Stroke: Line Arrow's arms take the head's weight, at least 0.25 pt (#5421)

2026-11-10 23:01:02 +00:00 · 2026-11-10 06:42:19 +01:00
parent fe487d8226
commit c8d7f2cce0
3 changed files with 7 additions and 6 deletions
@@ -98,8 +98,8 @@ pub enum Arrowhead {
    Kite,
    TriangleBar,
    Oval,
-    /// Two arms of the line's own weight meeting at right angles in a sharp tip, cut square at
-    /// their ends. Twice as wide as the other heads.
+    /// Two arms of the head's weight (the line's at 100 % scale) meeting at right angles in a
+    /// sharp tip, cut square at their ends. Twice as wide as the other heads.
    LineArrow,
 }

@@ -3240,8 +3240,9 @@ and `stroke.widthProfile.reset` removes every saved one. `stroke.set {profile}`
 none): arrows (`Arrow`, `LineArrow`, `Barbed`, `Concave`, `DoubleArrow`, `HalfArrowLeft`/`Right`, `Chevron`, `Feather`,
 `Swallowtail`…), filled and open shapes (`Triangle`, `Circle`, `Oval`, `Target`, `Tag`, `Diamond`, `Hexagon`, `Star`,
 the `…Open` rings…) and marks (`Bar`, `DoubleBar`, `DotOnBar`, `Slash`, `DoubleSlash`, `Bracket`, `Fork`, `Cross`,
-`Plus`). Each head fits a box about four times its weight (stroke weight × `arrowScale`) long and wide; `LineArrow`, two arms
-of the line's weight at right angles, spreads twice as wide.
+`Plus`). Each head fits a box about four times its weight long and wide. A head's weight is the stroke weight scaled by
+`arrowScale`, at least 0.25 pt. `LineArrow` has two arms of the head's weight (the line's at 100 %) at right angles and
+spreads twice as wide.

 ## Stroke bounds and clicks

@@ -42,7 +42,7 @@ Artboard Options forwards the active Artboard tool's Scale Artwork with Artboard
 | Date | Change | Summary |
 |---|---|---|
 | 2026-11-10 | minor | Type advanced: right-click suggestions, Ignore All and Add to Dictionary on a word Auto Spell Check underlined, #4936; evidence added; the dialogs remain; scores and hours unchanged. |
-| 2026-11-09 | minor | Stroke panel: Line Arrow, a 41st generated arrowhead: two arms as thick as the line at right angles, a sharp tip and square-cut ends, twice as wide as the other heads; bounds and clicks follow each head's own reach (`stroke.set` `LineArrow`, #5421); scores and estimates unchanged |
+| 2026-11-09 | minor | Stroke panel: Line Arrow, a 41st generated arrowhead: two arms of the head's weight (the line's at 100 % arrowhead scale, at least 0.25 pt) at right angles, a sharp tip and square-cut ends, twice as wide as the other heads; bounds and clicks follow each head's own reach (`stroke.set` `LineArrow`, #5421); scores and estimates unchanged |
 | 2026-11-09 | minor | Canvas: a 3D effect (Extrude & Bevel, Inflate, Rotate, Revolve) changed on type or a group draws again where its art was and is, measured by that art; the canvas measures through its renderer and draws the part with the art it made to measure it. Exports and Object › Rasterize take the solid of 3D type. Fit to Artwork Bounds and per-artboard SVG export measure every artboard through one renderer, building each solid once. A 3D effect on a fill or stroke that builds nothing (Revolve after Roughen) no longer overflows the stack on the canvas, in Object › Rasterize and in raster and EPS exports: the fill or stroke draws as without it. Tests `tests::changed::a_3d_effect_changed_on_type_or_a_group_changes_where_its_solid_was`, `fx::tests::a_renderer_measures_the_art_on_each_artboard_building_each_solid_once`, `canvas::tests::an_edit_to_a_3d_effect_redraws_with_the_art_measured`, `fx::tests::a_3d_effect_that_builds_nothing_draws_the_item_as_without_it`. Scores and estimates unchanged. |
 | 2026-11-07 | minor | File formats and Type core (#6147): `.ai`/EPS type keeps its paragraphs' tab stops (positions and alignments; leaders aren't read; at most 1,024 a paragraph and 2^20 a story), and right-aligned area type sets the text after a line's last tab against the right edge, the text before it at its stops; centred and justified lines are aligned as a whole as before; evidence added. Scores and estimates unchanged. |
 | 2026-11-07 | minor | File formats and Type core (#6137): `.ai`/EPS type from the text document keeps auto leading per line, its hyphenation options, may show more of the last lines the file sets in an area frame of its own, when growing the frame by its lines' deepest descent plus 0.05 pt shows them, and a line a soft return ends is justified; evidence added. Limits: frames grow only for area type of one frame, horizontal, by its lines' deepest descent plus 0.05 pt; type in a font that isn't installed, and hyphenation in a language that isn't imported, still lay out differently. Scores and estimates unchanged. |
@@ -1248,7 +1248,7 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur
    Cmd/Ctrl-click on the Gradient panel's Gradient Fill box or on the Tools panel's Gradient button resets the gradient of the active Fill or Stroke to the linear White, Black gradient, as one undo step ([Default keyboard shortcuts](https://web.archive.org/web/20260726060015/https://helpx.adobe.com/illustrator/using/default-keyboard-shortcuts.html)).
    With a gradient stop or a freeform gradient point selected, Alt-clicking a color swatch in the Swatches panel recolors it instead of the inactive Fill or Stroke.
  - **Freeform gradient colors in their own model:** Object ▸ Expand and Object ▸ Create Gradient Mesh (`object.mesh.create`) mix a freeform gradient's points in the color model they share: points of C50 M20 Y0 K10 give mesh points of C50 M20 Y0 K10, and RGB points keep their values in a working RGB space other than sRGB. The canvas, the gradient chips and the SVG, PDF, EPS and EMF writers mix the points in that model too. PDF and EPS write a gradient whose points are all CMYK, or all Gray in a CMYK file, as a CMYK image, which PDF's Output settings convert as they convert any CMYK image. Points in different models mix in display RGB (on the canvas in a CMYK document that shows transparency, as the inks of each point), and a CMYK document stores the result of Expand as CMYK through the color settings. Points colored along CMYK stops (`paint.editGradient {stops}`, or a CMYK gradient switched to freeform) are CMYK, and so are a point `paint.freeform.splitLine` adds between CMYK points and a point `paint.freeform.addPoint` adds without `color` to CMYK points. Public reference: [Gradients](https://web.archive.org/web/20250714042311/https://helpx.adobe.com/illustrator/using/gradients.html) and [Meshes](https://web.archive.org/web/20250812201019/https://helpx.adobe.com/illustrator/using/meshes.html), which do not state how colors in different models mix; the rule is VectorCraft's own.
-  - **Strokes:** one stroke-geometry module shared by the canvas, SVG, PDF and Outline Stroke; dotted lines (zero-length dashes draw dots or squares); arrowheads with hollow outlines, tip-on-end or extend-past-end alignment and one opacity for line and head. SVG and PDF export arrowheads, width profiles, brushes and aligned strokes exactly as the canvas draws them; Outline Stroke and the live Outline Stroke effect outline every stroke item as drawn (dashes, heads, profiles, alignment); dashes can be fitted to corners and path ends; width profiles carry through dashes, and their corners take the join. The Stroke panel edits type's character strokes, follows the stroke units (its weight presets are round values in that unit: `0.25 mm`, `0.0625 in`, `1 px`, #426; fields show four decimals in mm, cm and inches, three in points), shows mixed values blank and opens from the Control bar. A width profile library, thirty-one more arrowheads (among them Line Arrow: two arms of the line's own weight at right angles, cut square, #5421), and Width Point Edit with multi-select and discontinuous points. Visual bounds and clicks cover the whole painted stroke. Scale Strokes & Effects, Scale Corners and Use Preview Bounds work everywhere, and new art inherits stroke options, a graphic style or the whole last appearance.
+  - **Strokes:** one stroke-geometry module shared by the canvas, SVG, PDF and Outline Stroke; dotted lines (zero-length dashes draw dots or squares); arrowheads with hollow outlines, tip-on-end or extend-past-end alignment and one opacity for line and head. SVG and PDF export arrowheads, width profiles, brushes and aligned strokes exactly as the canvas draws them; Outline Stroke and the live Outline Stroke effect outline every stroke item as drawn (dashes, heads, profiles, alignment); dashes can be fitted to corners and path ends; width profiles carry through dashes, and their corners take the join. The Stroke panel edits type's character strokes, follows the stroke units (its weight presets are round values in that unit: `0.25 mm`, `0.0625 in`, `1 px`, #426; fields show four decimals in mm, cm and inches, three in points), shows mixed values blank and opens from the Control bar. A width profile library, thirty-one more arrowheads (among them Line Arrow: two arms of the head's weight (the line's at 100 % scale, at least 0.25 pt) at right angles, cut square, #5421), and Width Point Edit with multi-select and discontinuous points. Visual bounds and clicks cover the whole painted stroke. Scale Strokes & Effects, Scale Corners and Use Preview Bounds work everywhere, and new art inherits stroke options, a graphic style or the whole last appearance.
  - **Brushes (part of #852):** double-clicking a brush in the Brushes panel (or the panel menu's Brush Options…) opens Calligraphic Brush Options (Name; Angle, Roundness and Size, each Fixed, Random, Pressure, Tilt, Bearing or Rotation with its Variation; live previews of the nib and of a light–heavy–light stroke) or Bristle Brush Options (Shape and the bristle sliders); OK edits the brush and every stroke painted with it. The Paintbrush records the pen pressure along each stroke (kept with the path, saved, and joined when a stroke continues a path); a Calligraphic value on Pressure goes from value − variation at the lightest pressure to value + variation at the heaviest, on the canvas and in SVG, PDF and the other exports. Brushes saved before keep their look. Scatter Brush Options (Size, Spacing, Scatter and Rotation, each Fixed, Random between two values, Pressure from the first at the lightest pressure to the second at the heaviest, Tilt, Bearing or Rotation; Rotation relative to Page or Path), Art Brush Options (Width, Scale Proportionately, Stretch to Fit Stroke Length or Stretch Between Guides with the guides' start and end, the four Directions, Flip Along and Across, Overlap) and Pattern Brush Options (Scale, Spacing, the five tiles shown, Flip Along and Across, Stretch to fit, Add space to fit or Approximate path) each have Colorization (None, Tints, Tints and Shades, Hue Shift with its Key Color picked from the art's colours) and a live stroke preview; values from files and commands are clamped to their ranges. Art Brush Options › Overlap places art on each run between sharp corners so folds do not overlap (`ArtBrush.overlap`; `art_brush_overlap_splits_at_corners`). Still to come: Stylus Wheel, pen pressure on macOS where the windowing layer reports none, and tilt, bearing and rotation for Art, Pattern and Bristle brushes and on native Wayland and the web.
    Under Tints and Tints and Shades, art in black ink alone goes by its ink amount, and a process or gray stroke color's tints and shades stay in that color's model; these are VectorCraft's own rules.
    Type in a scatter brush's art takes the brush's colorization as its paths do: Tints, Tints and Shades and Hue Shift recolor the characters' solid fills and strokes in each copy the brush draws, and Brush Options' Key Color list, whose first color is Hue Shift's default key, counts the characters' fills and their strokes wider than 0. The Brushes page says that a scatter, art or pattern brush takes its colors from the current stroke color and the brush's colorization method (<https://web.archive.org/web/20241230205225/https://helpx.adobe.com/illustrator/using/brushes.html>) and does not mention type there; recoloring the characters' paints like the art's fills and strokes is VectorCraft's own rule. The Symbol Stainer mixes the characters' strokes of type toward the stain as it mixes their fills. Evidence: `tests::scatter_colorization_recolors_type`, `tests::art_colors_list_the_most_used_first`, `tests::stain_mixes_type_strokes_too` (vectorcraft-brush).