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Drew Dibble
b9dbd867f6
When an edit changes an object, the canvas draws again only the area the object painted before and after it, measured by its cull bounds. Type and groups with Extrude & Bevel, Inflate or Rotate were measured by their letters or members, not by the solid the effect draws, which reaches well past them. Making the solid shallower or turning it left pieces of the old solid on the canvas outside that area until the view was drawn again. An object with a 3D effect is now measured by the effect's art, as the renderer draws it: with its geometry effects, each object in it with the raster effects of its own fills and strokes and the art its brushed strokes draw, grown by the reach of the object's own raster effects. One function measures that art for every bounds the renderer and exports take, where three copies of it disagreed. - The renderer measures the art it draws. What it makes to measure an object it holds until the frame ends, with what the art read from outside the object (fonts, symbols, color settings), and keeps it with the art it draws if it draws the object while that is unchanged. Art measured but not drawn (culled, off the view) isn't kept. It holds at most as much as it keeps for the art it draws (64 MB); past that, an object is made again to draw it. An object whose 3D effect builds nothing (Revolve on a group, a solid too complex) is measured as it is drawn otherwise, as without a renderer. FrameStats::three_d_built counts the 3D art the renderer makes. - The canvas measures what an edit changed through the renderer that drew the frame shown (Renderer::changed). When it draws the part on its own thread, it draws it with the art it made to measure it; when the render worker draws the frame, or nothing in view changed, that art is let go. Under Overprint Preview or Separations Preview, which draw copies of the objects, the edit is measured afresh. An object the frame doesn't draw (hidden, in a hidden group or layer, or hidden by the view) is measured as nothing, before and after, so an edit to it builds no solid: changed() without a renderer counts it as nothing too, where it measured it. The canvas measures the edit before it knows where the frame is drawn: when the worker draws it, the solids it built to measure it are built again there. - Fit to Artwork Bounds, the Artboards panel's check for it and per-artboard SVG export measure every artboard through one renderer (Renderer::art_bounds_on, Renderer::effect_bounds), which keeps each object's bounds for the pass, a group holding 3D art or a hidden member included, so each solid is built once: 30 extruded type objects over 30 artboards take about 2 ms, where measuring their letters took under 1 ms and building each solid for each artboard would take 70 ms. Objects with brushed strokes, which culling leaves room for and exports don't, are measured on each artboard. The Artboard tool's canvas menu keeps whether Fit to Artwork Bounds has art to fit for the document's revision, where it measured it on every frame it was open. - Other exports, Object › Rasterize and changed() without a renderer build the art on each call, as 3D paths and groups already did. Exports and Rasterize now take the solid of 3D type, where they cropped it to the letters, and the art its brushed strokes draw, not the room culling leaves for it. Rasterize on drawn 3D art measures it once while the art is kept. - A shadow after a 3D effect, on the object or on a fill after the fill's own 3D effect, reaches past the solid once; it was counted twice. - With Crop Marks or Vector Halftone, which draw other art, the object is measured by that art, as before. - Culling leaves room for a 3D object's brushed strokes as for any object's, and the renderer measures a 3D object again when the brush library changes: a brush widened past that room would leave the object culled. A document's first frame builds the solid of every 3D object, those off the view too, to know whether it reaches into the view: 200 extruded words with 150 off the view take about 12 ms, where measuring their letters took 6 ms. Type whose object effects leave it as it is (Revolve builds no art from type) is measured by its own box grown to hold its glyphs, as plain type is; it was measured by its box alone, which needn't hold them.