Keep authored File Info titles unchanged on native restore

crates/engine/src/cmd/fileio/load.rs

@@ -522,12 +522,11 @@ pub fn load_with(name: &str, bytes: &[u8], opts: &LoadOptions) -> Result<Loaded>
         super::super::colormgmt::set_color_mode(&mut doc, mode, true, None, opts.grays);
     }
     // The title the file gives itself (an SVG's `<title>`, a PDF's, `.ai`'s or `.ait`'s XMP `dc:title`
-    // or Info `Title`, which the readers put in File Info; the one a native document holds) is the
-    // File Info title, cleaned as `file.info` takes one. A file restored from the editing data it
-    // carries gives the title that document had, unless that is the file's name. The document's own
-    // name stays what it has always been: the file's name (#3626).
+    // or Info `Title`, which the readers put in File Info) is separate from the document's name.
+    // Existing File Info is preserved exactly; only a restored document's legacy name fallback is
+    // cleaned as imported text. The document's name stays the file's name (#3626).
     let held = restored.then_some(doc.title.as_str()).filter(|t| *t != title);
-    doc.metadata.title = doc.metadata.title.as_deref().or(held).and_then(imported_title);
+    doc.metadata.title = doc.metadata.title.or_else(|| held.and_then(imported_title));
     // Imports are named after the file; a native document keeps its own title (the tab shows the
     // file name once it has a path).
     if !matches!(format.id, "vectorcraft" | "template") || doc.title.is_empty() {

crates/engine/src/tests/fileinfo.rs

@@ -402,6 +402,20 @@ fn file_info_edits_a_files_own_title_and_the_document_follows() {
     assert_eq!(titles(&mut s), ["box.svg", "Access paths"]);
 }
 
+#[test]
+fn restored_file_info_title_keeps_authored_spaces() {
+    let mut s = session();
+    std::sync::Arc::make_mut(&mut s.doc_mut().unwrap().doc).metadata.title = Some("Release  Plan".into());
+    for format in ["vectorcraft", "svg", "pdf"] {
+        let bytes = b64(&s.execute("document.export", &json!({"format": format, "preserveEditing": true})).unwrap());
+        let mut reopened = Session::new();
+        let reply = open_named(&mut reopened, &format!("again.{format}"), &bytes);
+        assert_eq!(reply["restored"], format != "vectorcraft", "{format}");
+        assert_eq!(reopened.doc().unwrap().doc.metadata.title.as_deref(), Some("Release  Plan"), "{format}");
+        assert_eq!(titles(&mut reopened)[1], "Release  Plan", "{format}");
+    }
+}
+
 #[test]
 fn the_files_own_title_is_kept_by_saves_and_written_by_exports() {
     let mut s = Session::new();

docs/file-format-parity.md

@@ -1,6 +1,6 @@
 # File format parity
 
-> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-11-11 · **Change:** minor (`.ai` and EPS import: warps of type open as mesh envelopes on their saved grid, #3179; `.ai` and EPS import: stroked type keeps its stroke's cap, join and miter limit from the text document, #6472; `.ai` save: type in a variable font's named instance names its design-space setting, #6388; `.ai` and EPS import: envelopes of type open live where they draw as their drawn art and the layers with them draw as the page, #3179; `.ai` and EPS import: a note for type in an envelope, #3179; `.ai` and EPS import: the live envelope and warped type check sees white art; PDF import: DeviceN images of one ink or of process plates keep their inks, #6348; `.ai` import: images in a spot ink's Separation space keep their ink, #6350; PDF import: Separation images keep their ink, #6314; PDF editable import preserves authored ActualText once, including empty/nested spans and authored ordering (#6165); cross-line/style layout remains approximate; scores and estimates unchanged; PDF marked-text export (#6309): compatible glyphs stay on one layout line with per-glyph offsets; scores and estimates unchanged; PDF import: image masks open colorized by the color they are painted in, #6313; EPS and `.ai` editing data: a ligature the page names by a private-use glyph matches its text object; EPS import: CIDFonts only named, over a Unicode CMap, set as live type; EPS import: CMap mappings to base-font codes and glyph names; EPS import: CID-keyed fonts in FontSets (CFF) draw their glyphs; EPS import: `kshow` procedures kern live type; EPS import: embedded Type 1 fonts' glyphs and widths; EPS import: CID-keyed fonts draw their glyphs; EPS import: Type 42 fonts' characters and widths from the font they carry, show operators' spacing kept as tracking; EPS import: an image decoder's own buffers stop counting against the memory budget once it is decoded; EPS import: sampled functions interpolate between their samples; `.ai` and EPS type from the text document keeps its tab stops; it keeps auto leading and hyphenation options, and may show more of the file's last lines in an area frame; `.ai` and EPS import: Art brushes in the older form of their objects come into the Brushes panel; EPS import: gradients drawn as abutting strips come in as one gradient, without seams; EPS import: composite fonts draw their Type 42 glyphs; SVG import: filter and mask regions clip, #5876, #5875; SVG import: Gaussian blurs keep `color-interpolation-filters`, #5877; PDF and `.ai` export: objects' URLs as links, #5785; SVG import: `color-interpolation="linearRGB"` gradients, #5878; `.ai` import: paths with a Calligraphic brush open brushed, #372) · **Target:** Adobe Illustrator 2026 (30.x)
+> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-11-11 · **Change:** minor (restored File Info titles retain authored spaces, #3626; previously: `.ai` and EPS import: warps of type open as mesh envelopes on their saved grid, #3179; `.ai` and EPS import: stroked type keeps its stroke's cap, join and miter limit from the text document, #6472; `.ai` save: type in a variable font's named instance names its design-space setting, #6388; `.ai` and EPS import: envelopes of type open live where they draw as their drawn art and the layers with them draw as the page, #3179; `.ai` and EPS import: a note for type in an envelope, #3179; `.ai` and EPS import: the live envelope and warped type check sees white art; PDF import: DeviceN images of one ink or of process plates keep their inks, #6348; `.ai` import: images in a spot ink's Separation space keep their ink, #6350; PDF import: Separation images keep their ink, #6314; PDF editable import preserves authored ActualText once, including empty/nested spans and authored ordering (#6165); cross-line/style layout remains approximate; scores and estimates unchanged; PDF marked-text export (#6309): compatible glyphs stay on one layout line with per-glyph offsets; scores and estimates unchanged; PDF import: image masks open colorized by the color they are painted in, #6313; EPS and `.ai` editing data: a ligature the page names by a private-use glyph matches its text object; EPS import: CIDFonts only named, over a Unicode CMap, set as live type; EPS import: CMap mappings to base-font codes and glyph names; EPS import: CID-keyed fonts in FontSets (CFF) draw their glyphs; EPS import: `kshow` procedures kern live type; EPS import: embedded Type 1 fonts' glyphs and widths; EPS import: CID-keyed fonts draw their glyphs; EPS import: Type 42 fonts' characters and widths from the font they carry, show operators' spacing kept as tracking; EPS import: an image decoder's own buffers stop counting against the memory budget once it is decoded; EPS import: sampled functions interpolate between their samples; `.ai` and EPS type from the text document keeps its tab stops; it keeps auto leading and hyphenation options, and may show more of the file's last lines in an area frame; `.ai` and EPS import: Art brushes in the older form of their objects come into the Brushes panel; EPS import: gradients drawn as abutting strips come in as one gradient, without seams; EPS import: composite fonts draw their Type 42 glyphs; SVG import: filter and mask regions clip, #5876, #5875; SVG import: Gaussian blurs keep `color-interpolation-filters`, #5877; PDF and `.ai` export: objects' URLs as links, #5785; SVG import: `color-interpolation="linearRGB"` gradients, #5878; `.ai` import: paths with a Calligraphic brush open brushed, #372) · **Target:** Adobe Illustrator 2026 (30.x)
 
 Every format Illustrator opens, places, saves or exports, against VectorCraft's format table (`FORMATS`,
 `OPEN_EXTS`, `PLACE_EXTS` in `crates/engine/src/cmd/fileio/formats.rs`). Illustrator's list comes from its public
@@ -339,6 +339,7 @@ Stop opacity on translated artboards remains outside this regression coverage.
 
 | Date | Change | Summary |
 |---|---|---|
+| 2026-11-11 | minor | Native and Preserve Editing restores keep an existing File Info title exactly, including repeated spaces; imported-text fallback titles alone are normalized (#3626). |
 | 2026-11-03 | minor | An imported document's own title goes into File Info only (#3626): an SVG's root `<title>`, a PDF's, `.ai`'s or `.ait`'s XMP `dc:title` else its Info `Title` is File Info's title (`metadata.title` in the native format, left out when unset so other documents save unchanged and older versions ignore it; written by exports); the document's name, which the tab, Save As and the default export names use, stays the file's name. |
 | 2026-11-11 | minor | `.ai` and EPS import: a warp of type (an envelope made with a warp around type) whose own warp, VectorCraft's, doesn't draw as its drawn art is tried again as a mesh envelope on the warp grid the file saves, with the same drawn-art check, budget and page comparison as #6421: where it passes, the type is editable and keeps the file's shape, and the warp's settings (style, bend) are lost. A second try is only made while more checks are left than there are envelopes of type and warped text objects still to come. Type with strokes in an envelope with Distort Appearance on is also tried mapped from its box with strokes, where the size the file saves for it doesn't already give that box (a rule chosen by measuring real files). An envelope's grid (warp, mesh or top object) now reads its way round from all its rows and columns, not its first row alone: a mesh bent far round (its end columns leaning more than halfway over) reads the way it runs, not turned a quarter round, and a grid symmetric about its middle reads the same wherever it is on the page. Tests `tests_native::a_warp_of_type_opens_as_a_mesh_on_its_saved_grid_and_keeps_its_shape_when_its_text_changes`, `a_warp_of_stroked_type_maps_from_its_bounds_with_strokes_where_its_drawn_art_does`, `a_warp_of_type_without_a_saved_grid_keeps_its_drawn_art`, `a_warp_of_type_tried_again_leaves_the_next_envelope_its_check`, `ai::tests::a_mesh_envelope_bent_far_round_opens_the_way_it_runs`, `a_mesh_envelope_bent_halfway_round_opens_the_same_way_wherever_it_is` (part of #3179) |
 | 2026-11-11 | minor | `.ai` and EPS import: type stroked in the text document keeps its stroke's cap, join and miter limit (keys 61, 62 and 64 of its character attributes, numbered as PostScript's `setlinecap` and `setlinejoin`: 0 butt or miter, 1 round, 2 projecting or bevel). They were left at a miter join with a limit of 10 whatever the file said, so type the file strokes with round joins, or with the usual limit of 4 or less, drew spikes at its sharp corners, some many points long. In users' files, used locally and never committed, the page strokes the type with the cap, join and miter limit these keys give; no file had a bevel join, which is read by the same numbering. A value that isn't one of theirs keeps the default, a miter limit past 500 is 500, and type without a stroke keeps the defaults. Dashes are not read: no file had dashed type to tell which keys hold them. Tests `ate::tests::a_run_keeps_its_stroke_cap_join_and_miter_limit`, `tests_native::stroked_type_keeps_its_cap_join_and_miter_limit`; scores unchanged |