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A blend between two strokes drawn with a pressure-sensitive brush gave every step the pen recording of the nearer key, so the brush jumped at the middle step. The steps now interpolate the pressure, tilt, bearing and rotation at every position either key has a sample. A key without a recording counts as half pressure, half tilt and 0 degrees, as brushes read it. Angles turn the shorter way round, and steps and whole turns in a recording stay in the steps. Different brushes still switch halfway.