number past the artboards is still out of range.
The Parametric Shape tool's center and the Slice tool's corners snapped
with Smart Guides to the bounds of the art only, so View › Snap to Glyph
had no effect on them, and neither did the anchors and segments of
paths that the other drawing tools snap to. The point dragged out from a
Parametric Shape's center did not snap at all, and neither tool showed
Smart Guides while hovering before a press.
Both tools now snap through the drawing tools' shared snapping
(DrawSnap). A Parametric Shape's center (from a drag or a double-click),
the point dragged out from it, and a slice's corners land on glyph
guides and on path anchors and segments. The guides show while hovering
and during the drag. When a ruler guide then takes a slice corner, the
Smart Guides are no longer shown. A click with the Parametric Shape tool
still draws nothing when its center snaps a few pixels from the pointer.
Docs: docs/mcp.md, docs/target-app-parity.md.
docs/mcp.md's line and stack row said $.stack shows at most 64 lines
and uses [global] only for the script's own code. It keeps the
innermost 64 frames after a leading line "…" when some are left out,
and [global] names any code outside a function, including code that
an included file, $.evalFile or eval runs. The row now also says how
a frame's file compares with $.fileName in each case: the same file
for code from a file, the run's name where $.fileName is empty for a
script given as source, [eval] where $.fileName is the file being run,
and [unknown] at line 0 where $.fileName is empty.
The engineName row now gives the #targetengine name, and the
script.run params text, the script module doc and the Scripts evidence
line say $.fileName is the file of the code that reads it rather than
the file being run.
After Reset Bounding Box on a turned symbol instance, Break Link to
Symbol and Object > Expand gave the art a box turned with the instance's
transform again. The art's boxes now turn with the instance's own box,
so they stand square when the instance's box did, and the angles the
art has inside the symbol are kept relative to it. The group that an
instance's opacity, blending mode or opacity mask adds around the art
takes the instance's box angle instead of standing square to the page.
A reflected instance can hold a box 180 degrees from the box its
transform gives in one step; the art now takes the instance's box
there too, the same rectangle with its handles where the instance had
them.
Compound shapes and Pathfinder receive an instance's art through the
same rule.
The clip groups and clip paths that 9-slice guides make for gradient
and pattern art take the angle of the cell that places them, and the
outer group keeps the object's angle turned by the instance, instead
of standing square to the page. This also changes the result for an
instance that was never reset: a 20 degree sliced instance gave clip
groups at 0 degrees and now gives them at 20.
Docs: params text, docs/mcp.md, docs/target-app-parity.md.
BFlat