mirror of
https://github.com/storytold/vectorcraft.git
synced 2026-11-15 07:42:42 +00:00
Merge main into fix/opentype-ligature-note-every-frame
This commit is contained in:
dotCooCoo
+9
-5
@@ -15,13 +15,17 @@ The **Dimension Tool** is in the Modify section of the toolbar. Its strip offers
|
||||
path's length. A press on an anchor picks it when the pointer moves less than 8 pixels
|
||||
before the release; a longer drag drags out the dimension of the segment under the pointer. A
|
||||
curved segment is measured from end to end. With Smart Guides on, both points also snap into line with other objects'
|
||||
anchors and centres, and the second onto the construction guides through the first; the guides
|
||||
anchors and centres. With Snap to Perpendicular or Snap to Tangent on, the second point also
|
||||
snaps onto a segment where the line from the first meets it square or grazes a curve. When the
|
||||
first point was picked on an anchor, the second also snaps onto the construction guides through
|
||||
it; any other first point has no construction guides through it. The guides
|
||||
show while hovering, before each click. VectorCraft's own rules decide where a point lands: an
|
||||
anchor within 8 pixels takes it first; a point on a guide stays on the guide where the pointer
|
||||
is, except that it moves onto a segment within the Smart Guides snapping tolerance, or onto the
|
||||
place where a construction guide crosses another object's alignment line within twice that
|
||||
tolerance; a point that no anchor, guide, grid or pixel snapping places lands on the closest
|
||||
point of a segment within 8 pixels.
|
||||
is, except that it moves onto a segment within the Smart Guides snapping tolerance, or, on a
|
||||
construction guide or a Snap to Glyph guide that runs at an angle, onto the place where that
|
||||
guide crosses another object's alignment line within twice that tolerance; a point that no
|
||||
anchor, guide, grid or pixel snapping places lands on the closest point of a segment within 8
|
||||
pixels.
|
||||
A linear dimension is aligned, horizontal or vertical, as the
|
||||
[linear dimensions help](https://helpx.adobe.com/illustrator/desktop/measure-and-align/plot-and-measure/plot-linear-dimensions-of-objects.html)
|
||||
describes: after the second click, clicking again places an aligned dimension, and moving the
|
||||
|
||||
@@ -282,7 +282,7 @@ Names in the editing data that aren't UTF-8 (layers, objects, artboards, colors,
|
||||
| Illustrator template `.ait` | open, save | yes | PDF-compatible only, from Save as Template (`.vctemplate` stays its default) | New from Template opens a saved `.ait` untitled with its layers and art (`tests_pdfedit.rs`) |
|
||||
| Illustrator `.ai` | open, save | yes (PDF-compatible + editing-data structure with template layers and ruler guides, File Info) | PDF-compatible, or legacy version 7 (layers and groups) | see above; no real-file corpus |
|
||||
| PDF | open, place, save | yes (authored ActualText in editable import, #6165; layers, masks, editable text, security, overprint, File Info from the XMP packet and the document information dictionary; Crop To › Trim takes the bleed box as the document's bleed) | yes (presets, PDF/X-1a/3/4, layers, marks and bleed, ICC, fast web view, 1.3+; objects' URLs as link annotations, not in PDF/X) | fuzzed import; shared guarded writer and windowed reader ([pdf-backend.md](pdf-backend.md)), metadata, incomplete-content and dependency-source regressions; PDF text opens where the file draws it, glyph by glyph (#722: kerning or none, spacing per character, text rise as baseline shift, vertical writing, justified text boxes); alpha soft masks drawn as images import with the mask (#1551); a clip only counts as covering the page when its shape does (#1542); a PDF another app copied pastes as editable vector art (#1499); letter-spaced type on a path keeps its length and its glyph-by-glyph stroke comes in as one text object (#1586, #1585); a crafted name tree with shared nodes no longer takes exponential time on open (#1781); fonts named with hyphens (`Noto-Sans-Bold`) or with a composite font's CMap (`Name-Identity-H`) find the installed family; invisible text (rendering mode 3: a scanned page's recognized text) opens as type with no fill or stroke and saves back as invisible, searchable text (#2675); PDF/X-1a and X-3 flattening in a CMYK document keeps CMYK inks where it rasterizes (#2160); an image mask (`/ImageMask true`) painted in a solid color opens as a grayscale image colorized by that color, a spot color keeping its swatch and tint, so Fill and Recolor Artwork reach it, and the same mask painted again in another color keeps that color (#6313); an image in a Separation space opens as a grayscale image of its tints colorized by its ink at 100 % (a spot swatch, a process plate or Registration), its soft mask as its opacity mask (#6314); a DeviceN image of one colorant opens the same way, and one of process plates only (the ink `None` may be among them) opens in CMYK with each colorant's tint in its plate (#6348) PDF export keeps harakat and zero-advance Noto Arabic dot glyphs in one compatible batch per layout line, with per-glyph vertical offsets (#6309). `crates/pdf/src/tests/realtext.rs` (`mark_text_*`) checks decoded cluster mappings, mixed Arabic/Latin/digits, contour placement against outline export, vertical columns, differing path rotations and PDF/X-1a/3/4. Editable-text import preserves authored ActualText separately (#6165), with cross-line/style layout limits; separately styled or differently rotated clusters and external viewer search/copy remain outside this export-only evidence. |
|
||||
| EPS | open, place, save | yes (own PostScript L3 interpreter, Illustrator EPS editing data structure) | yes (L2/L3, TIFF previews) | CIDFonts the file doesn't carry not drawn, but for those over a predefined CMap (`UniJIS-UCS2-H`, `90ms-RKSJ-H`, `GBK-EUC-H`, `KSCms-UHC-H`, `ETen-B5-H`), set as type in the font of the CIDFont's name, vertical over a `-V` CMap; a name that ends in the row-and-cell CMap `H` or `V` splits off the CMap only when the file defines the CIDFont of that name, or the name has a hyphen and an installed face that covers Japanese has it; name-keyed fonts in a FontSet set as type by name; #505; images encoded with `CCITTFaxDecode` (ITU-T T.4 Group 3 and T.6 Group 4, with `K`, `Columns`, `Rows`, `EndOfBlock`, `EndOfLine`, `EncodedByteAlign` and `BlackIs1`) draw, and damaged data keeps the rows decoded before its first damaged row; Type 42 (TrueType) fonts set type at its size (#1553); an embedded Type 1 font's encrypted part is read for its glyphs, which space its type, outline it and draw glyphs without a character, in plain and composite fonts; a Type 42 font that carries its TrueType font gives each code its character by its glyph name or, for names that say nothing (`/g12`), by the glyph's entry in the font's own character map, spaces its type by its own widths and draws glyphs that stand for no character from its outlines; the show operators' spacing along the baseline (`ashow`, `widthshow`, `xshow`, `yshow`, `xyshow`, and the moves of `kshow`'s procedure, run between each two characters) is kept on live type as tracking, so type in a font that isn't installed keeps the file's line lengths (spacing that moves characters off the baseline, as `yshow`, `xyshow` or a `kshow` procedure can, places each character as its own text object); composite (Type 0) fonts with the 8/8 mapping, as PDF-to-PostScript converters write two-byte fonts, draw a Type 42 descendant's glyphs from the TrueType outlines it carries and an embedded Type 1 descendant's from its charstrings, and set other descendants' characters as type at the composite font's size (other mappings are still set as type in the font of their name); CID-keyed fonts (`composefont`, `FMapType` 9 over a CMap built with the CIDInit operators or `Identity-H`/`Identity-V`; `bfchar` and `bfrange` mappings give a base-font descendant its codes or glyph names) draw the glyphs of the Type 0 CIDFonts (Type 1 charstrings in their `StartData` binary data or `GlyphDirectory`) and Type 2 CIDFonts (TrueType glyphs through `CIDMap`) they carry, and the CID-keyed fonts of a FontSet's Compact Font Format data (Type 2 charstrings); a clip only counts as covering the page when its shape does (#1542); an EPS another app copied pastes as editable vector art (`clipboard.importEps`, #1499); a stitched shading keeps its hard colour changes on import (#1654); sampled functions (type 0) interpolate between their samples, multilinearly or by cubics with `Order 3`, and a sampled axial or radial gradient has a stop at each sample; a gradient the page paints as a row of abutting one-colour strips (as Level 2 writers draw smooth shades) imports as one linear gradient, without the seams the strips leave when each is drawn alone; CMYK images, CMYK JPEGs included, keep their ink amounts on import, as from PDF, and the pixels a `MaskColor` or `ImageType 3` mask hides become a grayscale opacity mask; ruzstd 0.9.1 for compressed editing data (#1807, RUSTSEC-2026-0344) |
|
||||
| EPS | open, place, save | yes (own PostScript L3 interpreter, Illustrator EPS editing data structure) | yes (L2/L3, TIFF previews) | CIDFonts the file doesn't carry not drawn, but for those over a predefined CMap (`UniJIS-UCS2-H`, `90ms-RKSJ-H`, `GBK-EUC-H`, `KSCms-UHC-H`, `ETen-B5-H`), set as type in the font of the CIDFont's name, vertical over a `-V` CMap; a name that ends in the row-and-cell CMap `H` or `V` splits off the CMap only when the file defines the CIDFont of that name, the CIDFont is `Ryumin-Light` or `GothicBBB-Medium` (the Japanese CIDFonts a printer carries), or the name has a hyphen and an installed face that covers Japanese has it; name-keyed fonts in a FontSet set as type by name; #505; images encoded with `CCITTFaxDecode` (ITU-T T.4 Group 3 and T.6 Group 4, with `K`, `Columns`, `Rows`, `EndOfBlock`, `EndOfLine`, `EncodedByteAlign` and `BlackIs1`) draw, and damaged data keeps the rows decoded before its first damaged row; Type 42 (TrueType) fonts set type at its size (#1553); an embedded Type 1 font's encrypted part is read for its glyphs, which space its type, outline it and draw glyphs without a character, in plain and composite fonts; a Type 42 font that carries its TrueType font gives each code its character by its glyph name or, for names that say nothing (`/g12`), by the glyph's entry in the font's own character map, spaces its type by its own widths and draws glyphs that stand for no character from its outlines; the show operators' spacing along the baseline (`ashow`, `widthshow`, `xshow`, `yshow`, `xyshow`, and the moves of `kshow`'s procedure, run between each two characters) is kept on live type as tracking, so type in a font that isn't installed keeps the file's line lengths (spacing that moves characters off the baseline, as `yshow`, `xyshow` or a `kshow` procedure can, places each character as its own text object); composite (Type 0) fonts with the 8/8 mapping, as PDF-to-PostScript converters write two-byte fonts, draw a Type 42 descendant's glyphs from the TrueType outlines it carries and an embedded Type 1 descendant's from its charstrings, and set other descendants' characters as type at the composite font's size (other mappings are still set as type in the font of their name); CID-keyed fonts (`composefont`, `FMapType` 9 over a CMap built with the CIDInit operators or `Identity-H`/`Identity-V`; `bfchar` and `bfrange` mappings give a base-font descendant its codes or glyph names) draw the glyphs of the Type 0 CIDFonts (Type 1 charstrings in their `StartData` binary data or `GlyphDirectory`) and Type 2 CIDFonts (TrueType glyphs through `CIDMap`) they carry, and the CID-keyed fonts of a FontSet's Compact Font Format data (Type 2 charstrings); a clip only counts as covering the page when its shape does (#1542); an EPS another app copied pastes as editable vector art (`clipboard.importEps`, #1499); a stitched shading keeps its hard colour changes on import (#1654); sampled functions (type 0) interpolate between their samples, multilinearly or by cubics with `Order 3`, and a sampled axial or radial gradient has a stop at each sample; a gradient the page paints as a row of abutting one-colour strips (as Level 2 writers draw smooth shades) imports as one linear gradient, without the seams the strips leave when each is drawn alone; CMYK images, CMYK JPEGs included, keep their ink amounts on import, as from PDF, and the pixels a `MaskColor` or `ImageType 3` mask hides become a grayscale opacity mask; ruzstd 0.9.1 for compressed editing data (#1807, RUSTSEC-2026-0344) |
|
||||
| PostScript `.ps` | open, place | yes (the EPS reader reads its first page; `.epsf` files open and place as EPS) | via Print to PostScript | `tests_epsimport.rs` |
|
||||
| DCS 1.0 / 2.0 | place linked | place linked only (one image of the plates; spot plates as spot swatches; the composite's clipping path; each plate on its own ink in Separations Preview and print separations) | no | `crates/eps/src/dcs/tests.rs`, `crates/engine/src/tests/dcs.rs` |
|
||||
| SVG / SVGZ | open, place, save | yes | yes (SVG Options, Preserve Editing, symbols, filters, rich text) | strongest format; tests in `crates/svg/tests`; text on a path follows basic shapes as their SVG 2 equivalent paths (#1527); CSS transforms and the `font` shorthand (#1565), percentage lengths in symbols (#1596), Inkscape flowed text as area type (#1568) and Inkscape pages as artboards (#1601) import; an unsupported filter is named in its warning (#1598); an artboard exported on its own (Export As with Use Artboards, Export for Screens, Asset Export) has the artboard's name as `<title>`, Save the document's (#3544); attributes in other applications' XML namespaces (`plotter:pen="2"`) kept on their objects from import to export, as `data-*` attributes are (`crates/svg/tests/it/foreign_attributes.rs`); simple shapes export as `<rect>`, `<circle>`, `<ellipse>`, `<line>`, `<polygon>` and `<polyline>` where they draw the same as the path (#4652, `crates/svg/tests/it/basic_shapes.rs`); the regions of exported masks and filters (opacity masks, inverted masks, knockout groups) cover the art they apply to, and over type keep a region that covers any artwork (#6401, `crates/svg/tests/it/blend_export.rs`); a masked group, or a knockout group's masked group, whose content has a shadow, glow, blur or feather starts with a hidden, unpainted rectangle over the mask's region, so readers that draw a masked group only inside the box of its shapes draw those effects too (`crates/svg/tests/it/blend_export.rs`); SVG Options › Include Variable Data writes the text variables, data sets and bound type objects, and opening the SVG reads them back (`tests::variables::an_svg_with_variable_data_opens_with_its_variables_data_sets_and_bindings`) |
|
||||
|
||||
+6
-2
@@ -34,6 +34,7 @@ Artboard Options forwards the active Artboard tool's Scale Artwork with Artboard
|
||||
|
||||
| Date | Change | Summary |
|
||||
|---|---|---|
|
||||
| 2026-11-14 | minor | G12: Symbols panel context menu: right-click on a symbol in thumbnail or list view displays a context menu (Place Symbol Instance, Edit Symbol, Duplicate Symbol, Delete Symbol, Break Link to Symbol, Select All Instances), selecting the symbol first if unselected; scores and estimates unchanged. |
|
||||
| 2026-11-14 | minor | G5: Weather Icons joins Basic Shapes, UI Frames, Map Markers, Inventory Icons and Skill Icons as a sixth built-in symbol library (Sun, Moon, Cloud, Rain, Thunder, Snow; original procedural vector symbols generated in code, no default 9-slice); estimate decremented (5–15 → 4–14 h). |
|
||||
| 2026-11-14 | minor | G12: Layers panel row context menu (Options…, Duplicate, Delete, Lock Others/Show All/Hide Others/Unlock All, Locate Object, Collect for Export) with selection handling and undo tracking. Scores and estimates unchanged. |
|
||||
| 2026-11-13 | minor | PDF import: preserve Type 3 font text runs as named groups `<g>`, or as live text in `TextAs::Text` mode if `/ToUnicode` exists on non-colour fonts (`TextAs::Outlines` produces grouped outlines) (#6740); scores and estimates unchanged. |
|
||||
@@ -465,6 +466,7 @@ macOS cursor delivery (#2292) is narrowed to a native host adapter using the exi
|
||||
|
||||
## G12 Preferences and panels that don't act yet
|
||||
|
||||
- **Done (2026-11-14):** Symbols panel context menu: right-click on a symbol in thumbnail or list view displays a context menu with Place Symbol Instance, Edit Symbol, Duplicate Symbol, Delete Symbol, Break Link to Symbol (enabled when canvas selection includes instances of the symbol), and Select All Instances, selecting the symbol if unselected. Estimate unchanged.
|
||||
- **Done (2026-10-29, #4522):** the Pathfinder panel menu's Make, Release and Expand Compound Shape, which were dimmed placeholders, and the panel's Expand button act on live compound shapes ([Create compound shapes with Pathfinder](https://helpx.adobe.com/illustrator/desktop/manage-objects/reshape-transform-objects/create-compound-shapes-with-pathfinder.html)): Alt-clicking a Shape Mode makes one in that mode, a Shape Mode sets the mode of the members selected, and the compound shape draws, exports and saves as the area its members' modes make (`object.compoundShape.*`, `crates/engine/src/tests/compound_shape.rs`). Left: blends, envelopes and warps as members, question marks on the buttons for mixed member modes, clicks that hit the area rather than the members. Estimate unchanged.
|
||||
- **Done (2026-10-25, #3426):** Pathfinder panel › Pathfinder Options… ([Pathfinder panel overview](https://helpx.adobe.com/illustrator/desktop/manage-objects/reshape-transform-objects/pathfinder-panel-overview.html)): Precision (0.001–10 pt; results are refit to within it and pieces thinner than it are dropped), Remove Redundant Points and Divide and Outline Will Remove Unpainted Artwork (pieces of objects with no fill), kept in the preferences (`object.pathfinder.options`, group `pathfinder`) and used by every Shape Mode and Pathfinder button and Repeat; the page gives no defaults, so ours (0.01 pt, both off) keep the earlier results byte for byte. Trap is left as it was. Estimate unchanged.
|
||||
- **Done (2026-10-25):** Artboards panel › Delete Empty Artboards ([Delete artboards](https://helpx.adobe.com/illustrator/desktop/create-manage-artboards/add-edit-artboards/delete-artboards.html), [artboard context menu](https://helpx.adobe.com/illustrator/desktop/create-manage-artboards/organize-manage-artboards/use-artboard-context-menu.html)): `artboard.deleteEmpty` deletes every unlocked artboard with no artwork, with its guides, in one undo step, and keeps artboard 1 when every artboard is empty and none is locked; an artboard is empty when no object (hidden, locked and template art included; guides not) has visual bounds that meet or touch it, a group counting by its members and a clip group or clipping layer by its members inside the clip (our reading of "no artwork"; the pages give no finer rule). The Artboard tool's canvas context menu lists it too. Estimate unchanged.
|
||||
@@ -632,6 +634,9 @@ macOS cursor delivery (#2292) is narrowed to a native host adapter using the exi
|
||||
made to an object inside it at the object in the same place ([public source](https://helpx.adobe.com/illustrator/desktop/manage-objects/edit-objects/edit-groups-with-similar-objects.html));
|
||||
a group that holds type or an image is not taken, as Global Edit does not take images or text
|
||||
([public source](https://helpx.adobe.com/illustrator/desktop/manage-objects/edit-objects/edit-similar-objects.html));
|
||||
rotated copies of the object or group are taken too, and an edit reaches each turned by its angle
|
||||
([public source](https://helpx.adobe.com/vn_vi/illustrator/how-to/modern-logo-design.html); reflected copies are not
|
||||
taken, VectorCraft's own rule);
|
||||
with one such object or group selected with the Selection tool, the objects Start Global Edit would take are
|
||||
highlighted on the canvas before it starts (`selecting_one_object_highlights_the_similar_objects_before_global_edit_starts`);
|
||||
dynamic symbols (#4938): Symbol Options › Symbol Type (Dynamic Symbol / Static Symbol; `type` on
|
||||
@@ -677,8 +682,7 @@ macOS cursor delivery (#2292) is narrowed to a native host adapter using the exi
|
||||
painted with the texture effects; User Defined; Other Library…; `graphicStyle.libraries`,
|
||||
`graphicStyle.addFromLibrary`).
|
||||
- **Missing:** more built-in brush libraries beyond the eight shipped (and further graphic-style libraries beyond the ten shipped, and further symbol libraries beyond Basic
|
||||
Shapes, UI Frames, Map Markers, Inventory Icons, Skill Icons and Weather Icons; original, generated in code, never Adobe's); dynamic symbols' `.ai` read and write;
|
||||
Global Edit of rotated copies as matches.
|
||||
Shapes, UI Frames, Map Markers, Inventory Icons, Skill Icons and Weather Icons; original, generated in code, never Adobe's); dynamic symbols' `.ai` read and write.
|
||||
- **Estimate:** 4–14 h.
|
||||
|
||||
## G3 3D and Materials
|
||||
|
||||
@@ -98,8 +98,12 @@ main added paragraph labels, spine-index validation and two error messages: six
|
||||
Main's workspace version is still 0.21.0; this PR does not change release versioning.
|
||||
|
||||
`cargo test -p vectorcraft-ui-egui --lib i18n::tests` passes all 55 tests in Ubuntu 24.04 (WSL).
|
||||
The untranslated report has no Hindi section, meaning it found no missing Hindi rows among the
|
||||
categories it checks. This does not check dynamically assembled strings that the scanners miss.
|
||||
On 2026-11-14 the untranslated report on main (`f793044f83`) has a Hindi section with 608
|
||||
missing rows: 28 menu strings, 30 `tl!` strings, 11 undo labels and 539 messages. Its
|
||||
`every language` section lists 68 more that every checked language lacks, Hindi included: 10 menu
|
||||
strings, 2 undo labels and 56 messages. These include labels for newer features and command
|
||||
parameter, script and file import or export errors, which show in English until a catalog row
|
||||
is added. The report does not check dynamically assembled strings that the scanners miss.
|
||||
Additional checks compare placeholders, backtick-delimited identifiers and numeric values.
|
||||
The native Hindi UI fallback test also passes with the installed Nirmala UI font. A running
|
||||
desktop preview was checked in Hindi, including the New Document dialog and File menu.
|
||||
|
||||
@@ -31,21 +31,21 @@ Chinese by `imachus`). Georgian and the original Gujarati catalog are recorded a
|
||||
| English | `en` | source, 100% | all | Latin | — | full | — |
|
||||
| Simplified Chinese (Mandarin) | `zh-hans` | 5,102 rows, 791 of them `@msg` (counted 2026-10-21): menus, `tl!` literals and messages complete when counted | all (3,554 `@msg` and 48 `@msgplural` rows, counted 2026-11-13: the untranslated report lists 55 missing messages for it, which open #7116, #7211, #7330, #7378 and #7405 translate) | CJK UI font from craft-fonts (BIZ UDPGothic) when embedded, else a system font; IME with marked text at the caret; vertical type partial ([type-parity.md](type-parity.md)) | no | full | — (review) |
|
||||
| Spanish | `es` | 4,009 / 4,020 (99.7%) | all (604 messages) | Latin | no | full | — (review) |
|
||||
| Hindi | `hi` | 8,782 rows (2026-11-13): 3,014 `@msg`, 47 `@msgplural`, 41 `@plural`; no gaps in the untranslated report | menus, dialogs, tooltips and scanned messages; contributor-approved loanword terminology; agent wording pass | UI and document text shape with HarfRust; installed desktop Devanagari fallback, or a `Deva` craft-fonts face; web font still needed | contributor terminology review; 2026-11-13 wording pass on messages and longer labels, with a glossary-term test; wider proofread welcome | complete catalog, machine-assisted draft | native review, layout and web font |
|
||||
| Hindi | `hi` | 8,782 rows (2026-11-13): 3,014 `@msg`, 47 `@msgplural`, 41 `@plural`; the untranslated report on main `f793044f83` (2026-11-14) lists 676 missing rows for it: 608 in its own section and 68 that every checked language lacks | menus, dialogs, tooltips and scanned messages; contributor-approved loanword terminology; agent wording pass | UI and document text shape with HarfRust; installed desktop Devanagari fallback, or a `Deva` craft-fonts face; web font still needed | contributor terminology review; 2026-11-13 wording pass on messages and longer labels, with a glossary-term test; wider proofread welcome | complete catalog, machine-assisted draft | reported missing rows, native review, layout and web font |
|
||||
| Gujarati | `gu` | 4,673 rows (2026-11-14): original 4,286 unchanged; all 387 additions contributor-reviewed and approved | menus and dialogs; status/error messages partial | installed Gujarati fonts on desktop; optional `Gujr` craft-fonts fallback; no Gujarati face in the pinned CI/release fonts or web startup list | original catalog reviewed by a native speaker; all 387 later additions approved by the contributor, with 11 wording corrections | contributor-reviewed catalog | remaining messages and a bundled Gujarati web font |
|
||||
| Arabic | `ar` | 0 | none | document text: bidi layout and Paragraph Direction; interface: no right-to-left layout, no Arabic shaping in egui | no | none | 25–40 |
|
||||
| French | `fr` | 9,166 rows, 3,436 of them `@msg` and 48 `@msgplural` (counted 2026-11-13): the untranslated report lists 178 missing messages for it | all | Latin | no | full | — (review) |
|
||||
| Portuguese | `pt-br` | 9,378 rows, 3,563 of them `@msg` and 48 `@msgplural` (counted 2026-11-13): the untranslated report lists 55 missing messages for it, which open #7116, #7211, #7330, #7378 and #7405 translate; one/other plurals | all | Latin | contributor is a Brazilian Portuguese speaker; further native review welcome | full | — (review) |
|
||||
| Indonesian | `id` | 5,279 rows, 750 of them `@msg` (counted 2026-10-21): menus and `tl!` literals complete when counted; its messages are partial; one plural form | dialogs and tooltips all; 750 message rows (French has 796) | Latin | no | full | — (review) |
|
||||
| Indonesian | `id` | 6,825 rows, 1,036 of them `@msg` and 47 `@msgplural` (counted 2026-11-14 on `main` at `676f0524cc`): the untranslated report lists 60 missing menu strings, 35 `tl!` literals and 13 undo labels for it; not in `COMPLETE_MESSAGES`, and checked against the same scanned messages it lacks 2,508; one plural form | most dialogs and tooltips; status and error messages partial | Latin | no | full | — (review) |
|
||||
| Japanese | `ja` | 4,004 / 4,020 (99.6%) | all | CJK UI font as above; Japanese IME; vertical type partial; Japanese crop marks and composition settings | no | full | — (review) |
|
||||
| German | `de` | 3,952 / 4,020 (98%; menus, literals and messages complete when counted) | all (3,563 `@msg` and 48 `@msgplural` rows, counted 2026-11-13: the untranslated report lists 52 missing messages for it, which open #7116, #7211 and #7378 translate) | Latin | contributor-written, not reviewed | full | — (review) |
|
||||
| Korean | `ko` | 4,870 rows (counted 2026-10-21): menus, `tl!` literals and messages complete when counted; one plural form | all (3,438 `@msg` and 48 `@msgplural` rows, counted 2026-11-13: the untranslated report lists 39 missing messages for it) | Hangul from an installed system font on the desktop (Apple SD Gothic Neo, Malgun Gothic, Noto Sans CJK KR…); the web build has no Korean UI font yet (craft-fonts); IME path exists | no (AI-drafted) | full | — (review; web font) |
|
||||
| Vietnamese | `vi` | 4,886 rows (counted 2026-10-21): menus, `tl!` literals and messages complete when counted; one plural form; 4,046 plain + 18 `@plural` + 28 contextual + 794 `@msg` | all | Latin with Vietnamese diacritics (stacked marks attach in precomposed, decomposed and keyboard forms, #4491; glyph tests pass) | contributor is a Vietnamese speaker; AI-assisted draft, further native review welcome | full | — (review) |
|
||||
| Vietnamese | `vi` | 4,886 rows (counted 2026-10-21): menus, `tl!` literals and messages complete when counted; one plural form; 4,046 plain + 18 `@plural` + 28 contextual + 794 `@msg` | dialogs and tooltips all; messages partial (1,750 `@msg` and 49 `@msgplural` rows, counted 2026-11-14: the untranslated report lists 1,875 messages without a Vietnamese row, 53 of which open #7211, #7378, #7405 and #7434 translate) | Latin with Vietnamese diacritics (stacked marks attach in precomposed, decomposed and keyboard forms, #4491; glyph tests pass) | contributor is a Vietnamese speaker; AI-assisted draft, further native review welcome | full | — (review) |
|
||||
|
||||
**Historical 12-language score: ~82%** (equal weights: 100 + 85 + 100 + 0 + 0 + 100 + 100 + 100 + 100 + 98 + 100 + 100, over 12).
|
||||
**To `full` for all twelve: ~50–85 h** (historical estimate, not re-scored here). Hindi now has
|
||||
a complete catalog and UI shaping; its remaining work is native review, layout checking and the
|
||||
web font. Arabic still needs its catalog and right-to-left interface. Each new Latin-script catalog is ~4,000 rows; the existing ones were written in a few agent hours each
|
||||
a catalog that the tests count as complete, and UI shaping; its remaining work is the rows the
|
||||
untranslated report lists for it, native review, layout checking and the web font. Arabic still needs its catalog and right-to-left interface. Each new Latin-script catalog is ~4,000 rows; the existing ones were written in a few agent hours each
|
||||
plus review. Native-speaker review is human work and isn't in the hours.
|
||||
|
||||
## Other shipped languages
|
||||
@@ -53,22 +53,21 @@ plus review. Native-speaker review is human work and isn't in the hours.
|
||||
| Language | Code | Translated | Status |
|
||||
|---|---|---|---|
|
||||
| Traditional Chinese (Taiwan) | `zh-hant` | 8,820 rows, 3,438 of them `@msg` and 48 `@msgplural` (counted 2026-11-13): the untranslated report lists 40 missing messages for it; menus, `tl!` literals and messages were complete when counted on 2026-10-21 (80% overall) | partial |
|
||||
| Italian | `it` | 8,757 rows, 3,422 of them `@msg` and 48 `@msgplural` (counted 2026-11-13): the untranslated report lists 40 missing messages for it | full |
|
||||
| Italian | `it` | 8,924 rows, 3,560 of them `@msg` and 48 `@msgplural` (counted 2026-11-13): the untranslated report lists 54 missing messages for it, which open #7116, #7211, #7378 and #7405 translate | full |
|
||||
| Dutch | `nl` | 3,447 `@msg` and 48 `@msgplural` rows (counted 2026-11-13): in `COMPLETE_MESSAGES`, and the untranslated report lists 41 missing messages for it; one/other plurals | full |
|
||||
| Danish | `da` | 5,279 rows, 750 of them `@msg` (counted 2026-10-21): menus and `tl!` literals complete when counted; its messages are partial; one/other plurals | full |
|
||||
| Russian | `ru` | 4,009 / 4,020 | full |
|
||||
| Ukrainian | `uk` | 8,802 rows, 3,439 of them `@msg` and 48 `@msgplural` (counted 2026-11-13); one/few/many plurals | full |
|
||||
| Hungarian | `hu` | 5,253 rows (counted 2026-10-21): menus, `tl!` literals and messages complete when counted; one plural form | full |
|
||||
| Hungarian | `hu` | 9,166 rows, 3,444 of them `@msg` and 48 `@msgplural` (counted 2026-11-13): the untranslated report lists 40 missing messages for it, and lists 47 menu strings, 25 `tl!` strings, 11 undo labels and 45 swatch names without a row; one plural form | full |
|
||||
| Polish | `pl` | 9,044 rows, 3,439 of them `@msg` and 48 `@msgplural` (counted 2026-11-13): the untranslated report lists 46 missing messages for it, and 47 menu strings, 26 `tl!` literals, 11 undo labels and 45 swatch names; one/few/many plurals | full; native review pending |
|
||||
| Finnish | `fi` | 5,318 rows (counted 2026-10-21): menus, `tl!` literals and messages complete when counted; one/other plurals, 797 `@msg` rows | full; AI-assisted, native proofreading pending |
|
||||
| Czech | `cs` | 9,273 rows, 3,560 of them `@msg` and 48 `@msgplural` (counted 2026-11-13): the untranslated report lists 2 missing Czech messages, and 54 messages that no language has a row for | catalog complete; render-site gaps reduced; native review pending |
|
||||
| Bosnian | `bs` | 5,841 rows (counted 2026-10-30): menus, `tl!` literals and messages complete when counted; one/few/other plurals | full; AI-assisted, native review pending |
|
||||
| Bosnian | `bs` | 6,887 rows, 1,144 of them `@msg` and 47 `@msgplural` (counted 2026-11-14 on `main` at `676f0524cc`): the untranslated report lists 97 missing menu strings, 53 `tl!` literals and 27 undo labels for it; not in `COMPLETE_MESSAGES`, and checked against the same scanned messages it lacks 2,416; one/few/other plurals | full; AI-assisted, native review pending |
|
||||
| Swedish | `sv` | 8,991 rows, 3,106 of them `@msg` and 48 `@msgplural` (counted 2026-11-14): the untranslated report lists 518 missing messages for it, and 12 menu strings, 1 `tl!` literal and 3 undo labels; one/other plurals | full; native review welcome |
|
||||
| Bulgarian | `bg` | 5,245 rows, 763 of them `@msg` (counted 2026-10-21): menus and `tl!` literals complete when counted; its messages are partial | full; AI-drafted, native review pending |
|
||||
| Greek | `el` | 5,251 rows, 795 of them `@msg` (counted 2026-10-21): menus, `tl!` literals and messages complete when counted | full; native review welcome |
|
||||
| Georgian | `ka` | 5,200 rows (counted 2026-10-21): menus, panels, dialogs, plurals (one count-neutral form) and messages, tested complete; reviewed by a native speaker | full |
|
||||
| Turkish | `tr` | 5,558 rows, 880 of them `@msg` (counted 2026-10-28); 6 menu strings and the default swatch names still fall back to English | full |
|
||||
| Indonesian | `id` | 5,531 rows, 788 of them `@msg` (counted 2026-10-28): menus and `tl!` literals complete when counted; its messages are partial; one plural form | full |
|
||||
| Catalan | `ca` | 5,626 rows, 881 of them `@msg` (counted 2026-10-28): menus, `tl!` literals and messages complete when counted; one/other plurals; every `ca-*` locale resolves here | full; AI-drafted, native review welcome |
|
||||
|
||||
Twenty-seven non-English catalogs in all (registry count, 2026-11-06). Illustrator, as its public documentation lists, ships around two dozen
|
||||
|
||||
+138
-33
@@ -1,6 +1,6 @@
|
||||
# VectorCraft MCP server
|
||||
|
||||
> **Last updated:** 2026-11-13 · **Change:** Snap to Point with Smart Guides off draws no Smart Guides labels or lines, #7250; no response-shape change. Previously: Envelopes: a top object's side whose pieces are all one curve split at anchors follows that curve's parameter (#7097); existing response shapes retained.
|
||||
> **Last updated:** 2026-11-14 · **Change:** Pencil continuation, straight-line and closing cursors; scores and estimates unchanged; no response-shape change. Previously: Snap to Point with Smart Guides off draws no Smart Guides labels or lines, #7250; no response-shape change. Previously: Envelopes: a top object's side whose pieces are all one curve split at anchors follows that curve's parameter (#7097); existing response shapes retained.
|
||||
|
||||
`vectorcraft-cli mcp` runs a [Model Context Protocol](https://modelcontextprotocol.io) server on stdio
|
||||
(newline-delimited JSON-RPC 2.0; see [Protocol](#protocol) for version negotiation). Agents use it to
|
||||
@@ -667,7 +667,7 @@ sampler.
|
||||
| `transform` | `{ids?, dx?, dy?, rotate?, scale?, scaleX?, scaleY?, reflect?, shear?, origin?, copy?}` | Runs move, rotate, scale, reflect, shear in that order. `rotate` is in degrees counter-clockwise; a positive `shear` moves the top to the right. With `copy`, the first step duplicates. |
|
||||
| `create_graph` | `{type?, x, y, width, height, csv? \| series?, categories?, rows?}` | The nine Illustrator graph types: column, stacked column, bar, stacked bar, line, area, scatter, pie and radar. An empty CSV cell or a `null` in `rows` is a blank value; a number in straight quotes is a label. Edit later with `graph.setData` / `graph.setType` via `run_command`. `graph.column {design, columnType: vertical\|uniform\|repeating\|sliding, each, fractions: chop\|scale}` draws the columns or bars of the series picked with Group Selection (or `seriesIndexes`, or all of them) with a graph design saved by `graph.design`; with no `design` it returns the series' current design and options. Type in the design that holds a `%` followed by two digits shows each column's value, with at least the first digit's places before the decimal point and the second digit's places after it. |
|
||||
| `text_wrap` | `{ids?, offset?, invert?, release?}` | Area type below the objects (same layer) flows around them. |
|
||||
| `undo` / `redo` | `{}` | Many calls that change nothing record no undo step, for example `object.align` with nothing to move, `object.move` by 0 without `copy` and `object.showAll` with nothing hidden. `undo` (`edit.undo`) after such a call undoes the step before it. `inspect_document` lists the undo steps as `history`. `run_command` with `edit.clearHistory` removes every undo and redo step of the active document and returns `{cleared}`, the number of steps removed; the document stays as it is, and the command records no undo step. `run_command` with `edit.newDocumentFromState` and `{index?, created?}` makes a new document holding the art as it was at that state and makes it the active document, and returns `{index, title}`. `index` is a row of the History panel, with 0 the oldest state kept, and an omitted `index` uses the current state. An `index` that names no state is an error and changes nothing. `created` is File Info's created date in Unix seconds or null, and defaults to now. The new document takes the next `Untitled-N` name, is marked unsaved, has nothing selected and has no steps to undo or redo. It is out of symbol, opacity-mask and pattern editing, and the art drawn in a pattern's tile is stored in the pattern, as `object.pattern.done` stores it. The source document and its steps stay as they are, except that typing or a drag in progress is first kept as a step. When a command keeps a drag whose preview Real-time Drawing off had not applied yet (`edit.undo`, `edit.redo`, `edit.clearHistory`, `edit.newDocumentFromState` and the other commands that end a drag first), and applying that preview gives a warning, the command's result carries it as `previewWarning`, and as `warning` too when the command gives no warning of its own; the app's status bar shows `warning`. While the Type tool edits type, `undo` and `redo` put its caret, with no characters selected, at the end of the text the step changed: after the text it puts back or retypes, or where the text it takes out was. A step that changes no characters, such as a formatting change, leaves the caret and the selection where they are. |
|
||||
| `undo` / `redo` | `{}` | Many calls that change nothing record no undo step, for example `object.align` with nothing to move, `object.move` by 0 without `copy` and `object.showAll` with nothing hidden. `undo` (`edit.undo`) after such a call undoes the step before it. `inspect_document` lists the undo steps as `history`. `run_command` with `edit.clearHistory` removes every undo and redo step of the active document and returns `{cleared}`, the number of steps removed; the document stays as it is, and the command records no undo step. `run_command` with `edit.newDocumentFromState` and `{index?, created?}` makes a new document holding the art as it was at that state and makes it the active document, and returns `{index, title}`. `index` is a row of the History panel, with 0 the oldest state kept, and an omitted or null `index` uses the current state. An `index` that names no state fails with `no history state N`, one that is not a whole number with `` `index` must be a whole number ``, and either changes nothing. `created` is File Info's created date in Unix seconds or null, and defaults to now. The new document takes the next `Untitled-N` name, is marked unsaved, has nothing selected and has no steps to undo or redo. It is out of symbol, opacity-mask and pattern editing, and the art drawn in a pattern's tile is stored in the pattern, as `object.pattern.done` stores it. The source document and its steps stay as they are, except that typing or a drag in progress is first kept as a step. When a command keeps a drag whose preview Real-time Drawing off had not applied yet (`edit.undo`, `edit.redo`, `edit.clearHistory`, `edit.newDocumentFromState` and the other commands that end a drag first), and applying that preview gives a warning, the command's result carries it as `previewWarning`, and as `warning` too when the command gives no warning of its own; the app's status bar shows `warning`. While the Type tool edits type, `undo` and `redo` put its caret, with no characters selected, at the end of the text the step changed: after the text it puts back or retypes, or where the text it takes out was. A step that changes no characters, such as a formatting change, leaves the caret and the selection where they are. |
|
||||
|
||||
For example, create editable Japanese area type with the engine's vertical writing mode:
|
||||
|
||||
@@ -856,7 +856,8 @@ stored without its placement (its vector, aspect ratio, focal point and freeform
|
||||
own box when the graph is drawn again, so `paint.setGradientGeom` and the `paint.freeform.*` edits do not store the
|
||||
placement they set there. A stroke weight and dashes are stored as the label shows them, also on a label that was
|
||||
scaled. When the characters of labels of one kind change differently, the frontmost label sets what the kind keeps. On
|
||||
a pie with Legends in Wedges whose legend labels have no fill of their own, the legend labels' fill is stored only when
|
||||
a pie with Legends in Wedges, a fill a command sets on the legend labels is drawn on every wedge, black included, until
|
||||
that command is undone; a size, font or stroke change does not set one. Before that, their fill is stored only when
|
||||
every legend label the command reaches ends up with the same fill. Otherwise they are drawn again in black, or white on
|
||||
a dark wedge. These commands do not store the colors they give a graph's axis lines, ticks and radar rings, which are
|
||||
drawn again with their default paint.
|
||||
@@ -1085,7 +1086,15 @@ or `range`), named `<file>-<artboard>.<ext>`, and returns `{path, files}` (a PDF
|
||||
SVG writes one file per artboard of a `range`); `useArtboards: false` exports the bounds of the visible art with what
|
||||
its effects paint, the effects of groups, type and images included. `artboard.fitToArt` measures the art the same
|
||||
way. `document.exportPdf {useArtboards: false}` writes that one page as well, and ignores `artboard`, `artboards` and
|
||||
`range`. A PDF of that page, from either command, carries no Preserve Editing data; when Preserve Editing is on (as it
|
||||
`range`. A PDF or `.ai` page of the art's bounds is measured without the non-printing layers that the file leaves out
|
||||
(unless `includeNonPrinting` or `createLayers` keeps them; a `.ai` file keeps layers by default). An HP-GL plot of the
|
||||
art's bounds is measured without what the plot leaves out: non-printing layers, objects at 0% opacity, placed images,
|
||||
gradient meshes whose every point is at 0% opacity, and paths without effects whose fills and strokes paint nothing.
|
||||
An image or a mesh with a Crop Marks effect, or with a Vector Halftone effect that makes dots, is measured.
|
||||
Such objects in the art of a symbol that is not dynamic are left out of its instances too, and an instance whose
|
||||
symbol holds nothing else is left out.
|
||||
A document whose only visible art is left out is refused, and Export As refuses an HP-GL plot of it before the save
|
||||
dialog. A PDF of that page, from either command, carries no Preserve Editing data; when Preserve Editing is on (as it
|
||||
is in VectorCraft Default), the export comes back with a warning that says so. A `.ai` export with
|
||||
`useArtboards: false` writes that one page too, without the native document and without the editing copy for other
|
||||
apps (`editingData`), and always comes back with the warning `Preserve editing was left out: an .ai file of the art's
|
||||
@@ -2771,11 +2780,11 @@ nearest to the pointer.
|
||||
## Global Edit
|
||||
|
||||
Select › Start Global Edit is `select.globalEdit {appearance?, size?, artboards?, includeCanvas?}`. With one path,
|
||||
compound path or symbol instance selected, it finds the objects of the same shape (moved or scaled copies; not rotated
|
||||
ones), among those `select.all` would take and the objects in their groups, and returns `{active: true, count, ids}`,
|
||||
compound path or symbol instance selected, it finds the objects of the same shape (moved, scaled or rotated copies;
|
||||
not reflected ones), among those `select.all` would take and the objects in their groups, and returns `{active: true, count, ids}`,
|
||||
the selected object first (at most 10,000). With a group of such objects selected (nested groups and clipping paths
|
||||
included; not type or images), it finds the groups like it: as many objects, in the same order, each of the same
|
||||
shape, lying the same way relative to each other (the group moved or scaled as a whole). While Global Edit is off,
|
||||
shape, lying the same way relative to each other (the group moved, scaled or rotated as a whole). While Global Edit is off,
|
||||
the command is disabled for any other selection, including a group that holds type, an image or nothing (it is off in
|
||||
the Select menu, the Properties panel's Quick Actions do not show it, and the Control bar does not show its Global Edit
|
||||
Options). `appearance` also asks for
|
||||
@@ -2784,7 +2793,9 @@ the same fill and stroke (for groups, of each object in them), `size` for the sa
|
||||
params come from `select.globalEditOptions` (the Global Edit Options, kept for the session; it returns them with
|
||||
`count`, the objects a start would take now). The selection stays the one object. Until the next `select.globalEdit`
|
||||
(Stop Global Edit, `{active: false}`), what an edit of a selected match changed is given to the other matches, in the
|
||||
same undo step, and nothing else. A changed outline or anchors go to each match in proportion to its size. A changed
|
||||
same undo step, and nothing else. A changed outline or anchors go to each match in proportion to its size, and to a
|
||||
rotated copy turned by its angle: an anchor moved to the right on the selected object moves upward on a copy rotated
|
||||
a quarter turn counter-clockwise. A changed
|
||||
opacity or blending, and each changed setting of a fill or stroke (paint, weight, opacity, blending, effects…), are
|
||||
copied as they are to the match's fill or stroke of the same kind and rank; its other fills and strokes, and their
|
||||
unchanged settings, stay its own (a stroke weight change leaves the fills). A stroke weight set on the selected match
|
||||
@@ -2800,6 +2811,16 @@ nothing. Nothing of it is saved. Before Global Edit starts, while one object tha
|
||||
selected with the Selection tool, the canvas highlights the other objects a start would take with the current Global
|
||||
Edit Options (none while a drag is in progress, or when there are none).
|
||||
|
||||
Rotated copies are edited together as in [Design a modern geometric
|
||||
logo](https://helpx.adobe.com/vn_vi/illustrator/how-to/modern-logo-design.html), where copies of a group rotated
|
||||
around a point are edited at once from one of their objects. These rules for them are VectorCraft's own. A copy's
|
||||
angle is the one that lays each anchor and handle of the selected object on the copy's anchor and handle of the same
|
||||
order, so a square whose anchors were turned a quarter turn is a copy rotated a quarter turn. The copy is the same
|
||||
shape when, laid so, every anchor and handle lies within a millionth of the larger side of the copy's box of its own. A
|
||||
reflected copy is another shape, and so is a copy stretched along one direction. With `size`, a rotated copy has the
|
||||
same size when it is the selected object rotated without scaling: a 30 × 70 pt object and its copy rotated a quarter
|
||||
turn (70 × 30 pt by its box) have the same size.
|
||||
|
||||
`select.globalEditExclude {id}` leaves the match `id` out of the Global Edit, as a Shift-click on a highlighted match
|
||||
(or on an object inside it) with the Selection tool does: it is no longer highlighted, and later edits leave it as it
|
||||
is. It returns `{active, count, ids}`, the objects left in the Global Edit; with fewer than two left, the Global Edit
|
||||
@@ -2924,8 +2945,16 @@ tutorials, `steps` the number of a tutorial's steps, `finished` whether it is fi
|
||||
zero-based indexes of its steps marked done (every step of a finished tutorial). `learn.skills {}` shows the panel on its Skills tab with the list of
|
||||
skills, with no skill and no tutorial open, as the Quick skill guide card and Back to skills do, and answers what
|
||||
`learn.list` answers. `learn.show {tutorial}` shows the panel on its Skills tab with that
|
||||
tutorial's steps → `{skill, tutorial, title, steps: [text]}`. A missing, non-string or unknown `tutorial` is an error
|
||||
and changes nothing.
|
||||
tutorial's steps → `{skill, tutorial, title, steps: [text]}`; choosing a tutorial's row runs it. A missing, non-string
|
||||
or unknown `tutorial` is an error and changes nothing. A click on the For you or Skills tab button runs
|
||||
`learn.tab {tab}` when the panel shows the other tab, and runs no command when the panel already shows that tab.
|
||||
`learn.tab {tab}`, with `tab` set to `forYou` or `skills`, shows the panel on that tab → `{tab, skill, tutorial}`,
|
||||
with null for no skill or no tutorial open; the Skills tab keeps the skill and tutorial it had open. Choosing a skill's row runs
|
||||
`learn.skill {skill}`, which shows the panel on the Skills tab with that skill's tutorials → the skill as `learn.list`
|
||||
lists it. A missing, non-string or unknown `tab` or `skill` is an error and changes nothing. Back runs `learn.back {}`,
|
||||
which shows the panel and goes up one level on the Skills tab, from a tutorial's steps to its skill's tutorials and
|
||||
from a skill's tutorials to the list of skills, and answers what `learn.tab` answers; on the list of skills or the For
|
||||
you tab the view stays as it is.
|
||||
|
||||
Under a tutorial's steps, View more opens the tutorial's practice sample, a small drawing of VectorCraft's own with the
|
||||
art its steps work on, as a new untitled document that becomes the active one; Save asks where to save it. Once the
|
||||
@@ -2952,11 +2981,11 @@ finished and every step marked. The desktop app keeps the progress in its prefer
|
||||
when two windows change it, the one that saves last keeps its progress. The web build keeps it while the page is open.
|
||||
Marking steps by hand, keeping the progress and Reset progress are VectorCraft's own rules.
|
||||
`learn.markStep {tutorial, step, complete?}` runs a step's check box → `{tutorial, step, complete}`: `step` is the
|
||||
zero-based step number, and `complete` marks the step done (`true`, omitted or null) or not done (`false`). A missing
|
||||
`step` or one the tutorial does not have, a `complete` that is not true or false, a tutorial whose sample was not
|
||||
opened, and a finished tutorial are errors. `learn.resetProgress {}` runs Reset progress and answers what `learn.list`
|
||||
answers; open documents, opened samples and the Learn view stay as they are. For both, a missing, non-string or
|
||||
unknown `tutorial` is an error, and an error changes nothing.
|
||||
zero-based step number, and `complete` marks the step done (`true`, omitted or null) or not done (`false`). A missing,
|
||||
non-string or unknown `tutorial`, a missing `step` or one the tutorial does not have, a `complete` that is not true or
|
||||
false, a tutorial whose sample was not opened, and a finished tutorial are errors, and an error changes nothing.
|
||||
`learn.resetProgress {}` runs Reset progress and answers what `learn.list` answers; open documents, opened samples and
|
||||
the Learn view stay as they are.
|
||||
|
||||
The Home screen has a Learn section between Recent Files and the new-file presets, as
|
||||
[the help page](https://helpx.adobe.com/illustrator/desktop/get-started/learn-the-basics/homescreen-overview.html)
|
||||
@@ -2973,6 +3002,9 @@ rules.
|
||||
{"name":"invoke_menu","arguments":{"command":"learn.finish","params":{"tutorial":"pen-paths"}}}
|
||||
{"name":"invoke_menu","arguments":{"command":"learn.next","params":{"tutorial":"pen-paths"}}}
|
||||
{"name":"invoke_menu","arguments":{"command":"learn.skills","params":{}}}
|
||||
{"name":"invoke_menu","arguments":{"command":"learn.skill","params":{"skill":"draw"}}}
|
||||
{"name":"invoke_menu","arguments":{"command":"learn.back","params":{}}}
|
||||
{"name":"invoke_menu","arguments":{"command":"learn.tab","params":{"tab":"forYou"}}}
|
||||
{"name":"invoke_menu","arguments":{"command":"learn.resetProgress","params":{}}}
|
||||
```
|
||||
|
||||
@@ -3224,8 +3256,12 @@ already walks Image Trace. Short agent entry points:
|
||||
is rejected with an error. The Pencil and the Paintbrush give Fidelity in screen pixels, 0.01 to 100 px, and send it
|
||||
divided by the zoom (0.0313 to 640) and kept within that range, so a stroke is fitted at the same tolerance on screen
|
||||
at every zoom. A stroke
|
||||
that continues a path (`extend`) closes it when it ends within four times the Fidelity of the path's other end, at
|
||||
least 6 pt and at most 400 pt. The Blob Brush's `path.blob` Fidelity stays in points, 0.01 to 100 pt.
|
||||
that continues a path (`extend`) closes it when `closed` is true: the Pencil and the Paintbrush send it when the
|
||||
stroke ends within Close Paths When Ends Are Within of the path's other end (the cursor shows the closing ring there),
|
||||
a straight Pencil line too, or with Alt held at the release. The stroke's end then joins the other end when it is
|
||||
within four times the Fidelity of it (at least 6 pt and at most 400 pt), and a straight segment closes the path from
|
||||
farther away. Without `closed`, the stroke closes the path when it ends within that four-times-Fidelity distance. The
|
||||
Blob Brush's `path.blob` Fidelity stays in points, 0.01 to 100 pt.
|
||||
- Variables: `variable.list`, `variable.define {name, kind: text|visibility|image|graph}`, `variable.bind {variable, ids?}`,
|
||||
`variable.makeTextDynamic`, `variable.makeVisibilityDynamic`, `variable.makeImageDynamic`, `variable.makeGraphDynamic`
|
||||
(`variable.bind` and `variable.makeTextDynamic` refuse type that already has another text variable and name it),
|
||||
@@ -3269,8 +3305,9 @@ already walks Image Trace. Short agent entry points:
|
||||
byte order that reads a line break (`\n` or `\r`). It is refused when fewer of its units hold a NUL byte (UTF-8 or
|
||||
Windows-1252 text with stray NUL bytes, or UTF-16 text made mostly of other characters, which needs a byte-order
|
||||
mark), when both byte orders read a line break (the text holds U+0A00 or U+0D00), when it has an odd length, and
|
||||
when it isn't valid UTF-16 in that order or holds a NUL character. A file with no line break has no data rows and is
|
||||
refused for that. `csv` and `data` are read as the text they hold.
|
||||
when it isn't valid UTF-16 in that order or holds a NUL character. A file with no line break is read big-endian when
|
||||
more of its two-byte units start with a NUL byte than end with one, and little-endian otherwise; it has no data rows,
|
||||
so the import is refused. `csv` and `data` are read as the text they hold.
|
||||
- Variable libraries: `variable.loadLibrary {path|xml|dataBase64}` (the Variables panel menu's Load Variable
|
||||
Library…) replaces the document's variables and data sets with a variable library's in one undo step. A load, like a
|
||||
`dataset.import`, adds no undo step when it leaves the variables and data sets as they were. The library
|
||||
@@ -3603,7 +3640,7 @@ already walks Image Trace. Short agent entry points:
|
||||
is changed, renamed or deleted. In the app,
|
||||
`ui.imageTracePresetDialog {params?, rename?}` opens the Image Trace panel's Save as New Preset… or Rename… dialog.
|
||||
- Live Paint: `livePaint.make`, `livePaint.merge`, `livePaint.fill {group?, point}`, `livePaint.strokeEdge`,
|
||||
`livePaint.info {group}`, `livePaint.release`, `livePaint.expand`, and `livePaint.gapOptions {ids?, detect?, size?,
|
||||
`livePaint.info {group?|id?}`, `livePaint.release`, `livePaint.expand`, and `livePaint.gapOptions {ids?, detect?, size?,
|
||||
color?, closeGaps?}` (Object › Live Paint › Gap Options). Make gives each covered face the fill of its front-most
|
||||
covering source, including compound paths with shared curved boundaries. Expand keeps those face fills.
|
||||
`livePaint.expand` keeps each face and edge that draws, with all its fill and stroke rows: it is shown, its opacity
|
||||
@@ -3612,6 +3649,13 @@ already walks Image Trace. Short agent entry points:
|
||||
row is hidden is removed. `livePaint.merge` copies the fill and stroke rows, visibility, opacity and blending mode of
|
||||
each face that draws by this rule, and of each edge, to the rebuilt parts, with their gradients kept at their fit on
|
||||
the old outline and without the strokes' pen pressure, tilt, bearing and rotation.
|
||||
`livePaint.info` lists each face's top fill as `fill` and each edge's top stroke and its weight as `stroke` and
|
||||
`width`, and lists every fill and stroke row of each face and edge in `appearance`, bottom first, as
|
||||
`{index, kind, paint, opacity, visible, width?, drawn}`: `index` counts fills and strokes together, `opacity` runs
|
||||
from 0 to 1, and `width` (strokes only) is the weight in points. `drawn` is true when the row draws by the rule
|
||||
above: the part is shown with an opacity above 0, and the row is shown, has paint and has an opacity above 0 (a
|
||||
stroke also a weight above 0). An unpainted top row can sit over a lower row that draws, so `fill`, `stroke` and
|
||||
`width` alone may not describe what the part draws.
|
||||
With `detect: true`, paint stops at the gaps that run
|
||||
from a loose end of a path to the nearest path, up to `size` wide (`small` 3 pt, `medium` 6 pt, `large` 12 pt, or a
|
||||
number of points up to 72); `closeGaps: true` adds an unpainted path across each of them. `color` (the Gap Preview
|
||||
@@ -3646,6 +3690,16 @@ already walks Image Trace. Short agent entry points:
|
||||
a locked artboard, or in isolation mode outside the isolated art. In the app, the tool's cursor shows what a click
|
||||
at the pointer selects under these rules: the arrow with a filled square for a face, with a short line for an edge,
|
||||
and with an x for nothing. It keeps the look it had at the press until the release.
|
||||
A double-click (`pointer_gesture` kind `doubleclick`, after the two clicks' `down` and `up`) on the face a click there
|
||||
picks runs `select.set {ids}` with that face and the faces of its group that a flood from it reaches across edges
|
||||
that are hidden or draw no stroke (an edge that is fully transparent, or whose strokes are each hidden, without
|
||||
paint, 0 pt wide or fully transparent); a stroked edge and a Gap Detection gap stop the flood, and hidden faces are
|
||||
left out. On the edge a click
|
||||
there picks, it runs `select.set {ids}` with that edge and the edges of its group, not hidden, joined to it end to
|
||||
end through edges that draw with the stroke paint it draws with (the paint of an edge's topmost stroke that is
|
||||
shown, with paint, above 0 pt and not fully transparent; none for an edge that draws no stroke). With Shift held it runs `select.toggle {ids}` with the same faces or edges,
|
||||
and where a click selects no face or edge it runs nothing. The same options, locks and isolation rules apply as for
|
||||
a click.
|
||||
The Live Paint Bucket's options (`tool.setOption {tool: "livePaintBucket", values}`; double-clicking the tool opens
|
||||
them, dialog `livePaintBucketOptions`) are `paintFills` (on), `paintStrokes` (off), `cursorSwatchPreview` (on),
|
||||
`highlight` (on), `color` (the
|
||||
@@ -5135,7 +5189,8 @@ The Attributes panel (`window.panel {panel: "attributes"}`, Cmd+F11) reads `attr
|
||||
objects differ) and `recentUrls`. `attributes.set {overprintFill?, overprintStroke?, showCenter?, imageMap?, url?,
|
||||
note?, ids?}` sets them in one undo step; `path.setFillRule {rule: "nonZero"|"evenOdd"}` sets the fill rule of the
|
||||
paths and compound paths, and `path.reverse {reversed?}` makes subpaths run counter-clockwise (true) or clockwise
|
||||
(false). SVG export wraps an object with a URL in `<a xlink:href>`, and SVG import reads `<a href>` links back.
|
||||
(false). When every subpath of a path turns alike, its strokes' width profiles (left and right swapped) and pen
|
||||
pressure, tilt, bearing and rotation turn with it, so the strokes draw as before. SVG export wraps an object with a URL in `<a xlink:href>`, and SVG import reads `<a href>` links back.
|
||||
|
||||
```json
|
||||
{"name":"run_command","arguments":{"command":"attributes.set","params":{"ids":[12],"url":"https://example.com","imageMap":"rectangle"}}}
|
||||
@@ -5430,6 +5485,13 @@ keeps the segment's direction when the smoothed path there turns back by 90° or
|
||||
path, the curve keeps the direction of the part outside the drag. `object.path.smooth` and Simplify keep each end's
|
||||
direction.
|
||||
|
||||
`path.smoothRegion` keeps an anchor as a corner where the path turns by more than 57.5° (an angle inside the corner
|
||||
under 122.5°) at the anchor and also over `radius` and over twice `radius` on either side of it (on a closed path that the drag reaches all the
|
||||
way round, no more than an eighth of its length), so a jag or a bump smaller than `radius` is still smoothed. The stretches on either side of a kept corner are smoothed and refitted on their
|
||||
own, and the corner keeps its place and the directions the path arrives and leaves along, on every call and at any
|
||||
`fidelity`. A call that changes no anchor returns `{ids: [], before: 0, after: 0}` and adds no undo step. The 57.5°
|
||||
threshold is VectorCraft's own value.
|
||||
|
||||
In the desktop app, Object › Path › Smooth, the canvas context menu's Smooth… (listed while the selection holds a
|
||||
path) and the Contextual Task Bar's Smooth (with a path selected whole with the Direct Selection tool) open the
|
||||
slider (`ui.menuDialog {command: "object.path.smooth"}`, dialog `smoothSlider` with field `level`) at the
|
||||
@@ -6321,6 +6383,10 @@ Pen's second anchor at (150, 431), in line with the square's centre.
|
||||
- `highlightAlternateGlyphs` (off by default): Preferences › Type › Highlight Alternate Glyphs. On, the canvas paints
|
||||
pink behind OpenType substitutions (ligatures, contextual forms). Document Setup's Highlight Substituted Glyphs
|
||||
stays separate. Agents set it with `prefs.set`; the desktop canvas reads it on the next paint.
|
||||
- `showCharacterAlternates` (on by default): Preferences › Type › Show Character Alternates. On, the desktop canvas
|
||||
shows the alternate glyphs of the one character selected with a Type tool beside it (see
|
||||
[Alternate glyphs](#alternate-glyphs)). Off, it shows none. It is VectorCraft's own option. `prefs.set` refuses a
|
||||
value that is not a boolean.
|
||||
- `highlightSubstitutedFonts` (on by default): Preferences › Type › Highlight Substituted Fonts. On, the canvas paints
|
||||
pink behind text drawn in a substitute for a missing font, in every open document. Off, no document shows that
|
||||
highlight. `document.setup` ignores this key and adds a `warnings` entry that names `prefs.set` to its reply. A file
|
||||
@@ -6745,7 +6811,10 @@ copies in artboard order); `artboard` wins when both are given. Without either,
|
||||
several artboards selected, they paste a copy on each of those, and the journal records them as `artboards`; a
|
||||
recorded action leaves both out. Art copied from no artboard keeps its place on the first artboard named and its
|
||||
offset to that one on the others. An index the document does not have, a repeated index, a value that is not an index
|
||||
or an empty list fails, and nothing is pasted. Copied artboards come back once, where they were, whichever artboards
|
||||
or an empty list fails, and nothing is pasted. An `artboard` that is not a whole number, null included, fails with
|
||||
`` `artboard` must be a whole number ``, and an `artboards` entry that is not one with
|
||||
`` `artboards` must contain whole numbers ``; both keys are checked when both are given. Copied artboards come back
|
||||
once, where they were, whichever artboards
|
||||
are named. `layer.pasteRemembersLayers {on?}` (a document option, `document.inspect` → `pasteRemembersLayers`)
|
||||
pastes objects back into the layers and sublayers they came from: in the same document while those are still there,
|
||||
else by the names of the layer and the layers around it (the topmost chain that matches the most names, a shown and
|
||||
@@ -6788,9 +6857,15 @@ also move the pattern tiles of the copies when `patterns` is true (default: pref
|
||||
`artboard.duplicate`, `artboard.copy`, `artboard.cut`, `artboard.move` and `artboard.rearrange` take `lockedAndHidden?`
|
||||
(default: prefs `moveLockedWithArtboard`), and with the Artboard tool chosen `edit.copy` and `edit.cut` pass it on. When
|
||||
art goes along, the journal records the value, so a replay under another preference takes the same art.
|
||||
Every artboard command that takes an `index` fails with `no such artboard` when the `index` is not the
|
||||
0-based index of an artboard (past the last one, negative, fractional, a string or null), and the document and the
|
||||
clipboard stay as they were.
|
||||
Every artboard command that takes an `index` fails with `no such artboard` when the `index` is a whole number past
|
||||
the last artboard, with `` `index` must be a whole number `` when it is negative, fractional, a string or another value
|
||||
that is not a whole number, and with `missing index` when it is null, also in a command that picks an artboard when
|
||||
`index` is left out. An `indices` (or a replayed `selectedArtboards`) that is not a list fails with
|
||||
`` `indices` must be a list of artboard indices ``, an empty one with
|
||||
`` `indices` must be a non-empty list of artboard indices ``, one with an entry that is not a whole number with
|
||||
`` `indices` must contain whole numbers ``, each naming its key, and one with a whole number past the last artboard
|
||||
with `no such artboard`. `artboard.align`, `artboard.distribute` and `artboard.distributeSpacing` name `artboard` or
|
||||
`activeArtboard` the same way. The document and the clipboard stay as they were.
|
||||
These artboard commands refuse a string, a number or another value that is not true or false with
|
||||
`` `art` must be true or false ``, naming the key, and leave the document, its undo history and the clipboard as they
|
||||
were: `moveArt`, `scaleArt`, `strokes`, `corners`, `patterns`, `lockedAndHidden` and an artboard's `locked`,
|
||||
@@ -7228,9 +7303,14 @@ the document; so does `object.expand`.
|
||||
Placing a text file (`.txt`) sets it as area type: `file.place {path | name+dataBase64, text?: {characterSet?:
|
||||
"unicode" | "ansi", platform?: "windows" | "mac", removeLineReturns?, removeParagraphReturns?, replaceSpaces?: n}}`
|
||||
(Text Import Options). Unicode reads UTF-8, or UTF-16 with a byte-order mark; ANSI reads Windows-1252 (Mac Roman on
|
||||
`mac`). `removeLineReturns` joins the lines of each block into one paragraph, `removeParagraphReturns` drops blank
|
||||
lines, `replaceSpaces: 3` turns runs of 3 or more spaces into tabs. The frame fills `rect`, the replaced object's
|
||||
bounds, or the artboard less a 36 pt margin.
|
||||
`mac`). Unicode reads a file without a byte-order mark as UTF-16 by the rule `dataset.import` uses: at least half of
|
||||
its two-byte units hold a NUL byte, in the byte order that reads a line break, or for a file with one line, big-endian
|
||||
when more of its units start with a NUL byte than end with one, and little-endian otherwise. Any other file is read as
|
||||
UTF-8, else as the platform's 8-bit set: one with fewer NUL bytes, one with an odd length, one where both byte orders
|
||||
read a line break, and one that isn't valid UTF-16 in that order or holds a NUL character. `removeLineReturns` joins
|
||||
the lines of each block into one paragraph, `removeParagraphReturns` drops blank lines, `replaceSpaces: 3` turns runs
|
||||
of 3 or more spaces into tabs. The frame fills `rect`, the replaced object's bounds, or the artboard less a 36 pt
|
||||
margin.
|
||||
|
||||
```json
|
||||
{"name":"run_command","arguments":{"command":"file.place","params":{"path":"/tmp/notes.txt","text":{"removeLineReturns":true,"removeParagraphReturns":true}}}}
|
||||
@@ -7875,7 +7955,7 @@ instructions is refused with "not an HP-GL file".
|
||||
|
||||
`document.export` (and `export`, and Export As) with format `hpgl` writes a plot file (`.plt`) of the first artboard
|
||||
(or `artboard`) for pen plotters and cutters; `useArtboards: true` writes one file per chosen artboard
|
||||
(`{stem}-{artboard}.plt`), `false` the bounds of the visible art. Each visible path is drawn once along its own line:
|
||||
(`{stem}-{artboard}.plt`), `false` the bounds of the art it plots. Each visible path is drawn once along its own line:
|
||||
a filled shape is its closed outline, also when a stroke gives its color, and a stroked path is its center line, so
|
||||
fills, stroke widths, dashes, brushes and arrowheads are not painted. Type is drawn as its glyph outlines, and a
|
||||
gradient mesh as its outline, also inside a blend (a mesh whose every point is at 0% opacity draws nothing). A
|
||||
@@ -8365,7 +8445,8 @@ undo step. Object › Transform › Scale, the Scale tool and the Transform pane
|
||||
text reflows along it.
|
||||
`text.setPathHandle {id, subpath?, anchor, which: "in"|"out", x, y, independent?}` moves a direction handle of one
|
||||
of its anchors, as `path.setHandle` moves a path's (Direct Selection dragging a handle of the path, #3565), in one
|
||||
undo step.
|
||||
undo step. A call of `text.reshapeArea`, `text.reshapePath` or `text.setPathHandle` that changes nothing (`dx` and
|
||||
`dy` both 0, or a handle moved to where it already is) adds no undo step and keeps redo.
|
||||
|
||||
```json
|
||||
{"name":"run_command","arguments":{"command":"text.reshapeArea","params":{"id":42,"anchors":[[0,2]],"dx":40,"dy":60}}}
|
||||
@@ -8430,7 +8511,10 @@ the end of the path), and `fit`, `fitScale` and `dynamicText` (Block is on) for
|
||||
Given for several area types (`ids`, or a selection of several), `text.areaOptions` changes only the options given on
|
||||
each one: each frame keeps its other options (it used to take the first frame's), and `fitMinPercent` alone changes only
|
||||
the frames that already shrink text to fit. Options that change nothing (the vertical alignment already set, say) add
|
||||
no undo step and keep redo.
|
||||
no undo step and keep redo. The same holds for `text.setText` when no object changes (the text it already has, in one
|
||||
style, every paragraph with the first one's attributes and no ruby), `text.setStyle` when no character, paragraph or
|
||||
graph label style changes, `type.ruby` with the same reading and options again or `remove` where there is no ruby, and
|
||||
`text.fitHeadline` on a first line that already has the tracking it would set.
|
||||
|
||||
Text that doesn't fit is drawn up to the last line that does, so a one-line headline in a frame lower than its line
|
||||
draws nothing. The commands that make type or change what it holds say so in their own reply: `text.create`,
|
||||
@@ -9144,7 +9228,9 @@ send an Alignment or Level change for paragraphs that stay in no list. With no t
|
||||
with an unknown `tab`, `ui.bulletsAndNumbering` is an error.
|
||||
|
||||
Type › Bullets and Numbering › Convert to Text runs `type.convertListToText` on the selected type's paragraphs, or on
|
||||
those the Type tool's selection touches, and that runs `text.convertListToText {ids?, start?, end?}`. The marker of
|
||||
those the Type tool's selection touches, and that runs `text.convertListToText {ids?, start?, end?}`. With the
|
||||
Selection tool, a selected frame of threaded text names every frame of its story in `ids`, locked and hidden frames
|
||||
included, as Apply Bullets and Apply Numbers do. The marker of
|
||||
each list paragraph becomes characters at the start of the paragraph: the bullet, or the number and its period as the
|
||||
paragraph showed it, then a tab. They are set in the marker's font, size and color: the style of the paragraph's first
|
||||
character without the attributes the marker leaves out. The paragraph leaves its list. A paragraph at a list level
|
||||
@@ -9431,6 +9517,15 @@ and a glyph that the character's style does not draw (All Caps, Small Caps or an
|
||||
system). Choosing the glyph a character already draws is not an edit. Character styles do not take `glyphAlternate`:
|
||||
`charStyle.new`, `charStyle.edit` and `charStyle.setAttrs` refuse it.
|
||||
|
||||
On the desktop canvas, a Type tool with exactly one character selected shows up to five of that character's alternates
|
||||
in a row beside it, in the same order and without the glyph the character is drawn with; a character drawn with an
|
||||
alternate gets its default glyph first. A click on a glyph runs the same command as the panel's double-click
|
||||
(`text.setRangeStyle {featureChanges}`, or `text.setGlyphAlternate` for a glyph no feature draws there), as one undo
|
||||
step. When the character has more alternates than the row shows, an arrow at the end of the row opens the Glyphs panel
|
||||
on Alternates for Current Selection. The row has no command of its own: an agent reads the alternates with
|
||||
`text.glyphAlternates` and applies one with the commands above. The `showCharacterAlternates` preference turns the row
|
||||
off.
|
||||
|
||||
```json
|
||||
{"name":"run_command","arguments":{"command":"text.glyphAlternates","params":{"id":7,"start":2}}}
|
||||
{"name":"run_command","arguments":{"command":"text.setGlyphAlternate","params":{"id":7,"start":2,"gid":1043}}}
|
||||
@@ -10655,6 +10750,10 @@ threaded frame, which composes them again at its own widths. Such a paragraph fa
|
||||
frame has no room for its first line, or when the search for its breaks passes VectorCraft's own limits (1,000,000
|
||||
lines tried and 2,000,000 baseline steps for one paragraph, 2,000,000 lines and 4,000,000 steps for all the
|
||||
paragraphs of a frame).
|
||||
Single-line measures each line's room the same way: a line that takes in a taller character is placed again across its
|
||||
new height and broken again in the room there. When that leaves the taller character for the next line, the line is
|
||||
set at its own height where the room there is no narrower, with the words before that character that fit there, and
|
||||
otherwise stays where it was placed.
|
||||
The UI command `type.lineComposer` (Cmd+Alt+Shift+C, in remote mode `press_key {key: "C", mods: {cmd: true, alt: true,
|
||||
shift: true}}` or `invoke_menu`) sets `singleLine` when every paragraph of the selected type (or every paragraph the
|
||||
Type tool's selection touches) uses Every-line, else `everyLine`, and returns the composer it set.
|
||||
@@ -10713,7 +10812,12 @@ and the arrow keys nudge them by the keyboard increment. The active tool lists t
|
||||
(`tool.setOption {}` returns them as `meshPoints: [{id, index}…]`). On gradient meshes a solid fill colour (`paint.setFill`, from the
|
||||
Color panel, Swatches or the Eyedropper) recolours just the picked points, and when every target of
|
||||
`transparency.set` is a gradient mesh with points picked, its `opacity` fades those points instead of the objects
|
||||
(`transparency.info` then shows their opacity, `null` when it differs). Both are one undo step.
|
||||
(`transparency.info` then shows their opacity, `null` when it differs). Both are one undo step, and neither goes to the
|
||||
points while the Appearance panel's active row takes the fill or the opacity. When the first selected object is a
|
||||
gradient mesh with points picked, the Fill proxy, the Color panel, the Color Wheel and `paint.proxies` show its first
|
||||
picked point's color, and `fillMixed` compares the picked points' colors with each other and with the fills of the other
|
||||
selected objects. The Transparency panel shows the picked points' opacity (blank when it differs), and the Control
|
||||
bar shows the first picked point's opacity.
|
||||
|
||||
`object.mesh.movePoints {id, points: [index…], dx, dy}` (or `{items: [{id, points}…], dx, dy}` over several meshes)
|
||||
moves points by (dx, dy), their handles with them; `object.mesh.setPointColor` takes `points` or `items` the same
|
||||
@@ -11842,6 +11946,7 @@ the error text. The interactive fallback applies only to ordinary File > Save, n
|
||||
|
||||
| Date | Change |
|
||||
|---|---|
|
||||
| 2026-11-13 | `path.freehand`: `closed`, when given, decides whether a stroke that continues a path (`extend`) closes it; the Pencil and the Paintbrush send it by Close Paths When Ends Are Within. |
|
||||
| 2026-11-13 | Snap to Point with Smart Guides off draws no Smart Guides labels or lines (#7250). |
|
||||
| 2026-11-13 | Envelopes: a top object's side whose pieces are all one curve split at anchors follows that curve's parameter (#7097). |
|
||||
| 2026-11-11 | Document READ_ONLY_LOCATION for saves (#6146); no response-shape change. |
|
||||
|
||||
+42
-14
File diff suppressed because one or more lines are too long
@@ -121,6 +121,14 @@ How a facet carries its seam depends on the lights and the paint:
|
||||
groups clipped to the union of its facets, so no seam reaches past the surface; a gradient fill, and a solid-color
|
||||
fill or stroke whose faces share one depth order with another solid's, fills each facet's ramps through a clip of
|
||||
the facet and its seam, outlined with round joins.
|
||||
The facets of a surface drawn this way lie over an underlay
|
||||
of themselves whose seams are 2 pt wide, reaching 1 pt past each edge, and one clip to the union of the facets and
|
||||
their seams removes what the underlay paints past the surface. Where two facets' antialiased edges meet, the
|
||||
underlay fills the pixels they leave partly uncovered with the neighbors' own light, so no black channel backdrop
|
||||
or background shows there. Compared with the same art drawn at 3x and averaged down, away from the surface's outline
|
||||
and from places where the light changes sharply, a pixel drawn at 1:1 is opaque where the 3x art is opaque, and
|
||||
otherwise its alpha is within 3 levels. Inflate seen straight on with an opaque fill also has each color channel
|
||||
within 3 levels (VectorCraft's own measure).
|
||||
- Extrude & Bevel (Classic), Rotate (Classic) and Revolve (Classic): a path and a seam for every face; gradient and
|
||||
pattern faces seam only the base paint, and the shading and highlight layers cover the face alone. The Wireframe
|
||||
surface draws edges only, with no seam.
|
||||
@@ -171,6 +179,10 @@ The rest is our reading:
|
||||
once their faces pass it no later solid is built: the object draws its source art, and applying or editing the
|
||||
effect, Export 3D Object and **Expand as Wireframes** report that the 3D surface is too complex. A stroke left
|
||||
out for its own limits does not count.
|
||||
- Inflate works out how high every shape puffs before it builds the first solid, because the highest puff sets
|
||||
how far away the eye is. At a Volume of 0 % no shape puffs, so each shape's puff is worked out only when its
|
||||
solid is built, and none is worked out for the solids after the limit stops. The shadow builds no solid for a
|
||||
fill or stroke that is fully transparent.
|
||||
|
||||
## Groups
|
||||
|
||||
|
||||
+6
-5
@@ -1,6 +1,6 @@
|
||||
# UI and interaction parity
|
||||
|
||||
> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-11-13 · **Change:** minor (Graphic Styles list fills a taller panel, #2992; scores and estimates unchanged; previously: library panels' lists fill a taller panel, #2992; scores and estimates unchanged; previously: Swatches list fills a taller panel, #1638; scores and estimates unchanged; previously: icon-strip flyouts also resize from the top edge and the canvas-side top corner, keeping the moved top in workspaces (storytold/craft-libs#1094); scores and estimates unchanged; previously: macOS: the canvas cursor stays after the pointer moves, #6362; scores and estimates unchanged; previously minor: Remove Background in the Contextual Task Bar, Properties › Quick Actions and the Control bar; previously minor: Ruler origin: the corner drag snaps as a drawn point does; previously minor: Live Paint Bucket fills faces crossed in one drag (#6373); previously: #6404: transform-aware Eyedropper character copying; scores and estimates unchanged; previously: Outline view: images and gradient meshes are picked on what Outline draws, so a click inside them reaches the path behind, #6437; previously minor: a middle-click on a document tab closes it, #6506; previously minor: Blob Brush: a round tip's preview is the outline of the area it adds, round at both ends, as the stroke it commits (#4343); scores and estimates unchanged; previously:; ruler double-click adds a guide at the pointer, #5239; G5: Inventory Icons built-in symbol library (four built-ins); previously minor: files that record no units open in Preferences › Units › General, #5820; previously minor: interim macOS cursor delivery, #2292; native validation pending; scores and estimates unchanged; Control bar › Snapping includes the existing Snap to Glyph and Alignment Guides toggles (#6164); scores and estimates unchanged; floating tab groups collapse into the side icon rail and opened rail panels fold back into it, #5925 in part; numeric fields step on wheel hover without taking keyboard focus, #5949; Character Styles panel: a double-click on a style's row opens its Character Style Options; the dialog keeps a fixed width and scrolls its sections, so its buttons stay on screen; Selection QoL: marquee modes and visible feedback, #5313; #3380 deletion-only review follow-up: independent survivors keep gradient placement, owned subpaths avoid discarded copies, and contracts/status/evidence are clarified; endpoint highlighting remains open; scores and estimates unchanged; Drop Shadow and glow dialogs: spinner arrows, #5367, #5368; Stroke Weight Up and Down shortcuts, #5797; Layers: Rename (`ui.rename`) opens the name field of the selected layer, group or object, #5324; Properties in Edit Artboards: Transform section above the Artboards section, #5219; scrubby labels: the Control bar's Stroke: and Opacity: links and the Properties panel's Stroke link scrub their fields, #4088; Properties: Quick Actions has Repeat Options for one selected repeat, #5181; Direct Selection: Shift-click picks several blend spine points, which drag together, #5285; Direct Selection: Cmd/Ctrl held lends the Selection tool and shows its bounding box, #3901; Join tool trims two crossing open paths and joins them at the crossing, #5844; Control bar: Paragraph: link and Align left/center/right while type is selected, #5372; shape tools: a press on the selection's centre point moves it and one in the rotate zone outside a box corner turns it, #5477; scores and estimates unchanged) · **Target:** Adobe Illustrator 2026 (30.x; Units › East Asian Type acts, with Q and Ha units; scores unchanged)
|
||||
> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-11-13 · **Change:** minor (Pencil continuation, straight-line and closing cursors; scores and estimates unchanged; previously: Graphic Styles list fills a taller panel, #2992; scores and estimates unchanged; previously: library panels' lists fill a taller panel, #2992; scores and estimates unchanged; previously: Swatches list fills a taller panel, #1638; scores and estimates unchanged; previously: icon-strip flyouts also resize from the top edge and the canvas-side top corner, keeping the moved top in workspaces (storytold/craft-libs#1094); scores and estimates unchanged; previously: macOS: the canvas cursor stays after the pointer moves, #6362; scores and estimates unchanged; previously minor: Remove Background in the Contextual Task Bar, Properties › Quick Actions and the Control bar; previously minor: Ruler origin: the corner drag snaps as a drawn point does; previously minor: Live Paint Bucket fills faces crossed in one drag (#6373); previously: #6404: transform-aware Eyedropper character copying; scores and estimates unchanged; previously: Outline view: images and gradient meshes are picked on what Outline draws, so a click inside them reaches the path behind, #6437; previously minor: a middle-click on a document tab closes it, #6506; previously minor: Blob Brush: a round tip's preview is the outline of the area it adds, round at both ends, as the stroke it commits (#4343); scores and estimates unchanged; previously:; ruler double-click adds a guide at the pointer, #5239; G5: Inventory Icons built-in symbol library (four built-ins); previously minor: files that record no units open in Preferences › Units › General, #5820; previously minor: interim macOS cursor delivery, #2292; native validation pending; scores and estimates unchanged; Control bar › Snapping includes the existing Snap to Glyph and Alignment Guides toggles (#6164); scores and estimates unchanged; floating tab groups collapse into the side icon rail and opened rail panels fold back into it, #5925 in part; numeric fields step on wheel hover without taking keyboard focus, #5949; Character Styles panel: a double-click on a style's row opens its Character Style Options; the dialog keeps a fixed width and scrolls its sections, so its buttons stay on screen; Selection QoL: marquee modes and visible feedback, #5313; #3380 deletion-only review follow-up: independent survivors keep gradient placement, owned subpaths avoid discarded copies, and contracts/status/evidence are clarified; endpoint highlighting remains open; scores and estimates unchanged; Drop Shadow and glow dialogs: spinner arrows, #5367, #5368; Stroke Weight Up and Down shortcuts, #5797; Layers: Rename (`ui.rename`) opens the name field of the selected layer, group or object, #5324; Properties in Edit Artboards: Transform section above the Artboards section, #5219; scrubby labels: the Control bar's Stroke: and Opacity: links and the Properties panel's Stroke link scrub their fields, #4088; Properties: Quick Actions has Repeat Options for one selected repeat, #5181; Direct Selection: Shift-click picks several blend spine points, which drag together, #5285; Direct Selection: Cmd/Ctrl held lends the Selection tool and shows its bounding box, #3901; Join tool trims two crossing open paths and joins them at the crossing, #5844; Control bar: Paragraph: link and Align left/center/right while type is selected, #5372; shape tools: a press on the selection's centre point moves it and one in the rotate zone outside a box corner turns it, #5477; scores and estimates unchanged) · **Target:** Adobe Illustrator 2026 (30.x; Units › East Asian Type acts, with Q and Ha units; scores unchanged)
|
||||
>
|
||||
> Vector Halftone preview update (2026-11-10): temporary dot selection marks are hidden, and the bounding box stays available (#6369).
|
||||
>
|
||||
@@ -52,6 +52,7 @@ Artboard Options forwards the active Artboard tool's Scale Artwork with Artboard
|
||||
| Date | Change | Summary |
|
||||
|---|---|---|
|
||||
| 2026-11-14 | minor | Layers panel: right-clicking a layer/group/object row shows a context menu with Options…, Duplicate, Delete, Lock/Hide Others, Locate Object, and Collect for Export — matching standard desktop layer panel conventions. Scores unchanged. |
|
||||
| 2026-11-13 | minor | Pencil cursors: the continuation cursor (a short rising line) shows over an open end of a selected path before any press, freehand too, and while a continuing stroke nears another selected path's open end it connects to; the straight-line cursor is a short level line; a continued path, a straight line too, shows the closing cursor and closes within Close Paths When Ends Are Within of its other end, and with Alt at the release. Scores and estimates unchanged. |
|
||||
| 2026-11-13 | minor | Graphic Styles: in a panel made taller the list fills the space above the footer instead of stopping at 220 pt (#2992; `the_list_fills_a_tall_panel_above_its_footer` in `crates/ui-egui/src/panels/graphic_styles.rs`). Scores and estimates unchanged. |
|
||||
| 2026-11-13 | minor | Library panels (swatch, Color Book, brush, symbol and graphic style libraries): in a panel made taller the list fills the space above the footer instead of scrolling inside 220 or 280 pt (#2992; `the_list_fills_a_tall_panel_above_its_footer` in `crates/ui-egui/src/panels/library_panel/tests.rs`). Scores and estimates unchanged. |
|
||||
| 2026-11-13 | minor | Swatches: in a panel made taller the swatch list fills the space above the footer instead of scrolling inside 150 or 200 pt (#1638). Scores unchanged. |
|
||||
@@ -178,7 +179,7 @@ tools, never checked side by side) isn't captured row by row.
|
||||
| Blend spine Anchor Point conversion and handle editing (#2544) | implemented | symmetric handles, independent drag/retraction, visible-handle policy and selection/stacking covered by tool and engine regressions; Windows native canvas checks and screenshots reviewed in PR #2643 |
|
||||
| Several blend spine points picked and dragged together (#5285) | done | with Direct Selection, Shift-click picks more points of a selected blend's spine or takes one away, as on a path; dragging any picked point moves them all, and the key objects on them, in one undo step (`object.blend.spine.moveAnchor {with}`); a marquee doesn't pick spine points yet |
|
||||
| Add/Delete/Anchor Point tools; Anchor Point tool drags segments to reshape | done | #2267: a click on a handle end retracts that handle and leaves the anchor a corner with the other one; Shift held at the press on an anchor moves it, handles and all (Shift kept down: at 45° steps) instead of pulling out handles |
|
||||
| Pencil: Fidelity, Keep selected, Alt to Smooth, edit selected paths, close by proximity | done | Fidelity is in screen pixels, the same at any zoom, and goes down to 0.01 px in the dialog and the tool, which sends `path.freehand` the value in points at the current zoom (#5729; the Smooth tool keeps 0.05 pt); its slider runs across the Tool Options row on a logarithmic rail from 0.01 to 20 px, the field shows hundredths, and the slider's and the field's arrow keys step hundredths up to 0.1 px, tenths up to 1 px and whole pixels above (Shift ×10) (#3328); Alt key toggles to Smooth Tool (#2001); Shift held at the press draws a straight line at 45° steps from the Constrain Angle, and Alt held at the press (with Alt key toggles to Smooth Tool off) a straight line at any angle (#3799), with a straight-line cursor while Shift or Alt is held before the press, and a path-continuation cursor over an end of a selected open path, where the line continues the path; Edit Selected Paths continues a selected path from an end and, from a stroke that starts and ends on a selected path, redraws the section between (the shorter way round a closed path, #2850); with Keep selected (Pencil and Paintbrush, on by default) on, a stroke selects the path it draws or continues and replaces the earlier selection, and off a new stroke leaves nothing selected, the earlier selection included, while a continued or redrawn path is deselected and the rest of the selection stays; a filled Pencil path keeps a stroke of None (#1804, part of #1679); while a freehand stroke is drawn back to within Close Paths When Ends Are Within of its start, the Pencil and the Paintbrush show the closing cursor, and a release there closes the path; a Pencil stroke from an end of one selected open path to an end of another connects the two into one path |
|
||||
| Pencil: Fidelity, Keep selected, Alt to Smooth, edit selected paths, close by proximity | done | Fidelity is in screen pixels, the same at any zoom, and goes down to 0.01 px in the dialog and the tool, which sends `path.freehand` the value in points at the current zoom (#5729; the Smooth tool keeps 0.05 pt); its slider runs across the Tool Options row on a logarithmic rail from 0.01 to 20 px, the field shows hundredths, and the slider's and the field's arrow keys step hundredths up to 0.1 px, tenths up to 1 px and whole pixels above (Shift ×10) (#3328); Alt key toggles to Smooth Tool (#2001); Shift held at the press draws a straight line at 45° steps from the Constrain Angle, and Alt held at the press (with Alt key toggles to Smooth Tool off) a straight line at any angle (#3799), with a straight-line cursor (a short level line) while Shift or Alt is held before the press, and a path-continuation cursor (a short rising line) over an end of a selected open path, where the stroke continues the path, freehand or straight, and while a continuing stroke ends near an open end of another selected path it connects to; Edit Selected Paths continues a selected path from an end and, from a stroke that starts and ends on a selected path, redraws the section between (the shorter way round a closed path, #2850); with Keep selected (Pencil and Paintbrush, on by default) on, a stroke selects the path it draws or continues and replaces the earlier selection, and off a new stroke leaves nothing selected, the earlier selection included, while a continued or redrawn path is deselected and the rest of the selection stays; a filled Pencil path keeps a stroke of None (#1804, part of #1679); while a freehand stroke is drawn back to within Close Paths When Ends Are Within of its start, or a stroke continuing a selected path (a straight line too) to within it of that path's other end, the Pencil and the Paintbrush show the closing cursor, and a release there closes the path; a Pencil stroke from an end of one selected open path to an end of another connects the two into one path |
|
||||
| Drop Shadow, Outer Glow and Inner Glow: Opacity, the offsets, Blur and Darkness have spinner arrows that step by one (a unit for distances), repeat when held and stop at the fields' ends (#5367, #5368) | done | dialogs::effect test drop_shadow_and_outer_glow_fields_have_spinner_arrows; other effect dialogs' number fields still have none |
|
||||
| Effect dialogs' colour fields: a swatch beside the hex follows typed values, and a double-click opens the Color Picker over the dialog, whose OK fills it and Cancel comes back unchanged (#5365) | done | dialogs::effect tests outer_glow_colour_swatch_opens_the_color_picker and drop_shadow_colour_swatch_opens_the_color_picker (Drop Shadow's Color, #5364); the picker previews nothing itself, the effect dialog previews the returned colour |
|
||||
| Join tool scrubbing, Average, Join | done | Join merges the direct-selected anchors lying on one another along a path, as after Average, into one (#1533); the Join tool trims two crossing open paths whose overhanging ends it scrubs over and joins them at the crossing, instead of drawing a segment between their ends (#5844) |
|
||||
@@ -251,7 +252,7 @@ tools, never checked side by side) isn't captured row by row.
|
||||
| A double-click on a ruler adds a guide at the pointer: a vertical one on the top ruler, a horizontal one on the left ruler (swapped in a view turned 90°, where the rulers read the other document axis; the nearer axis in between), exactly where the pointer is (no snapping), shown even with guides hidden, one undo step (`guide.add`); both clicks of the pair must be on that ruler, and the first adds nothing. The [public page on rulers](https://helpx.adobe.com/illustrator/desktop/measure-and-align/grids-and-guides/use-rulers.html) doesn't describe this gesture, so it follows the request in #5239 | done | #5239; an artboard guide with the Artboard tool, as a drag from a ruler makes one; `canvas/tests.rs` `double_clicking_a_ruler_adds_a_guide_at_that_position`, `a_canvas_click_then_a_ruler_click_adds_no_guide`, `a_ruler_double_click_follows_a_rotated_view` |
|
||||
| Escape cancels an existing ruler-guide press, move or copy | done | Selection and Direct/Group Selection; app-input regressions cover preselected guides, document/interaction-start selection, Undo/Redo and saved state, later on-canvas motion/release and temporary borrowing from idle Pen. All eight checks and the Direct Selection Escape control passed in current full CI. [Validation evidence](target-app-parity.md#evidence-what-ships-today-by-area) |
|
||||
| Ruler origin: corner drag with preview, snapped as a drawn point is (Smart Guides, Snap to Point and the ruler guides, pixels, the grid), double-click reset to the active artboard, relative X/Y fields, native save/reopen | done | #1212; `document.setRulerOrigin`, `document.resetRulerOrigin`; geometry and command coordinates stay absolute |
|
||||
| Ruler guides as Layers rows: shown, hidden, locked and deleted with their layer; rows dragged to another layer; each row's own eye and lock; a row dropped on the trash deletes its guide | done | `guide.setLayer`; guides from older files go on a layer; `layer.setProps` on a guide's id hides or locks it alone; Object › Lock/Hide › Selection, Unlock All and Show All reach guides; `guide.remove {indexes}` |
|
||||
| Ruler guides as Layers rows: shown, hidden, locked and deleted with their layer; rows dragged to another layer; each row's own eye and lock; a row dropped on the trash deletes its guide; a plain click on another row lets go of the guide | done | `guide.setLayer`; guides from older files go on a layer; `layer.setProps` on a guide's id hides or locks it alone; Object › Lock/Hide › Selection, Unlock All and Show All reach guides; `guide.remove {indexes}`; #7340 |
|
||||
| Objects made into guides: drawn in the guide colour and style of Preferences; Lock Guides locks them too (no select, move or delete); a dragged selection snaps to ruler guides with Smart Guides on, by the nearest point of the path when pressed on its stroke or beside its edge, so the path lands exactly on the guide | done | #1534 (#1543, #1583); #3701 |
|
||||
| A selected ruler guide's X or Y in the Transform panel; typing a value moves it | not scored | #1659 (part of #1597); several guides move together; not in Properties or the Control bar. Not established by the documentation we could find: the help pages on guides, rulers and the Transform, Control and Properties panels (read again on 2026-10-14) don't describe it, and the one public statement is a user's [community answer](https://community.adobe.com/questions-652/adding-a-new-custom-guide-785586), which is not documentation. Kept as a convenience pending the owner's decision; no parity claim |
|
||||
| Alt swaps a ruler guide's orientation while dragging | missing | Alt-drag copies the selected guides ([Use rulers](https://helpx.adobe.com/illustrator/desktop/measure-and-align/grids-and-guides/use-rulers.html)); `guide.move` `{copy: true}` |
|
||||
@@ -384,7 +385,7 @@ next unit in the order a right-click on a ruler lists them, from Feet back to Po
|
||||
|---|---|---|
|
||||
| Effect > Warp Options: style previews, orientation choices and percent controls | done | #1760; focused input, mixed-style and history checks passed; original captures reviewed. No geometry or optional Properties changes. |
|
||||
| Command search: Up and Down move through the results, Enter runs the highlighted one | done | #1798 (#1757) |
|
||||
| Learn panel: Window › Learn and Explore tutorials on the app bar open it; For you holds a Quick skill guide card, Skills lists VectorCraft's own skills with progress rings that fill and counts of tutorials finished, a tutorial shows its numbered steps with a check box each that marks the step done once its sample is open, a finished tutorial has a check mark, Back goes up a level; a tool's name in a step is a link that marks the tool where the toolbars show it (its button, its group's flyout, a torn-off strip, a toolbar made with New Toolbar or the All Tools drawer) without choosing it; View more opens the tutorial's practice sample as a new untitled document, Finish tutorial then marks it finished with all its steps, and Next Up shows the next tutorial in the same skill; Reset progress clears the progress (no video) | done | [the help page](https://helpx.adobe.com/illustrator/desktop/get-started/learn-the-basics/learn-skills-quick-skill-guide.html); `learn.list`, `learn.skills`, `learn.show`, `learn.locateTool`, `learn.openSample`, `learn.markStep`, `learn.finish`, `learn.next`, `learn.resetProgress`; the mark's look and 3-second lifetime, marking steps by hand, keeping the progress in the preferences and Reset progress are VectorCraft's own rules; `panels::learn::tests`, `toolbar::tests` |
|
||||
| Learn panel: Window › Learn and Explore tutorials on the app bar open it; For you holds a Quick skill guide card, Skills lists VectorCraft's own skills with progress rings that fill and counts of tutorials finished, a tutorial shows its numbered steps with a check box each that marks the step done once its sample is open, a finished tutorial has a check mark, Back goes up a level; a tool's name in a step is a link that marks the tool where the toolbars show it (its button, its group's flyout, a torn-off strip, a toolbar made with New Toolbar or the All Tools drawer) without choosing it; View more opens the tutorial's practice sample as a new untitled document, Finish tutorial then marks it finished with all its steps, and Next Up shows the next tutorial in the same skill; Reset progress clears the progress (no video) | done | [the help page](https://helpx.adobe.com/illustrator/desktop/get-started/learn-the-basics/learn-skills-quick-skill-guide.html); `learn.list`, `learn.tab`, `learn.skills`, `learn.skill`, `learn.show`, `learn.back`, `learn.locateTool`, `learn.openSample`, `learn.markStep`, `learn.finish`, `learn.next`, `learn.resetProgress`; the mark's look and 3-second lifetime, marking steps by hand, keeping the progress in the preferences and Reset progress are VectorCraft's own rules; `panels::learn::tests`, `toolbar::tests` |
|
||||
| Pathfinder panel: a group selected alone counts its nested shapes, so an expanded stroked object keeps the Shape Modes enabled | done | #1642 (#1635) |
|
||||
| Selected Grid Repeat shows row, column and corner handles and spacing sliders; bounding-box handles take priority where they meet | done | #2691, `tools/src/repeat_grid.rs`; [public behavior reference](https://helpx.adobe.com/illustrator/desktop/paint-and-fill/create-and-edit-patterns/set-grid-repeat-options.html); drags preview and commit `object.repeat.options` as one undo step, Escape cancels; Radial Repeat has no handles yet |
|
||||
| Grid Repeat Options (Object › Repeat › Options…) has a Preview checkbox: the repeat on the canvas follows the fields while the dialog is open, Cancel puts the original back without a history step, OK keeps the previewed values as one undo step | done | #2651; [public behavior reference](https://helpx.adobe.com/illustrator/desktop/paint-and-fill/create-and-edit-patterns/set-grid-repeat-options.html) lists the Preview option for the grid options only, so Radial and Mirror Repeat Options have none; `dialogs/command.rs` tests |
|
||||
@@ -418,7 +419,7 @@ next unit in the order a right-click on a ruler lists them, from Feet back to Po
|
||||
| Actions panel: Delete Selection (bottom bar) deletes the selected set with its actions and keeps the other sets ([Actions panel overview](https://helpx.adobe.com/illustrator/desktop/automate-visualize-data/automate-actions/actions-panel-overview.html)) | partial | `ui.actionSet.delete`; `panels/actions.rs` tests. VectorCraft's own rules, which the overview does not cover: deleting a set asks first (a selected action is still deleted at once), Shift-click on a set's name selects a range of sets, ≡ › Delete does the same as the button, and Default Actions and the last set can be deleted. Undo does not restore a deleted set, and recorded commands cannot be selected or deleted |
|
||||
| Actions panel: ≡ › Duplicate copies the selected action or set ([Actions panel overview](https://helpx.adobe.com/illustrator/desktop/automate-visualize-data/automate-actions/actions-panel-overview.html)) | partial | `ui.actionSet.duplicate`; `panels/actions.rs` tests. VectorCraft's own rules, which the overview does not cover: the copy goes right after the original, is named after it with " copy" added and is selected, and a copied set holds copies of all its actions. Undo does not remove the copy, and recorded commands cannot be duplicated |
|
||||
| Properties panel per context (every selection type's Quick Actions) | partial | one clip group: Edit Clipping Path and Edit Contents, at the top of the panel rather than in Quick Actions (G1); the overview's additional controls ([Properties panel overview](https://helpx.adobe.com/illustrator/desktop/get-started/learn-the-basics/properties-panel-overview.html)): Blend Options (one blend selected, with any tool, #4817), Repeat Options (one radial, grid or mirror repeat selected: Object › Repeat › Options, #5181; the overview does not list it) and Merge Live Paint (a Live Paint group with more) in Quick Actions, the Width Profile list (Width tool or a variable-width stroke) and an applied effect's Delete icon in Appearance, Corner and Corner Radius for corners selected with Direct Selection; Variable Font was already there; Edit Artboards: a Transform section (reference point, X, Y, W, H, preset, orientation) above the Artboards section (#5219) |
|
||||
| Select › Start Global Edit / Stop Global Edit; Properties › Quick Actions with the Global Edit Options popover (Match: Appearance, Size; On Artboards: All Artboards or a range, Include Objects On Canvas; Result(s)); Escape stops it; the matched objects are highlighted in their layer colour while it runs; a Shift-click on a highlighted match leaves it out | partial | #3521, `select.globalEdit` / `select.globalEditOptions` / `select.globalEditExclude`, `crates/engine/src/tests/globaledit.rs`; paths, compound paths, symbol instances and groups of them (similar groups, #4939: edits inside one group reach the same object in the others; [public source](https://helpx.adobe.com/illustrator/desktop/manage-objects/edit-objects/edit-groups-with-similar-objects.html)); a group holding type or an image is not taken, as Global Edit does not take images or text; Shift-click to leave a match out ([public source](https://helpx.adobe.com/ph_fil/illustrator/how-to/global-editing-sensei.html)); the Control bar's Global Edit Options dropdown opens the same options; the matches are highlighted before the start (`selecting_one_object_highlights_the_similar_objects_before_global_edit_starts`); rotated copies remain ([public source](https://helpx.adobe.com/illustrator/desktop/manage-objects/edit-objects/edit-similar-objects.html)) |
|
||||
| Select › Start Global Edit / Stop Global Edit; Properties › Quick Actions with the Global Edit Options popover (Match: Appearance, Size; On Artboards: All Artboards or a range, Include Objects On Canvas; Result(s)); Escape stops it; the matched objects are highlighted in their layer colour while it runs; a Shift-click on a highlighted match leaves it out | partial | #3521, `select.globalEdit` / `select.globalEditOptions` / `select.globalEditExclude`, `crates/engine/src/tests/globaledit.rs`; paths, compound paths, symbol instances and groups of them (similar groups, #4939: edits inside one group reach the same object in the others; [public source](https://helpx.adobe.com/illustrator/desktop/manage-objects/edit-objects/edit-groups-with-similar-objects.html)); a group holding type or an image is not taken, as Global Edit does not take images or text; Shift-click to leave a match out ([public source](https://helpx.adobe.com/ph_fil/illustrator/how-to/global-editing-sensei.html)); the Control bar's Global Edit Options dropdown opens the same options; the matches are highlighted before the start (`selecting_one_object_highlights_the_similar_objects_before_global_edit_starts`); rotated copies are matched and take an edit turned by their angle ([public source](https://helpx.adobe.com/vn_vi/illustrator/how-to/modern-logo-design.html); `start_global_edit_takes_rotated_copies_and_an_edit_reaches_each_turned_by_its_angle`); reflected copies are not matched (VectorCraft's own rule) |
|
||||
| Contextual task bar | done | |
|
||||
| Control bar with Transform and Stroke popovers | done | |
|
||||
| Stroke panel: custom arrowheads after the built-in ones in both arrowhead menus, from the arrowheads file that the panel menu's Edit Arrowheads… opens; saving the file reloads the menus, and a stroke keeps a copy of its custom head's art | done | [Apply stroke on an object](https://helpx.adobe.com/illustrator/using/stroke-object.html) (Customize arrowheads); the file's layout (one symbol per head, pointing right, tip at the registration point, height drawn as wide as the built-in heads) is VectorCraft's own; `stroke.arrowheads.edit`, `stroke.arrowheads.list`, `stroke.arrowheads.reload`, `stroke.set` `{custom: name}`; engine `tests::arrowheads`, `stroke::tests_arrows::custom_heads_draw_their_own_art_at_the_tip` |
|
||||
|
||||
Reference in New Issue
Block a user