Merge main into fix/graph-label-paint-recolor

2026-11-15 01:15:25 +00:00 · 2026-11-13 19:22:11 -08:00
parent c88da287e7 446bf59bc2
commit eb9976a825
152 changed files with 18807 additions and 830 deletions
@@ -345,10 +345,20 @@ Tile Edge Color: Object → Pattern → Tile Edge Color… (`ui.tileEdgeColor`)
 `patternTileEdgeColor` (`prefs.set`), the colour pattern editing mode draws the tile edge and the swatch bounds in.
 A `color` with an alpha part (`#rrggbbaa` or `#rgba`) is an error, and the preference does not change.

-Window title bar: on Windows and Linux the window has no OS decorations and the app bar is the title bar. Its
-caption buttons (Minimize, Maximize/Restore, Close) sit at the bar's right end, 46 pt each; they are window chrome,
-not commands, so drive them with `ui.click` if needed. Close runs `app.quit` (the same `saveChanges` questions for
-modified documents), and empty bar space and the 5 pt window edges move and resize the window. Preferences › User
+Window title bar: on Windows the window has no OS decorations and the app bar is the title bar. On Linux and the BSDs
+the app bar is the title bar by default only on a Wayland session without server-side decorations, such as GNOME, in a
+window not opened through XWayland. Elsewhere the desktop draws the frame and the app bar has no caption buttons,
+unless VectorCraft Title Bar on Every Desktop or `VECTORCRAFT_TITLEBAR=app` turns the app frame on (see below). The
+caption buttons (Minimize, Maximize/Restore, Close) are 46 pt each. By default all three sit at the bar's right end.
+On Linux and the BSDs, when the desktop leaves the window's frame to the app (a Wayland session without server-side
+decorations, such as GNOME), the window is not opened through XWayland and `VECTORCRAFT_TITLEBAR` is unset, they
+follow the `button-layout` key of `org.gnome.desktop.wm.preferences`, read when the app starts: each button the key
+names goes to the end it is listed on, in the listed order (the first one leftmost), and the buttons it does not name
+are not drawn. When `gsettings` is missing or fails, or the key names none of `minimize`, `maximize` and `close`, all
+three stay at the right end. An app frame turned on by `VECTORCRAFT_TITLEBAR=app` or by VectorCraft Title Bar on Every
+Desktop also keeps all three at the right end. The buttons are window chrome, not commands, so drive them with
+`ui.click` if needed. Close runs `app.quit` (the same `saveChanges` questions for modified documents), and empty bar
+space and the 5 pt window edges move and resize the window. Preferences › User
 Interface › System Title Bar (`systemTitleBar`, read when the app starts) gives the window its OS decorations back
 instead: the OS title then shows the active document (`*name — VectorCraft` with unsaved changes) and the app bar
 drops its brand mark. On Linux the app bar also drops its brand mark whenever the desktop draws the window's frame, with
@@ -121,7 +121,7 @@ A file opened from the file manager (double-click, Open With, a drop on the exec

 ## Linux: Wayland and X11

-On GNOME/Wayland, enable **Preferences › User Interface › System Title Bar** and restart to use winit's font-free Adwaita window controls (`wayland-csd-adwaita-notitle`); the existing custom title bar remains the Linux default. On X11, on a Wayland compositor that draws server-side decorations such as KDE Plasma, and in a window opened through XWayland, enable **Preferences › User Interface › VectorCraft Title Bar on Every Desktop** and restart to use the app bar as the title bar instead of the desktop's frame. `VECTORCRAFT_TITLEBAR=app`, `=system` or `=desktop` chooses the frame for one run and takes precedence over System Title Bar and VectorCraft Title Bar on Every Desktop. The variable is case-sensitive and surrounding spaces are ignored; any other value, such as `unknown`, is ignored and does not override System Title Bar.
+On GNOME/Wayland, enable **Preferences › User Interface › System Title Bar** and restart to use winit's font-free Adwaita window controls (`wayland-csd-adwaita-notitle`); the app bar is the title bar by default only on a Wayland compositor that leaves the window's frame to the app, such as GNOME's, in a window not opened through XWayland (see the drop and pen items below). On X11, on a Wayland compositor that draws server-side decorations such as KDE Plasma, and in a window opened through XWayland, enable **Preferences › User Interface › VectorCraft Title Bar on Every Desktop** and restart to use the app bar as the title bar instead of the desktop's frame. `VECTORCRAFT_TITLEBAR=app`, `=system` or `=desktop` chooses the frame for one run and takes precedence over System Title Bar and VectorCraft Title Bar on Every Desktop. The variable is case-sensitive and surrounding spaces are ignored; any other value, such as `unknown`, is ignored and does not override System Title Bar.

 The window runs natively on Wayland (eframe's `wayland` feature) and on X11. On machines with two GPUs it renders on the one the desktop runs on unless Preferences say otherwise; see [Desktop graphics processor](#desktop-graphics-processor) (#502). The system clipboard (`apps/vectorcraft/src/clipboard.rs`) is arboard with its `wayland-data-control` feature:

@@ -296,10 +296,14 @@ other `sv-*` locale resolve to it), Georgian (`ka`, complete; `ka-GE` and `ka_GE
  `Couldn't open {name}: {e}`; `{_1}`, `{_2}` … stand for the format string's `{}`, and the values in the
  placeholders are translated in turn (the reason after `: {e}` is often a message too). Czech, German, Greek, Spanish, French, Georgian, Hungarian, Italian, Japanese, Korean, Polish, Brazilian Portuguese, Russian, Simplified Chinese, Traditional Chinese, Swedish, Ukrainian, Vietnamese, Finnish, Turkish, Catalan and Dutch
  translate status and error messages (`COMPLETE_MESSAGES` in `i18n::tests`); the untranslated report lists the
-  message literals the scan finds that one of them has no row for. The scan reads `Err("…")`, `Other(…)`,
+  message literals the scan finds, and the phrases a parameter schema's error builds at run time
+  (`SCHEMA_PHRASES`), that one of them has no row for. The scan covers the crates in `MESSAGE_CRATES`, the
+  effects and the crates whose errors the engine passes on included. It reads `Err("…")`, `Other(…)`,
  `#[error(…)]` and `status(…)` messages, messages given to an error enum's variant (`PsError::Limit(…)`, the reason
  in `EngineError::Disabled(id, …)`), to the engine's `bad(cmd, …)`, `err(…)` or `error(…)`, and to the PDF writer's
-  `bad(…)` or `failed(…)`, and skips calls inside comments
+  `bad(…)` or `failed(…)`, and the messages a `.map_err(|e| …)` closure returns (from each `if` branch,
+  `match` arm and statement of a block) or the handler a `.map_err(name)` names returns (a closure bound with `let name = |e| …;` or a
+  function `fn name(…)`), and skips calls inside comments
  (`VECTORCRAFT_I18N_DUMP_MESSAGES=messages.txt cargo test -p vectorcraft-ui-egui dump_source_strings` lists them
  all). A missing row shows the English message. Other languages show messages in English until they add `@msg`
  rows.
@@ -7,7 +7,7 @@ Per-language status of VectorCraft's interface. How the catalogs work and how to
 [target-app-parity.md](target-app-parity.md).

 **How it is measured:** rows with a translation in each `crates/ui-egui/src/i18n/<code>.tsv`, counted on
-origin/main `01e165af`, except the rows that give a count date: those were counted on the `main` commit named in the row (the other dated rows on `main` at `cb0a7d9`, 2026-10-21; the Portuguese row on `main` at `d26dd933a`, 2026-10-31).
+origin/main `01e165af`, except the rows that give a count date: those were counted on the `main` commit named in the row (the rows dated 2026-10-21 on `main` at `cb0a7d9`).
 The reference is the French catalog, which was complete when counted: 3,416 interface
 strings (menus, command labels, `tl!` literals: panels, dialogs, tooltips, Preferences) plus 604 `@msg` status and
 error messages, 4,020 in all. A language's % is its rows over 4,020 (capped at 100% per part). A missing
@@ -27,15 +27,15 @@ Chinese by `imachus`). Only Georgian is recorded as reviewed by a native speaker
 | Language | Code | UI strings translated | Dialogs / tooltips / messages | Script support | Native review | Status | To `full` (h) |
 |---|---|---|---|---|---|---|---|
 | English | `en` | source, 100% | all | Latin | — | full | — |
-| Simplified Chinese (Mandarin) | `zh-hans` | 5,102 rows, 791 of them `@msg` (counted 2026-10-21): menus, `tl!` literals and messages complete when counted | all | CJK UI font from craft-fonts (BIZ UDPGothic) when embedded, else a system font; IME with marked text at the caret; vertical type partial ([type-parity.md](type-parity.md)) | no | full | — (review) |
+| Simplified Chinese (Mandarin) | `zh-hans` | 5,102 rows, 791 of them `@msg` (counted 2026-10-21): menus, `tl!` literals and messages complete when counted | all (3,439 `@msg` and 48 `@msgplural` rows, counted 2026-11-13: the untranslated report lists 40 missing messages for it) | CJK UI font from craft-fonts (BIZ UDPGothic) when embedded, else a system font; IME with marked text at the caret; vertical type partial ([type-parity.md](type-parity.md)) | no | full | — (review) |
 | Spanish | `es` | 4,009 / 4,020 (99.7%) | all (604 messages) | Latin | no | full | — (review) |
 | Hindi | `hi` | 8,782 rows (2026-11-13): 3,014 `@msg`, 47 `@msgplural`, 41 `@plural`; no gaps in the untranslated report | menus, dialogs, tooltips and scanned messages; contributor-approved loanword terminology; agent wording pass | UI and document text shape with HarfRust; installed desktop Devanagari fallback, or a `Deva` craft-fonts face; web font still needed | contributor terminology review; 2026-11-13 wording pass on messages and longer labels, with a glossary-term test; wider proofread welcome | complete catalog, machine-assisted draft | native review, layout and web font |
 | Arabic | `ar` | 0 | none | document text: bidi layout and Paragraph Direction; interface: no right-to-left layout, no Arabic shaping in egui | no | none | 25–40 |
 | French | `fr` | 4,020 / 4,020 (100%) | all | Latin | no | full | — (review) |
-| Portuguese | `pt-br` | 6,106 catalog entries (counted 2026-10-31 on `main` at `d26dd933a`): menus, `tl!` literals and messages complete when counted; one/other plurals | all | Latin | contributor is a Brazilian Portuguese speaker; further native review welcome | full | — (review) |
+| Portuguese | `pt-br` | 9,260 rows, 3,445 of them `@msg` and 48 `@msgplural` (counted 2026-11-13): the untranslated report lists 39 missing messages for it; one/other plurals | all | Latin | contributor is a Brazilian Portuguese speaker; further native review welcome | full | — (review) |
 | Indonesian | `id` | 5,279 rows, 750 of them `@msg` (counted 2026-10-21): menus and `tl!` literals complete when counted; its messages are partial; one plural form | dialogs and tooltips all; 750 message rows (French has 796) | Latin | no | full | — (review) |
 | Japanese | `ja` | 4,004 / 4,020 (99.6%) | all | CJK UI font as above; Japanese IME; vertical type partial; Japanese crop marks and composition settings | no | full | — (review) |
-| German | `de` | 3,952 / 4,020 (98%; menus, literals and messages complete when counted) | all (602 of 604 message rows; landed 2026-10-10) | Latin | contributor-written, not reviewed | full | — (review) |
+| German | `de` | 3,952 / 4,020 (98%; menus, literals and messages complete when counted) | all (3,433 `@msg` and 48 `@msgplural` rows, counted 2026-11-13: the untranslated report lists 48 missing messages for it) | Latin | contributor-written, not reviewed | full | — (review) |
 | Korean | `ko` | 4,870 rows (counted 2026-10-21): menus, `tl!` literals and messages complete when counted; one plural form | all | Hangul from an installed system font on the desktop (Apple SD Gothic Neo, Malgun Gothic, Noto Sans CJK KR…); the web build has no Korean UI font yet (craft-fonts); IME path exists | no (AI-drafted) | full | — (review; web font) |
 | Vietnamese | `vi` | 4,886 rows (counted 2026-10-21): menus, `tl!` literals and messages complete when counted; one plural form; 4,046 plain + 18 `@plural` + 28 contextual + 794 `@msg` | all | Latin with Vietnamese diacritics (stacked marks attach in precomposed, decomposed and keyboard forms, #4491; glyph tests pass) | contributor is a Vietnamese speaker; AI-assisted draft, further native review welcome | full | — (review) |

@@ -50,13 +50,13 @@ plus review. Native-speaker review is human work and isn't in the hours.
 | Language | Code | Translated | Status |
 |---|---|---|---|
 | Traditional Chinese (Taiwan) | `zh-hant` | 4,892 rows, 790 of them `@msg` (counted 2026-10-21): menus, `tl!` literals and messages complete when counted (80% overall) | partial |
-| Italian | `it` | 4,011 / 4,020 | full |
+| Italian | `it` | 8,757 rows, 3,422 of them `@msg` and 48 `@msgplural` (counted 2026-11-13): the untranslated report lists 40 missing messages for it | full |
 | Dutch | `nl` | 7,299 rows, 1,609 of them `@msg` and 47 `@msgplural` (counted 2026-11-13 on `main` at `9a1a158a3`): in `COMPLETE_MESSAGES`, and the untranslated report lists the same missing messages for it as for German; one/other plurals | full |
 | Danish | `da` | 5,279 rows, 750 of them `@msg` (counted 2026-10-21): menus and `tl!` literals complete when counted; its messages are partial; one/other plurals | full |
 | Russian | `ru` | 4,009 / 4,020 | full |
-| Ukrainian | `uk` | 4,009 / 4,020 (one/few/many plurals) | full |
+| Ukrainian | `uk` | 8,802 rows, 3,439 of them `@msg` and 48 `@msgplural` (counted 2026-11-13); one/few/many plurals | full |
 | Hungarian | `hu` | 5,253 rows (counted 2026-10-21): menus, `tl!` literals and messages complete when counted; one plural form | full |
-| Polish | `pl` | 5,130 rows (counted 2026-10-21): menus, `tl!` literals and messages complete when counted; one/few/many plurals | full; native review pending |
+| Polish | `pl` | 9,044 rows, 3,439 of them `@msg` and 48 `@msgplural` (counted 2026-11-13): the untranslated report lists 46 missing messages for it, and 47 menu strings, 26 `tl!` literals, 11 undo labels and 45 swatch names; one/few/many plurals | full; native review pending |
 | Finnish | `fi` | 5,318 rows (counted 2026-10-21): menus, `tl!` literals and messages complete when counted; one/other plurals, 797 `@msg` rows | full; AI-assisted, native proofreading pending |
 | Czech | `cs` | 5,240 catalog entries, including 795 `@msg` rows (counted 2026-10-21); menus, literals and messages complete when counted | catalog complete; render-site gaps reduced; native review pending |
 | Bosnian | `bs` | 5,841 rows (counted 2026-10-30): menus, `tl!` literals and messages complete when counted; one/few/other plurals | full; AI-assisted, native review pending |
@@ -148,12 +148,14 @@ the suite) keep the agent to the folders you give it:
  in a recorded action's steps in `ui.action_sets`, also in a batch step's commands, the `path`, `paths`, `file`,
  `files` and `folder` params, a param whose name ends in `Path`, `Paths`, `File`, `Files` or `Folder` (`diffPath`,
  `destinationFolder`), the entries of a list under such a param, and under any other param, as a key or in any
-  list, an absolute path or a `file:` URL outside the roots (any case of `file:`, `%XX` escapes decoded; a URL that
+  list, an absolute path or a `file:` URL outside the roots, also with whitespace around it (any case of `file:`, `%XX` escapes decoded; a URL that
  names another host is always left out), and `~`, a path under `~` or a path that starts with `./` or `../`
  (either separator) that resolves outside the roots from the app's working folder; and the folder
-  preferences in `ui.engine_prefs` and in an open Preferences dialog's `ui.dialog.fields`
-  (`fontsFolder`, `pluginsFolder`, `scratchPrimary`, `scratchSecondary`, `recoveryFolder`, `templatesFolder`; an
-  empty folder and the scratch disk choices `Startup` and `None` stay). A library loaded from a file outside the
+  preferences in `ui.engine_prefs`, in an open Preferences dialog's `ui.dialog.fields` and in a recorded
+  `prefs.set` step (its `value` for such a `key`, and the entries of `values`), also in a batch step's commands
+  (`fontsFolder`, `pluginsFolder`, `scratchPrimary`, `scratchSecondary`, `recoveryFolder`, `templatesFolder`, checked
+  as written and trimmed, a bare name or a subfolder from the app's working folder; an empty folder and the scratch
+  disk choices `Startup` and `None` stay). A library loaded from a file outside the
  roots shows as `loaded/<file name>` wherever `ui_inspect` and `ui.docking` name it: its id, its panel's id, the
  Color Guide's `ui.color_guide_limit`, a closed panel's key in `ui.docking_hidden` and the `library` and `panel`
  params of a recorded action's steps in `ui.action_sets`, and the keys of shortcut overrides (`panel:<panel id>`
@@ -234,6 +236,14 @@ the suite) keep the agent to the folders you give it:
  file outside the read roots by its file name alone in `files`, as `document.json` does, and `removeFile` takes that
  name for it (see SVG interactivity). In a frame a request drives, the JavaScript Files dialog lists such a file by
  its file name, and `ui_inspect` gives the file selected in the dialog the same way.
+- An SVG or SVGZ of a document that links a JavaScript file outside the read roots (SVG Interactivity's files: a
+  path, a `file:` URL, or a relative path taken from the document's folder) is refused with "a linked JavaScript
+  file is outside the read roots", which names no file or folder: `document.serialize`, `document.export` (MCP's
+  `export`), `document.exportSelection`, `document.exportForScreens` and `assets.export` (before the folder is
+  made or any row is written), `document.save`, `file.save`, `file.saveAs` and `file.saveCopy` (also a save
+  without a path of a document whose own format is SVG or SVGZ), `file.exportAs`, and the SVG Options dialog's
+  Show Code. A file given as another URL (`https://…`) is not checked. The document keeps the link, and the
+  person at the keyboard exports it as stored.
 - `plugin.list`, `plugin.safeMode`, `file.recovery.*` and `ui_inspect`'s `scriptReport` leave out the paths
  outside the read roots, also those the person or an earlier request put there. In `plugin.list`, the plug-in
  folder last loaded is `null` in `folder.folder`, and a failed file in `folder.failed` and a plug-in's `source`
@@ -795,6 +805,16 @@ The other commands given a series group's id edit the group itself, and the grap
 `appearance.addEffect`, and the paint, stroke and gradient commands with a fill or stroke `item`, which is a row of the
 group's own stack. The Appearance panel and `appearance.setActiveItem` read the selected group's own rows.

+The graph draws the art of a column or marker design in a series again from the design, so the commands that add,
+change, move or remove fill and stroke rows, effects or graphic styles leave that art out: the `appearance.*` commands
+listed above, `effect.apply`, `appearance.addEffect` and the other `effect.*` commands that edit, move or remove an
+effect, `graphicStyle.apply` (and `graphicStyle.addFromLibrary` with `apply`), `transparency.set` with a fill or stroke
+`item`, and `appearance.copyFrom` as the target. The art is any object inside a series group other than a path directly
+in it, whether given by id, selected, or reached through `target: "contents"`. The commands edit the other objects they
+are given, and a command whose objects are all design art is an error. `appearance.transfer` with design art as its
+`target`, or as its `source` without `copy`, is an error. The paint commands leave the art out as well, without an
+error. To change the art, edit the design with `graph.design`.
+
 The graph also stores a paint or stroke weight that one of these commands changes on the topmost visible fill or stroke
 of a path directly in a series: a weight set with `stroke.set`, `stroke.weightUp` or `stroke.weightDown`; a gradient
 made, placed or edited with `paint.editGradient`, `paint.setGradientGeom`, `paint.freeform.addPoint`,
@@ -3160,8 +3180,13 @@ already walks Image Trace. Short agent entry points:
  reply's `defined` lists the variables the import defined. While the variables are
  locked, an import whose header would define a variable fails with "variables are locked".
  A `dataset.import` file that isn't UTF-8 is read as Windows-1252, unless it starts with the UTF-8 byte-order mark.
-  A file that starts with a UTF-16 byte-order mark is read as UTF-16, and a file without one that holds NUL bytes is
-  refused. `csv` and `data` are read as the text they hold.
+  A file that starts with a UTF-16 byte-order mark is read as UTF-16. A file without one that holds NUL bytes is read
+  as UTF-16 when at least half of its two-byte units hold a NUL byte, as characters from U+0001 to U+00FF do, in the
+  byte order that reads a line break (`\n` or `\r`). It is refused when fewer of its units hold a NUL byte (UTF-8 or
+  Windows-1252 text with stray NUL bytes, or UTF-16 text made mostly of other characters, which needs a byte-order
+  mark), when both byte orders read a line break (the text holds U+0A00 or U+0D00), when it has an odd length, and
+  when it isn't valid UTF-16 in that order or holds a NUL character. A file with no line break has no data rows and is
+  refused for that. `csv` and `data` are read as the text they hold.
 - Variable libraries: `variable.loadLibrary {path|xml|dataBase64}` (the Variables panel menu's Load Variable
  Library…) replaces the document's variables and data sets with a variable library's in one undo step. A load, like a
  `dataset.import`, adds no undo step when it leaves the variables and data sets as they were. The library
@@ -3218,7 +3243,11 @@ already walks Image Trace. Short agent entry points:
  after the set (the web downloads it), and returns `{path}`. `id` holds the panel's own set id, which the panel menu
  passes: the set with this id is saved wherever it is when the file dialog answers, and `set` is not read. A set that
  would be larger than 8 MiB as a file, has more than 1,000 actions or has an action of more than 10,000 steps is not
-  written, and the command returns the same error as a load of such a file. `ui.actionSet.load {path? | data?}` reads
+  written, and the command returns the same error as a load of such a file. Nor is a set with a `prefs.set` step, also
+  in a batch step's commands, that sets a folder preference (`fontsFolder`, `pluginsFolder`, `scratchPrimary`,
+  `scratchSecondary`, `recoveryFolder`, `templatesFolder`) to a folder, which names a folder on this computer: the
+  error `the action “<name>” sets the folder preference <key>; delete that step to save the set` names the first such
+  action and preference. An empty folder and the scratch disk choices `Startup` and `None` save. `ui.actionSet.load {path? | data?}` reads
  the file at `path`, else a picked one, or the file's text `data`, adds its set after the other sets and returns
  `{set, name, actions}`. A set named like one already in the panel gets the next free number (`Print 2`), and the
  other sets and the current set stay as they are. An action set file (`.vcactions`) is JSON:
@@ -3502,7 +3531,8 @@ already walks Image Trace. Short agent entry points:
  at the pointer selects under these rules: the arrow with a filled square for a face, with a short line for an edge,
  and with an x for nothing. It keeps the look it had at the press until the release.
  The Live Paint Bucket's options (`tool.setOption {tool: "livePaintBucket", values}`; double-clicking the tool opens
-  them, dialog `livePaintBucketOptions`) are `paintFills` (on), `paintStrokes` (off), `highlight` (on), `color` (the
+  them, dialog `livePaintBucketOptions`) are `paintFills` (on), `paintStrokes` (off), `cursorSwatchPreview` (on),
+  `highlight` (on), `color` (the
  highlight color, `#rrggbb` or a layer color's name; `#ff2a2a`) and `width` (the face highlight's width, 1 to 20 screen
  pixels; 4; an edge's highlight is half as wide). The dialog's OK gives an error for a `color` with an alpha part
  (`#rrggbbaa` or `#rgba`) and changes nothing. `tool.setOption` gives an error that names the option and sets none of
@@ -3515,12 +3545,26 @@ already walks Image Trace. Short agent entry points:
  `livePaint.strokeEdge` when an edge is within 4 screen pixels of the pointer and `livePaint.fill` otherwise, and
  Shift-click runs `livePaint.fill`. With both off, a click runs nothing. With `highlight` off, the face or edge under
  the pointer is not outlined.
+  With the Live Paint Bucket selected and no drag in progress, Left and Right without Shift, Alt or Cmd/Ctrl (which
+  keep their shortcuts) run `paint.setFill {swatch, ids: []}` (or
+  `paint.setStroke` when the Stroke proxy is in front) with the color swatch before or after the active paint in the
+  Swatches panel, wrapping around at the ends; from a color that is no swatch, Right picks the first swatch and Left
+  the last, and with no color swatch the tool does not take the keys. The selected art keeps its paint. With
+  `cursorSwatchPreview` on, the active paint shows as a ringed chip above the pointer between the swatches before and
+  after it, except during a fill drag or with Alt held; a solid color that is no swatch shows alone, and a paint that is not a solid color shows no chip. Left and
+  Right step the swatches with `cursorSwatchPreview` off too.
  `livePaint.merge` keeps the bottom Live Paint group's id, name, lock, visibility, transparency, appearance, opacity
  mask and graphic style link. With a Live Paint group among the objects, `livePaint.make` adds the others to it as
  `livePaint.merge` does, and so does `livePaint.fill {ids}` when `point` is outside that group's faces.
  `livePaint.fill` does not fill a face that is hidden on its own. With `group`, a point on a hidden face is an
  error. With `ids`, at a point on a hidden face it fills the face there of another Live Paint group among the
  objects; otherwise it returns an error and does not merge the objects.
+  A Live Paint command that changes nothing records no undo step, keeps the redo steps, leaves a saved document saved
+  and replies as usual: `livePaint.fill` (a click, or a Bucket drag) when every face it reaches already has the paint,
+  `livePaint.strokeEdge` when the edge already has the paint and the width, `livePaint.gapOptions` (and the Gap Options
+  dialog's OK) when every group already has the options and `closeGaps` finds no gap, and `livePaint.make` or
+  `livePaint.merge` given one Live Paint group alone, which they select. Such a fill or stroke also leaves the recent
+  colors and the last color as they are. `livePaint.gapOptions` makes a group's faces again, with new ids, only when it adds a path or when Gap Detection is turned on or off or given a new size while it is on.

 `brush.selectionArt {ids?|id?}` (a query) replies `{art}`: the object that `brush.new` given the same `ids` or `id`,
 or the same selection, takes as a new scatter or art brush's art and as a new pattern brush's side tile. Several
@@ -3930,6 +3974,9 @@ For `edit.colors.*`, `fill: false` leaves colorized image fills unchanged. `reco
 `edit.colors.toGrayscale` and `edit.colors.adjustBalance` with `mode: "gray"` and `convert: true` store an embedded image
 with one gray channel, so a PDF writes it in gray.
 `includePatterns: false` leaves patterns out. The Blend commands also grade gradient meshes, which keep their shading.
+The `edit.colors.*` commands, including the Blend commands, and `recolor.apply`, `paint.invert`, `paint.complement`,
+`addon.color.filter` and `addon.color.applyNearestSwatch` record no undo step when they change nothing, for example
+`edit.colors.invert` with `fill: false` and `stroke: false`, or a Blend whose objects already have the graded fills.
 `edit.colors.saturate` needs `intensity`, a number from -100 to 100 (a number outside the range counts as its nearest
 end). Without one, or with `null`, it answers `` missing number `intensity` ``; with a value that is not a number, such as
 `"40"`, it answers `` `intensity` must be a number, not "40" ``. Either way it changes nothing.
@@ -4921,7 +4968,9 @@ stay live. `object.expand.info` answers which options have something to expand i
 (`{object, fill, stroke, gradient, appearance, symbolArt?}`; `gradient` says whether Fill has a gradient fill, which Expand
 Gradient To applies to, that it turns into art: it is false when every such fill repeats or reflects in more than 256
 runs across the box it fills, which for type, symbol art included, is the box of each outline Object makes of a character,
-ruby character, underline or strikethrough; `appearance` whether the selection has appearance attributes Expand Appearance expands first,
+ruby character, underline or strikethrough, and for a fill of the type object itself the box of its whole outline;
+`stroke` and `fill` count the type object's own strokes and pattern fills as well as its characters' (its own
+only when the type has an outline, which type of only spaces does not); `appearance` whether the selection has appearance attributes Expand Appearance expands first,
 for which Object → Expand… is dimmed in the menus; `symbolArt: {fill, stroke, gradient}`, present when the selection
 holds symbol instances that `object` expands, whether only their art holds it, which Fill and Stroke reach only with
 `object` on), and `object.mesh.create` on a gradient-filled object colours the
@@ -4985,7 +5034,8 @@ more than one linked file (two such files, or such a file and a file linked as t
 error and unlinks nothing. `ui.javascriptFilesDialog {}`
 opens the JavaScript Files dialog, whose Choose… puts a picked file in as a `file:///` URL. SVG export writes each event
 as an event attribute on the object's element (`onclick="…"`; with the SVG Tiny 1.2 profile it leaves them out with a
-warning) and each file as `<script xlink:href>`. SVG import reads the event attributes the panel lists and the
+warning) and each file as `<script xlink:href>`, as stored; for a caller with automation read roots, an SVG or SVGZ
+of a document that links a file outside them is refused (see the read roots above). SVG import reads the event attributes the panel lists and the
 `<script>` links back as text; it never reads a script file or runs a script, and leaves inline scripts and the links
 after the first 64 out with a warning. An unnamed `<g>` with event attributes of its own stays a group, apart from the object in
 it. The native format keeps the events and the files.
@@ -6256,12 +6306,13 @@ Preferences. `prefs.reset` resets the preferences at once, without the question.
 `prefs.export {path?}` writes the preferences as a JSON file, `{"format": "vectorcraft-preferences", "version": 1,
 "prefs": {…}}`, and replies `{path, count}`; without `path` it replies `{data, count}` with the file's text. The file
 holds every preference `prefs.list` lists and the `eyedropper`, `perspectiveWidget`, `pathfinder`, `glyphSnap` and
-`pixelSnap` groups. It leaves out the folder preferences (`fontsFolder`, `pluginsFolder`, `recoveryFolder`, `templatesFolder`) and
-saved presets. An export over 1 MB, the most `prefs.import` reads, is an error and writes nothing.
+`pixelSnap` groups. It leaves out the folder preferences (`fontsFolder`, `pluginsFolder`, `scratchPrimary`, `scratchSecondary`,
+`recoveryFolder`, `templatesFolder`) and saved presets. An export over 1 MB, the most `prefs.import` reads, is an error and writes nothing.
 `prefs.import {path | data}` applies such a file and replies `{imported}`, the number of preferences it
 set. It checks every value first, as `prefs.set` does: a file over 1 MB, malformed JSON, another `format`, a newer
 `version`, an empty `prefs`, an unknown preference, a value of the wrong type or out of range, or a folder preference
-is an error, and nothing changes. Preferences the file leaves out keep their values. An import leaves the open
+is an error, and nothing changes. For `scratchPrimary` and `scratchSecondary` only a folder is an error: an empty
+value and the choices `Startup` and `None` are read. Preferences the file leaves out keep their values. An import leaves the open
 document's units as they are, records no undo step, and is saved with the other preferences. An open Preferences
 dialog shows the imported values. `prefs.import` is refused as a `command.batch` step. The dialog's Export Preferences… and Import Preferences… buttons run the two
 commands with a save or open dialog; the web build downloads the exported file and has no Import Preferences… button.
@@ -8338,6 +8389,14 @@ indent and bullet or number again.
 {"name":"run_command","arguments":{"command":"text.thread.add","params":{"from":42,"at":[300,120]}}}
 ```

+`type.createOutlines` (Type › Create Outlines) makes a group with a path per glyph, ruby glyph and underline or
+strikethrough bar, each painted as its characters are. The type object's own fills and strokes (the items around the
+Appearance panel's Characters row, not the characters' formatting) go on paths of the type's whole outline: the items
+below the Characters row on one path under the glyph paths, the others on one path over them, in their order and with
+their opacity, blend mode, effects and stroke settings. Their gradients that are not placed are fixed to the type's
+layout box, as the canvas paints them, so one gradient spans every glyph. The group itself has no fills or strokes.
+`object.expand` outlines type with this command, so Fill and Stroke expand those paths' gradients, patterns and strokes.
+
 `type.createOutlines` (Type › Create Outlines) and `effect.expandAppearance` (when it outlines type, as Expand
 Appearance describes) take an outlined frame of threaded text out of its thread with the text it shows, and the other
 frames keep the text they hold. When the thread's last frame is outlined, the text it has no room for, which its
@@ -9862,8 +9921,8 @@ The Shape Builder tool's options are its Shape Builder Tool Options (dialog `sha
 `openFilledAsClosed` (on: a filled open path bounds a region as if an invisible edge closed it; off: it cuts regions
 as an unfilled path does), `pickColorFrom` (`artwork`, the default: a merged shape takes the appearance, opacity and
 blending mode of the front-most selected object under the drag's first point, else of the one under its last point,
-else of the front-most selected object; `swatches`: the current fill, and the Left and Right arrow keys step the
-current fill through the document's color swatches), `cursorSwatchPreview` (off; with `swatches`, chips above the
+else of the front-most selected object; `swatches`: the current fill, and the Left and Right arrow keys without
+Shift, Alt or Cmd/Ctrl step the current fill through the document's color swatches), `cursorSwatchPreview` (off; with `swatches`, chips above the
 pointer show the current fill and the swatches before and after it), `selection` (`freeform`, the default, or
 `straightLine`: a drag touches what the line from its first point to the pointer crosses), `highlightFill` (on by
 default; when it is off, merge mode shades no regions), `gapDetection` (off) with `gapLength` (pt, 0 to 72; 3), `clickStrokeSplitsPath` (In Merge Mode,
@@ -10763,7 +10822,8 @@ Commands:
 - `addon.pathtools.cornerSet {ids?, anchors?, items?, radius, kind?, every?, minAngle?, maxAngle?}` cuts live corners, the ones Direct Selection's
  corner widgets and the Corners dialog edit, as one undo step. `ids` (default: the selection) are the paths and
  `anchors` the anchor indices of each path's outline with no corners cut; without `anchors`, a path's direct-selected
-  anchors, or all of them. `items: [{id, anchors?}…]` gives each path its own instead. Only anchors where two sides meet
+  anchors, or all of them. `items: [{id, anchors?}…]` gives each path its own instead; a member key other than `id`
+  and `anchors`, or `items` given with `ids`, is an error. Only anchors where two sides meet
  at an angle take a corner: smooth anchors and open ends are skipped, and it is an error if none is left. `radius` is
  0 to 1,000,000 pt, drawn no larger than fits; `kind` is `round`, `invertedRound` or `chamfer` (default: each corner's
  own). `every` (`all`, `odd` or `even`; default `all`) keeps, of those anchors, only the odd- or even-numbered ones,
@@ -10773,7 +10833,7 @@ Commands:
  be more than `maxAngle`, and it is an error, saying so, if no chosen corner is in the range. Object › Plug-ins › Path Precision Tools › Set Corners… (also in the Anchor Inspector's
  Corners section) sets these with Preview. → `{ids, corners}`.
 - `addon.pathtools.cornerRemove {ids?, anchors?, items?}` makes those corners sharp again, as one undo step; a plain path
-  with none left is plain again. → `{ids, corners}`.
+  with none left is plain again. Its `items` take the same keys as `cornerSet`'s. → `{ids, corners}`.
 - `addon.pathtools.slideAnchor {id, subpath?, anchor, t}` moves an anchor along its path, the segments beside it refitted
  so the outline stays (the anchor count and index stay). `t`, -0.98 to 0.98, says where: positive, a curve parameter on
  the segment after the anchor; negative, back from the end of the one before. An anchor at a sharp corner loses it, as
@@ -11101,7 +11161,7 @@ the other colour adjustments (Effect › Color Adjustments); each colour keeps i
 `addon.color.filter {effect, params?, fill?, stroke?, includeImages?, includePatterns?, ids?}` applies any colour
 adjustment, the add-on's or one of Effect › Color Adjustments', to the colours themselves instead of as a live effect:
 fills, strokes, type, gradient meshes, embedded images and pattern tiles, as `edit.colors.invert` reaches them, as one
-undo step. Missing `params` take the effect's dialog defaults; the objects' own effects stay as they are.
+undo step (none when nothing changes). Missing `params` take the effect's dialog defaults; the objects' own effects stay as they are.

 ```json
 {"name":"run_command","arguments":{"command":"effect.apply","params":{"effect":"addon.color.exposure","params":{"exposure":1.5}}}}
@@ -11268,7 +11328,7 @@ spot, deltaE}]}]}` (`values` as a default swatch name reads them: `C=10 M=20 Y=3
 `addon.color.applyNearestSwatch {library?, fill?, stroke?, ids?}` (Object › Plug-ins › Color Effects › Find Nearest
 Swatch…, whose dialog lists each colour's three closest swatches with their difference; Apply runs it) gives each solid
 colour and gradient stop of the selected objects' fills and strokes (and gradient meshes) the colour of its nearest
-swatch, as one undo step. A global or spot swatch's colour links to it. The library's swatches the colours take are
+swatch, as one undo step (none when nothing changes). A global or spot swatch's colour links to it. The library's swatches the colours take are
 added to the document's first, as `swatch.library.add` adds them, so a spot colour from a colour book stays spot;
 images and patterns keep their colours. → `{changed, swatches: [the document swatches the colours took], added}`

@@ -10,6 +10,8 @@
 >
 > Numeric spinner update (2026-11-10): held mouse arrows repeat past the click timeout; scores and estimates unchanged (#6307).

+> **PDF import status (2026-11-14, #6957):** Outlined Indic glyphs retain their full stroke properties; translucent glyphs stay separate, and a soft mask attaches to each glyph separately. Scores and estimates unchanged.
+
 ## Feature submission evidence

 M4: Explicitly requested editing data keeps a single artboard larger than its 14,400 pt capped PDF page (#6865). Scores and estimates unchanged.
@@ -56,6 +58,7 @@ M7 type: Touch Type moves a right-to-left character along its line and up from i
 | 2026-11-13 | minor | PDF import: glyphs inside a marked-content span with an empty `ActualText` come in as outlines in their fill and stroke instead of being left out, adding no text (#6971; `empty_actual_text_keeps_the_glyphs_art` in `crates/pdf/src/tests/actual_text.rs`). Scores and estimates unchanged. |
 | 2026-11-13 | minor | Library panels (swatch, Color Book, brush, symbol and graphic style libraries): in a panel made taller the list fills the space above the footer instead of scrolling inside 220 or 280 pt (#2992; `the_list_fills_a_tall_panel_above_its_footer` in `crates/ui-egui/src/panels/library_panel/tests.rs`). Scores and estimates unchanged. |
 | 2026-11-13 | minor | Swatches: in a panel made taller the swatch list fills the space above the footer instead of scrolling inside 150 or 200 pt (#1638; `the_list_fills_a_tall_panel_above_its_footer` in `crates/ui-egui/src/panels/swatches/tests.rs`). Scores and estimates unchanged. |
+| 2026-11-13 | minor | M4: PDF import (#5235, #6906): Indic type keeps its marks on their line, and a line whose type would not draw as the file does keeps the file's glyphs as outlines (opaque, alike-stroked ones share a path except under a soft mask, where each glyph keeps its own path and mask; translucent ones keep their own). Scores and estimates unchanged. Evidence: `crates/pdf/src/tests/reshaped.rs`. |
 | 2026-11-10 | minor | M13 / G6: MCP catalogue (#6460): headless lists UI commands, eight prompts, 33 tools, effect vs command ids; scores and estimates unchanged. |
 | 2026-11-08 | minor | Character Styles panel: a double-click on a user style's row opens its Character Style Options (`ui.charStyleOptions`); the dialog keeps a fixed width and scrolls its sections in a shorter window, so OK and Cancel stay on screen. Tests `panels::text_styles::tests::double_clicking_a_character_style_row_opens_its_options` and `dialogs::char_style_options::tests::the_sections_scroll_in_a_window_shorter_than_the_general_list`. Scores and estimates unchanged. |
 | 2026-11-08 | minor | #3380, deletion only: preserve gradient placement and exact surviving geometry; consume owned subpaths with a shared original-node snapshot; consolidate status/evidence and document command/helper contracts. Compound behavior and the existing M2 status entry are retained. Endpoint highlighting remains open; scores and estimates unchanged. |
@@ -12,6 +12,8 @@
 >
 > **Flyout update:** 2026-11-06 — resizable icon-strip flyouts and bottom-aligned panel footers (#5713); scores and estimates unchanged.

+> **PDF import status (2026-11-14, #6957):** Outlined Indic glyphs retain their full stroke properties; translucent glyphs stay separate, and a soft mask attaches to each glyph separately. Scores and estimates unchanged.
+
 ## Feature submission evidence

 EPS embedded fonts, 2026-11-09 (#6023–#6067): the fonts an EPS carries draw their glyphs instead of being set as type in an installed font: composite (Type 0) fonts with the 8/8 mapping, plain Type 42 fonts (characters from their glyph names or character map, widths from the font), CID-keyed fonts over CMaps (Type 0 and Type 2 CIDFonts, CIDFonts in a FontSet's Compact Font Format data, base-font CMaps, named CIDFonts over predefined Unicode CMaps set as type) and embedded Type 1 fonts; the show operators' spacing along the baseline is kept as tracking, `kshow` included. Each step is charged to the interpreter's budgets. Hand-written test files only (no corpus file uses these fonts); scores and estimates unchanged. Evidence: `crates/eps/src/import/tests_composite.rs`, `tests_type42.rs`, `tests_cid.rs`, `tests_type1.rs`; details in [file-format-parity.md](file-format-parity.md).
@@ -60,6 +62,7 @@ Artboard Options forwards the active Artboard tool's Scale Artwork with Artboard
 | 2026-11-13 | minor | Library panels (swatch, Color Book, brush, symbol and graphic style libraries): in a panel made taller the list fills the space above the footer instead of scrolling inside 220 or 280 pt (#2992; `the_list_fills_a_tall_panel_above_its_footer` in `crates/ui-egui/src/panels/library_panel/tests.rs`). Scores and estimates unchanged. |
 | 2026-11-13 | minor | Swatches: in a panel made taller the swatch list fills the space above the footer instead of scrolling inside 150 or 200 pt (#1638; `the_list_fills_a_tall_panel_above_its_footer` in `crates/ui-egui/src/panels/swatches/tests.rs`). Scores and estimates unchanged. |
 | 2026-11-13 | minor | Swatches panel: its menu's Show Recent Colors hides and shows the panel's Recent Colors row, checked by default and kept between sessions apart from the Color panel's (#6617); scores unchanged. |
+| 2026-11-13 | minor | M4: PDF import (#5235, #6906): Indic type keeps its marks on their line, and a line whose type would not draw as the file does keeps the file's glyphs as outlines (opaque, alike-stroked ones share a path except under a soft mask, where each glyph keeps its own path and mask; translucent ones keep their own). Scores and estimates unchanged. Evidence: `crates/pdf/src/tests/reshaped.rs`. |
 | 2026-11-09 | minor | Stroke panel: Line Arrow, a 41st generated arrowhead: two arms of the head's weight (stroke weight × arrowhead scale, at least 0.25 pt: the line's weight at 100 % for lines of 0.25 pt or more) at right angles, a sharp tip and square-cut ends, twice as wide as the other heads; bounds and clicks follow each head's own reach (`stroke.set` `LineArrow`, #5421); scores and estimates unchanged |
 | 2026-11-09 | minor | Canvas: a 3D effect (Extrude & Bevel, Inflate, Rotate, Revolve) changed on type or a group draws again where its art was and is, measured by that art; the canvas measures through its renderer and draws the part with the art it made to measure it. Exports and Object › Rasterize take the solid of 3D type. Fit to Artwork Bounds and per-artboard SVG export measure every artboard through one renderer, building each solid once. A 3D effect on a fill or stroke that builds nothing (Revolve after Roughen) no longer overflows the stack on the canvas, in Object › Rasterize and in raster and EPS exports: the fill or stroke draws as without it. Tests `tests::changed::a_3d_effect_changed_on_type_or_a_group_changes_where_its_solid_was`, `fx::tests::a_renderer_measures_the_art_on_each_artboard_building_each_solid_once`, `canvas::tests::an_edit_to_a_3d_effect_redraws_with_the_art_measured`, `fx::tests::a_3d_effect_that_builds_nothing_draws_the_item_as_without_it`. Scores and estimates unchanged. |
 | 2026-11-08 | minor | Style panels: a double-click on a user character style's row opens its Character Style Options (`ui.charStyleOptions`), and on a paragraph style's row its Paragraph Style Options (rename); the Character Style Options dialog keeps a fixed width and scrolls its sections in a shorter window, so OK and Cancel stay on screen. Tests `panels::text_styles::tests::double_clicking_a_character_style_row_opens_its_options` and `dialogs::char_style_options::tests::the_sections_scroll_in_a_window_shorter_than_the_general_list`. Scores and estimates unchanged. |
@@ -250,9 +253,9 @@ dominate; 3D, graphs and automation are specialist). They sum to 105. Feature de
 | Image Trace, graphs, image tools | 3 | 75% | graph Column designs, Image Trace Create Strokes depth (Create Object Mosaic is done; junction-returning piece survival has source-generated regressions in `image-trace-quality.md`; large images trace with a warning; Auto Color keeps rare distinct colours) | 5–8 | estimated (raised from 72%); quick presets reveal adjustment controls, Properties reopens them |
 | Layers, artboards, document setup | 5 | 78% | Selected-artboard deletion is consistent across panel actions (all-selected retains artboard 1); history prunes removed indices while preserving valid multiselection; remaining:  30.0's artboard locking and colours and managing artboards from the canvas, Layers row menu commands beyond Collect for Export and menus on guide and blend spine rows (click-to-fit objects is done, #1227) | 5–8 | estimated (lowered from 82%: target moved); Artboard deletion keys keep artwork and the first of an all-selected set; Artboard Options' Show Center Mark and Show Cross Hairs draw on the canvas only (exports and print leave them out), regression-tested; Artboard Options' Show Video Safe Areas and Video Ruler Pixel Aspect Ratio (per artboard, native format) are done ([video display options](#evidence-what-ships-today-by-area)), score unchanged |
 | View & navigation | 3 | 70% | multiple windows and the rest of Arrange (Cascade, Float in Window, Float All in Windows) | 9–14 | estimated; Window › Arrange › Tile and Consolidate All Windows done (score/hours unchanged); document-tab artwork hover/copy and lossless transfer tested (2026-10-22; score/hours unchanged); cached canvas reprojection preserves scale during resize, rotation and DPI changes (regression and contributor original-file evidence below; scores/hours unchanged); cached canvas dimensions match the renderer limit before cache-key creation, view construction and worker submission (regression evidence below) |
-| File formats | 6 | 75% | `.ai` files open with a flattened or wrong layer structure in real cases (#951), no writing of Illustrator's editing data (#868), FreeHand/CorelDRAW/DWG/HEIC import, 3D export; see [file-format-parity.md](file-format-parity.md); EPS legacy mesh/opacity-mask and raster comparison follow-up verified  PDF marked-text batching covered by M4 evidence (#6309); cross-line/style ActualText layout (#6165) and styled-cluster limits remain.| 10–20 | estimated (lowered from 85%: open issues); DXF control-point SPLINE import closure regression-tested (#1299 follow-up after #1320); DXF export's Include Placed Images and Include Fill Hatches options, off in CNC / CAM (`images_and_hatches_are_left_out_independently_and_the_cnc_preset_leaves_out_both`; score, gaps and hours unchanged); PDF writer metadata, reader streaming and immutable backend checks in `crates/pdf/src/tests.rs`, `crates/pdf/src/tests/reader_streaming.rs` and `xtask/src/pdf_deps.rs`; PDF Place and clipboard paste retain live text (synthetic regressions); EPS ordinary Save retains the page frame and editable document (2026-10-26); `.ai`/EPS editing data checked against a user's files (2026-10-30): case setting (`ate::tests`, `tests_native::type_from_the_text_document_keeps_its_case_setting`), placed-file placements (`tests_native::a_small_placed_file_goes_where_it_draws_closer_to_the_page`), pages cropped to the art (`tests_native::type_on_the_copies_of_a_page_cropped_to_the_art_is_read_once`), mesh corner weights and state (`ai::mesh::tests::corners_with_handle_weights_of_zero_are_read`, `ai::tests::a_gradient_mesh_takes_the_transparency_written_after_it`), type on a path spacing (`tests_native::type_round_a_circle_is_spaced_as_the_file_lays_it_out`; the distance from the path under Align to Path is measured from the top of each character's em box, half the height of the top of its H or the bottom of its font's bounding box (`tests_native::aligned_type_lies_as_far_from_its_path_as_the_file_lays_it_out`), and the fit under Gravity does not reproduce the file's layout), blend state (`ai::tests::a_blends_transparency_follows_its_record`); scores and estimates unchanged. PDF ActualText preserved in editable import (#6165; bounded synthetic coverage below); score/hours unchanged. |
-| File formats | 6 | 75% | `.ai` files open with a flattened or wrong layer structure in real cases (#951), a saved `.ai`'s editing copy without live effects on objects other than paths, compound paths and groups that qualify (at most a fill and a stroke, a non-zero fill rule when filled, no large canvas) and whose appearance and effects the art-style writer supports, and with live objects as their art (#868), FreeHand/CorelDRAW/DWG/HEIC import, textures, map art and shading in 3D export; see [file-format-parity.md](file-format-parity.md); EPS legacy mesh/opacity-mask and raster comparison follow-up verified  PDF marked-text batching covered by M4 evidence (#6309); cross-line/style ActualText layout (#6165) and styled-cluster limits remain.| 10–20 | estimated (lowered from 85%: open issues); DXF control-point SPLINE import closure regression-tested (#1299 follow-up after #1320); PDF writer metadata, reader streaming and immutable backend checks in `crates/pdf/src/tests.rs`, `crates/pdf/src/tests/reader_streaming.rs` and `xtask/src/pdf_deps.rs`; PDF Place and clipboard paste retain live text (synthetic regressions); EPS ordinary Save retains the page frame and editable document (2026-10-26); `.ai`/EPS editing data checked against a user's files (2026-10-30): case setting (`ate::tests`, `tests_native::type_from_the_text_document_keeps_its_case_setting`), placed-file placements (`tests_native::a_small_placed_file_goes_where_it_draws_closer_to_the_page`), pages cropped to the art (`tests_native::type_on_the_copies_of_a_page_cropped_to_the_art_is_read_once`), mesh corner weights and state (`ai::mesh::tests::corners_with_handle_weights_of_zero_are_read`, `ai::tests::a_gradient_mesh_takes_the_transparency_written_after_it`), type on a path spacing (`tests_native::type_round_a_circle_is_spaced_as_the_file_lays_it_out`), blend state (`ai::tests::a_blends_transparency_follows_its_record`); scores and estimates unchanged. PDF ActualText preserved in editable import (#6165; bounded synthetic coverage below); score/hours unchanged. |
-| File formats | 6 | 75% | `.ai` files open with a flattened or wrong layer structure in real cases (#951), a saved `.ai`'s editing copy without live effects on objects other than paths, compound paths and groups that qualify (at most a fill and a stroke, a non-zero fill rule when filled, no large canvas) and whose appearance and effects the art-style writer supports, and with live objects as their art (#868), FreeHand/CorelDRAW/DWG/HEIC import, 3D export; see [file-format-parity.md](file-format-parity.md); EPS legacy mesh/opacity-mask and raster comparison follow-up verified  PDF marked-text batching covered by M4 evidence (#6309); cross-line/style ActualText layout (#6165) and styled-cluster limits remain.| 10–20 | estimated (lowered from 85%: open issues); DXF control-point SPLINE import closure regression-tested (#1299 follow-up after #1320); PDF writer metadata, reader streaming and immutable backend checks in `crates/pdf/src/tests.rs`, `crates/pdf/src/tests/reader_streaming.rs` and `xtask/src/pdf_deps.rs`; PDF Place and clipboard paste retain live text (synthetic regressions); SVG CSS classes survive export and repeated import in all four styling modes (#2480); current-main integration retains event attributes and scripts; EPS ordinary Save retains the page frame and editable document (2026-10-26); `.ai`/EPS editing data checked against a user's files (2026-10-30): case setting (`ate::tests`, `tests_native::type_from_the_text_document_keeps_its_case_setting`), placed-file placements (`tests_native::a_small_placed_file_goes_where_it_draws_closer_to_the_page`), pages cropped to the art (`tests_native::type_on_the_copies_of_a_page_cropped_to_the_art_is_read_once`), mesh corner weights and state (`ai::mesh::tests::corners_with_handle_weights_of_zero_are_read`, `ai::tests::a_gradient_mesh_takes_the_transparency_written_after_it`), type on a path spacing (`tests_native::type_round_a_circle_is_spaced_as_the_file_lays_it_out`), blend state (`ai::tests::a_blends_transparency_follows_its_record`); scores and estimates unchanged. PDF ActualText preserved in editable import (#6165; bounded synthetic coverage below); score/hours unchanged.  Save refusal continuation (#6146): `READ_ONLY_LOCATION`, Save As on ordinary UI Save only; regression execution pending; score/hours unchanged. |
+| File formats | 6 | 75% | `.ai` files open with a flattened or wrong layer structure in real cases (#951), no writing of Illustrator's editing data (#868), FreeHand/CorelDRAW/DWG/HEIC import, 3D export; see [file-format-parity.md](file-format-parity.md); EPS legacy mesh/opacity-mask and raster comparison follow-up verified  PDF marked-text batching covered by M4 evidence (#6309); cross-line/style ActualText layout (#6165) and styled-cluster limits remain.| 10–20 | estimated (lowered from 85%: open issues); DXF control-point SPLINE import closure regression-tested (#1299 follow-up after #1320); DXF export's Include Placed Images and Include Fill Hatches options, off in CNC / CAM (`images_and_hatches_are_left_out_independently_and_the_cnc_preset_leaves_out_both`; score, gaps and hours unchanged); PDF writer metadata, reader streaming and immutable backend checks in `crates/pdf/src/tests.rs`, `crates/pdf/src/tests/reader_streaming.rs` and `xtask/src/pdf_deps.rs`; PDF Place and clipboard paste retain live text (synthetic regressions); EPS ordinary Save retains the page frame and editable document (2026-10-26); `.ai`/EPS editing data checked against a user's files (2026-10-30): case setting (`ate::tests`, `tests_native::type_from_the_text_document_keeps_its_case_setting`), placed-file placements (`tests_native::a_small_placed_file_goes_where_it_draws_closer_to_the_page`), pages cropped to the art (`tests_native::type_on_the_copies_of_a_page_cropped_to_the_art_is_read_once`), mesh corner weights and state (`ai::mesh::tests::corners_with_handle_weights_of_zero_are_read`, `ai::tests::a_gradient_mesh_takes_the_transparency_written_after_it`), type on a path spacing (`tests_native::type_round_a_circle_is_spaced_as_the_file_lays_it_out`; the distance from the path under Align to Path is measured from the top of each character's em box, half the height of the top of its H or the bottom of its font's bounding box (`tests_native::aligned_type_lies_as_far_from_its_path_as_the_file_lays_it_out`), and the fit under Gravity does not reproduce the file's layout), blend state (`ai::tests::a_blends_transparency_follows_its_record`); scores and estimates unchanged. PDF ActualText preserved in editable import (#6165; bounded synthetic coverage below); score/hours unchanged. Legacy `.ai` type keeps its manual kerning pairs (`Tk`, `TK`), discretionary hyphens (`T+`, `T-`) and hyphenation language (`XL`) when it opens, and legacy `.ai` saves write manual kerning as `Tk` and soft hyphens as `T+` (`import::ai::tests::legacy_manual_pair_kerning_is_kept`, `legacy_ai::tests::manual_kerning_and_soft_hyphens_are_written_and_read_back`); score, gaps and hours unchanged. |
+| File formats | 6 | 75% | `.ai` files open with a flattened or wrong layer structure in real cases (#951), a saved `.ai`'s editing copy without live effects on objects other than paths, compound paths and groups that qualify (at most a fill and a stroke, a non-zero fill rule when filled, no large canvas) and whose appearance and effects the art-style writer supports, and with live objects as their art (#868), FreeHand/CorelDRAW/DWG/HEIC import, textures, map art and shading in 3D export; see [file-format-parity.md](file-format-parity.md); EPS legacy mesh/opacity-mask and raster comparison follow-up verified  PDF marked-text batching covered by M4 evidence (#6309); cross-line/style ActualText layout (#6165) and styled-cluster limits remain.| 10–20 | estimated (lowered from 85%: open issues); DXF control-point SPLINE import closure regression-tested (#1299 follow-up after #1320); PDF writer metadata, reader streaming and immutable backend checks in `crates/pdf/src/tests.rs`, `crates/pdf/src/tests/reader_streaming.rs` and `xtask/src/pdf_deps.rs`; PDF Place and clipboard paste retain live text (synthetic regressions); EPS ordinary Save retains the page frame and editable document (2026-10-26); `.ai`/EPS editing data checked against a user's files (2026-10-30): case setting (`ate::tests`, `tests_native::type_from_the_text_document_keeps_its_case_setting`), placed-file placements (`tests_native::a_small_placed_file_goes_where_it_draws_closer_to_the_page`), pages cropped to the art (`tests_native::type_on_the_copies_of_a_page_cropped_to_the_art_is_read_once`), mesh corner weights and state (`ai::mesh::tests::corners_with_handle_weights_of_zero_are_read`, `ai::tests::a_gradient_mesh_takes_the_transparency_written_after_it`), type on a path spacing (`tests_native::type_round_a_circle_is_spaced_as_the_file_lays_it_out`), blend state (`ai::tests::a_blends_transparency_follows_its_record`); scores and estimates unchanged. PDF ActualText preserved in editable import (#6165; bounded synthetic coverage below); score/hours unchanged. Legacy `.ai` type keeps its manual kerning pairs (`Tk`, `TK`), discretionary hyphens (`T+`, `T-`) and hyphenation language (`XL`) when it opens, and legacy `.ai` saves write manual kerning as `Tk` and soft hyphens as `T+` (`import::ai::tests::legacy_manual_pair_kerning_is_kept`, `legacy_ai::tests::manual_kerning_and_soft_hyphens_are_written_and_read_back`); score, gaps and hours unchanged. |
+| File formats | 6 | 75% | `.ai` files open with a flattened or wrong layer structure in real cases (#951), a saved `.ai`'s editing copy without live effects on objects other than paths, compound paths and groups that qualify (at most a fill and a stroke, a non-zero fill rule when filled, no large canvas) and whose appearance and effects the art-style writer supports, and with live objects as their art (#868), FreeHand/CorelDRAW/DWG/HEIC import, 3D export; see [file-format-parity.md](file-format-parity.md); EPS legacy mesh/opacity-mask and raster comparison follow-up verified  PDF marked-text batching covered by M4 evidence (#6309); cross-line/style ActualText layout (#6165) and styled-cluster limits remain.| 10–20 | estimated (lowered from 85%: open issues); DXF control-point SPLINE import closure regression-tested (#1299 follow-up after #1320); PDF writer metadata, reader streaming and immutable backend checks in `crates/pdf/src/tests.rs`, `crates/pdf/src/tests/reader_streaming.rs` and `xtask/src/pdf_deps.rs`; PDF Place and clipboard paste retain live text (synthetic regressions); SVG CSS classes survive export and repeated import in all four styling modes (#2480); current-main integration retains event attributes and scripts; EPS ordinary Save retains the page frame and editable document (2026-10-26); `.ai`/EPS editing data checked against a user's files (2026-10-30): case setting (`ate::tests`, `tests_native::type_from_the_text_document_keeps_its_case_setting`), placed-file placements (`tests_native::a_small_placed_file_goes_where_it_draws_closer_to_the_page`), pages cropped to the art (`tests_native::type_on_the_copies_of_a_page_cropped_to_the_art_is_read_once`), mesh corner weights and state (`ai::mesh::tests::corners_with_handle_weights_of_zero_are_read`, `ai::tests::a_gradient_mesh_takes_the_transparency_written_after_it`), type on a path spacing (`tests_native::type_round_a_circle_is_spaced_as_the_file_lays_it_out`), blend state (`ai::tests::a_blends_transparency_follows_its_record`); scores and estimates unchanged. PDF ActualText preserved in editable import (#6165; bounded synthetic coverage below); score/hours unchanged.  Save refusal continuation (#6146): `READ_ONLY_LOCATION`, Save As on ordinary UI Save only; regression execution pending; score/hours unchanged. Legacy `.ai` type keeps its manual kerning pairs (`Tk`, `TK`), discretionary hyphens (`T+`, `T-`) and hyphenation language (`XL`) when it opens, and legacy `.ai` saves write manual kerning as `Tk` and soft hyphens as `T+` (`import::ai::tests::legacy_manual_pair_kerning_is_kept`, `legacy_ai::tests::manual_kerning_and_soft_hyphens_are_written_and_read_back`); score, gaps and hours unchanged. |
 | View & navigation | 3 | 70% | multiple windows and the rest of Arrange (Cascade, Float in Window, Float All in Windows) | 9–14 | estimated; Window › Arrange › Tile and Consolidate All Windows done (score/hours unchanged); document-tab artwork hover/copy and lossless transfer tested (2026-10-22; score/hours unchanged); cached canvas reprojection preserves scale during resize, rotation and DPI changes (regression and contributor original-file evidence below; scores/hours unchanged) |
 | View & navigation | 3 | 70% | multiple windows and the rest of Arrange (Cascade, Float in Window, Float All in Windows) | 9–14 | estimated; Window › Arrange › Tile and Consolidate All Windows done (score/hours unchanged) |
 | Guides, grids, smart guides, snapping, rulers | 3 | 80% | "intersect" smart guides for a moved selection's anchors (drawn points and dragged anchors snap to intersections, #1658) | 4–7 | estimated (lowered from 85%: target moved); Control bar snapping quick access includes Snap to Glyph and Alignment Guides (#6164); new ruler-guide Alt orientation implemented; global/artboard ruler modes (`view.globalRulers`) and video rulers (View › Rulers › Show Video Rulers, #2849) done; status-bar X/Y uses the active ruler origin and General units; score unchanged |
@@ -515,7 +518,7 @@ about 1–1.5 agent-hours each, so the other rows (estimated on the older scale)
 | Layers, artboards, document setup | 5 | 82% | Layers panel: a confirmation before deleting layers that hold art, row menu commands beyond Collect for Export (now on every layer, sublayer, group and object row), menus on guide and blend spine rows, the Layer Options dialog for several rows with mixed values, Paste Remembers Layers for sublayers; artboard preset polish (artboard escape routing and document setup modal handoff done; Move Artwork for artboard X/Y edits, Rearrange All Artboards, Document Setup, New Document and the rest of the Layers panel are done) | 4–7 |
 | View & navigation | 3 | 70% | New View/Edit Views, multiple windows/arrange, Snap to Pixel/Glyph (print tiling is done) | 9–14 |
 | Guides, grids, smart guides, snapping, rulers | 3 | 85% | global/video rulers, Spacing Guides' distance readouts and spacing for resized or drawn art, Alt swapping a ruler guide's orientation, ruler guides selected together with art (marquee, Shift-click), ruler guides as Layers rows with their own lock and hide (#451: Lock Guides locks them all; Make Guides paths are Layers rows already) (dragging existing guides is done, #414; new guides snapping to side midpoints and artboards, and artboard guides, #451; the drawing tools snapping, with Construction Guides, #506; Spacing Guides for moves, #394; moves snapping to the grid, #740; ruler guides pulling drawn points with Smart Guides on, and "center" and "anchor" labels while hovering with the Selection tool, #812; distance and angle labels while drawing, #2983) | 2–4; status-bar X/Y uses the active ruler origin and General units |
-| File formats | 6 | 85% | PDF import: glyphs inside a marked-content span with an empty `ActualText` come in as outlines in their fill and stroke, adding no text (#6971; scores and estimates unchanged); Explicit editing-data oversized single-artboard import fixed (#6865); scores and estimates unchanged. Affinity export, and the rest of Affinity import (adjustments, blur and bevel effects, brushes, live symbol instances, text threading), DWG (no open spec: DXF instead), PSD placement as layers (Photoshop Import Options; the merged image is done), EPS checked against more real files users send (Inkscape files open as vectors; other generators' constructs are tested with programs written from the PostScript Language Reference only; CID-keyed CJK type and `CCITTFaxDecode` images not read), legacy `.ai` files saved without the prolog that defines their operators (their own operator set isn't read yet), the rest of Illustrator's editing data (appearances and live effects, symbols, pattern fills, brushes, placed files: #637), the remaining fidelity polish; EPS, DXF, EMF/WMF, TIFF, BMP, Targa, PSD export, SVGZ, PDF security, PDF/X, PDF layers, presets and Affinity import are done | 6–10 (existing scope; Affinity export unestimated) |
+| File formats | 6 | 85% | PDF import: glyphs inside a marked-content span with an empty `ActualText` come in as outlines in their fill and stroke, adding no text (#6971; scores and estimates unchanged); Explicit editing-data oversized single-artboard import fixed (#6865); scores and estimates unchanged. Legacy `.ai` files that name but omit their prolog open with their layers, or with their art on one layer when the format has no layers; graph data and settings in these files still come in only as drawn art. Affinity export, and the rest of Affinity import (adjustments, blur and bevel effects, brushes, live symbol instances, text threading), DWG (no open spec: DXF instead), PSD placement as layers (Photoshop Import Options; the merged image is done), EPS checked against more real files users send (Inkscape files open as vectors; other generators' constructs are tested with programs written from the PostScript Language Reference only; CID-keyed CJK type and `CCITTFaxDecode` images not read), the rest of Illustrator's editing data (appearances and live effects, symbols, pattern fills, brushes, placed files: #637), the remaining fidelity polish; EPS, DXF, EMF/WMF, TIFF, BMP, Targa, PSD export, SVGZ, PDF security, PDF/X, PDF layers, presets and Affinity import are done | 6–10 (existing scope; Affinity export unestimated) |
 | Export for Screens, Asset Export, slices, Save for Web | 3 | 85% | polish only (all four are done) | 2–4 |
 | Print, colour management, separations, flattener | 3 | 80% | print preview fidelity (flattener presets in PDF and print, overprint in PDF and composite print, Print dialog, presets, PostScript, marks, separations, Print Tiling, print overprint/flattener/bitmap options and printer profile are done, as are the Japanese papers in its Media list: JIS B4/B5/B6, はがき, 往復はがき, 封筒 長形3号/長形4号/角形2号/角形3号 and 四六判, beside the ISO B4/B5 that settings saved before them keep) | 1–2 |
 | Automation | 3 | 65% | scripting surface, batch (MCP drops malformed app replies without replay; Variables: text/visibility variables bound to objects, an object may carry several, dataset rows applied in one undo step, panel and Window › Variables with dialogs; image/graph kinds and dataset import/export open) | 6–10 |
@@ -568,6 +571,7 @@ since 2026-10-01.
 - **Save refusal (#6146):** ordinary File > Save to its own location offers Save As after a terminal permission/read-only refusal, suggesting the original name and format, preserving options for the unchanged format and opening the chosen format’s Save options on a change. Cancel keeps the failed-save state. Busy pickers, recovery-copy errors, other failures, explicit destinations and Close/Quit keep the existing dialog. Engine, UI and MCP regression cases are in `cmd/fileio/tests_readonly.rs`, `io/tests_read_only_save.rs` and MCP `tests/fileio.rs`; focused UI regressions passed; engine regression execution and native panel acceptance pending. Scores and hours unchanged.

 - **PDF authored replacement text (#6165):** `crates/pdf/src/tests/actual_text.rs` covers replacement once with suffix placement, PDF text-string decoding, empty and nested owners, sibling spans, page reset, multiple text-show operations, style/line changes, fill-and-stroke, reader windows and bounded input. Authored logical-order stretches are protected while adjacent ordinary text still undergoes reconstruction. The replacement takes its first placed glyph's style and line; its characters are not redistributed over later lines/styles. Exact mixed-direction paragraph layout is not claimed. No export changes; scores and hours stay at 75% / 10–20 h.
+- **PDF Indic type (#5235, #6906):** `crates/pdf/src/tests/reshaped.rs` covers a vowel sign the file draws before its consonant (the line keeps the file's glyphs as outlines, with a note), text in reading order (stays type), a mark with no advance (stays on its line, not vertical type of its own), outlined glyphs stroked with different dashes and translucent outlined glyphs (each keeps its own path). Synthetic font only; one real Gujarati file checked by eye on page 1. Indic type in an uninstalled font keeps the file's glyphs as outlines; reordering signs so more lines stay editable is not done. Scores and hours stay at 75% / 10-20 h.


 - **Selection — disconnected path deletion (#3380, deletion only):** Clear/Delete and Cut turn surviving disconnected pieces of an ordinary contour into independent selected sibling objects. The first keeps its ID; all keep appearance, baked transforms and stacking order. `deletion_split_preserves_gradient_placement` compares rendered survivors with the original paint space and checks linear/radial fill/stroke vectors, already placed gradients and atomic Undo/Redo; connected remainders keep automatic fitting. Existing multi-subpath paths and explicit compound members retain their semantics. Original synthetic regressions in `crates/engine/tests/it/delete_path_pieces.rs` cover styled/transformed rectangles, cubic handles, compound preservation and atomic Undo/Redo; `crates/ui-egui/src/tests/removeanchors.rs` covers real-frame Delete/Backspace and a second Delete removing all survivors. Segment endpoint highlighting remains open. Scores and hours unchanged.
@@ -667,6 +671,7 @@ since 2026-10-01.
 - **Colour emoji with bitmap glyphs:** `sbix` (Apple Color Emoji) and `CBDT` (Noto Color Emoji) glyphs draw as their largest strike's PNG, placed with the type and unpainted by its fill; PDF writes them in Type 3 glyphs or as images, SVG as images with outlined text, EPS and legacy `.ai` as images, and Create Outlines makes embedded images. Synthetic test fonts in `crates/text/src/test_fonts.rs`; tests `crates/text/src/tests/bitmaps.rs`, `crates/render/src/tests/bitmapglyphs.rs`, `crates/svg/tests/it/colour_glyphs.rs`, `pdf::tests::colour_bitmap_glyphs_export_as_images`, the `eps` `colour_bitmap_glyphs_*` tests and `tests_pathops::create_outlines_turns_bitmap_glyphs_into_images`. COLR and OpenType SVG fonts remain.
 - **COLR colour fonts:** v0 and v1 glyphs draw as vector layers (solid colours, linear and radial gradients, clips, blend modes, the foreground colour from the run's fill) on the canvas, as paths in SVG, EPS, legacy `.ai` and PDF with outlined text, as Type 3 text in PDF, and as editable groups with Create Outlines; sweep gradients and Porter-Duff compositing draw the glyph as an image. Measured by `tests_colr`, `render::tests_colrglyphs`, `pdf::tests::colr_glyphs_export_as_vector_art`, `svg/tests/it/colour_glyphs.rs`, `eps` `colr_glyphs_*`, `tests_pathops::create_outlines_turns_colr_glyphs_into_layer_groups`. Scores unchanged (estimated).
 - **OpenType SVG colour fonts:** each glyph's SVG document is read by the SVG importer (registered by the engine) into vector art in the run's colours, then drawn, exported and outlined as COLR glyphs are; PDF real text writes them as text that draws nothing and draws their art where they sit. Measured by `tests_svg_glyphs`, `svg/tests/it/svg_glyphs.rs`, `tests_colourfonts::create_outlines_turns_svg_glyphs_into_groups`, `tests_colourfonts::pdf_real_text_draws_svg_glyphs_as_art_and_keeps_their_characters`. Scores unchanged (estimated).
+- **Create Outlines keeps the type object's own appearance:** Type › Create Outlines and Object › Expand put the type object's own fills and strokes (the Appearance panel's items around its Characters row) on paths of the whole outline, below or above the glyph paths as that row places them, with one gradient across every glyph, so the outlines draw what the type drew; `object.expand.info` reports those strokes, pattern fills and gradient fills. Outlined characters keep their stroke and fill (the help page, <https://help.adobe.com/archive/en_US/illustrator/cs5/illustrator_cs5_help.pdf#page=337>); a type object's appearance is separate from its characters' (the help page, <https://helpx.adobe.com/illustrator/using/appearance-attributes.html>); where the object's items go is VectorCraft's own rule. Measured by `tests::pathops::create_outlines_keeps_the_objects_own_fills_and_strokes`, `tests::objexpand::create_outlines_draws_the_type_objects_own_paint`, `tests::objexpand::type_objects_own_stroke_pattern_and_gradient_are_reported`, `tests::objexpand::type_without_an_outline_reports_no_own_stroke_or_fill`, `tests::objexpand::a_stroke_under_an_unpainted_stroke_is_reported_and_outlined` and `tests::objexpand::expand_keeps_the_type_objects_own_paint`. Scores unchanged (estimated).
 - **Composite fonts that two documents define differently:** when two open documents each define a composite font (Type › Composite Fonts…) by the same name with different parts, each document draws and exports its type in its own definition: in a tiled or floating window drawn while the front document draws, when it is placed in a document that defines the name differently, and in an export made while another document is in front. Evidence: `tests::composite::nested_loans_of_one_name_use_each_documents_definition` and `threads_lending_one_name_at_once_use_their_own_definitions` (`crates/text`), `tests::fontchange::a_placed_document_draws_its_own_definition_of_a_name_the_page_defines` (`crates/render`). Scores unchanged (estimated).
 - **Character-style Auto leading:** capture and explicit style attributes retain Auto as a reset, distinct from omitted leading. Redefine and later numeric updates preserve local leading overrides; the Character Styles marker recognizes Auto correctly. Regression assertions cover partial definitions, Undo/Redo and native save/load serialization. Public references: [Character and paragraph styles](https://helpx.adobe.com/illustrator/using/character-paragraph-styles.html) and [Leading](https://helpx.adobe.com/illustrator/using/line-character-spacing.html).
 - **Character-style numeric bounds:** `charStyle.new`, `charStyle.edit`, and `charStyle.setAttrs` accept size from 0.1 to 1296 pt, explicit leading from 0.1 to 5000 pt, horizontal and vertical scale from 1% to 10,000%, and baseline shift and Tate-chu-yoko offsets from -1296 to 1296 pt. Out-of-range input leaves the style and Undo history unchanged; Auto leading remains available. These limits match the Character panel controls.
@@ -711,6 +716,7 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur
 - **Dragging a document tab out and a document window back (G7):** a document tab dragged more than 24 pt above or below the tab strip floats its document in a window under the pointer, and a document window dragged onto the tab strip goes back under the tabs ([public source](https://helpx.adobe.com/illustrator/using/customizing-workspace.html)). A window inside the app's window is dragged by its title bar; an OS window by the document's tab at its top, and the window follows the pointer. The 24 pt distance and the tab at the top of an OS window are VectorCraft's own. Tests: `crates/ui-egui/src/doc_windows/tests.rs`.
 - **Reordering document tabs (G7, #5663):** a document tab dragged along the tab strip moves its document among the others ([public source](https://helpx.adobe.com/illustrator/using/customizing-workspace.html)); a line marks the gap it goes in. The current document stays current, each document keeps its own zoom, centre and artboard, the views Window › New Window opened move with their document, and Window › Next/Previous Document follow the new order. `document.move` (`{from?, to}`) does the same from MCP, the control channel and recordings. `crates/ui-egui/src/tests/tab_reorder.rs`, `crates/engine/src/tests/document_move.rs`.
 - **Closing a background document tab:** closing a tab other than the current one (`file.close {index}`) keeps the current document current, and its tool keeps its state; closing the current tab still makes its neighbor current. `crates/engine/src/tests/document_close.rs`.
+- **Replacing a background document's content:** `Session::replace_document` on a tab other than the current one (the replacement File › Revert makes for the current tab) measures the new content's type in that document's own composite fonts at once, so that type has its measured bounds while the document is in the back. When that document becomes the current one unchanged, its type in those fonts is not measured again. `crates/engine/src/cmd/compositefonts/tests.rs`.
 - **Export and Import Preferences (#6435):** an optional VectorCraft feature. The Preferences dialog's Export Preferences… saves the applied preferences to a JSON file (`prefs.export`; the web build downloads it), and Import Preferences… applies such a file (`prefs.import`). The file leaves out the folder preferences. The import checks every value first and changes nothing on an error; it keeps the open document's units and records no undo step. The file format is VectorCraft's own. Tests: `crates/engine/src/tests/prefs_file.rs`, `crates/ui-egui/src/prefs_dialog/tests.rs`.
 - **Preferences › User Interface › Open Documents As Tabs (G7, #394):** checked by default, documents open under tabs in one document window ([public source](https://helpx.adobe.com/illustrator/desktop/get-started/learn-the-basics/workspace-overview.html)). With the box cleared, each document opened or created afterwards opens in a floating window of its own, at the next cascade place, as Float in Window floats it; documents already open stay where they are, and checking the box again leaves floating documents in their windows. Tests: `crates/ui-egui/src/doc_windows/tests.rs`.
 - **Preferences search:** a Search Preferences field above the category list has the keyboard focus when the dialog opens, and Cmd/Ctrl+F gives it back; typing lists the settings it finds, and choosing one shows its category, as the [help page](https://helpx.adobe.com/illustrator/desktop/get-started/preferences-and-settings/set-app-preferences.html) describes. VectorCraft's own rules: the field matches a setting's label, section or category, ignoring case, in the interface language or in English; the list replaces the categories while the field has text and shows every match, or "No settings found"; the chosen setting's row is highlighted and scrolled into view; Escape in the field with text clears it, and Escape in the empty field closes the dialog. The dialog's `__search` field (`ui.dialog.set`) holds the text. Tests: `crates/ui-egui/src/prefs_dialog/tests.rs`.
@@ -757,6 +763,7 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur
  - Batch…: Override Save and Override Export name each file with the extension of the format the step writes, however the step spells the format (`.svg` and `SVG` give `.svg`, `png8` gives `.png`), in `action.batch`.
  - Batch…: Override Export writes the files of an Export for Screens or Export Assets step into a folder for each source file or data set inside the destination folder, under the names the export gives them (`action.batch`). The folder and file names drop trailing periods and spaces (`a..svg` gives `a`). When two source files would get the same name that way (compared without case), or a later file's folder or file would take the name of an output an earlier file wrote, of a source file in the destination folder or, for data sets, of a file already there, Batch adds `-2`, `-3`… to the later one's name.
  - Actions panel menu: Save Actions… writes the current action set with all its actions to a file, and Load Actions… adds the set from such a file to the panel ([Manage a set of actions](https://helpx.adobe.com/illustrator/desktop/automate-visualize-data/automate-actions/manage-a-set-of-actions.html); `ui.actionSet.save`, `ui.actionSet.load`). The file is VectorCraft's own action set file (`.vcactions`); a loaded set named like one in the panel gets the next free number.
+  - Actions panel menu: Save Actions… does not write a set with a step that sets a folder preference (the Fonts, Plug-ins, Templates and Recovery folders and the two scratch disks) to a folder, and names the action and the preference instead; an empty folder and the scratch disk choices Startup and None save. Export Preferences leaves out both scratch disks, and `ui.inspect` under automation read roots leaves such a folder outside them out of recorded steps. These are VectorCraft's own rules (`ui.actionSet.save`, `prefs.export`).
  - Actions panel menu: Load Actions… also reads action sets saved as `.aia` files ([Actions panel overview](https://helpx.adobe.com/illustrator/desktop/automate-visualize-data/automate-actions/actions-panel-overview.html); `actionSet.read`, `ui.actionSet.load`). VectorCraft's own rules: the set comes in with all its actions. A step with a label and no recorded values comes in as the one menu command with the step's label, when that command is directly in a top menu, is what its menu bar item runs with no values and opens no dialog. A step that is off in the file stays excluded from playback. The other steps, recorded menu items included, are left out, and the status bar says how many.
  - Actions panel: the panel menu's Action Options… renames the selected action and keeps its steps ([Actions panel overview](https://helpx.adobe.com/illustrator/desktop/automate-visualize-data/automate-actions/actions-panel-overview.html): the menu item opens a dialog that renames the action or gives it a function key and color; `ui.action.options`). It also sets the action's function key and color.
  - Actions panel: Create New Action (bottom bar) and the panel menu's New Action… ask for the new action's name, set, function key and color, and Record adds the action and starts recording into it ([Create new actions](https://helpx.adobe.com/illustrator/desktop/automate-visualize-data/automate-actions/record-actions.html): the New Action dialog takes the action's name and the set it goes in; `ui.action.new`, `ui.action.play`). The function key (F1 to F15, with Ctrl or Command and Shift) plays the action. An action's function key plays the action even when a command has the same shortcut, and the command keeps it. VectorCraft's own rules, which the page does not cover: when several actions have the same key the first in panel order plays; a copied action has no key; New Action does not open while an action is recording. The color is kept with the action for Button Mode, which VectorCraft does not have yet.
@@ -785,6 +792,7 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur
  - Variables (data merge): text, visibility and image variables bound to objects (an object may carry several), dataset rows applied in one undo step (`variable.*`, `dataset.*`) from a Variables panel and Window › Variables, with dialogs to define, bind and edit, Make Text/Visibility/Image Dynamic, Capture/Update Data Set, CSV import/export (`dataset.import` / `dataset.export`), and a row in italics when an edit leaves the art not matching it; an image dataset value is a file path and apply keeps the object's bounds; bindings let go of deleted art and locked art is left alone except by visibility values; every command, like the rest, is drivable over MCP and the CLI.
  - Export for Screens numbers distinct row files whose names collide, compared without case, as `-2`, `-3`… instead of leaving them out; identical rows still write one file. It puts row folders that differ only in case into one folder (`document.exportForScreens`).
  - Variables: Import Data Sets… (`dataset.import`) reads tab-separated files as well as comma-separated ones. Every header cell is a variable, and the rows replace the document's data sets as Data Set 1, Data Set 2 and so on. An import error about a row's values gives the file line the row starts on.
+  - Variables: Import Data Sets… (`dataset.import`) reads a UTF-16 file without a byte-order mark, instead of refusing it, when at least half of its two-byte units hold a NUL byte; it uses the byte order that reads its line breaks.
  - Variables: Import Data Sets… (`dataset.import`) defines the variables a file's header names that the document lacks, unbound. `#Shown` defines a visibility variable, `@Photo` defines an image variable, and a header without a prefix defines a text variable. A header that is a variable's exact name keeps naming it, and any other `%` header (graph data files) is refused.
  - Variables: Load Variable Library… in the Variables panel menu (`variable.loadLibrary`) replaces the document's variables and data sets with a variable library's, read from its XML file, in one undo step: every data set is deleted, and every variable is deleted with its bindings and values, except a text variable the library also declares, which stays bound so the library's data sets change its objects (#4136); then the library's other text variables are defined, unbound, and its data sets take the text of each value's `p` elements, one paragraph each. Variables of other kinds are left out with a warning that names their kinds.
  - Variables: Save Variable Library… in the Variables panel menu (`variable.saveLibrary`) writes the document's text variables and data sets as a variable library's XML file, which Load Variable Library reads back with the same text variables, data set names and text values. Variables of other kinds are left out with a warning that names their kinds.
@@ -815,6 +823,7 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur
  - `ui.inspect` under `--automation-read-root`: the documents still opening, the recent files, library panels' files and folder preferences (saved, and in an open Preferences dialog) outside the read roots are left out of the reply, a library loaded from outside them shows by its file name in `ui.inspect` and `ui.docking`, and the app's state is not changed. `crates/ui-egui/src/tests/automation.rs` (`ui_inspect_leaves_out_paths_outside_the_read_root`).
  - Link replies under `--automation-read-root`: `links.list`, `links.check`, `links.info` and `document.open`'s link rows leave out the path, found path and folder of a linked file outside the read roots, and the stored size and date of it in `links.info`; each row keeps its id, file name and status, and the document's links are not changed. `crates/engine/src/tests/linkspanel.rs` (`link_paths_outside_the_read_roots_are_left_out`), `crates/engine/src/tests/placed_document.rs` (`link_info_leaves_out_a_placed_documents_path_outside_the_read_roots`).
  - Document replies under `--automation-read-root`: `document.inspect` gives `path` as null for a document file outside the read roots, and `document.json` names a linked image or placed file outside them by its file name alone, without its relative path, size or date, brush art included, leaves out a relative path that leads outside them and a stored brush entry that does not read as a brush, names a data set's image value outside them by its file name, and leaves an Export for Screens folder outside them out of `export_settings`; the document is not changed. `crates/engine/src/tests/placed_document.rs` (`document_replies_leave_out_paths_outside_the_read_roots`, `document_json_checks_brush_art_and_relative_paths_against_the_read_roots`).
+  - SVG output under `--automation-read-root`: `document.serialize`, `document.export`, `document.exportSelection`, `document.exportForScreens`, `assets.export`, the SVG and SVGZ saves, `file.exportAs` and the SVG Options dialog's Show Code refuse an SVG or SVGZ of a document that links a JavaScript file outside the read roots, before any file or folder is written, with an error that names no file or folder; a URL, a file inside the roots and a relative path that leads inside them are written as stored, and the person at the keyboard exports every link as stored. `crates/engine/src/tests/interactivity.rs` (`confined_svg_output_refuses_a_linked_javascript_file_outside_the_read_roots`, `svg_output_keeps_linked_javascript_files_a_caller_may_read`), `crates/ui-egui/src/tests/automation.rs` (`control_svg_export_refuses_a_linked_javascript_file_outside_the_read_root`), `crates/ui-egui/src/dialogs/svg_options.rs` (`show_code_leaves_out_a_linked_javascript_file_outside_the_read_roots`).
  - Linked-file and font-file searches under `--automation-read-root`: `links.findFiles` and `text.findFontFiles` replies, also later polls and stops of a search another client started, leave out the files found, a link's saved path and the folder searched outside the caller's read roots, and a failed search gives its reason without the path; `image.info` gives `link: null` for a linked file outside them; `text.addFontFiles` gives `folder: null` and the copies' file names when the Fonts folder is outside them. `crates/engine/src/tests/linkfiles.rs`, `crates/engine/src/tests/fontfiles.rs`, `crates/engine/tests/font_folder.rs`.
  - Swatch, brush, symbol and graphic style library lists under `--automation-read-root`: every library stays listed, the paths of library files and the user library folder outside the read roots are `null`, a library loaded from outside them is listed and found as `loaded/<file name>` and keeps that id for the session unless a library loaded later without a file shows that id itself, which moves it to the next free `loaded/<file name> (N)`, and the app's own list is not changed. `crates/engine/src/tests/library_roots.rs`.
  - Preferences commands under `--automation-read-root`: `prefs.get`, `prefs.list`, `prefs.set` and `prefs.reset` show folder preferences outside the read roots as `null` and leave out an export preset's folder outside them, and the preferences are not changed. `crates/engine/src/tests/prefs_roots.rs`.
@@ -851,6 +860,7 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur
  - With the Artboard tool, the contextual task bar sits under the selected artboards and offers Resize (Artboard Options for the active artboard), Duplicate (each selected artboard, in one undo step, the copies then selected), Rearrange All (with two or more artboards) and Export (Export for Screens with the selected artboards checked). This follows Illustrator's bar: while the Artboard tool is in use, it has options for resizing, duplicating and exporting artboards (the [Contextual Task Bar announcement](https://community.adobe.com/questions-652/contextual-task-bar-in-illustrator-2025-quick-actions-when-you-need-them-1546580); Rearrange and Export on the bar: [Managing Artboards in Illustrator](https://creativepro.com/managing-artboards-in-illustrator/)).
  - The contextual task bar offers more next steps by selection (<https://helpx.adobe.com/illustrator/desktop/get-started/learn-the-basics/contextual-task-bar-overview.html>): an open path Join and Edit Path (the Direct Selection tool), a closed path Edit Path, a compound path Edit Path and Release Compound Path, a clipping group Edit Clipping Path and Release Clipping Mask instead of Ungroup and Isolate, an image selected with vector art Make Clipping Mask instead of Unite, point or area type Convert To Area Type or Convert To Point Type beside Create Outlines, and type on a path, for which the overview names an item to add an effect and rearrange the text, Type on a Path Options (`type.pathOptions`; its options: <https://helpx.adobe.com/illustrator/using/creating-type-path.html>) beside Create Outlines. Evidence: `crates/ui-egui/src/tests/taskbar.rs`.
  - While a Type tool (Type, Area Type, Type on a Path and their vertical versions) adds or edits type, the contextual task bar shows the font family menu, the font style menu, the Font Size combo and the Fill chip (<https://helpx.adobe.com/illustrator/desktop/get-started/learn-the-basics/contextual-task-bar-overview.html>); the Touch Type tool shows no bar, as the same page describes. Type selected with a selection tool shows the same three font controls beside its Create Outlines, conversion and Type on a Path items (<https://helpx.adobe.com/illustrator/desktop/design-with-text/fonts-and-scripts/font-options-overview.html>). The controls act as the Character panel's do: on the characters a Type tool selects, else on every selected type object, with the size left blank where the sizes differ. VectorCraft's own rules: a Type tool's bar leaves out the object actions, the Stroke chip, Recolor Artwork and Lock; a Type tool shows no bar before it adds type or with other art selected; type selected with other art shows no font controls; the font controls go on a second row when one row would be wider than the canvas, and narrow to fit a canvas narrower than they are; while a Type tool edits type, the Fill chip shows the edited characters' fill ("?" where it differs). Evidence: `the_type_tools_show_font_and_fill_controls`, `the_type_tools_show_no_bar_without_type`, `selected_type_shows_font_controls_beside_its_actions`, `the_task_bars_font_size_sets_what_the_character_panel_would`, `the_type_tools_fill_chip_activates_the_fill`, `the_type_tools_bar_is_named_and_stays_on_the_canvas`, `selected_types_font_controls_take_a_second_row_on_a_narrow_canvas` and `the_type_tools_fill_chip_shows_the_edited_characters_fill` in `crates/ui-egui/src/tests/taskbar.rs`.
+  - The help page describes the contextual task bar as one horizontal row (<https://helpx.adobe.com/illustrator/desktop/get-started/learn-the-basics/workspace-overview.html>) and gives no rule for a canvas narrower than that row. VectorCraft's own rule: the bar stays whole on the canvas. When its actions don't fit in one row, they wrap, in order, onto rows under the row with the handle, the chips and More Options; an action wider than any row, or one that would need a row past the canvas's height, is listed in More Options instead; when the chips don't fit beside the handle and More Options, they take rows after the actions; with no row to spare for the font controls, the bar leaves them out; a canvas too small for the handle and More Options shows no bar. Evidence: `a_task_bars_actions_wrap_on_a_narrow_canvas` and `a_task_bar_action_wider_than_the_canvas_goes_in_more_options` in `crates/ui-egui/src/tests/taskbar.rs`.
  - With a live rectangle, rounded rectangle, ellipse or polygon selected with the Selection tool, the contextual task bar shows a Shape Properties button in place of Lock. It opens a popup with the shape's rows from the Transform panel (corner radius, pie angles, or sides, angle, corner and radius), which edit it through `object.setLiveShape`. The overview describes this: when a shape drawn with a shape tool (Rectangle, Star) is selected, the bar offers to change its properties where Lock Object would be ([Contextual Task Bar overview](https://helpx.adobe.com/illustrator/desktop/get-started/learn-the-basics/contextual-task-bar-overview.html)). Object › Lock and ⌘2 still lock the shape. Not done: stars, which the app draws as plain paths. Evidence: `a_basic_shape_shows_its_properties_in_place_of_lock`, `the_shape_properties_popup_edits_the_shape` and `other_selections_keep_lock` in `crates/ui-egui/src/tests/taskbar.rs`.
  - The contextual task bar has a Stroke chip beside the Fill chip, drawn with the paint the Stroke proxy shows (a "?" when the selected objects' strokes differ, as on the Fill chip); a click brings the Stroke proxy forward and shows the Swatches panel wherever it is docked, floating or closed, as a click on the Fill chip does for the Fill proxy. The reference app's bar has Fill and Stroke controls for changing an object's colors ([Contextual Task Bar overview](https://helpx.adobe.com/illustrator/desktop/get-started/learn-the-basics/contextual-task-bar-overview.html)). Evidence: `the_task_bar_shows_a_stroke_chip_beside_fill` and `the_task_bar_chips_follow_the_proxies_and_show_swatches_anywhere` in `crates/ui-egui/src/canvas/tests.rs`.
  - With anchor points selected with Direct Selection, the contextual task bar offers Remove Anchor Points, Connect (`path.join`), Cut Path, Corner and Smooth (`path.convertAnchors` with `to` set to `corner` or `smooth`), the commands of the Control bar's anchor buttons. As in Illustrator, whose bar has items that delete the selected anchors, join selected end points, split the path at the selected anchors, and make the selected anchors corner or smooth points ([Contextual Task Bar overview](https://helpx.adobe.com/illustrator/desktop/get-started/learn-the-basics/contextual-task-bar-overview.html)). Not done: Simplify, which the bar offers only while no anchors are selected, and the bar's Smooth item that adjusts a path's curvature, a command the app doesn't have (Object › Path › Smooth).
@@ -877,9 +887,11 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur
  - Hindi wording (2026-11-13): rows outside the plug-in messages keep their English's meaning, quantities and clauses, and use the catalog's save, swatch, crop, resolution, path and type terms; a test checks those terms and the point unit in every row; native review remains; scores and estimates unchanged.
  - Hindi terms (2026-11-13): every row that names a variable (data merge, variable fonts and widths, environment variables) says वेरिएबल, and joining paths, anchor points, point type and lines says जोड़ें instead of शामिल हों, which stays for joining the community; a test checks both terms in every row; scores and estimates unchanged.
  - Hindi English words (2026-11-13): 264 rows no longer keep English words in their sentences, repeat a parameter's name in Hindi or garble them, among them "unknown align", which now names the alignment; lists of accepted values such as `(left|right|top|bottom)` stay as their English writes them; two tests check every row; native review remains; scores and estimates unchanged.
+  - Italian messages (2026-11-13): the Italian catalog (`it`) has 1,802 more status and error message rows, and the untranslated report's missing Italian messages go from 1,842 to 40; the translations are VectorCraft's own and await native review; scores and estimates unchanged. See [localization-parity.md](localization-parity.md).
  - Window › Help Bar shows or hides the tool-help strip at the bottom of the window apart from the status bar (`window.helpBar`). Each setting is kept with the UI preferences and in saved workspaces, and Presentation Mode hides both bars. Layouts saved before the setting existed show the Help Bar where they show the status bar (`help_bar_toggle_is_independent_and_saved_in_workspaces`, `help_bar_and_status_bar_render_independently`, `legacy_help_bar_visibility_follows_each_layouts_status_bar`, `a_help_bar_setting_the_file_lacks_is_saved`).
  - Czech render-site labels: desktop/web file filters, diagnostics, suggested preset names and contributor tooltips/plurals now use catalog lookups; gradients have Czech adjective agreement and printer marks have a separate context (PDF/Print and Summary). Search, Home, toolbar/panel tooltips and Preferences already look up their labels. Every complete catalog has rows for these labels and for the Roman and Japanese printer mark styles. Evidence: `i18n::tests::czech_render_site_follow_up`, `i18n::tests::complete_catalogs_translate_render_site_labels`, `dialogs::tests_modal::printer_mark_labels_are_distinct_from_language_names`; see [localization-parity.md](localization-parity.md).
  - The History panel, Edit › Undo and Edit › Redo translate the names of the steps that apply or redefine a character or paragraph style and of the step that redefines a graphic style: each such step keeps its template (`Apply {name}`, `Redefine {name}`, `Redefine Graphic Style “{name}”`) and the style's name, every complete catalog has a row for each template, and the panel and the menu show the style's name as the document holds it, except the Normal styles' names, which they show in the interface language (`steps_named_after_a_style_list_the_template_around_the_name`, `undo_and_redo_name_a_style_step_around_the_style_name`).
+  - The Polish catalog (`crates/ui-egui/src/i18n/pl.tsv`) has an `@msg` row for the status and error messages the untranslated report (`untranslated_report`) finds in the sources, 3,439 `@msg` rows in all: the errors of commands, scripts, file import and export and plug-ins. The report lists 46 Polish messages: 44 that open #7211, #7214, #7116, #7330 and #1931 translate, and 2 that no language has a row for. A message with two placeholders in a row (`Template::parse` in `crates/ui-egui/src/i18n/catalog.rs`) is still shown in English.
  - The status bar translates the limits a plug-in run can exceed (its instruction, time and memory budgets and its output size) and the error of a plug-in removal that leaves the plug-in's grant in the plug-in store, in every language that translates every message. The untranslated-strings report also lists messages that an error or a status takes from a `&str` constant (`plugin_limit_errors_are_translated`, `message_scan_reads_messages_held_in_constants`).
  - The status bar translates the plug-in host's other errors (manifest, module and run checks, the output an importer, exporter or effect returns, and the approval a plug-in's permissions need) in every language that translates every message. A JSON object or array inside a message stays as written, and a message that wraps another one, such as `plug-in manifest: {0}`, is matched by its own row before a row that starts with a placeholder. The reasons inside these errors (what is wrong with a parameter's spec or dialog keys, the value a parameter needs, what is wrong with an object, stroke, paint or effect in a plug-in's output) are translated with them, and the untranslated-strings report lists the reasons the plug-in host's error helpers take (`plugin_messages_are_translated_in_every_complete_catalog`, `plugin_errors_translate_with_their_values`, `plugin_error_reasons_are_translated_with_the_error`, `message_scan_reads_plugin_helpers`, `templates_that_start_with_text_match_first`).
  - The status bar translates the errors a script's `File` and `Folder` objects, `vc.run`, `$.evalFile`, the `$` object's properties and functions, `alert`, `confirm` and `prompt`, `vc.document` and `vc.log` raise, the limits a run can pass, and the errors of Drop Script Engine, and the line for a run that fails (a syntax error, a thrown error, a limit, a stop or an internal error, with the script's name, the line and column, the included file it is in and the files left written), in every language that translates every message. The script's name, paths, numbers, command ids and the text a script throws itself are shown as they are. A failure with no line and column, such as an error in code `eval` compiled, is shown with one colon after the script's name (`an_error_without_a_place_names_the_script_and_kind`). A message template that names a value twice matches only when both places hold the same text, so the line for a failed run is not taken for the message inside it (`a_repeated_placeholder_matches_the_same_text`). The untranslated-strings report also lists the messages the script host's `fail`, `value` and `over` helpers take and the errors the script interpreter throws, and a constant's text comes from the file or crate that declares it, so the Scripts menu's headers are not listed as messages (`script_errors_are_translated`, `script_host_errors_are_translated`, `message_scan_reads_script_interpreter_errors`, `message_scan_reads_constants_of_the_file_and_its_crate`, `message_scan_skips_test_modules_with_any_test_cfg`).
@@ -887,8 +899,10 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur
    The counts that Package's status and question, the folder search of Missing Fonts and Find Linked Files, the modified and missing linked file prompts and the CSS Properties panel's notes show use the interface language's plural forms instead of a fixed "(s)" form. Evidence: `the_missing_links_note_uses_each_count_form` in `crates/ui-egui/src/dialogs/tests_package.rs`, `the_modified_links_question_uses_each_count_form` in `crates/ui-egui/src/dialogs/missing_links.rs`, `search_counts_use_each_count_form` in `crates/ui-egui/src/dialogs/missing_fonts/tests.rs` and `the_unnamed_objects_note_uses_each_count_form` in `crates/ui-egui/src/panels/tests_css_properties.rs`.
    The status bar's messages for relinked, replaced, updated and embedded images, broken links, linked files that can't be read or changed on disk, images that can't be decoded, added and unavailable fonts, copied CSS, downloads and exports with their notes name one item in the singular and more in the plural, in English and in each language's plural forms (`counted_status_messages_take_the_plural_form` in `crates/ui-egui/src/i18n/tests.rs`).
    The status bar's messages for documents opened or saved with notes and for discarded or restored recovered documents, and the Global Edit options' Results line, do the same (`open_save_and_recovery_messages_take_the_plural_form` in `crates/ui-egui/src/i18n/tests.rs`); the warnings for linked images and placed documents output as their previews and the errors for a page past a placed file's last page or artboard name their counts in the singular or the plural in English.
+  - The Simplified Chinese catalog (`crates/ui-egui/src/i18n/zh-hans.tsv`) has an `@msg` row for the status and error messages the untranslated report (`untranslated_report`) finds in the sources, 3,439 `@msg` rows in all: the errors of commands, scripts, file import and export and plug-ins. The report lists 40 Simplified Chinese messages: the composite font, justification order and Blob Brush connect end errors that open #7211, #7116 and #7330 translate, and two messages that no catalog has a row for yet. A message with two placeholders in a row (`Template::parse` in `crates/ui-egui/src/i18n/catalog.rs`) is still shown in English.
  - Edit › Undo and Edit › Redo, in the in-window and native menus, name the step in the interface language as the History panel lists it (`panels::history::step_name`), so when the catalog has no plain row for a step named after an effect, such as Feather, the menu shows the translation of the effect's menu row without its ellipsis (`undo_and_redo_name_the_step_as_the_history_panel_does`).
  - The History panel translates the undo step names the engine, the tools and the shell write as literals: the untranslated report (`untranslated_report`) lists any a complete catalog lacks, and a step whose catalog row exists only with an ellipsis (such as an effect's menu name) shows that row without the ellipsis.
+  - The German catalog (`crates/ui-egui/src/i18n/de.tsv`) has an `@msg` row for the status and error messages the untranslated report (`untranslated_report`) finds in the sources, 3,433 `@msg` rows in all: the errors of commands, scripts, file import and export and plug-ins. The report lists 48 German messages; 38 of them are the composite font, select-a-path and justification order errors that open #7211, #7214 and #7116 translate. A message with two placeholders in a row (`Template::parse` in `crates/ui-egui/src/i18n/catalog.rs`) is still shown in English.
  - The History panel menu has Step Backward and Step Forward, which run Edit › Undo and Edit › Redo and are disabled when there is no step to undo or redo, and Set History Limit…, which opens Preferences at Performance, where History States is set.
  - The History panel menu's Clear History (`edit.clearHistory`) removes every step to undo and to redo and leaves the document as it is; it is not an undo step itself, and it is disabled when there is no step to clear.
  - The New Document from State button at the bottom of the History panel (`edit.newDocumentFromState`) makes a new document, which becomes active, from the state the panel has selected ([public source](https://helpx.adobe.com/illustrator/desktop/get-started/learn-the-basics/undo-edits-and-manage-design-history.html)). VectorCraft's own rules: the new document takes the next Untitled-N name, is marked unsaved, has nothing selected and has no steps to undo or redo, and the source document and its steps stay as they are.
@@ -907,6 +921,7 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur
  - The errors of the 3D effects (Extrude & Bevel, Revolve, Inflate, Rotate and their Classic forms) show in the status bar in the interface language: the art a 3D effect cannot build a solid from, invalid light, graphics and surface settings, and the notes for an object that draws no 3D faces or more wireframe edges than the limit. Each has a row in every catalog that translates all status and error messages, and the effect's name and the values in the message are translated or kept as written (`three_d_refusals_are_translated_in_every_complete_catalog`, `three_d_refusals_translate_with_their_values`).
  - The errors of the parameter checks that many commands share show in the status bar in the interface language: a value that is not a number where a number goes (`object.move` with `"dx": "60 mm"`, and `object.rotate`, `object.setBounds` and the other commands that call `check_numbers`), a missing number or index, `ids` that are not a list of object ids, an object id that is not a non-negative integer or names no object, and a date that is not Unix seconds. Each has a row in every catalog that translates all status and error messages, and in Bulgarian, Danish, Indonesian and Dutch (`shared_param_check_errors_are_translated`).
  - A parameter schema's errors show in the status bar with what the value must be in the interface language, for every type a schema has (a number with each kind of range and with a unit, an integer and its range, true or false, a string, a list of names, an object id, a list of object ids, a color, a point, an object and a list), in every catalog that translates all status and error messages; the path, the refused value, the bounds, the unit and the names stay as the English gives them. The error for a value that is not one of its names is also translated in Bulgarian, Bosnian, Danish, Indonesian and Dutch (`parameter_schema_expected_phrases_are_translated`, `bracketed_message_parts_translate_only_as_exact_messages`).
+  - The untranslated report lists the status and error messages of the effects, swatch libraries, raster sizes and encoders, 3D solids and path operations that a catalog lacks, the messages that a `.map_err` closure or a named error handler returns, and the phrases a parameter schema's error builds for what a value must be (`untranslated_report_checks_every_message_crate_and_schema_phrase`, `message_scan_reads_map_err_closures`, `message_scan_reads_named_map_err_handlers`).
  - Export commands run through MCP, the control channel or the CLI refuse a key that no format takes, and warn about a key that only another format takes (`{"format": "pdf", "quality": 80}` writes the PDF with the warning "`quality` was not used: PDF files don't read it"; `an_option_only_another_format_reads_gets_a_note`, `control_export_notes_an_option_the_format_does_not_read`, `convert_warns_about_an_unused_option_only_when_one_was_given`), and a command that writes one format (`document.exportPdf`, `document.exportEps`, `document.exportDxf`) or takes one format's options (`document.pdfSettings`, `pdf.preset.save`) refuses a key that format doesn't take. An unknown key inside `marks`, `bleed`, `compression`, `output`, `advanced`, `security` or `flattener` is refused by its path.
  - Save commands run through MCP, the control channel or the CLI (`document.save`, `file.saveAs`, `file.saveCopy`, `file.saveAsTemplate`, `app.save`) refuse a key that no save format takes, beside the path or in `options`. Export for Screens refuses a key it doesn't take, and a key that no format takes in a format row or in a format's settings, by its path (`formats[1].marks.useDocumentBleed`); Export Assets (`assets.export`, `assets.settings.set`) checks the rows and settings it is given the same way.
  - Commands that read their `ids` (or `slices`) list themselves refuse a list with an entry that is not a non-negative integer, and a value that is not a list, and change nothing; they no longer drop the entry and act on the rest (Copy Appearance From, the Edit Colors commands and Overprint Black, Find and Replace, `layer.highlight`, `layer.move`, `library.add`, the Links panel commands, `object.transform`, Make Pattern, the Repeat commands, the slice commands, Join, Average and Join, `plugin.run`, `symbol.edit`, Make Opacity Mask; `tests::ids_without_selection::an_ids_entry_that_is_not_an_id_is_refused_and_changes_nothing`). The error for an entry of an object id list names the key, the entry and its value ("`ids` entry 1 is true, not a non-negative integer object id"), with a row in every catalog that has the other object id errors.
@@ -999,6 +1014,7 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur
  - Shortcut sets other apps save as text (`.kys`) open in Import Shortcut Set from File › Open, from Edit › Keyboard Shortcuts › Import… in the desktop app, or from a drop on the window. It matches each entry to a tool, command or panel by name and decodes the file's key and modifier codes where VectorCraft's default shortcuts agree on them; the user answers the rest, and Apply fills the Keyboard Shortcuts dialog's working set. The answers are kept with the preferences for the next import (`shortcutSet.read`, `importMatches.*`).
  - Edit › Keyboard Shortcuts › Export Text… saves the set shown in the dialog as a UTF-8 text file, as the reference app's [Export keyboard shortcuts list as a text document](https://helpx.adobe.com/illustrator/desktop/get-started/preferences-and-settings/export-keyboard-shortcuts-list.html) page describes (`shortcuts.exportText {path?}`). The layout is VectorCraft's own: the set's name, then the Tools and Menu Commands rows in the dialog's order, each with its name, a tab and its shortcuts as the dialog shows them, and nothing after the tab for a row with no shortcut. Tests `shortcut_editor::tests::export_text_*` and `tests::picks::keyboard_shortcuts_export_text_writes_the_working_set_as_text`.
  - On Windows and Linux the app bar is the window's title bar (its own minimize, maximize and close buttons, drag to move, edges to resize), with the dragon app icon as the brand mark; dialogs and menus size to their content. As on a native menu bar, once one menu is open, moving the pointer onto another title opens that one.
+  - On Linux and the BSDs, when the desktop leaves the window's frame to the app (a Wayland session without server-side decorations, such as GNOME) and the window is not opened through XWayland, the app bar's window buttons follow the `button-layout` key of `org.gnome.desktop.wm.preferences` ([schema](https://gitlab.gnome.org/GNOME/gsettings-desktop-schemas/-/blob/master/schemas/org.gnome.desktop.wm.preferences.gschema.xml.in)): Close alone at the right, all three at the left, or split between the ends, in the listed order with the first one leftmost. When the key cannot be read or names no window button, and for an app frame turned on by `VECTORCRAFT_TITLEBAR=app` or VectorCraft Title Bar on Every Desktop, all three stay at the right. Tests `titlebar::tests::caption_buttons_follow_the_caption_layout`, `tests::the_caption_buttons_follow_the_frame_layout` and `tests::the_start_frame_applies_the_app_title_bar_preference`.
  - On Linux and the BSDs, Preferences › User Interface › VectorCraft Title Bar on Every Desktop (off by default) uses the app bar as the title bar from the next start in the sessions where the desktop would draw the window's frame (X11, Wayland compositors with server-side decorations such as KDE Plasma, a window opened through XWayland). System Title Bar and `VECTORCRAFT_TITLEBAR` take precedence over it, and `VECTORCRAFT_TITLEBAR` also takes precedence over System Title Bar for the run it is set in. Only the values `app`, `system` and `desktop` take precedence (case-sensitive, surrounding spaces ignored); any other value, such as `unknown`, is ignored and does not override System Title Bar.
  - Edit › Keyboard Shortcuts lists items of the menu bar and panel menus, as the reference app's [Customize keyboard shortcuts](https://web.archive.org/web/20221205131209id_/https://helpx.adobe.com/illustrator/using/customizing-keyboard-shortcuts.html) page describes for its Menu Commands. A menu command with no default shortcut that needs a value a key press does not give, such as File › Document Setup › Units (`document.setUnits {units}`), is listed only while the user has changed its shortcut. A command stays listed when a menu bar item runs it without a value or when it opens a dialog run without one, as the Variables panel's commands do.
  - No two rows of Edit › Keyboard Shortcuts have the same English name (VectorCraft's own rule). A command that an item of the menu bar runs is listed under that item's menu path (Window › Swatch Libraries › Other Library…), a command whose id extends another command's id is listed under that command's label (Character Style Options › Reset Panel), and the rows that still share a name show their id after it, except the one row an item of the menu bar runs (File › New… and File › New… (file.new)). The search finds a row by the id it shows, and a message about a shortcut already in use names the other row with its group. Test `shortcut_editor::tests::no_two_entries_have_the_same_name`.
@@ -1098,7 +1114,7 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur
  - **Blend spine Anchor Point tool (#2544):** on a selected blend, dragging a spine corner makes symmetric Smooth handles; the tool displays and picks existing spine handles when switched to, drags one independently or retracts it on click, and clicking a point with handles retracts both. The spine is edited live without moving its key objects. Windows native canvas checks and screenshots reviewed: symmetric and independent handles, corner/retraction, Shift constraints and perpendicular reshaping, tool switching, key preservation, Undo/Redo, save/reopen, hidden handles and overlapping Path/Blend priority (PR #2643). Behaviour reference: [public path-editing documentation](https://helpx.adobe.com/illustrator/using/adjust-path-segments.html).
  - **Blend steps of brushed strokes:** the steps interpolate the pen pressure, tilt, bearing and rotation recorded with the Paintbrush, so a Calligraphic, Scatter or Art brush that varies with the pen changes gradually from one key to the next. A key without a recording counts as half pressure, half tilt and 0°, as brushes read it, and angles turn the shorter way round. When the blend starts a key's path at another anchor (an open path run from its end, a closed one turned to another start), the key's recordings, width profile and arrowheads turn with the path. Different brushes still switch halfway (VectorCraft's own rule; strokes blend their options, as [Blended objects overview](https://helpx.adobe.com/illustrator/desktop/manage-colors/apply-transparency-and-blending/blended-objects-overview.html) describes; `crates/doc/src/blend.rs`, `pen_pressure_tilt_and_angles_interpolate_for_brushes`, `stroke_profiles_turn_with_a_key_path_started_elsewhere`).
  - **Path editing (#494):** the handles shown are the handles that drag: Direct Selection drags those of a path selected as a whole (as the Pen leaves it), the Anchor Point tool and Pen+Alt no longer grab handles that Show handles when multiple anchors are selected hides, a handle shorter than the tolerance leaves its anchor to be picked, and the anchor tools pick within Selection & Anchor Display › Tolerance. A dragged segment keeps a smooth anchor at either end smooth. With Direct Selection, the Pen, the Curvature and the anchor tools, a path selected as a whole shows all its anchors selected, and the Control bar and the Properties panel offer Convert (corner, smooth) for them too; Remove and Cut wait for anchors direct-selected (#504). A handle drag gathers its snap targets once per drag (it took 21 ms per pointer move on a 20,000-path document, now 1 ms; `vectorcraft-cli perf` measures handle and segment drags on a 5,000-anchor path). Join merges the selected anchor points that lie on one another, as after Average, into one anchor (#1582, fixes #1533), and removes the merged anchors in one pass over the path, so a long run of them no longer moves the anchors after it once per merge (`cmd::path::tests::a_long_run_before_many_other_anchors_merges_in_one_pass`); Object › Path › Average & Join… (`path.averageJoin`, Cmd+Alt+Shift+J, the "Create corner or smooth join" shortcut of [Default keyboard shortcuts](https://helpx.adobe.com/illustrator/using/default-keyboard-shortcuts.html)) moves two open path ends to their midpoint and joins them there, a corner or smooth point as its dialog's Points choice asks, in one undo step.
-  - **Graphs:** Column, Stacked Column, Bar, Stacked Bar, Line, Area, Scatter, Pie and Radar graph tools with Graph Data and Graph Type. A series starts in greyscale; Group Selection's fill and stroke, the paint, weight, opacity and blend mode of a mark's top visible fill or stroke row after an Appearance command or a graphic style (each given a mark or its series picked with Group Selection), the Eyedropper, Default Fill and Stroke or Swap Fill and Stroke, the paint or stroke weight a stroke weight, gradient or recolor command changes there, and a mark's object opacity and blend mode, are kept separately on the graph and reapplied when its data, type or size changes, and through save, open and undo. A series that draws Filled Lines bands keeps no stroke paint or weight: its bands are drawn again with their 0.25 pt black outline. Graph Type's Override Calculated Values (both `axisMin` and `axisMax`) uses exactly that value-axis range, split into the tick count (5 when automatic). Line graphs take Edge-to-Edge Lines (off by default: the points sit at the centres of their categories; graphs saved before the option keep their edge-to-edge lines), and radar graphs follow Mark Data Points and Connect Data Points. Blank cells (an empty CSV cell or `null`) are values left out, not zeros: columns, bars and stacked segments skip them, lines and scatter lines break around them and the value axis ignores them, while area, pie and radar draw them as 0; a number in straight quotes is a label, and the data window writes it back quoted. Graph types combine: Graph Type on series picked with Group Selection (or `series` indexes) draws them as their own type, with column, stacked column, line and area mixing on the vertical value axis and bar and stacked bar on the horizontal one; stacked columns take one slot of the cluster, lines draw in front of columns and areas behind. The value axis goes on the left, the right or both sides (column, stacked column, line, area and scatter graphs; bar graphs keep theirs along the bottom), and Separate Scales gives the series assigned to the right axis a scale of their own with its own tick values. Each value axis takes tick marks of no, short or full (across the plot) length and a count per division, and a prefix and suffix for its numbers; the category axis takes tick marks too (none by default), at or between its labels. Graph designs: Object › Graph › Design lists the designs with a preview of the selected one, and New Design (the selected art), Rename, Delete Design, Paste Design (a copy back to edit) and Select Unused, and Marker draws the data points and legend swatches of line, scatter and radar series with a design, scaled so its backmost object fills the default marker's square. Graph Data transposes rows and columns and switches a scatter graph's x and y, and a `|` in a category or series label starts a new line. Pie graphs take Legends in Wedges, Position (Even, Ratio sized by area, Stacked on one centre) and Sort (None, All, First). Graph Type takes column and cluster widths up to 1000% (overlapping past 100%) with First Row and First Column in Front (First Row orders each series' categories; across series the series order decides, so series stay one group each for Group Selection), draws filled lines, adds drop shadows behind columns, bars, lines and wedges, and puts the legend in rows across the top. Text formatted with the Character, Paragraph, Appearance, Transparency or Graphic Styles controls or the Eyedropper, or recolored, given Swap Fill and Stroke or Default Fill and Stroke, or given stroke options or a gradient, on the whole graph or on labels picked with Group Selection, is kept per kind of label (value axis numbers, category labels, legend labels) through the graph being drawn again, the paint, weight, opacity and blend mode of a label's topmost visible fill and stroke rows and its object opacity and blend mode included. Object › Graph › Data opens a worksheet: cells picked with a click and edited above the sheet (Tab moves right, Enter down, the arrows between cells), Import Data from a tab-separated text file, Transpose, Switch x/y, Cell Style (decimals shown, column width), Revert and Apply. `graph.setData` returns and takes the data as CSV with each value written exactly, not rounded to two decimals, so applying the returned CSV changes nothing (#1485).
+  - **Graphs:** Column, Stacked Column, Bar, Stacked Bar, Line, Area, Scatter, Pie and Radar graph tools with Graph Data and Graph Type. A series starts in greyscale; Group Selection's fill and stroke, the paint, weight, opacity and blend mode of a mark's top visible fill or stroke row after an Appearance command or a graphic style (each given a mark or its series picked with Group Selection), the Eyedropper, Default Fill and Stroke or Swap Fill and Stroke, the paint or stroke weight a stroke weight, gradient or recolor command changes there, and a mark's object opacity and blend mode, are kept separately on the graph and reapplied when its data, type or size changes, and through save, open and undo. A series that draws Filled Lines bands keeps no stroke paint or weight: its bands are drawn again with their 0.25 pt black outline. Graph Type's Override Calculated Values (both `axisMin` and `axisMax`) uses exactly that value-axis range, split into the tick count (5 when automatic). Line graphs take Edge-to-Edge Lines (off by default: the points sit at the centres of their categories; graphs saved before the option keep their edge-to-edge lines), and radar graphs follow Mark Data Points and Connect Data Points. Blank cells (an empty CSV cell or `null`) are values left out, not zeros: columns, bars and stacked segments skip them, lines and scatter lines break around them and the value axis ignores them, while area, pie and radar draw them as 0; a number in straight quotes is a label, and the data window writes it back quoted. Graph types combine: Graph Type on series picked with Group Selection (or `series` indexes) draws them as their own type, with column, stacked column, line and area mixing on the vertical value axis and bar and stacked bar on the horizontal one; stacked columns take one slot of the cluster, lines draw in front of columns and areas behind. The value axis goes on the left, the right or both sides (column, stacked column, line, area and scatter graphs; bar graphs keep theirs along the bottom), and Separate Scales gives the series assigned to the right axis a scale of their own with its own tick values. Each value axis takes tick marks of no, short or full (across the plot) length and a count per division, and a prefix and suffix for its numbers; the category axis takes tick marks too (none by default), at or between its labels. Graph designs: Object › Graph › Design lists the designs with a preview of the selected one, and New Design (the selected art), Rename, Delete Design, Paste Design (a copy back to edit) and Select Unused, and Marker draws the data points and legend swatches of line, scatter and radar series with a design, scaled so its backmost object fills the default marker's square. The Appearance, effect and graphic style commands do not edit a design's art inside a series, which the graph draws again from the design. Graph Data transposes rows and columns and switches a scatter graph's x and y, and a `|` in a category or series label starts a new line. Pie graphs take Legends in Wedges, Position (Even, Ratio sized by area, Stacked on one centre) and Sort (None, All, First). Graph Type takes column and cluster widths up to 1000% (overlapping past 100%) with First Row and First Column in Front (First Row orders each series' categories; across series the series order decides, so series stay one group each for Group Selection), draws filled lines, adds drop shadows behind columns, bars, lines and wedges, and puts the legend in rows across the top. Text formatted with the Character, Paragraph, Appearance, Transparency or Graphic Styles controls or the Eyedropper, or recolored, given Swap Fill and Stroke or Default Fill and Stroke, or given stroke options or a gradient, on the whole graph or on labels picked with Group Selection, is kept per kind of label (value axis numbers, category labels, legend labels) through the graph being drawn again, the paint, weight, opacity and blend mode of a label's topmost visible fill and stroke rows and its object opacity and blend mode included. Object › Graph › Data opens a worksheet: cells picked with a click and edited above the sheet (Tab moves right, Enter down, the arrows between cells), Import Data from a tab-separated text file, Transpose, Switch x/y, Cell Style (decimals shown, column width), Revert and Apply. `graph.setData` returns and takes the data as CSV with each value written exactly, not rounded to two decimals, so applying the returned CSV changes nothing (#1485).
    An Eyedropper pick that includes transparency and leaves a mark's top fill or stroke row without paint, or removes that row when the source has no row of that kind, where that row had paint before, also replaces the opacity and blend mode the graph keeps for that kind of row in the series; a row that had no paint before the pick leaves them as they are.
    What Global Edit gives a mark from another match (in an isolated graph) is kept on the graph the same way, and so is the object opacity, with its blend mode, that Randomize Opacity and Sort Objects change on marks.
  - **Graph column designs:** Object › Graph › Column (`graph.column`) draws the columns, bars or stacked segments and the legend swatch of the series picked with Group Selection with a graph design: Vertically Scaled stretches it to each column's length, Uniformly Scaled scales it both ways and centers it, Repeating stacks a copy for each Each Design Represents value and chops or scales the last one (For Fractions), and Sliding keeps the part above the design's guide line in proportion and stretches the part below. The dialog lists the designs with a preview; the choice is saved with the graph and follows the design's rename and delete.
@@ -1228,6 +1244,7 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur
  - A 3D effect on one fill or stroke ([the help page](https://helpx.adobe.com/illustrator/using/effects.html)) leaves the object's other fills and strokes drawn with the path's or compound path's fill rule, so an even-odd compound path keeps its holes in them; this holds for Extrude & Bevel, Inflate, Rotate and Revolve, and for the Classic Extrude & Bevel, Rotate and Revolve. Tests: `solids::tests::a_fill_or_stroke_without_the_effect_keeps_the_even_odd_hole`, `revolve::tests::a_fill_without_the_revolve_keeps_the_even_odd_hole`.
  - With caps and opaque paint, Extrude & Bevel (both kinds) and Inflate draw each side face of the fill's solid before the faces of the same object's strokes that overlap it (strokes on closed paths without dashes, a width profile or a brush, in a solid color or an opaque gradient), so the stroke's walls cover the fill's walls at concave corners instead of showing stripes of the fill. Tests: `solids::tests::a_fills_walls_are_drawn_before_the_stroke_faces_over_them`, `solids::tests::the_draw_order_moves_a_fill_wall_before_the_stroke_faces_it_overlaps`, `solid::tests::facets_tell_the_sides_from_the_ends_and_the_faces_turned_away`.
  - When the fill and strokes are at full opacity with Normal blending, under a stroke that leaves parts of the fill's edge uncovered (dashed, with a width profile or a brush, on an open subpath, or in a paint that may show through), Extrude & Bevel (both kinds) and Inflate cut each stroke face that passes through a face of the fill's solid, or of another of the shape's strokes, where their depths meet, and draw the faces of the shape's fill and strokes that overlap in the order of their depths where they overlap, instead of by the depths of their centers. Inflate orders a plain stroke the same way, since its fill can rise in front of the stroke. The fill no longer paints over a nearer dash, and a dash's end no longer covers the fill wall in front of it; a fill wall in a gap between dashes stays visible. The same order applies inside a group member's own opacity mask or blending mode, to a gradient with transparent stops under a colored light with graphics on its caps, and to Inflate in gradients under a colored light. Tests: `solids::tests::fill_walls_and_strokes_that_leave_gaps_draw_in_the_order_of_their_depths_where_they_overlap`, `solids::tests::local_order_puts_overlapping_fill_walls_and_stroke_faces_in_depth_order`, `solids::tests::a_stroke_face_through_a_fill_wall_is_cut_where_their_depths_meet`, `solids::tests::a_masked_members_fill_and_stroke_faces_go_in_one_order`, `solids::tests::a_colored_inflate_in_gradients_draws_its_faces_in_one_order`, `solids::tests::a_depth_cycle_keeps_the_cap_last`, `solids::graphics::tests::a_transparent_gradient_with_a_graphic_keeps_the_shared_face_order`.
+  - Under a colored light, an Inflate fill and strokes in solid colors, opaque with Normal blending, also draw their faces in that one order, inside a group member's own opacity mask too, instead of each solid as one composite with the stroke's faces over every fill face. Each face keeps the composite's paint, light ramps and seam width; a lone solid, the solids of an object with a translucent or blended fill or stroke, and such solids holding more than 30,720 faces together (VectorCraft's own limit) are still drawn as one composite each. Tests: `solids::tests::colored_solid_fills_and_strokes_share_face_depth_order`, `solids::tests::a_colored_solid_face_on_its_own_keeps_the_composites_colors`, `solids::tests::colored_solid_inflate_batches_channels_and_clips_once_per_surface`, `solids::tests::colored_solids_past_the_face_limit_draw_as_composites`.
  - Without a twist, a tapered Extrude & Bevel wall (and each bevel band) is one flat face; only a twist cuts walls into slices, so no seam between slices paints a light tick or a light line on a tapered, untwisted wall (#7019). Test: `solid::tests::a_tapered_wall_is_one_flat_face_and_a_twisted_one_is_sliced`.
  - Extrude & Bevel, Inflate and Rotate apply to type: it makes a solid of its glyph outlines, painted with its own fills and strokes or, when it has none, its characters' colour (the first run's), and stays type, so editing the text reshapes the solid (#4715).
  - Extrude & Bevel, Inflate and Rotate (Effect › 3D and Materials): live effects in the `three-d` crate with depth, twist, taper, solid or hollow caps, five original bevel shapes (width, height, repeat, spacing, inside, both sides), Inflate's volume, both sides, twist, taper and cap, Rotate's turned fills and strokes, Position presets, the rotation and light gizmos, SVG/PDF vector output and Expand Appearance; one 3D effect per object; covered by geometry, effect, canvas-versus-export, command and dialog tests ([three-d.md](three-d.md)).
@@ -1285,7 +1302,9 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur
  The Every-line Composer composes a paragraph whose characters differ in line metrics (type size, font, leading or vertical scale, or an inline graphic taller than the text) in area type of any shape, rows, columns and text wrap included. In a frame that is not a rectangle, or with text wrap, each line it tries is measured where the lines above it put it, across the line's own height, so a taller line gets the room of the narrower part of the frame, or of the span beside a wrap object, that it reaches. Such a paragraph is broken with the Single-line Composer when the frame has no room for all of it or when the search passes VectorCraft's own limits. Behavior reference: [the help page](https://helpx.adobe.com/illustrator/desktop/design-with-text/edit-format-text/set-hyphenation-and-line-breaks.html).
  A text wrap object's Offset may be negative as well as positive ([the help page](https://help.adobe.com/archive/en_US/illustrator/cs4/illustrator_cs4_help.pdf#page=307)). A negative Offset (to -1000 pt) shrinks the wrap object by that distance, measured from each edge itself and from the edges of its holes, so lines beside it, above it and below it run that far into it, and an object narrower than twice the distance no longer moves text aside. With Invert Wrap, a negative Offset keeps the text that far inside the object. These are VectorCraft's own rules for the shape of the shrunk object. Text Wrap Options, `object.textWrap.make` and `object.textWrap.options` and the MCP `text_wrap` tool take the negative value, and layout uses it (`crates/text/src/layout/region.rs` tests, `cmd::textwrap::tests::text_wrap_options_negative_offset_reflows_and_round_trips`).
  In area type of a shape other than a rectangle, each line's whole band, ascent to descent, stays inside the frame: where an edge pinches in within the band, the line ends at the narrowest point, and a line runs beside a hole that starts and ends within its band, not across it. In area type of any shape, a line also stays clear of a text wrap object that reaches into any part of its band, and inside an Invert Wrap object over its whole band (`crates/text/src/layout/region.rs` tests).
+  In area type whose frame has several contours, a line runs across an edge two contours share only when their edges lie exactly on one line, so a gap between contours keeps lines from crossing it, even a gap one unit in the last place wide near the edge of the canvas; an edge divided by an anchor exactly on it still lets lines cross (`layout::region::separate_slanted_contours_keep_a_four_ulp_gap_near_canvas_limit`, `shared_slanted_edge_still_joins_near_canvas_limit`, `area_type_sets_no_line_across_a_four_ulp_gap_between_slanted_contours`).
  With Invert Wrap, the spans a line keeps inside a wrap shape of many parts (a comb of 500 teeth) are found by stepping through the line's spans and the shape's spans once for each piece of the band, so the work grows with the number of spans, not with its square (`crates/text/src/layout/region.rs` tests).
+  Text Wrap Options › Offset is a distance field in the document's units: a bare number is in those units, a typed unit ("12 pt") is read as typed, and OK sends points. In a document in picas, a bare number follows Preferences › Units › Numbers Without Units Are Points as the other length fields do: it is in points while that preference is on (the default) and in picas while it is off (`dialogs::command::tests::text_wrap_offset_in_picas_follows_numbers_without_units_are_points`). An Offset typed outside -1000 to 1000 pt, VectorCraft's own range for the command, or text that doesn't read, is refused: the field flashes and the dialog stays open, whether Enter or a click on OK ends the entry; in every dialog drawn by the shared dialog window, a click on OK no longer confirms it when the distance field it takes the focus from refuses its text (`dialogs::command::tests::text_wrap_offset_field_takes_document_units_and_refuses_values_outside_its_range`). Behavior reference: [the help page](https://helpx.adobe.com/illustrator/desktop/get-started/learn-the-basics/enter-values-in-panels-and-dialog-boxes.html).
  The Character panel's Small Caps, Superscript and Subscript buttons and the panel menu's items of the same names turn small caps and the superscript or subscript position on and off for the selected type, or for the text the Type tool has selected (`text.setFormat` or `text.setRangeStyle` `{smallCaps, position}`), in Document Setup's proportions. Turning Superscript on turns Subscript off, and turning Subscript on turns Superscript off. A button or item shows as on when the first selected character (at a caret, the character before it) has its attribute.
  The Character panel's Anti-aliasing Method dropdown, under Character Rotation, sets how the edges of the selected type objects are drawn as pixels (`text.setFormat {antiAlias}`), for the whole object, with each frame of a thread keeping its own method and graph labels keeping it when the graph is drawn again, on the canvas, in raster exports and when the type is rasterized. VectorCraft defines the methods: Sharp, the default, draws edges as before; None paints a pixel only where the type covers at least half of it; Crisp shows a pixel covered by a share c at `2c - 0.5`, and Strong shows it at `2c`, each kept between 0 and 1. SVG, PDF and EPS export are unchanged. Scores and hours unchanged.
  The OpenType panel's Stylistic Alternates and Titling Alternates checkboxes turn `salt` and `titl` on and off for the selected type, and its Figure menu lists Default Figure, Tabular Lining, Proportional Lining, Proportional Oldstyle and Tabular Oldstyle; Proportional Lining sets `pnum` and `lnum` and turns `tnum` and `onum` off, Tabular Lining turns `pnum` off and keeps `lnum`, Proportional Oldstyle turns `lnum` off and keeps `pnum`, and Default Figure and Tabular Oldstyle turn `pnum` and `lnum` off. Behavior reference: [Format text with OpenType features](https://helpx.adobe.com/illustrator/desktop/design-with-text/special-characters-glyphs/format-text-with-opentype-features.html) and [Use swashes, titling alternates, or stylistic alternates](https://helpx.adobe.com/illustrator/desktop/design-with-text/special-characters-glyphs/use-swashes-titling-alternates-or-stylistic-alternates.html) (public documentation). Tests: `panels::opentype::tests`.
@@ -1372,10 +1391,12 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur
 - **Image Trace, curve fitting tolerance:** the outline fitter keeps cutting a run while a point stays farther than the tolerance from its curve, so a run of fewer than six points or one cut 14 times no longer keeps a piece over the tolerance. Pieces already within the tolerance do not change, and noisy art can get more anchors. Tests: `logo::bezier::tests`, `logo::outline::tests`. Scores and hours unchanged.
 - **Image Trace, gray photos:** Color and Grayscale smooth a gray photo within its tones before choosing its colors, as they do a color photo. A picture with at least 95% of its opaque pixels within 8 levels across their channels counts as continuous tone when 8 colors leave an error of more than 6 levels and more than 0.065 of the error of one color, instead of 0.1, unless 16 colors leave at most a fifth of the error of 8 (VectorCraft's own values). That exception keeps gray flat art of up to 16 clean levels on its old route; anti-aliased or noisy gray flat art can now count as continuous tone too. Most gray photos the change reaches, and very noisy gray scans of flat art, trace with fewer specks and fewer staircase edges. Some 16 Colors and High Fidelity Photo palettes of gray photos grow toward the requested count, with more anchors and regions. Some gray illustrations and sketches get more anchors and staircase edges at 16 Colors and High Fidelity Photo, and some 6 Colors traces get more staircase edges. Tests: `tests::a_gray_photo_is_continuous_tone_as_its_color_original_is`, `tests::a_gray_photo_is_smoothed_before_it_is_traced`. Scores and hours unchanged.
 - **Image Trace, tinted photos:** Color and Grayscale smooth a sepia, single-hue or duotone photo within its tones before choosing its colors, as they do a gray photo. A picture with at least 95% of its opaque pixels within 6 levels of its tone curve counts as continuous tone under the same 0.065 rule as a neutral picture. The tone curve runs through the median color of each 8-level stretch along the direction in which the picture's colors spread the most, and a pixel on it must also lie within 6 levels of the plane the colors spread along most, so art in several unrelated colors is not counted (VectorCraft's own rule and values). The neutral rule's exception for 16 colors leaving at most a fifth of the error of 8 applies to it too. Clean tinted bands of 2, 3 and 9 levels and tinted scans of flat art with up to 8 levels of noise stay on the flat-art route. On the synthetic tinted photos the 16 Colors trace keeps 12 to 15 colors instead of 6 to 13, with 525 to 708 anchors instead of up to 1,402. A duotone with strong noise on each channel can still miss the curve and stay unsmoothed. Tests: `tests::a_tinted_photo_is_continuous_tone_as_a_gray_photo_is`, `tests::small_accents_of_other_colors_leave_a_tinted_photo_continuous_tone`, `tests::tinted_flat_art_stays_flat_art`, `tests::pictures_without_tones_are_not_continuous_tone`, `tests::a_tinted_photo_is_smoothed_before_it_is_traced`. Scores and hours unchanged.
+- **Image Trace, JPEG blocks:** Color, Grayscale and Black and White traces smooth the edges of a JPEG's 8 × 8 blocks before tracing, so a dark ground whose tone changes slowly is no longer traced as staircases along the block edges. The block grid is found in the image itself: the mean step between neighboring pixels must peak at one position in eight, across and down. A cropped JPEG and a JPEG saved in another format are smoothed too. A picture of flat 8 × 8 cells is left as it is, and art made of 8 × 8 cells with slight texture inside each cell is smoothed as a JPEG copy would be. A small step at a block edge, with no edge in the eight pixels around it, is spread over those eight pixels, and larger steps are kept, as the deblocking filters of ITU-T H.263 Annex J and MPEG-4 Part 2 Annex F.3.1 do. Black and White smooths only the smallest steps, and traces of more than 16 colors move every row of a stretch of eight by the same amount (VectorCraft's own rule and values). On a 4000 × 3000 photo saved as JPEG, the straight outline segments that lie on the block grid fall from 52% and 51% (across and down) to 24% and 29% at 16 Colors, and from 54% and 51% to 43% and 42% at High Fidelity Photo; staircase runs fall from 83 to 67 (16 Colors), 11 to 1 (6 Colors), 30 to 13 (Black and White Logo) and 428 to 403 (High Fidelity Photo). A 600 px photo saved as a quality-40 JPEG has 4 staircase runs instead of 2 at 16 Colors. Images without a block grid trace as before. Tests: `tests::a_jpegs_blocks_are_not_traced_as_steps`, `deblock::tests`. Scores and hours unchanged.
 - **Image Trace, Document Library color groups:** with Document Swatches, the panel's Colors menu and `"colorGroup"` trace with one color group's colors instead of every swatch, as the public panel documentation describes Document Library; code-drawn tests in `crates/engine` and the panel.
 - **Image Trace, Document Library colors:** with Document Swatches, traced fills and strokes use the displayed colors of process, global, spot and tint swatches without links, so editing a swatch leaves the trace unchanged; swatch-library colors are also unlinked; code-drawn tests in `crates/engine`.
 - **Image Trace, flattened slivers:** in a Color, Grayscale or Black and White trace with Fills, a traced region whose outline straightens onto one line (a single pixel, or a one-pixel row along an edge, its pieces shared with the regions beside it) is left out instead of becoming a selectable path with no area, which paints nothing. Snap Curves To Lines straightens more outlines, so it leaves out more of these. Without Fills, the region's 1 px stroke draws it, and it is kept. Code-drawn tests in `crates/trace`.
 - **Image Trace, Auto Color rare colours:** the Automatic palette keeps colours too rare for its area count when they are distinct (Oklab) and drawn as coherent regions, at most six, protected from mixed-colour merging and Noise; code-drawn stem, highlight, low-contrast and scattered-noise tests (see [quality notes](image-trace-quality.md#auto-color-keeps-rare-colours)).
+- **Image Trace, nearly flat dark grounds:** with a Limited palette of 9 to 16 colors (16 Colors, and Document Library without swatches), by VectorCraft's own rule, a cut whose two sides both have a dark gray mean (Oklab lightness under 0.30, chroma under 0.03) and lie less than 0.03 apart in Oklab has its gain scaled by (distance / 0.03)². A near-black ground with faint noise then traces in one color, and the color it would have taken goes to another cut. Code-drawn tests `a_nearly_flat_dark_ground_keeps_one_color`, `only_a_limited_palette_of_nine_to_sixteen_colors_weighs_alike_sides` and `a_dark_colored_figure_on_a_nearly_flat_dark_ground_keeps_its_color` in `crates/trace`.
 - **Image Trace, Document Library keeps neutral tones neutral:** each pixel takes the library color nearest in Oklab with differences in hue and chroma counted three times, so a gray or a muted brown traces as a neutral library color instead of a saturated one of similar lightness; a code-drawn test of gray and brown patches with a black, light and blue library in `crates/trace`.
 - **Image Trace, source image on hold:** while the eye button next to the Image Trace panel's View is held down, the canvas shows the selected Image Trace objects' source image whatever their View, and shows their View again on release, with no change to the document or the undo history.
 - **Image Trace, large images:** images over 1500 px on a side trace with a warning in the result and the status bar; the anchor limit is 8,000,000 (2,000,000 on the web), measured at about 90 bytes an anchor (see [quality notes](image-trace-quality.md#large-images)).
@@ -1424,11 +1445,13 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur
  Object › Live Paint › Merge adds the other selected paths and Live Paint groups to the bottom selected Live Paint group ([Live Paint groups](https://web.archive.org/web/20241230205225/https://helpx.adobe.com/illustrator/using/live-paint-groups.html)), which keeps its id, the paint of its faces and edges, and its name, lock, visibility, transparency, appearance, opacity mask and graphic style link. Object › Live Paint › Make with a Live Paint group selected, and a Live Paint Bucket click on a selected path beside a selected Live Paint group, add the paths to that group the same way. Make, Merge and the Live Paint Bucket take paths, compound paths and groups of them; with type, an image or another object among the selection they report that it has to be converted to paths first and change nothing, as type and raster images can't go into a Live Paint group directly ([Create Live Paint groups](https://helpx.adobe.com/illustrator/desktop/paint-and-fill/learn-painting-basics/create-live-paint-groups.html)); before, such an object went among the group's hidden sources and vanished from the canvas. Evidence: `tests_build::live_paint_refuses_type_and_images_and_changes_nothing`.
  With the Live Paint Bucket selected, Alt-click on vector art samples its fill, stroke and stroke weight into the paint defaults ([Paint with the Live Paint Bucket tool](https://helpx.adobe.com/illustrator/desktop/paint-and-fill/learn-painting-basics/paint-with-the-live-paint-bucket-tool.html)). On a placed image it samples the image pixel as a solid fill with no stroke. Alt+Shift-click samples only the color under the pointer, including an intermediate gradient color or image pixels, into the active fill or stroke ([Default keyboard shortcuts](https://helpx.adobe.com/illustrator/using/default-keyboard-shortcuts.html)). Neither click paints or changes the selection or selected art, and the next Bucket click paints with the sampled paint. Evidence: `tests_build::live_paint_bucket_alt_sample_paints_next_face_without_changing_selection`.
  Double-clicking the Live Paint Bucket opens Live Paint Bucket Options ([Paint with the Live Paint Bucket tool](https://helpx.adobe.com/illustrator/desktop/paint-and-fill/learn-painting-basics/paint-with-the-live-paint-bucket-tool.html)): Paint Fills (on) and Paint Strokes (off) set whether a click paints faces, edges or both, Highlight turns the outline of the face or edge under the pointer on or off, and Color and Width set it (red and 4 px by default). Faces are outlined at the Width and edges at half of it, as the page says faces are highlighted with a thick line and edges with a thin line. With both on, a click paints the edge within 4 px of the pointer, else the face, and Shift switches to Paint Fills only; with one on, Shift switches to the other. The options last across tool switches and are saved with the preferences (`tool.setOption {tool: "livePaintBucket"}`). Evidence: `builder::tests::{bucket_options_choose_what_a_click_paints, bucket_options_set_the_highlight, bucket_highlights_an_edge_thinner_than_a_face}`, `dialogs::live_paint_bucket::tests::double_clicking_the_tool_opens_its_options_and_ok_sets_them`.
+  Live Paint Bucket Options has Cursor Swatch Preview, as the [help page](https://helpx.adobe.com/illustrator/desktop/paint-and-fill/learn-painting-basics/paint-with-the-live-paint-bucket-tool.html) lists: with the Bucket selected, the active fill or stroke shows above the pointer between the color swatches before and after it in the Swatches panel, and the Left and Right arrow keys pick the swatch before or after it, as the page describes. The selected art keeps its paint. As VectorCraft's own rules, the option is on at first, the arrows step the stroke when the Stroke proxy is in front, they wrap around at the ends and still step with the preview off, a color that is no swatch shows alone until Right picks the first swatch or Left the last, and the arrows do nothing during a fill drag or with no color swatch. Evidence: `tests::build::{live_paint_bucket_arrow_keys_step_the_active_paint_through_the_swatches, live_paint_bucket_arrow_keys_handle_unmatched_paint_few_swatches_and_drags, live_paint_bucket_arrow_keys_pass_swatches_of_the_same_color_for_fill_and_stroke, swatch_arrow_keys_leave_modified_arrows_to_the_shortcuts}`.
  Live Paint Make preserves the front-most covering source's fill when compound paths share a curved boundary, and Expand keeps the face fills. Regression evidence: `planar::tests::coincident_curves_keep_their_source_faces` checks source order, winding, fill rules and nearby boundaries; `tests::build::live_paint_make_and_expand_keep_abutting_compound_colors` checks native compound paths, Make, Expand and Undo/Redo. This preserves VectorCraft's source-fill rule without changing arrangement precision.
  Live Paint Gap Options (Object › Live Paint › Gap Options…, `livePaint.gapOptions`): with Gap Detection on, paint stops at the gaps that run from a loose end of a path to the nearest path, up to Small (3 pt), Medium (6 pt), Large (12 pt) or a custom size; Close Gaps With Paths adds an unpainted path across each gap; Preview applies the options live and draws the gaps in the Gap Preview Color. The options are saved, copied and undone with the group, and Merge keeps the bottom group's options when its Gap Detection is on, or else turns Gap Detection on with Small when another merged group has it on. When Gap Detection is off in every merged group, it stays off.
  View › Show Live Paint Gaps (`view.livePaintGaps`) draws the gaps of the selected Live Paint groups up to their Paint Stops At size, each in its group's Gap Preview Color, until Hide Live Paint Gaps or Hide Edges hides them ([Live Paint gaps](https://web.archive.org/web/20260105111201/https://helpx.adobe.com/illustrator/desktop/paint-and-fill/learn-painting-basics/find-and-close-gaps-in-live-paint-groups.html)).
  Double-clicking the Live Paint Selection tool opens its Tool Options ([Live Paint Selection tool options](https://web.archive.org/web/20250904012025/https://helpx.adobe.com/illustrator/using/selecting-objects.html)): with Select Fills off, a click selects an edge instead of a face; with Select Strokes off, Alt-click selects a face instead of an edge; Color and Width set the color and width of the highlight on the face or edge under the pointer (red and 4 px by default). The options last across tool switches and are saved with the preferences (`tool.setOption {tool: "livePaintSelection"}`).
  As VectorCraft's own rule, OK in Live Paint Selection Tool Options, Live Paint Bucket Options, Gap Options and Tile Edge Color gives an error for a color with an alpha part (`#rrggbbaa` or `#rgba`) and changes nothing.
+  As VectorCraft's own rule, a Live Paint edit that changes nothing records no undo step, keeps the redo steps and leaves a saved document saved: a Live Paint Bucket click or drag over faces that already have the fill, a stroke on an edge that already has the paint and weight, Gap Options OK with the options the groups have and no gap to close, and Make or Merge with one Live Paint group alone. Such a fill or stroke also leaves the recent colors as they are. Regression tests: `live_paint_fill_same_paint_is_no_op`, `live_paint_bucket_click_with_the_face_paint_is_no_op`, `live_paint_stroke_edge_same_paint_and_width_is_no_op`, `live_paint_gap_options_same_values_are_no_op`, `live_paint_gap_options_close_without_gaps_is_no_op`, `live_paint_make_existing_group_is_no_op` and `live_paint_merge_single_group_is_no_op` in `crates/engine/src/tests/build.rs`, and `ok_on_unchanged_options_records_no_undo_step` in `crates/ui-egui/src/dialogs/live_paint_gaps.rs`.
  As VectorCraft's own rule, `tool.setOption` for the Live Paint Bucket and the Live Paint Selection tool, chosen or not, checks every value before it sets any: a switch that is not `true` or `false`, a `color` that is not an RGB color or a layer color's name, or that has an alpha part, a `width` that is not a number and an option the tool does not have give an error naming the option, and nothing is set or saved. A `width` outside 1 to 20 px is still set to the nearest end of that range. Saved settings that hold an invalid value still load, and the tool keeps its default for that option. Evidence: `tests::build::{live_paint_tool_options_refuse_invalid_values_and_change_nothing, live_paint_tool_options_take_rgb_colors_and_clamp_the_width, live_paint_tools_load_saved_settings_with_invalid_values}`.
  As VectorCraft's own rule, `tool.setOption` for the Shape Builder, chosen or not, checks every value the same way: a switch that is not `true` or `false`, a `pickColorFrom` or `selection` that is not one of its names, a `gapLength` that is not a number, a `highlightColor` that is not an RGB color or a layer color's name, or that has an alpha part, and an option the tool does not have give an error naming the option, and nothing is set or saved. A `gapLength` outside 0 to 72 pt is still set to the nearest end of that range. Evidence: `tests::build::{shape_builder_tool_options_refuse_invalid_values_and_change_nothing, shape_builder_tool_options_take_valid_values_and_clamp_the_gap}`.
  A drag of 3 screen pixels or more with the Live Paint Selection tool draws a marquee and selects the faces and edges it touches, partly enclosed ones included, and a Shift-drag adds them to the selection or removes them from it ([Modify Live Paint groups](https://web.archive.org/web/20261006115247/https://helpx.adobe.com/illustrator/desktop/paint-and-fill/learn-painting-basics/modify-live-paint-groups.html)). A click and a marquee change the selection on release, and Escape before the release leaves the selection as it was. Locked Live Paint groups, those on a locked layer or artboard, and in isolation mode those outside the isolated art are not highlighted or selected.
@@ -1620,6 +1643,7 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur
    The same holds for the objects of an opacity mask's art, a mask inside another mask's art and a hidden art root included, so a mask whose art has Offset Path opens drawing the image it masks as it did, with the effect live; geometry effects that no art style holds on a mask's art, such as Roughen, are written applied to the art, which opens drawing what it drew (`a_masked_image_with_live_offset_path_round_trips`, `hidden_and_nested_mask_art_keep_live_offset_path` and `a_masks_art_with_an_effect_no_style_holds_is_written_as_it_draws` in `crates/eps/src/ai_editing/tests.rs`).
    A PDF-compatible `.ai` saved with Include Editing Data for Other Apps writes point type, area type and type on a path as type in its editing copy, and objects next to it keep their own transparency (`crates/eps/src/ai_editing/tests.rs`, `cmd::fileio::tests_pdfedit::type_comes_back_from_the_editing_copy`; [file-format-parity.md](file-format-parity.md) lists what is written as outlines).
    A PDF-compatible `.ai` saved with Include Editing Data for Other Apps keeps the document's variables, data sets and the bindings of objects to variables in its editing copy, in the form the variable library reader above reads, so they come back when the file is opened. Bindings to layers, to type written as outlines, to graphs and to linked images written as other objects, data set values of graphs, and variables, data sets, bindings and values past the writer's limits are left out with a warning (#6024; `crates/eps/src/ai_editing/tests.rs` `variables_data_sets_and_bindings_are_read_back`; `crates/eps/src/ai_editing/writer/variables.rs` lists what is left out).
+    A PDF-compatible `.ai` saved with Include Editing Data for Other Apps keeps each wrap object's Text Wrap Options in its editing copy: the Offset, positive or negative, and Invert Wrap ([the help page](https://helpx.adobe.com/illustrator/desktop/design-with-text/add-manage-text/wrap-or-unwrap-text-around-objects.html)), in the form the `.ai` reader reads them (`text_wrap` in `crates/eps/src/import/ai/read/document.rs`), so they come back when the file is opened. An offset past the -1000 to 1000 pt the reader keeps is written as the nearer end of that range. On a large canvas the offset is written at the art's scale and comes back at its size. Art the writer draws for an object, such as a blend's steps or a symbol instance written as its art, has only that object's options, and a clipping path written as its fills and its strokes has its options once (`crates/eps/src/ai_editing/tests.rs` `text_wrap_options_are_written_and_read_back`, `drawn_art_keeps_only_its_objects_text_wrap`, `text_wrap_offsets_on_a_large_canvas_come_back_at_their_size`, `text_wrap_options_of_type_and_envelopes_are_read_back`, `a_clipping_path_written_as_its_paint_keeps_one_text_wrap`).
    In a `.ai` or EPS opened from its editing data, type has its text object's opacity, blend mode and knockout shape flag, whether it is made from the file's text document or taken from the page, and type made from the text document takes its text object's lock. Where such type has transparency and comes in with other art (the rest of its look, or page type and strokes that go with it), a group of them has it. Where the page draws its type, or the strokes around it, with transparency that is neither its text object's nor its text object's combined with that of the objects around it, the page's type and strokes keep their own instead (`crates/eps/src/import/tests_native.rs`). Where the page draws type of no text object over text objects made from the text document, with their words in any case, that type is theirs as the page draws it and is left out; the page's other type of no text object goes only to text objects whose type the text document can't make, or else is left out with a warning.
    `.ai` editing-data import restores the document's listed graphic styles in panel order and links objects that use a listed style; unsupported appearances keep their drawn look (`crates/eps/src/import/ai/tests.rs`).
    A `.ai` or EPS graphic style library, whose editing data holds the styles and their list but no layers, opens with those styles in list order. Other Library… loads another document's graphic styles ([Apply graphic styles](https://helpx.adobe.com/illustrator/desktop/special-effects-styles/apply-graphic-styles/apply-graphic-styles.html)) and lists such a library's styles in a library panel. A `.ai` or EPS read as its PDF part or page because its layers can't be used also gets the styles of its list in place of the default ones (`crates/eps/src/import/tests_native.rs`, `cmd::fileio::tests_aiimport::a_graphic_style_library_in_a_ai_file_without_layers_loads_its_styles`).
@@ -1629,6 +1653,7 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur
    To find those characters, SVG export lays a type object out a second time only when the second layout can differ from the first: point type with Line-end Punctuation Half Width and no Japanese punctuation or letters, the setting new type gets, is laid out once. Exporting 5,000 such objects takes a median of 109.4 ms instead of 171.5 ms on Windows 11, with the same SVG (`crates/svg/src/export/text/tests.rs`).
    SVG export (live text), legacy `.ai` saves (text objects), DXF export (`TEXT` entities) and the CSS Properties panel write area type that Shrink Text to Fit scales down at the size it draws at, and scale its tracking, kerning, leading and baseline shifts the same way where the format holds them.
    Legacy `.ai` saves (version 7) write type with rotated characters (Character Rotation, Touch Type turns) as its outlines, with a warning that it is no longer editable text (unless `outlineText` already asks for every type object as outlines): a version 7 text object has no character rotation ([Adobe Illustrator File Format Specification 7.0](https://www.nationalarchives.gov.uk/PRONOM/fmt/423), §15), and the outlines keep each character's rotation, baseline shift and scale (`legacy_ai::tests::type_with_rotated_characters_is_outlines_that_keep_the_rotation`).
+    Legacy `.ai` type keeps its manual kerning pairs (`Tk`, `TK`), its discretionary hyphens (`T+`, `T-`) as soft hyphens and its hyphenation language (`XL`) when it opens, and legacy `.ai` saves write manual kerning as `Tk` and soft hyphens as `T+` ([file format specification, version 7](https://web.archive.org/web/20050126105313/https://partners.adobe.com/public/developer/en/illustrator/sdk/AI7FileFormat.pdf), §15.4.6.1, §15.4.10.1 and §22.6). A file whose type sets a line breaking value (`TG`) or Japanese layout rules (`Xu`, `Tu`), which VectorCraft doesn't keep, opens with a warning for each (`import::ai::tests::legacy_manual_pair_kerning_is_kept`, `legacy_line_breaking_and_japanese_layout_rules_are_warned_once`, `legacy_ai::tests::manual_kerning_and_soft_hyphens_are_written_and_read_back`).
    A PDF saved with Illustrator's editing data opens through it as a PDF-compatible `.ai` does, with its layers and groups and with art reaching past its page unclipped; such a PDF holds the data in `AIPDFPrivateData` streams (part of #868). A shape a PDF or `.ai` paints with a gradient (a clip path round a shading) opens as one path filled with the gradient, not a clip group round a rectangle, so Shape Builder, Live Paint and Pathfinder work on its outline (#1304).
    In a `.ai` opened from its editing data, a text object on a layer that shows and doesn't print stays on that layer, made from the file's text document, even where the page doesn't draw it (`crates/eps/src/import/tests_native.rs`). Such a `.ai` opens without the PDF part's warnings that text was kept as outlines when no outlined glyphs come in, and a warning counts the text objects that hold the page's type next to glyphs the page has only as outlines, which don't come in (`crates/engine/src/cmd/fileio/tests_aiimport.rs`). Where the art of a `.ai` or EPS opened from its editing data differs a little from the file's page, the warning gives the share of the page that differs away from type. When that share is 0.2% or less, the warning names the type and gives the share of the page that differs where the type is; when all the type is made from the text document, the type's share has a warning of its own beside the art's (`crates/eps/src/import/tests_native.rs`).
    In a `.ai` or EPS opened from its editing data, where a layer's or group's drawn look (an effect can be attached to a group or a layer, [Vector and raster effects](https://helpx.adobe.com/illustrator/desktop/special-effects-styles/apply-filter-effects/vector-and-raster-effects.html)) draws a copy of art with type, the import puts the page's type that lies over the copy's other art into the copy's group, instead of giving it to other text objects by painting order. Type beside the copy's art, and every copy's type in a file past the import's text-object limits, still goes by painting order. Without a page, such a copy has no type, and no warning counts it as left out. How the page's type is matched with a copy is VectorCraft's own rule (`crates/eps/src/import/tests_native.rs`).
@@ -1639,12 +1664,13 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur
    A `.ai` opened from its editing data opens its Objects on Path groups live, with their path, their objects in order along it, Pivot and Rotate, and their art where the file draws it; a group whose spacing has been dragged, or with options an Objects on Path group doesn't hold, opens as a plain group (`crates/eps/src/import/ai/tests.rs`).
    `.ai` symbol definitions and placed instances open as live symbols, in the Symbols panel's order; an instance of a symbol that isn't read, or whose appearance differs from its symbol's, comes in as the page draws it (`crates/eps/src/import/ai/tests.rs`).
    In a `.ai` opened from its editing data, an object in a pattern's art or a brush's art with an art style VectorCraft reads opens as itself with its effects live, as an object on a layer does, and an object in a pattern's art keeps the id of a graphic style in the file's list (`crates/eps/src/import/ai/tests.rs`).
+    A graph in a `.ai` whose records have the shape and values the published version 7 specification gives ([the specification](https://13thmonkey.org/documentation/fonts/AI7FileFormat.pdf), printed pp. 109–112 and 146–158) opens as a live grouped column, stacked column, line or area graph with its saved art, table, axes and settings, and Graph Data edits it ([the help page](https://helpx.adobe.com/illustrator/desktop/automate-visualize-data/visualize-data/add-graph-data.html)); other graphs keep their art as plain objects with a note, and saving a graph to `.ai` warns that its data and settings aren't written (`crates/eps/src/import/ai/tests.rs`, `crates/engine/src/cmd/graph/tests.rs`).
    Blends and envelopes in the definitions of a `.ai`'s symbols, patterns and brushes' art count against the same per-file limits on blend layout and envelope checks as the layers' art, so a file with many definitions does not get those limits again for each one (`crates/eps/src/import/ai/read/directives.rs`).
    A `.ai` or EPS whose editing data has brushes opens with the file's Calligraphic, Scatter, Art and Bristle brushes in the Brushes panel in place of the default ones, in the file's order: the Calligraphic size, roundness and angle with their variation, the Scatter size, spacing, scatter and rotation, the Bristle settings, and the Scatter and Art brushes' art (Art brushes in the older and newer forms of their objects). A brush library `.ai` (brushes and no layers) opens from its PDF part with its brushes, so Other Library lists them. An Art brush in Tints keeps that colorization. Pattern brushes and brushes that can't be read are left out with a note. Paths with a Calligraphic brush, and paths with an Art brush in the newer form at 100% in Tints that stretches art of solid-filled paths unflipped, open as the path with the brush on its stroke. Paths with an Art brush in the older form, and other brushed paths, still come in as their drawn look (part of #372 and #637; `crates/eps/src/import/ai/tests.rs`, `crates/eps/src/import/tests_native.rs`).
    In a `.ai` opened from its editing data, a path or type object with Offset Path, Outline Object or Outline Stroke on the whole object opens as itself with those effects live, in their order and shown or hidden; on a fill or stroke of type they stay on that fill or stroke. Offset Path keeps its Offset, Joins and Miter Limit, and Outline Stroke takes its width from the stroke. An Offset Path with a setting missing, out of range or not read keeps the drawn art, as does a path with a Path effect on one fill or stroke (`crates/eps/src/import/ai/style/tests.rs`, `crates/eps/src/import/ai/tests.rs`, `crates/eps/src/import/tests_native.rs`).
    In a `.ai` or EPS opened from its editing data, a Scatter brush whose last 15 numbers start with 1 comes into the Brushes panel in Tints, and each brush art section is read without its frame, an unnamed, unpainted rectangle with no settings of its own at the art's bounds (within 1/1000 pt). A wider frame stays in the art, and an art group with a state or look of its own (hidden, locked, isolated, knockout, an opacity, a blend mode, a name, a mask, a note or an appearance) stays a group (`crates/eps/src/import/ai/tests.rs`).
    In a `.ai` opened from its editing data, type with Warp on the object or on one of its fills or strokes opens as type with the effect live when the live warp draws as the art saved with it. When it draws differently, or when the file's limit of checks has no check left for it, it opens as that art, and one note says how many did. Type stays live without a comparison when the saved art paints nothing or draws type of its own, in frames of threaded type, when a text variable binds it, and when its text object doesn't come in as one text object (`crates/eps/src/import/ai/envelope.rs`, `crates/eps/src/import/tests_native.rs`).
-    In a `.ai` opened from its editing data, an object with a Tweak that moves nothing or Pucker & Bloat at 0 opens as itself with the effect live. A path, compound path or group whose only effect is Transform without copies, or a Free Distort whose corners make a parallelogram, opens as itself with it live, and so does an object with nothing stroked whose only effect is Twist: a path or compound path with straight segments at up to 180° either way, and another path, compound path or group with no guide in it at up to 90° either way (limits VectorCraft sets); one twisted further keeps the drawn art. A gradient or pattern, an image, type, a clipping group, an opacity mask or effects inside the object, or a stroke with a Transform that scales, rotates or reflects, keep the drawn art (`crates/eps/src/import/ai/style/tests.rs`, `crates/eps/src/import/ai/tests.rs`, `crates/eps/src/import/ai/read/ops.rs`).
+    In a `.ai` opened from its editing data, an object with a Tweak that moves nothing or Pucker & Bloat at 0 opens as itself with the effect live. A path, compound path or group whose only effect is Transform without copies, or a Free Distort whose corners make a parallelogram, opens as itself with it live, and so does an object with nothing stroked whose only effect is Twist: a path or compound path with straight segments at up to 180° either way, unless it is a compound path with a guide member that reaches past its other members and the angle is not 0°, and another path, compound path or group with no guide in it at up to 90° either way (limits VectorCraft sets); one twisted further keeps the drawn art. A gradient or pattern, an image, type, a clipping group, an opacity mask or effects inside the object, or a stroke with a Transform that scales, rotates or reflects, keep the drawn art (`crates/eps/src/import/ai/style/tests.rs`, `crates/eps/src/import/ai/tests.rs`, `crates/eps/src/import/ai/read/ops.rs`).
    A PDF page whose `UserUnit` (PDF 1.6) is above 1 opens at its size in points, its numbers times the `UserUnit` (one above 75,000 counts as 75,000), and `document.pdfInfo` gives its size and boxes in points too. A `.ai` whose editing data has its artboards in the units of such a page opens from that data at the page's size, with its layers, and when the layers can't be read its pages still take the artboard layout of the data, scaled the same way (part of #1482).
    `document.open`, `file.place` and `document.pdfInfo` reject a `cropTo`, `crop`, `password`, `colorMode` or `textAs` that is not a string, such as `"textAs": true`, and `document.pdfInfo` rejects a `thumbnailSize` that is not a number; the error names the param, and nothing opens or is placed. A param left out or given as null keeps its default (`crates/engine/src/cmd/fileio/tests_pdfimport.rs`).
    When the PDF content of a `.ai` has a page for each artboard, the layers are compared with every page on its artboard (until the pages compared take 8,388,608 pixels at the comparison's scale, about 67 letter-size pages, or number 128): art that only the layers or only a later page draws is handled as art that differs on the first page is, and a text object that a later page doesn't draw is left out unless its layer doesn't print (`crates/eps/src/import/tests_native.rs`).
@@ -1836,6 +1862,8 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur

 - **Brush art of copies:** symbol instances, inline graphics and repeat copies of a brushed path keep their own brush art between frames, as the same path on the page does. The renderer also keeps the stroke outlines of brush art and the evaluation of a live object in it, such as an envelope that a scatter brush places. The brush art is made again when the path, its stroke or the brush changes, and when the art of a symbol or pattern that the brush art can show changes. On one thread at 1000 × 1000 pixels (the median frame, with the median fastest frame in brackets), 2,000 paths on the page whose scatter brush art is an envelope take 94 ms (80 ms) a frame instead of 400 ms (306 ms), and 2,000 instances of a symbol whose art is a brushed path take 13.4 ms (12.0 ms) instead of 19.3 ms (15.6 ms), with the same pixels.

+- **Two brushes with one name:** when a document stores two brushes with the same name, a stroke that names it draws on the canvas with the first of them, as `brush.get`, Brush Options, expanding, outlining and the SVG, PDF, EPS and `.ai` exports take it. Document Info gives that brush's type, and the Brushes panel's row of that name previews and drags the first brush. Reading the library numbers the second brush ("Name 2"), so the panel lists it in a row of its own that shows it.
+
 - **Live objects in symbols and masks:** symbol instances and inline graphics whose symbol is a blend, an envelope, a repeat, an Intertwine object or a gradient mesh, or a group that holds one, draw the evaluation the renderer keeps for that object between frames, as the same object on the page does. So do opacity masks whose art is such an object, and such objects in clip groups in Outline view. The object is evaluated again when the symbols, patterns, fonts or color settings it shows change. Symbol art with effects of its own, or that holds a symbol instance, an image, a placed file, type with an inline graphic or a raster effect, is still placed and evaluated again in every frame. At 1000 × 1000 pixels, a page of 2,000 instances of a symbol that holds an envelope takes 28 ms a frame instead of 126 ms, with the same pixels.

 - **Live objects in documents with many symbols:** a live object, or an object with effects, that shows symbols or patterns is not walked again in a later frame to find them while the document's symbols and patterns stay the same. One that shows a placed file is walked in every frame. At 1000 × 1000 pixels, a page of 2,000 envelopes around instances of the last 2,000 of 10,000 symbols takes 30 ms a frame, and 83 ms when every frame walks them again, with the same pixels.
@@ -2064,6 +2092,9 @@ Corners section in the Anchor Inspector sets the radius and kind, counts the sel
 Set Corners… (in the submenu and the Corners section) sets the radius and kind with Preview, on all the chosen anchors
 or only the odd- or even-numbered ones (`every`, #5546), and only the corners whose angle is in a range
 (`minAngle`/`maxAngle`, #5545).
+`cornerSet` and `cornerRemove` refuse an `items` member key other than `id` and `anchors`, and `items` given with `ids`;
+saved steps still play (`corner_commands_refuse_an_unknown_item_key`, `corner_commands_refuse_items_with_ids`,
+`saved_corner_steps_with_older_item_keys_still_play`).
 Slide Anchor Along Path drags an anchor along its curve, the two segments beside it refitted by the keep-shape kernel
 (Shift: where the tangent is a multiple of 45°). Commands `addon.pathtools.cornerSet`, `cornerRemove` and `slideAnchor`,
 each one undo step; `vectorcraft_pathops::addons::pathtools::slide_anchor`. Tests: `addons::pathtools` in
@@ -102,7 +102,7 @@ middle.
 | Volume | 0–100 %. The surface is a membrane under even pressure, held along the outline (and around holes): it rises vertically from the edge and rounds smoothly inside, without creases along the shape's middle. At 50 % a circle becomes a half sphere; 100 % puffs twice as high, 0 % is flat. |
 | Both sides | The back puffs out too; otherwise it is flat. |

-The surface starts with a grid of 48 cells across the larger side, halved or quartered where it rises steeply near the outline. White-light Inflate retains the existing clipped polygon cells, shading and paint composition. With colored lights, simple cells are triangulated with shared border samples, and lighting interpolates shared membrane normals through ordinary RGB vector gradients, including on a puffed back. Solid fills batch those triangles into three channel groups and one coverage clip for the whole surface. Source gradients retain per-facet vector composition and apply transparent coverage once. Seam widths retain the 0.05 to 0.75 pt bounds, and every facet's seam has round joins ([Seams](#seams)). Shading is automatic, with no additional dialog option.
+The surface starts with a grid of 48 cells across the larger side, halved or quartered where it rises steeply near the outline. White-light Inflate retains the existing clipped polygon cells, shading and paint composition. With colored lights, simple cells are triangulated with shared border samples, and lighting interpolates shared membrane normals through ordinary RGB vector gradients, including on a puffed back. A solid fill or stroke drawn alone, or drawn whole because a fill or stroke of the object is translucent or blended, batches those triangles into three channel groups and one coverage clip for the whole surface; when its faces share one depth order with another solid's, each triangle has its own clip and channel ramps. Source gradients retain per-facet vector composition and apply transparent coverage once. Seam widths retain the 0.05 to 0.75 pt bounds, and every facet's seam has round joins ([Seams](#seams)). Shading is automatic, with no additional dialog option.

 ## Seams

@@ -115,9 +115,10 @@ How a facet carries its seam depends on the lights and the paint:
 - Extrude & Bevel, Inflate and Rotate, when no light is colored (one white light or several): a path filled with
  the facet's shading and stroked with its seam. With a colored light, Extrude & Bevel and Rotate (planar shading)
  are drawn the same way.
- Inflate with a colored light and shading on: a solid-color fill draws each facet's light ramps with its seam in three channel
-  groups clipped to the union of its facets, so no seam reaches past the surface; a gradient fill fills each facet's
-  ramps through a clip of the facet and its seam, outlined with round joins.
+- Inflate with a colored light and shading on: a solid-color fill or stroke drawn as one composite draws each facet's light ramps with its seam in three channel
+  groups clipped to the union of its facets, so no seam reaches past the surface; a gradient fill, and a solid-color
+  fill or stroke whose faces share one depth order with another solid's, fills each facet's ramps through a clip of
+  the facet and its seam, outlined with round joins.
 - Extrude & Bevel (Classic), Rotate (Classic) and Revolve (Classic): a path and a seam for every face; gradient and
  pattern faces seam only the base paint, and the shading and highlight layers cover the face alone. The Wireframe
  surface draws edges only, with no seam.
@@ -128,7 +129,7 @@ How a facet carries its seam depends on the lights and the paint:
 A facet seen almost edge-on is a sliver, and a seam with mitered joins would reach past the solid as a thorn; a round
 one reaches no more than half its width past its facet. So where a facet has no neighbor (Rotate's plane, every
 silhouette corner) its convex corners are drawn rounded by up to 0.375 pt (half the largest seam), except a
-solid-color Inflate under a colored light, whose clip keeps its corners sharp.
+solid-color Inflate surface under a colored light drawn as one composite, whose clip keeps its corners sharp.

 ## Fills and strokes

@@ -155,8 +156,9 @@ The rest is our reading:
  this order, in runs that each carry the mask, and so do its graphics. A member of a 3D group with its own opacity
  mask or blending mode draws its fill's and strokes' faces in this order inside that mask or blending mode when
  they are opaque with Normal blending. Otherwise each solid is drawn on its own with its opacity and blending, the
-  lower item's first. With a light that is not white, each solid is also drawn on its own when one of them is a
-  puffed, shaded Inflate surface in a solid color (drawn as one composite).
+  lower item's first. With a light that is not white, a puffed, shaded Inflate surface in a solid color takes its
+  place in this order too, each of its faces drawn with its own light ramps; a lone solid of that kind is still
+  drawn as one composite, and so is each such solid when they hold more than 30,720 faces together.
 - The solids turn, twist and taper about the center of the bounds of all their shapes, Inflate's grid covers
  those bounds, and with Perspective one eye sees every solid. A stroke too narrow to hold a point of Inflate's
  grid stays flat.